I'm counting down to the publication of my 20th book, RACE THE SANDS, out 4/21, by sharing pics of each #booknecklace my husband gave me to celebrate each of my prior books...

Book 19 (MG): SPARK is my newest book for kids. It's about a girl and her lightning dragon (a storm beast), and how even the quietest voice can change the world. My #booknecklace is a lightning bolt, and I wore it so much that I broke the chain.

I wrote SPARK for all the quiet kids out there. But it's not about a quiet kid who learns to be loud. It's about a quiet kid who discovers that she's strong exactly as she is. She doesn't have to change herself to change the world.

I also wrote it because I not-so-secretly want my own lightning dragon.....

I'm counting down to the publication of my 20th book, RACE THE SANDS, out 4/21, by sharing pics of each #booknecklace my husband gave me to celebrate each of my prior books...

Book 20 (adult SFF): RACE THE SANDS. And this brings us to my newest book and newest #booknecklace! Tomorrow my 20th book comes out! It's a standalone epic fantasy about monster racing. The primary monster is a metal lion, and my husband found the most perfect necklace on Etsy!

Woohoo!!! SPARK made the Florida Sunshine State Young Readers Award 2020-21 list! Thanks so much, Florida librarians! You have absolutely made my day!

https://www.floridamediaed.org/ssyra.html 

Six young Jedi face their fears and themselves in an ancient rite of passage.

I don't keep my finger on the pulse of all the independent Kickstarter campaigns running at any given time. There's just too much unique content being produced month after month for me to sift through everything. I leave that to those who write previews and reviews for a living (I am an IT Consultant for a living; I write reviews as a hobby because I'm passionate about board gaming). The only way an independent Kickstarter campaign is going to be on my radar is if the designer/publisher reaches out to me to let me know the campaign is running or if it's created a bit of buzz already in the key circles that I frequent. I definitely wasn't closely monitoring Kickstarter campaigns four years ago when the original edition of Middara  was initially funded. It was an adventurous dungeon crawl that promised to be so much more than an ordinary dungeon crawl. With options to run in campaign mode for an ongoing narrative or crawl mode for one off gameplay, it could work as a long term project for committed game groups as well as a fun game for casual players. It was a long road from its 2015 campaign to its 2019 fulfillment with a lot of unhappy backers along the way who voiced frustration at the late fulfillment of the game. In early summer 2019, a few months after delivery of the original Middara  game was completed, Succubus Publishing launched their Middara: Unintentional Malum Triology  Kickstarter campaign. This offered a reprint of the original game (retitled Middara: Unintentional Malum Act 1), expanding it to over 80 hours of content, as well as two new adventure expansions (Acts 2 and 3) and a host of other Kickstarter exclusive add-on and stretch goal content. It also promised a faster turnaround on delivery to backers. Suddenly Middara  and its designers (Clayton Helme, Brooklynn Lundberg, Brenna Moncur, and Ian Tate) were the talk of the town and my husband Chris and I had an intense discussion about backing the second campaign. We were torn - yes the game sounded really cool, but we already own one behemoth campaign dungeon crawl (I’m looking at you Gloomhaven). Did we really need another? We hemmed and hawed and let the decision hang in the air. And then then publisher decided for us, by sending us a review copy of Middara: Unintentional Malum Act 1 (M:UMA1).

As soon as the box arrived at the end of June, I poured over all the components. So much stuff! Such a huge box! The artwork (conceived and illustrated by Stephanie Gustafsson, Alex Hansen, Hector Sevilla Lujan, Rhett Mason, and Jon Troy Nickel) is absolutely beautiful. The illustrations are well drawn, well detailed, and bursting with color.
The game could have an audience in the tween set if the drawings were a little less risqué, but as marketed to older teens and adults, everything is within decency standards.

The minis are of good quality; well sculpted. I do wish that at least the starting adventurer minis came pre-painted (I always wish that because I have no painting skills or supplies) especially when M:UMA1 is priced at $150. The components are sturdy and should hold up to regular usage. We haven’t sleeved our cards yet and because of the sheer quantity of them (hundreds) they’ll likely remain unsleeved. I especially enjoy the custom dice, separated by color to indicate which dice should be used during dice rolls.

After examining all the game contents, my interest was definitely on the upswing and Chris and I  set about assembling a crew to play the game in adventure mode. It’s daunting to find others willing to commit to 80+ hours of gameplay, but soon enough we had a happy foursome. One of the players, Craig, actually owned the original edition of Middara but hadn’t found the time to assemble a group and get it on the table. Our other player was his coworker and friend Matt.
Craig showed up for our first night of gameplay with a sweet surprise – he had ordered the fancy game mats and was happy to share them with us for our adventure.

In M:UMA1  adventure mode, players begin the first game by taking on the roles of young students preparing for their Magical Aptitude and Skill Test (MAST). We spent that first evening getting to know the four starting characters (called adventurers) and deciding who would role play each one. Every adventurer has their own unique backstory, motivations, starting equipment (armor, weapons, relics, consumables, etc.), and vivid personality.  I chose Nightingale because I saw myself in her and thought I would really enjoy playing her. Chris chose Rook, Craig took Remi, and Matt selected Zeke.
M:UMA1  adventure mode breaks down the overall campaign (called the adventure) into many sessions called encounters. We typically play one or two encounters each evening we get together, with each encounter lasting anywhere from one to two hours. To start an encounter, all players gather round the table and lay out their adventurer cards and equipment. The narrative is read from the Adventure book, or alternatively listened to on the Middara app. We all really love the app. It’s available on the Apple App store or Google Play store and allows players to hear the narrative bits of the story without requiring one of them to do the reading aloud. The voice actor Succubus Publishing hired is fantastic; she is an expressive reader who brings the characters alive. While the entire adventure in M:UMA1  is narrative driven and so every encounter advances the plot at least a little bit, there are some encounters that have several pages of story so using the app is really nice. After the narration is finished, the location boards are set up for the encounter, forming the terrain, similar to any other dungeon crawl. Directions for setup are given in the Adventure book with modifications in the Diagram book. Some elements of the terrain may have their details partially hidden, such as loot tokens (which hide the exact reward until a character performs an encounter adjacent to the token) and totem tokens (which hide what they represent until an adventurer comes within line of sight of the token). The starting spaces on the board for each adventurer and the monsters (called combatants) are specified in the Adventure book. Once everything is setup, the game begins; turn order for adventurers and monsters is driven by initiative cards that were shuffled and randomly laid out in a row during setup.
During the encounter, players spend their turns moving their adventurers around the terrain, following movement rules, as they work to complete the encounter goals. Usually this involves reaching the exit token, but other goals are possible. Since players typically get rewards (gold, equipment, experience points, etc.) each time their adventurer slays a monster, most will want to prioritize battling the monsters over making a quick run for the exit token. There isn’t a lot of analysis paralysis during game play as the best options for next steps on a player’s turn are usually fairly obvious. Combatants spend their turns completing actions as specified on their description cards. Those that are designated as adventurer opponents are called intelligent combatants and have intelligent combatant cards, while the ones that players control and that fight on behalf of adventurers are called command combatants. 

Exploring the terrain and battling intelligent combatants are governed by an extensive set of rules (60+ pages!) provided in the rulebook. It took us at least three encounters before we really understood most of the basic rules and even now, we find ourselves frequently checking the summary poster we printed out as a giant player aid. There’s just too much information to memorize it all, especially when the information is subject to change due to errata. Which brings me to one of the few complaints I have about this game -the large volume of errata. You either have to remember to frequently check the long list of corrections and changes (to the 1.0 rulebook and to the text printed on various components such as equipment cards, combatant cards, etc) and update gameplay as you go along,  or dedicate a session to reviewing all the changes and corrections and marking up the components with the correct text in one sitting. We started off trying to do the former but it was so frustrating that we switched to the latter and it took me at least an hour.  For the rulebook errata, you can take a shortcut to getting the updates in place (if you don’t mind the ink and paper expense) by printing out the updated 1.08 rulebook from the Succubus website. Another note on the rules- deciding which rule set to play under has become a complicated issue that players will need to come to agreement on as Succubus has compiled and released an entirely new version of the rules (v1.1) that changes several of the fundamental aspects of the game. This was done in response to the feedback from players who have extensively played through the game using the original 1.0 rulebook with errata corrections. The major overhaul is meant to strengthen aspects of the game that felt too weak and weaken aspects that seemed overpowered, but not all players agree on the changes. Also, the 1.1 changes are still in Beta release and so they are subject to change as they continue to be finalized. Our little group likes to keep things simple, so we opted to stick to the 1.08 rule set, at least for now.
Theme is really important to me, so I was very happy to discover that Middara’s theme is well implemented across all components and the gameplay thus far in M:UMA1 . This is where the game really shines over its competitors. Its narrative is extremely detailed and offers so much depth in the characters. More so than Gloomhaven. More so than any other board game I’ve played. An experienced  screenwriter could easily adapt the storyline into a fantastic adventure film for the big screen and I’d go see it. My two year stint playing through the Pathfinder Skull and Shackles Adventure Card Game is a distant second in plot development, and even then, that game only had such a rich narrative track because we employed a user written storyline that we found on BGG (the publisher offered little in the way of quality narrative for the game). I come back to the table each week to play M:UMA1 , not just for the fun of fighting monsters and gaining rewards, but also to find out what happens next in the story. Bonus: as the plot unfolds, adventurers grow in skill and discipline and new content becomes available.
At the time of this writing, we've played through all of Chapter 1 and are partway through Chapter 2 (about 10 distinct sessions). Once we are finished with M:UMA1  in adventure mode (we estimate it will take us over a year, meeting weekly) there are plenty of scenarios and special content for us to replay M:UMA1  in crawl mode.  In fact, a large portion of the Kickstarter promo box is content exclusively for use with crawl mode and I’m excited about eventually digging into that.
Based on my experience with M:UMA1  so far, I highly recommend the game. Not only is the game worthwhile on its own merits, but the friendship building that comes from playing a year+ long adventure with others is wonderful. You can make a full afternoon or evening out of each session, sharing a meal together before sitting down to play the game. Although I was given a review copy of Act 1, I like Middara so much that I’ll be purchasing Acts 2 and 3 myself (or putting them on my Christmas list). You can pre-order the entire trilogy or any part of it on the Succubus Publishing website once the publisher reopens wave 2 pre-orders.
-------------------------------------------------
Publisher: Succubus Publishing
Players: 2-4 (We played with 4)
Actual Playing Time (vs the guideline on the box): About 1 - 3 hours per encounter
Game type: narrative driven, dungeon crawl, campaign, action points, role playing, cooperative, dice rolling, grid movement
Rating:

Jenni’s rating scale:
OUI: I would play this game again; this game is ok. I probably would not buy this game myself but I would play it with those who own it and if someone gave it to me I would keep it.
OUI OUI: I would play this game again; this game is good. I would buy this game.
OUI OUI OUI: I LOVE THIS GAME. I MUST HAVE THIS GAME.
NON: I would not play this game again. I would return this game or give it away if it was given to me.

For anyone that missed it: Starfighter has been on hiatus so I could get Chapter 2 to the printers. Instead of the six extra pages I planned.. I went a little overboard with the smut like usual and made twelve. So, IN SHORT: the bad news was: twice as many pages took longer to get done. The good news is: the wait is over and now the print version is finished and filled with sweet extras. It's 69 pages of comic +12 pages of smut, and will also be sold for the same Chapter 1 price of $14.

I WILL ANNOUNCE WHEN IT'S ON SALE! :D

TO THE YAOI-CON PRE-ORDERS: Thank you so, so much for your patience! As soon as we get the books in, they will be shipped out to you ASAP. (You will also be getting the online pre-order goodie with your comic!)

And Yes, Chapter 3 is starting, you can look forward to regular updates!

My big, BIG thanks to Thisbe and Onorobo, who I couldn't have done this without! Thank you both so much, I love you!

Thank you all so much for your patience! You have been so sweet and encouraging and I truly appreciate it! Thank you so much for sticking with this project.. I hope you continue to enjoy the comic! -Hamlet

On Facebook.

U.S. Unemployment Reaches 14.7 Percent – Chart from Great Depression Shows Risks Ahead

By Pam Martens and Russ Martens: May 8, 2020 ~   The data is out this morning and it’s not pretty. Nonfarm payrolls collapsed by 20.5 million jobs in April and the unemployment rate rose to 14.7 percent. The United States is now seeing the worst unemployment rates since the Great Depression. We prepared the above chart from data available at the Federal Reserve Economic Data (FRED) archives at the Federal Reserve Bank of St. Louis. Following the stock market crash of October 29, 1929, it was not until August 1931 that the unemployment rate reached 15.01 percent. We’re now at 14.7 percent unemployment from a rate of 3.5 percent just two months ago in February. Consider using the chart above to figure out just how much cash on hand you need to maintain.

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Hafthor Bjornsson set a world record in the deadlift on Saturday, hoisting 1,104.52 pounds (501 kilograms).

Don't expect a pack of running fanatics swarming to the finish line at road races this year. But that doesn't mean that participants don't have options.

Three-time Olympic champion Sun Yang has lodged an appeal an appeal to the Swiss federal court in an attempt to overturn his eight-year doping ban.

Distance runner Dathan Ritzenhein announced his retirement Thursday, closing a career during which he made three Olympic appearances.

At least 70% of U.S. Olympic sports organizations have applied for government funds during the coronavirus pandemic, a stark financial reality that underscores the frailties within the world's most dominant Olympic sports system.

Posted by: history79



HEAVY Trigger Warning for Rape

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Posted by: history79



HEAVY Trigger Warning for Rape

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Posted by: history79

NSFW

HEAVY Trigger Warning for Rape

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Současná koronavirová krize otřásla finančními trhy, zlevněné akcie jsou příležitostí, jak zhodnotit investici. Jenomže kdy je správná chvíle investovat? Už se trhy odrazily ode dna, nebo přijde další propad? A jak snížit riziko špatného načasování? Nad tím se zamýšlí Michal Valentík, investiční analytik společnosti Broker Trust.

• 2 bananas, frozen and sliced ($.50)
• 1 cup frozen strawberries ($1.00)
• 4 tablespoons flax seeds, ground ($.40)
• 1 cup almond milk ($.45) 
• a few almonds, chopped

• In a blender, combine all ingredients and puree until very smooth.
• Garnish with a few chopped almonds, if desired.

Seen several variations of this floating around. This particular version I got from ghoti_mhic_uait who pointed out that whether and how some of them are gendered can be really regional.

It/its - Basically nobody ever uses 'it' spontaneously unless they are trying to insult people for being GNC or perceived as trans. Most people perceive me as a not particularly feminine woman, so 'it' pretty much doesn't happen. I don't have any wish to be insulted by people who hate non-binary folk, but in the abstract I somewhat prefer 'it' to 'they'.

She/her - Most usual pronouns for me, and what I'll pick if people ask for pronouns and I don't want to be that annoying cis person who says 'I don't mind'. But actually I kind of don't mind.

He/him - I about equally don't mind 'he' as 'she', but in practice nobody ever reads me as male. I'll correct it if we're in an online discussion where people assume that articulate and sensible = male, but otherwise, emotionally it would be fine, realistically not very likely.

They/them - I feel guilty for saying this but I somewhat dislike being referred to as 'they'. I think it's the same objection I used to have when 'Ms' became common. It ought to mean that my gender (marital status) is irrelevant to what people are saying about me, which is correct, but actually it seems to mark me as one of those people for whom non-binary gender (or non-determinate marital status) is really important. So I don't like 'they' because I feel like I'm being gendered as a gender rebel, which I'm really not, I have no spare energy for activism around not fitting into the female box. I am entirely happy to refer to other people as they and hopefully wouldn't make too many assumptions about anybody else's gender politics, but I dislike it for myself.

Neo-pronouns - If it were a politically uncomplicated choice, and didn't have the same problem as 'they' that neo-pronouns mark you as a gender rebel, this would probably be my preference. I particularly relate to zie / hir ; some people object to this set because it sounds like German 'sie' meaning 'she' and therefore isn't truly gender neutral. But actually that matches pretty well how I feel about myself. I'm sort of female-ish, if people think of me as somewhere on the female side of neutral, that's about right. Also, as you can see from my icon, my preferred pronoun in Swedish is definitely 'hen'; yes, it does sound like the feminine gendered English word 'hen', which is a problem for many bilingual people, but for me personally it works really well.

Mr. - Can't really imagine this happening to me. Sometimes I choose it in a fit of pique if I'm choosing from a fixed list with only inappropriate title options. But just like I'm never going to be called 'he' spontaneously, nobody ever calls me Mr.

Mx - Don't love Mx but I'm ok with it. If social norms shift to the point that Mx is the default that people start out with rather than assuming Mr or Ms, that would be ok with me. But I don't love it anywhere near enough to insist on it if people are using a different title. (I don't like to spell it with a dot as it was in the list I copied from, 'Mx.' just looks wrong to me because it isn't an abbreviation for anything.)

Miss - My preferred title if Dr. isn't available. I dislike when people who don't know my name just call me 'Miss', but in a formal context where we're using titles, I will opt for 'Miss Surname'.

Ms - I guess, if I can't have Dr or Miss, then Ms is probably better that the other options. I am less prickly about being identified as a feminist than I was years ago, but it kind of doesn't really feel like me and I'd rather have Mx.

Mrs. - Don't like this because there is no sensible combination of 'Mrs.' with a surname. I don't have the same surname as my husband, so calling me 'Mrs. Hisname' is incorrect, but calling me 'Mrs. Myname' doesn't work either because it's not a married name, it's the same surname I was assigned at birth. A few distant relatives on both sides do default to 'Mrs. Hisname', and I don't really take offence at it, it's just a slightly incorrect formalism, not an insult. It just feels completely irrelevant to how I think of myself.

Dr. - This is my correct and earned title, which is incidentally gender neutral. I don't like being pretentious enough to insist on it always, but if I have to give a formal title to a random customer service bod, then Dr. is more correct than any of the other options. I'm happy to be addressed as 'Dr. Surname' if we are being formal. I'm not a fan of being addressed as just 'Dr.' or 'Doc', but I suppose it's better than plain 'Miss'.

Sir - I can't imagine a situation where someone would call me Sir outside a kink scene. And even then I'm almost exclusively submissive so it's not very likely. If I hypothetically did get read as male, and hypothetically it was the kind of context where 'Sir' is polite, I would be ok with it, but I'm not willing to go to the effort to be read as male, so it's not going to happen.

Ma'am - The cross-section of class and region I'm most familiar with doesn't use this. I have occasionally been called 'Madam' and I'm ok with that if it's a mark of genuine respect from someone who doesn't have a clue what my name or title are, not if it's sarcastic.

Dude - Relatively gender neutral in my dialect, but mostly used as an expression of surprise. So I wouldn't expect to be called 'dude' for real, but if it happened it would be ok.

Bro/bruh - I don't think anyone has ever called me either of these. If I heard it from someone from a similar sort of race and class background to me, I would assume they were taking the mick, either mocking me, or mocking what they perceive as a working class or ethnic minority dialect. If I were called 'bro' by someone who regularly calls people 'bro' that would be ok but again, unlikely because it's too male-gendered.

Sis - Fine from my actual siblings, and one particular friend with whom I have a negotiated fraternal relationship. Fine from people who are expressing feminist solidarity; I think I broadly prefer 'sister' over 'sis' but either is fine.

I'm also totally fine with Muslim women calling me 'sister' if they come from a culture where that's the general term of respect for anyone perceived as a woman. And if they normally only call fellow-Muslims 'sister' then it's a compliment to include a Jewish woman in the sisterhood. I don't expect it from Christians because I'm not a nun and not likely to be mistaken for one.

I wouldn't like to be called 'sis' by a stranger trying to get my attention though, it's one of the words that assumes intimacy.

Sib - Nobody really calls me 'sib' (or 'fam' for that matter). I like them, but they don't really belong in my culture and dialect.

Woman - I'm totally fine with being described as a woman. I strongly dislike being addressed as 'woman'; I can't think of a context where that would be anything other than deliberately rude.

Man - I don't think people call me 'man' directly. People use 'man' as an expression of emphasis, like, man, you're fast!. But I don't perceive that as being addressed as 'man'.

I have a few friends who will refer to me as a man if I happen to be wearing more masc attire than I usually do, and I am somewhat uncomfortable with that, because I'm not more male in trousers than a skirt, though I appreciate the underlying thought process which is to acknowledge gender-fluidity.

Boy - Implausible.

Girl - In a feminist-disapproved way, I do to some extent think of myself as a 'girl'. I am ok with other people calling me 'girl' in a context where it's obviously positive, like you go, girl!, but I wouldn't respond to someone calling me 'hey girl!' in the street. I might slightly ironically say 'because I'm a girl' when discussing some gender unfairness. I don't like people referring to me as a girl, because that can be patronizing. I particularly don't like 'girl' as a modifier; I'm not a 'girl scientist' or a 'girl manager' or a 'girl blogger', I'm a woman or female scientist.

King - I don't move in the kind of circles where this would ever be a term of address.

Queen - I think you have to be a certain kind of gay man or African American to call someone 'Queen' so this doesn't seem to fit me.

Prince - Implausible.

Princess - I kind of dislike this even as a term of endearment. It feels like a name for either a young child, or someone you don't really respect as a person but think of as basically an ornament or toy.

Captain - Completely irrelevant. The only time I'm ever even slightly likely to be addressed as 'Captain' is if someone is gently ribbing me for being bossy, which I suppose is ok if we have the kind of relationship where that sort of teasing is accepted.

Lady - As a term of address where this is culturally normal, fine. I don't feel personally excluded or hurt if someone addresses a speech to 'Ladies and Gentlemen'. If a complete stranger is trying to get my attention, I probably prefer 'lady' over 'girl', though neither is great. I don't mind when parents tell their children, say thankyou to the nice lady or similar. I would not expect anyone who knows my name to call me 'lady' instead. If someone is describing me rather than addressing me, I think 'woman' is a better word than 'lady', and 'person' is a better word still.

Feminine compliments - I don't entirely agree with the various examples from different versions of the meme of what constitutes a feminine, masculine or gender-neutral compliment. I broadly dislike 'feminine' compliments from people who don't know me well, because they are almost all about appearance, and because they are often belittling. If I'm in a close relationship with someone and feel comfortable with them complimenting my appearance, I prefer the gender-neutral 'gorgeous' over the more feminine-ish 'beautiful' as terms of address, but if it's a description rather than a name then it depends on the person giving the compliment.

Masculine compliments - I would love to be described as 'handsome', but it's never going to happen, because I'm really not. Also I don't like being addressed as 'handsome' in place of a name or title. What other masculine compliments even exist? I can't think of any of the top of my head.

Neutral compliments - In place of a name, supposedly neutral compliments are often feminized. Like, if a stranger calls me 'cute' or 'hot' or 'sexy' because they don't know my name, they're quite likely to be asserting gendered power over me and I don't like that. If someone wants to describe me in a sentence using complimentary language, I usually prefer neutral over explicitly feminine.

Honey, sweetie etc - If it's normal in someone's dialect to call random strangers by terms of endearment, that's fine. I think doing so can be gendered slightly female, but it doesn't bother me if someone calls me 'darling' or 'sweetheart' because they perceive me as female. I dislike endearments once I'm having an ongoing interaction with someone, in that case I want them to ask my name (or title, in a more professional context) and use it.

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In the early fall, over 400 bicycles would pass through the bike counter on my route before me in the morning. That number has dwindled through the winter. I don’t know what it was during the rain and wind that we had last week. I took the bus for a couple of days. But on … Continue reading Counting

Ugh, well, I still didn't finish the video I mentioned last post (it is just a video version of some of my chess papers from this last SIGBOVIK; don't get too excited), but I made a lot of progress on it this weekend. This one has a lot of custom software, some of which is hours of work for like 10 seconds on-screen. This approach is "fun" but not efficient. At least I have a good approach to the video so it's just a matter of turning the crank now.

I finished The Messenger. My verdict is that it is good. Some aspects of it are fantastic (8-bit graphics and writing) and most are very good, but the game was not very hard and the "metroidvania" aspects of it were mostly about retreading ground between distant teleports. I managed to get all the achievements, which I don't usually do, but there was just like one hard one left.

Speaking of hard ones, next up is/was Dead Cells, whose verdict is great. This is a grindy (lots of unlockables/upgrades) roguelike platformer with really excellent controls and "flow", almost feeling like a twitchy fighting game at times. It's no "Spelunky" or even "Crypt of the Necrodancer"; what set those apart for me is how the design of the random level generation really tended to create these interesting situations and puzzles. But this game has an impressive amount of content (the graphics and the sheer variety of weapons/powerups both stand out to me) and is just really fun to play, except when you die (which is always). Just now I finally beat the game on "Hard" (second boss cell) so it may be time to retire. I bought like 9 more games on the Steam summer sale, after all!

I can make a colorable argument that I once defended my life with a shotgun. I was still a newlywed, and John and I had purchased a house in the woods north of Wasilla, Alaska. I was home alone, out in the yard splitting wood, when a car came down our cul de sac, turned […]