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SKORYK, M.: Violin Concertos (Complete), Vol. 1 - Nos. 1-4 (Bielow, Ukraine National Symphony, Sirenko) (8.574088)

Myroslav Skoryk, a postgraduate student of Dmitry Kabalevsky, is one of Ukraine’s leading composers and teachers. His works range from opera and ballet, a symphonic transcription of Paganini’s 24 Caprices, and his cycle of nine Violin Concertos written over a 45-year span. They draw on elements of Carpathian folklore and are saturated in expressive dialogues, lyricism and elegy while also exuding powerful intensity. Skoryk’s sensual writing is frequently contrasted with syncopated motifs, cadenzas, fugal episodes and march rhythms. This is the first of two volumes.




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SKALKOTTAS, N.: Sinfonietta / Classical Symphony / 4 Images / Ancient Greek March (The Neoclassical Skalkottas) (Athens State Orchestra, Tsialis) (8.574154)

Despite his tragically short life, Nikos Skalkottas has now become recognised as one of the most important Greek composers of the 20th century. The modernist style of his earlier period is balanced by the four important mature neoclassical works presented here. Both the Sinfonietta and the Classical Symphony are expressions of the deep regard Skalkottas had for traditional forms blended with his unique musical language. Skalkottas was a violinist with the Athens State Orchestra, who are honouring his memory with this and future recordings of his works.




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PERFECT PIANO - Best Loved Classical Piano Music (8.578180)

The piano is one of the most universal and popular of all instruments, from the grand pianos found in prestigious concert venues to battered uprights providing entertainment in pubs and bars. Early keyboard masters such as J.S. Bach laid the foundations for composers and performers to expand the piano’s expressive range, exemplifi ed in the emotive depths of Beethoven’s sonatas against the lightness of his famous musical gift Für Elise. From the tender romance of Schumann and the power and poignancy of Chopin, to the virtuosity of Liszt, the impressionistic magic of Debussy and the enigmatic beauty of Satie, the piano offers a true abundance of musical riches.




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MORLACCHI, F.: Tebaldo e Isolina [Opera] (1825 Dresden version) (Polverelli, Pastrana, Giustiniani, Baglietto, Vlad, Virtuosi Brunensis, Fogliani) (8.660471-72)

Francesco Morlacchi was a native of Perugia, but early success led him to become music director of the Dresden Opera where he remained for the rest of his life despite having an opportunity to succeed Rossini in Naples in 1822. He did make tours to Italy however, and Tebaldo e Isolina received its triumphant premiere in Venice, becoming the most successful of all his operas. Morlacchi’s gifts as a lyricist and for characterisation are heard here at their best, with showpiece arias and duets in a version of the Romeo and Juliet story that ends in happiness and the victory of reason over vengeance.




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MALIPIERO, G.F.: Symphony No. 6 / Ritrovari / Serenata mattutina / 5 Studi (Orchestra della Svizzera Italiana, Iorio) (8.574173)

The unconventional structure of Gian Francesco Malipiero’s music takes us on a journey through unexpected, sometimes incredibly beautiful vistas. The Sixth Symphony is a rich and songful celebration of string sonorities and moods, while the heroic Ritrovari and evocative Serenata mattutina display Malipiero’s expertise in writing for unusual chamber ensembles. The Cinque studi, heard here in their premiere recording, demonstrate an astonishing range of contrasting moods—a kaleidoscopic sonic tour with no more than a small orchestra, which juxtaposes orchestral strings with a wind group of a single flute, oboe, clarinet and bassoon and two horns, and a percussion group of cymbal, bass drum, tambourine, celesta and piano.




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Lute Duo Music (Two Lutes with Grace - Plectrum Lute Duos of the Late 15th Century) (Lewon, Kieffer) (8.573854)

The plectrum lute duo was one of the most popular ensembles for professional instrumentalists in late 15th-century Western Europe. This recording presents for the first time the bulk of a surviving repertoire that can arguably be considered for the lute duo, performed on two equal plectrum lutes or with a combination of lute and gittern—a smaller member of the lute family. The album, inspired by the Ferrarese virtuoso Pietrobono dal Chitarino (c. 1417–1497), acclaimed in his lifetime as ‘the foremost lutenist in the world’, includes the earliest printed lute duos by Francesco Spinacino and Joan Ambrosio Dalza and the two-voice instrumental works by Johannes Tinctoris. The often highly ornamented instrumental duos are mostly reworkings of songs, some of which are given here in a performance with the singer Grace Newcombe to provide the context for the lute arrangements that follow.




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HANDSOME HARPSICHORD - Best Loved Classical Harpsichord Music (8.578184)

While the keyboards of the piano and harpsichord are similar, their playing techniques are quite different. The strings of the harpsichord are plucked with a quill rather than struck with a hammer, so every nuance of phrasing is down to the subtle touch of the player. There is something special about hearing music on the instrument for which it was originally written, and this programme treats us to dances from England with Byrd and Purcell, Baroque masterpieces by Bach and Handel, and elaborate and descriptive French works by Couperin and Rameau, whose Les Sauvages was inspired by Native American chieftains who danced for king Louis XV.




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Guitar Recital: Park, Ji Hyung - ALBÉNIZ, I. / BROUWER, L. / CASTELNUOVO-TEDESCO, M. / SCARLATTI, D. / TAKEMITSU, Toru / THIELEMANS, T. (8.574140)

Ji Hyung Park has won numerous prestigious competitions, with the 7th Changsha International Guitar Competition in 2018 his most recent triumph. The diverse selection of music performed in this programme features three virtuoso sonatas by Scarlatti, the world premiere recording of Leo Brouwer’s evocation of ancient Greek culture Las Cíclades arcaicas, Castelnuovo-Tedesco’s Sonata ‘Omaggio a Boccherini’ in its original, pre-Segovia manuscript form, Takemitsu’s final work In the Woods and rare selections from Albéniz’s masterpiece Iberia. The programme ends with a colourful arrangement of Toots Thielemans’ gorgeous Bluesette.




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GÓRECKI, H.M.: String Quartets (Complete), Vol. 2 - No. 3 / Sonata for 2 Violins (Tippett Quartet) (8.574110)

The Sonata for Two Violins is one of Henryk Górecki’s earliest acknowledged works—its contrasts, instrumental rivalries and sophisticated technique a worthy rounding-off of his formative period. The Third String Quartet with its evocative subtitle ‘…songs are sung’ represents a culmination of Górecki’s preoccupations with elaborate and emotive melodic shapes and closely intertwined harmonies, its final minutes recalling the beauty and poignancy of the composer’s Third Symphony (Naxos 8.550822). The First and Second String Quartets can be heard on Naxos 8.573919, ‘a recording deserving of the very highest recommendation’ (Gramophone).




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FARRENC, L.: Symphony No. 1 / Overtures Nos. 1-2 / Grand Variations on a theme by Count Gallenberg (J. Muller, Solistes Européens, Luxembourg, König) (8.574094)

Louise Farrenc was renowned in her lifetime as a pianist, composer and teacher, but it is only recently that her compositions have emerged from many years of neglect. Symphony No. 1 in C minor—cast in the German tradition—is an exceptionally accomplished work, finely orchestrated, lyrical and fiery, and a substantial contribution to the canon. The Grand Variations on a Theme by Count Gallenberg is a showcase for virtuosic elegance, and the two overtures demonstrate real theatrical drama—Overture No. 2 was admired by no less a figure than Hector Berlioz.




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BEETHOVEN, L. van: Piano Pieces and Fragments (Gallo) (8.574131)

Including premiere recordings, this programme provides us with a privileged opportunity to engage with 36 of Ludwig van Beethoven’s rarely heard sketches, variations and briefest of compositions, even the earliest of which have much to teach us about the emergence of his unique voice and style. The range of Beethoven’s musical experimentation reveals a lasting interest in counterpoint, as well as practical pages such as cadenzas for a Mozart concerto, an incomplete sonata and a second version of the famous bagatelle Für Elise. A significant supplement to his greatest works, these miniatures bring the full arc of Beethoven’s singular genius into ever clearer focus.




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AWESOME ORGAN - Best Loved Classical Organ Music (8.578179)

Mozart referred to the organ as ‘the king of instruments’, and with the breathtaking sound produced by huge cathedral organs glistening with thousands of pipes it is easy to hear why. This introduction takes us from one of the most famous pieces ever written for the organ, Bach’s Toccata and Fugue in D minor, to Widor’s wedding favourite Toccata from the Symphony No. 5, taking in masterpieces from the distinctive German and French schools of organ composing along the way. This album also features genial and spectacular music by Handel and Pachelbel and the ‘devastating tornado’ of Jehan Alain’s Litanies.




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ZÁDOR, E.: Sinfonia Technica / Music for Clarinet and Strings / Trombone Concerto (Sólyomi, Fejér, Budapest Symphony Orchestra MÁV, Smolij) (8.574108)

The music of Eugene Zádor is both warmly expressive and colourful. The composer took great delight in writing for overlooked solo instruments, as his Trombone Concerto, garnished with elements of Hungarian folklore, clearly shows. The easy-going, gypsy-influenced Music for Clarinet and Strings is a beautifully proportioned quasi-concerto. The Sinfonia Technica, composed much earlier when he was living in Vienna, and something of a one-off, is an enchanting and exuberantly orchestrated example of ‘industrial music’.




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Wind Band Music - MASLANKA, D. / PERRINE, A. / WALCZYK, K. (Freedom from Fear) (University of Kansas Wind Ensemble, Popiel) (8.574169)

Contemporary American music for wind band continues to offer a rich combination of colour and variety. David Maslanka was one of the most prolific and admired of all wind band composers, and in Liberation he utilises plainchant in a moving exploration of death, the afterlife and the continuance of hope. Inspired by Walt Whitman, Aaron Perrine’s In the Open Air, In the Silent Lines creates a rich sense of space, while Kevin Walczyk’s moving Symphony No. 5: Freedom from Fear – Images from the Shoreline is unified by its themes of adoption, segregation and immigration.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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SCHUMANN, R.: Arrangements for Piano Duet, Vol. 5 (Eckerle Piano Duo) - Symphonies Nos. 1 and 4 (8.572881)

The insatiable demand for sheet music for domestic use in the 19th century meant that popular works were widely disseminated in piano duet form. Robert Schumann’s own arrangements of the ‘Spring’ Symphony (in collaboration with his wife Clara Schumann) and the Fourth Symphony balance playability and fidelity to the original with tremendous skill. Clara considered the Fourth Symphony to be ‘another work from the innermost depths of Robert’s soul’, a symphony that has become one of the most quintessential of the Romantic era.




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EŠENVALDS, Ē.: Choral Music (Translations) (Portland State Chamber Choir, Sperry) (8.574124)

The multi-award-winning Latvian composer Ēriks Ešenvalds’ 21st-century choral sound is both exquisite and angular, and in this album he explores ideas of ‘translation’, legend and the divine. With his expanded tonality and employment of shimmering singing handbells in Translation, and the angelic use of the viola and cello in In paradisum he creates music of ravishing refinement. In Legend of the Walled-In Woman Ešenvalds transcribes and employs an authentic Albanian folk song.




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Cello and Piano Recital: Smith, Brinton Averil / Chen, Evelyn (Exiles in Paradise - Émigré Composers in Hollywood) (8.579055)

Political crises and rising antisemitism in Europe during the first half of the 20th century prompted many leading musicians to immigrate to America. An influx of refugees formed a flourishing artistic community centred within a few square miles near Hollywood and this exceptional gathering of composers transformed America’s musical landscape. This survey explores their diverse output through music for cello and piano, including arrangements by the composers and their fellow expatriate performers never before heard on the cello.




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BROUWER, L.: Guitar Music, Vol. 5 - Danzas Rituales y Festivas, Vol. 2 / Guitar Sonatas Nos. 3, 4, 5 (P.M. González) (8.574016)

Leo Brouwer is universally acclaimed as an innovative composer, and this fifth volume of his complete guitar works contains some of his longest and most ambitious pieces. Danzas Rituales y Festivas Vol. 2 covers the gamut of virtuosic techniques and includes a movement dedicated to Pedro Mateo González, while Brouwer considers the Sonata del Pensador to be ‘one of my most valuable pieces’. Rich in Cuban rhythms, introspection and astonishing virtuosity, Brouwer’s work is the result of a lifetime of musical exploration alongside a passion for music of the past.




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BRETÓN, T.: String Quartets Nos. 1 and 3 (Bretón String Quartet) (8.573037)

Tomás Bretón’s distinguished career as an opera composer and leading figure in Madrid’s musical life at the turn of the 20th century has tended to overshadow the significant contribution he made to Spanish chamber music. He remained true to the historic roots of the string quartet genre—his First String Quartet being a tribute to the Viennese tradition in its Classical poise. The Third String Quartet exudes Mendelssohnian inspiration in its first movement with overtly Spanish idioms, the Allegro no mucho third movement also having been turned into a version for piano trio as the Scherzo andalou. This is the first of two albums of the complete string quartets.




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BEETHOVEN, L. van: Celebrate Beethoven - Concertos (9.30210)




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WIDOR, C.-M.: Organ Symphonies (Complete), Vol. 2 - Nos. 3 and 4 (Rübsam) (8.574195)

Charles-Marie Widor was a hugely influential and venerated musician in his day, and his innovative organ symphonies are both a pinnacle of the repertoire and a testament to his creative and technical mastery of the instrument. These spectacular works are in the grand Romantic manner, but Widor was keenly aware of his musical ancestry, referring to music of the past such as Bach’s St Matthew Passion in the opening of the Third Symphony. The Scherzo of the Fourth Symphony is one of Widor’s finest symphonic movements, exploring the organ’s sonic beauties. The original E major Scherzo from the Symphony No. 2, which Widor subsequently replaced with a Salve Regina (see Volume 1: 8.574161), can be heard on Track 6.




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TURNER, K.: Horn Works (Complete), Vol. 1 (K. Mascher-Turner, K. Turner, F. Lloyd, Bloomer) (8.579050)

Kerry Turner made his mark on the global music community through his association with the illustrious American Horn Quartet. Turner’s compositional goal is to communicate to the listener a vivid picture through his highly melodic musical language. Many sources provided the inspiration for the works on this album, ranging from the spiritual, to the literary, and even Turner’s powerful response to the music of J.S. Bach.




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SPUCK, C.: Nutcracker and Mouse King [Ballet] (after P.I. Tchaikovsky) (Zürich Ballet, 2018) (NTSC) (ACC-20449)




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SPUCK, C.: Nutcracker and Mouse King [Ballet] (after P.I. Tchaikovsky) (Zürich Ballet, 2018) (Blu-ray, Full-HD) (ACC-10449)




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SHACKLETON, E.: South (Unabridged) (NA0401)

On 8 August 1914, five days after the outbreak of World War One, the Endurance, a wooden-hulled, coal-fired icebreaker, set sail for the South Pole, in a bid to complete the first-ever trans-Antarctic expedition, which would cross the continent from the Weddell Sea to Scott’s base at Cape Evans, via the Pole. However, despite the best planning, the ship succumbs to the ice floes of the Weddell Sea, and is subjected to months of uncontrollable drifting before its crew makes a scramble for Elephant Island, where they battle constant cold and starvation. Faced with the most fearsome terrain and extreme conditions, it is up to Ernest Shackleton, commander of the Endurance, to lead his men back to safety and save them from the horrors of the ice.




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ZOLA, E.: Masterpiece (The) (Unabridged) (NA0417)

Perhaps the most autobiographical of Zola’s Rougon-Macquart cycle of novels, The Masterpiece is a hard, bleak and raw portrait of unrecognised artistic genius. Claude Lantier, brother to Nana and son of Gervaise, is a struggling painter who dreams of conquering Paris’s art scene with his revolutionary ‘open air’ style of painting. Discouraged and mocked, Claude retreats to the countryside with a young woman from Clermont, with whom he has fallen in love, before returning to Paris, where he continues to experience rejection at every turn. Zola’s depiction of a frustrated artist is said to have drawn heavily on the real-life experiences of Édouard Manet and Paul Cézanne, the latter of whom broke off his friendship with the author upon reading the novel.




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XENOPHON: Persian Expedition (The) (Unabridged) (NA0414)

In The Persian Expedition (also known as The March of the Ten Thousand and Anabasis), Xenophon, a disciple of Socrates, relates his experiences of fighting with the Greek mercenary army ‘The Ten Thousand’ in Persia, and how he led them back to the safety of the Black Sea coast. Seeking to depose his brother Artaxerxes and take his place upon the Persian throne, Cyrus the Younger leads the 10,000 mercenaries on a dangerous campaign deep into the heart of Persia. There Cyrus is killed and his generals overthrown, leaving a young Xenophon to lead the army on its treacherous journey home. Snowy mountains, wide rivers, violent blizzards and hostile tribes obstruct their way, testing Xenophon’s leadership and his soldiers’ perseverance to the extreme.




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MUIR, J.: Yosemite (The) (Unabridged) (NA0410)

For two years Scots-born John Muir lived in a small cabin along the Yosemite creek, observing the valley’s natural beauty and reading Emerson under the stars. The experience forged a lifelong affinity with the site, which would result in its establishment as a national park in 1890. Originally written as a guidebook to the park, The Yosemite describes every aspect of wildlife and landscape that one might encounter there. In exuberant and reverent language, Muir presents its scaling peaks, winding rivers and thunderous creeks, and gives observations on nearly every plant, animal, and geological feature. With childlike awe he rides in avalanches, rushes to witness floods, and climbs rocks under waterfalls. The Yosemite is Muir’s ode to nature and the magnificence of the outdoors.




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LEBLANC, M.: Arsène Lupin, Gentleman Burglar (Unabridged) (NA0411)

The first of Maurice Leblanc’s collections about his devilish, debonair rogue, Arsène Lupin, Gentleman-Burglar presents eight dazzling short stories that display some of Lupin’s greatest thefts and escapes. Lupin robs from within prison, leaves its walls with ease, steals priceless diamonds from the rich and outwits the greatest detective of all: Sherlock Holmes. Witty, cunning and taunting, Lupin is a genius on the wrong side of the law, although his noble code of ethics and Robin-Hood-like ways often see him use his talents for good.




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JAMES, H.: Beast in the Jungle (The) (Unabridged) (NA0416)

Bachelor John Marcher is haunted by the premonition that something terrible lies in store for him, like a ‘beast in the jungle’ lying in wait. So he spends his life in idleness, unable to carry out his dreams or desires, while his friend May Bartram, curious to see how this spectacular fate will manifest, helps watch out for the arrival of the beast. The two develop a strong platonic relationship, stoked by this mystery, and gradually the best years of their life roll by, unfulfilled—lost to John’s dread and fear of the unknown. Written soon after The Wings of the Dove, The Beast in the Jungle is a haunting story of crippling obsession and a life unlived.




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FONTANE, T.: Effi Briest (Unabridged) (NA0412)

Often compared to Madame Bovary and Anna Karenina, Theodor Fontane’s Effi Briest tells the poignant story of a passionate and spontaneous young woman who becomes trapped in a dull and restrictive upper-class existence. Married at the tender age of 17 to Geert von Innstetten, an ambitious nobleman and civil servant nearly 20 years her senior, unworldly Effi is whisked away to the quiet town of Kessin, on the Baltic coast of Prussia, where she is left to raise a daughter alone while her husband travels for work. Effi’s loneliness drives her into the arms of Major Crampas, a cunning womaniser who tempts her into adultery and lets her live out her passions. The affair is soon ended, and almost forgotten, until fate and negligence resurrect it, with devastating results.




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BURKE, E.: Philosophical Enquiry into the Sublime and Beautiful (A) (Unabridged) (NA0413)

In A Philosophical Enquiry… Edmund Burke sets out to define the nature of beauty and sublimity, and establish an objective criterion for discussing aesthetics. His definition of beauty as rooted in pleasure and sexuality, and the sublime in pain and survival, aligned him with the empiricists John Locke and David Hume, as he replaced the metaphysics of Plato’s aesthetics with a psychological and physiological perspective. According to Burke, the sublime and the beautiful are experiences that can be explained by biological and sensual factors; thus he proceeds to explain how smooth lines, sweet tastes and middle frequencies of sound can be considered beautiful, and the terror created by high mountains and dark forests can be sublime. These revolutionary ideas ushered in the age of Romanticism, and the Gothic genre of novels, with their delight in horror and fright, and continue to influence aesthetic theories today.




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WHARTON, E.: Ethan Frome (Unabridged) (NA0421)

Set deep in the remote countryside of Massachusetts, New England, in a world of small-town prejudice, pettiness and rural poverty, the story of Ethan Frome explores the crippling marriage of a young man to an older woman and his love for her vibrant young cousin, Mattie, who lives as a dependent in the Frome household. His feelings lead to a day of explosive emotions with tragic consequences. Published in 1911, two years before Wharton divorced her husband, the novel integrates the raw experiences of the author’s own life to create a powerful tale of the tragic destruction of innocent love, in a stark, compressed and unified form. Over time, the book has gained the reputation of being Edith Wharton’s best work.




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Podcast: The resurrection of a requiem. Randall Thompson’s choral masterpiece. (Apr 10, 2020)

THOMPSON, R.: Requiem Philadelphia Singers, David Hayes 8.559789 Join Raymond Bisha in a podcast of artistic discovery as he unveils yet another American classic—Randall Thompson’s Requiem. Reckoned by many to be his most ambitious work, the composer himself considered it to be his masterpiece, yet it has languished for decades on the periphery of the choral performance repertoire. This world première recording fr ...more




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From the Naxos Blog: Drum roll for a teacher’s role (Apr 17, 2020)

Mario Castelnuovo-Tedesco I was on a plane a few months ago during which the choice of in-flight viewing didn’t immediately excite, but my eye was caught by a film about Mario Castelnuovo-Tedesco (1895-1968). Naxos and its affiliated labels have released numerous recordings of the composer’s works which, to be honest, I find much more engaging than I did the film. In fact, we chose a clip from his Cello Concerto Op. 72 as the intro and outr ...more




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Podcast: The symphonies of Ludwig van Beethoven (Feb 13, 2020)

BEETHOVEN, L. van: Celebrate Beethoven – Symphonies and Orchestral 9.30209 Raymond Bisha presents an overview of Beethoven’s nine symphonies as a companion resource to the first of Naxos’ monthly digital albums presenting the music of Beethoven in this 250th anniversary year of his birth. January’s compilation album (9.30209) spotlights the symphonic journey and stylistic progression from Beethoven&rs ...more




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Podcast: Black History Month. Some musical notes. (Feb 14, 2020)

The guest host of this podcast is Ashley Jackson. She is an accomplished musician, who has studied the music of both Margaret Bonds and Florence Price, who composed and worked during the civil rights movement in the United States. In this podcast, Dr Jackson gives us both an historical and a personal perspective on how the struggles of these composers, and those of her grandmother, helped make possible what she does today. Harpist Ashley Jack ...more




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From the Naxos Blog: Reicha’s rich reach (Feb 21, 2020)

You have to pity those composers who got air-brushed out of the limelight during their time for no other reason than they were contemporaries of the acknowledged masters, and so had to live under the long shadows of composers such as Haydn, Mozart, Beethoven, and so on. Or, at least, it seems to us that they were unduly neglected. It’s nearer the truth to say that societies of their day did afford them recognition, but the passing of time has not been so acco ...more




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Podcast: Write It – Reflections on Sanctuary Road (Jan 10, 2020)

MORAVEC, P.: Sanctuary Road Laquita Mitchell, Raehann Bryce-Davis, Joshua Blue, Malcolm J. Merriweather, Dashon Burton, Oratorio Society of New York, Kent Tritle 8.559884 WQXR radio host Terrance McKnight introduces the world premiere recording of an oratorio by composer Paul Moravec and librettist Mark Campbell. It’s a deeply moving tribute to the men and women of the Underground Railroad and to one heroic man in ...more




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Podcast: Nino Rota’s works for solo piano. A magical melting pot. (Jan 17, 2020)

ROTA, N.: Piano Solo Works (Complete), Vol. 1 Eleanor Hodgkinson GP827 Raymond Bisha introduces this new release from the Grand Piano label. It’s the opening volume in what is to be the first complete series of recordings of Nino Rota’s works for solo piano, performed by Eleanor Hodgkinson. Nino Rota embraced neo-Classical, neo-Romantic and even neo-Baroque affiliations. His music prized melodic directness ...more




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In the Studio with Kenneth Fuchs and the United States Coast Guard Band (Jan 18, 2020)

Kenneth Fuchs, the GRAMMY Award-winning American composer, is no stranger to followers of our burgeoning American Classics Series, in which he is represented by six fine releases, including the GRAMMY-winning album with “Spiritualist” piano concerto from last year’s award ceremony. His next recording, a programme of music for wind band, will be available in August 2020. As part of the preparations for that release, Kenneth has been working on a couple of video pre ...more




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Podcast: Richard Danielpour’s oratorio The Passion of Yeshua (Mar 13, 2020)

DANIELPOUR, R.: Passion of Yeshua (The) [Oratorio] UCLA Chamber Singers, Buffalo Philharmonic Chorus and Orchestra, JoAnn Falletta 8.559885-86 Raymond Bisha introduces Richard Danielpour’s oratorio The Passion of Yeshua, a 105-minute work for large chorus, six soloists and orchestra that takes the listener back to Jesus’ final day on earth, removing as much as possible the accretions of history since that moment in ...more




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From the Naxos Blog: Is there a doctor in the mouse? (May 01, 2020)

Source: The Flemish American As I write this blog, I’m in a lock-down situation in London arising from the Covid-19 epidemic. What was planned as a quick 7-day visit to the capital has turned into a longer-term relationship, since my home base of Thailand has pulled up the drawbridge against returning travellers such as myself. I’m staying in a hotel near London’s Paddington Station, and my permitted daily emergence to do a spot of ...more




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Podcast: A 20th-century troubadour. A 21st-century tribute. (May 08, 2020)

DAUGHERTY, M.: This Land Sings: Inspired by the Life and Times of Woody Guthrie Annika Socolofsky, John Daugherty, Dogs of Desire, David Alan Miller 8.559889 Raymond Bisha introduces Michael Daugherty’s This Land Sings: Inspired by the Life and Times of Woody Guthrie. The work celebrates The Dust Bowl Troubadour’s folk songs of love, wandering and social justice through Daugherty’s own original songs and instrumental ...more




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SUK, J.: Asrael (Bavarian Radio Symphony, Hruša) (900188)

Review by Richard Whitehouse
Gramophone, May 2020




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Piano Recital: Gulda, Friedrich - BEETHOVEN, L. van / BACH, J.S. / SCHUBERT, F. / COUPERIN, F. (The Stuttgart Solo Recitals) (1966-1979) (SWR19081CD)

International Piano, May 2020

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Piano Concertos - MOZART, W.A. / BEETHOVEN, L. van / HAYDN, J. (Gulda, Keilberth, Müller-Kray, Rosbaud) (1959-1962) (SWR19088CD)

International Piano, May 2020

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NIELSEN, C.: Flute Concerto / IBERT, J.: Flute Concerto / ARNOLD, M.: Flute Concerto No. 1 (Andrada, Frankfurt Radio Symphony, J. Martín) (ODE1340-2)

Review by Christian Hoskins
Gramophone, May 2020




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LUTOSLAWSKI, W.: Symphonies Nos. 2 and 3 (Finnish Radio Symphony, Lintu) (ODE1332-5)


Review by Freya Parr
BBC Music Magazine, May 2020