Recessions tend to centre on one part of the economy; coronavirus has hit them all. The road to recovery will be long

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In a way, Britain should have been the country best prepared for the devastating impact of Covid-19 on the economy, because throughout 2019 barely a day went past without someone popping up to warn of the dangers of a cliff-edge Brexit.

But there are cliff edges and then there’s falling off the cliff, and not even the most pessimistic remainer would have been willing to predict what has happened since the UK went into lockdown at the end of March. While most of the attention has been focused – quite rightly – on the medical emergency, the economy has collapsed.

Threadneedle Street says the economy hasn’t been as bad as this for 300 years – so it can only can get better

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It’s hard to be all that cheerful when you are bracing yourself for the biggest annual contraction in the economy since before the South Sea Bubble crisis of 1720, but somehow or other the Bank of England has managed to find some nuggets of hope amid all the gloom.

To be sure, the short-term news from Threadneedle Street was as grim as everybody had expected. Having fallen by 3% in the first three months of 2020, activity is projected to drop by a further 25% in the second quarter and by 14% over the calendar year.

Related: Don't expect a snapback for the UK economy after lockdown is lifted | Larry Elliott

One of the two main definitions of recession in the UK is at least two quarters of negative economic growth. Judged by this yardstick, the UK was last in recession in 2008-09, when there were six consecutive quarters of negative growth. 

Pace of layoffs tests states’ unemployment benefits fund as 33m jobless Americans make claims in past seven weeks

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Another three million Americans filed for unemployment benefits last week as the coronavirus pandemic continued to exact its terrible toll on the US jobs market.

More than 33 million jobless Americans have now made claims in the past seven weeks.

Coronavirus prompted an emergency operation to house rough sleepers in Travelodges and Holiday Inns. In many ways it has been a success – but what happens next?

To begin with, Clare Sutcliffe found the shift from sleeping in a doorway in Soho to a king-size bed in a central-London hotel very disorientating. After 15 months sleeping rough, she found it hard to relax and really believe she was in a safe space.

“The first couple of nights, I couldn’t sleep with the light off,” she says. “This might sound mad, but I was a bit scared. It was different; when you’re used to sleeping out in the open outside and then all of a sudden you’re in a bed, in a room, with a door that shuts.” When she arrived at the hotel five weeks ago, she was a skeletal six-and-a-half stone; since then, with three meals delivered to her room every day, her health has begun to improve.

Vinnie and the gang decide to rob a circus, as Joseph Gilgun’s hit comedy – part-Shameless, part-Ocean’s Eleven – returns for a second run

At first glance, Brassic (Sky One) looks as if it might have been the first quarantine comedy. The second series begins with Vinnie (Joseph Gilgun) skulking around the fictional Lancashire town of Hawley in full DIY hazmat get-up, with his hood up over a hat, a scarf pulled over his face, and sunglasses, despite the weather being a near-permanent state of grey drizzle. It even goes a bit Tiger King, when a robbery takes an unexpected feline turn.

But Brassic is only accidentally of the moment: there’s far too much non-social-distancing going on, for a start. It was filmed last year, while the first series was airing, and it became Sky’s biggest original comedy in years. That’s no surprise. It had an easy appeal and a raucous sense of humour, with real heart behind the madcap antics.

Her freaky, filthy tracks frequently break the internet – most recently with a guest spot from Beyoncé – but the Houston rapper won’t let the internet break her

• ‘We do what we want, for ourselves’: why it’s a golden age for women in rap

Given that her lyrical prowess has made her one of the hottest rappers in the US, it’s hardly surprising that Megan Thee Stallion is good at anecdotes. We’re talking over Zoom – Megan looking impeccably high-glam, worthy of a Real Housewives reunion – as she regales me with how she ended up recording a remix with her idol.

“I got a call: Beyoncé wants to do a remix to Savage,” she says, shaking her head with disbelief. “And I was like ... what? Shut up. Shut up. You’re lying. Beyoncé don’t want to get on nothing with me. Come on, it’s me! I know I’m Megan Thee Stallion, but dang!”

I can’t be mad at the next girl for wanting to be the best. Why can't we both agree that we bad?

Mark Cousins’ latest encyclopedic romp is a glorious enterprise that unearths footage from some of the greatest film-makers ever – all of them women

A perfect lockdown gift has landed, one which might have sounded daunting in ordinary times: a 14-hour documentary about female directors, which goes live from next week on BFI Player. This glorious enterprise unearths footage from some of the greatest movie-makers of this century and the last – all of them female. At the same time, the BFI is showing 36 of the hundreds of films mentioned, so that viewers can enjoy full immersion over weeks, possibly awarding themselves a degree in, say, The Cinema of the Second Sex afterwards.

Narrated by women including Tilda Swinton and Thandie Newton, Women Make Film – A New Road Movie Through Cinema is the latest encyclopedic romp from the Northern Irish film historian and documentary-maker Mark Cousins, who previously directed the 15-hour television series The Story of Film: An Odyssey, in 2011. The new documentary will be released in palatable chunks over five weeks from 18 May, and aims to open a conversation on the lost legacy of women behind the movie camera.

Related: Angry young women: how radical, female film-makers defined the spirit of '68

I have always maintained a professional relationship with my two female lodgers but spending more time together recently led to a lapse in judgment

I share my house with two female lodgers. We’re all single at the moment but we have always maintained a professional relationship with each other. In the current circumstances, we are obviously spending more time together. The other week, the inevitable happened. After a few drinks, I ended up getting intimate with one of them on the sofa. The following day, she didn’t bat an eyelid but we agreed to put it down to too many beers.

The thing is, I now see her in a new light. She is 20 years younger than me and I find her sexually attractive. I’m struggling to keep that line drawn. We still have a great relationship, sharing drinks and a chinwag, but I feel different. Should I tell her how I feel and run the risk of everything going pear-shaped?

Is there any business or professiona the profit of which is not chargeable to tax?