By holding on to a tree branch, one-year-old Atharva Barkade survived what could have easily been a fatal fall. Atharva fell from the balcony of his fourth-floor home in Deonar on Thursday morning, after curiously crawling to the edge of it. Luckily, he escaped with a few bruises. Preliminary tests have not indicated any injuries, but he has been admitted in the ICU as a precautionary measure.

The Barkades reside on the fourth floor of Jay Gopi Krishna CHS at Deonar. Around 8:45 am on Thursday, Ajit, Atharva's father, was getting ready to go to work. At the other end of the house, Atharva's grandmother was going to the balcony attached to the living room to put out clothes to dry. Atharva crawled behind her and out of the balcony.

Crawling and falling
Just then, Ajit entered the living room and saw Atharva crawling out of the balcony and yelled when he saw his baby fall from it. "I was cooking when I heard Ajit shouting. All the family members rushed to the living room and he just kept pointing to the balcony," said Anjali, Atharva's aunt. "We all rushed to the ground floor and to our surprise, found Atharva crying and trying to stand up," added Anjali.

The fourth floor balcony from where Atharva fell. Pic/Rajesh Gupta

Ajit and Mangal, Atharva's parents, checked his body for injuries. They were able to only find bruises on his back. But they decided to go for a more professional assessment. "Without giving it a second thought, we rushed to the main road looking for an autorickshaw and took him to a private hospital in Chembur, where we were told that they don't have the facilities to admit a baby. Then, we took him to the Fortis Hospital in Mulund," said Mangal, Atharva's mother.

Admitted in ICU
Atharva has been admitted in the paediatric ICU and currently kept under observation for 48 hours. According to the family, the CT scan and other reports have not shown any internal bleeding. The Govandi Police have made an entry of the incident. They were alerted when Atharva was taken to the hospital. According to cops who examined the spot, "The baby must have fallen on a flexible tree branch and held it until he lost its grip and fell, which reduced his speed. Had he fallen directly on the ground, it could have been fatal." The cops suspect he gripped on the tree first as he was found holding a few leaves after he fell.

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Wadala GRP arrested three persons from the same family for allegedly manhandling and molesting a women constable at GTB Railway station on Saturday morning. The constable was with a Ticket Checker when she caught a woman passenger who was travelling without a ticket in the First class compartment. All the three accused have been arrested.

The alleged incident occurred on Guru Teg Bahadur Railway station of Harbour line on Saturday morning. When a Ticket Checker was checking tickets on a platform when he stopped a 19-year-old Ekta Uppal, a teacher by profession. The checker found that Ekta was travelling without a valid ticket. The TC asked the woman constable present at the station to nab Ekta as she was not ready to pay the fine.

"The woman called her father and asked him to come to the railway station. Meanwhile, Ekta was repeatedly abusing constable. Constable called Senior Inspector of Wadala GRP Rajendra Pal, sending things can go bad," said a police officer. "Senior Inspector with cops reached the spot and asked what's the matter," the officer added.

"The passenger did not have a valid ticket and along with her father and brothers, were abusing constable too. When I tried to intervene they were not calming down. Their errant behavior didn't stop in spite of repeated warnings, therefore we booked all the three," said Rajendra Pal, Senior Inspector, Wadala GRP.

Police have arrested Ekta Uppal (19), Yashraj Uppal (19) and their father Tilakraj Uppal (52) under IPC 354 (Outraging women's modesty) and other relevant sections.

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When disciples of the late Odissi exponent Kelucharan Mohapatra speak of him, they never fail to quote a life lesson he imparted to them. "Practising hard makes you a good dancer. But the day you embrace humility is when you become an artiste," he would say. More than 1,200 km to the south, Chennai-based Aruna Sairam practises a different classical art form, but what ties the Padma Shri awardee to Carnatic music is the same bond of humility.

Born in Mumbai, she was introduced to the music tradition by her mother. Six decades and several accolades later — she received the Sangeetha Kalanidhi award by the Madras Music Academy in January — she remains open to new experiences to keep her music evolving. Back in the city for a concert this evening, caught up with the vocalist.
Edited excerpts from the interview.

How did your years in Mumbai shape you as an artiste?
I was brought up in Dadar Parsi Colony and went to the JB Vachha school. So, I lived in two happy worlds. One at home, where we spoke Tamil and my mother taught me Carnatic music. And one outside, where I enrolled for western music in school, took up Gujarati as a second language, and learnt Hindi and Marathi on the streets. We moved to Chennai in 2000 because that's the headquarters of the style of music I practise, but the cosmopolitan Bombay is what I am.

The first half of my concerts is dedicated to pure Carnatic music — something I learnt from my guru, Smt T Brinda. But I also sing abhangs in a Carnatic rendition. There are songs of Ganpati Visarjan, the hymn Vaishnav Jana To in folk Gujarati... in the last part.

You've also trained under international voice masters.
Since my school days, I had been introduced to the idea that in the West, they have techniques to hone your voice. So, when I felt I was finding it difficult to fully convey my emotions in my voice, I decided to train under them.

You have been performing since you were eight. What keeps you going?
I was in Jerusalem for a concert recently. I took the help of a professor there to learn a Hebrew song. When I sang it, people got emotional because they felt someone had taken the trouble to learn an important part of their culture. This sense of newness keeps me going.

ON Tonight, 7 pm
AT Fine Arts Cultural Centre, RC Marg, Chembur 
CALL 25222988

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In a yet another technical snag, the commuters travelling in Monorail had to face problem on Saturday evening after Monorail services were affected due to issue related to brakes. The technical snag developed between Bharat Petroleum and Mysore Colony stations.

Informing the glitch, on its official Twitter account, Mumbai Monorail said, "We are facing technical difficulties. Dear Mumbaikars, we apologize for the inconvenience. Our technical teams have reached the site and are working to restore the services at the earliest".

We are facing technical difficulties. Dear Mumbaikars, we apologize for the inconvenience.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

Our technical teams have reached the site and are working to restore the services at the earliest.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

Following the incident, the monorail was taken to Mysore colony monorail station where passengers were evacuated safely. The authorities plan to take the train to the depot using another train. 

According to authorities, the technical glitches has been attended and full services are expected to be restored in some time.

Skeletal services resumed.
Technical glitches being attended.
Full Services are expected to be restored in some time.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

More details are awaited.

This is the second incident Monorail has faced within a week. On Wednesday, Monorail was stuck mid-way towards Wadala depot affecting its services. After the passengers were evacuated, the monorail was being transported to the depot but it ceased to move mid-way. Another train was then used to push the monorail further. Since other trains could not use the same alignment, services were shut for about an hour.

The second phase of the Chembur-Wadala-Jacob Circle monorail was flagged off in March 2019.

Also Read: Mumbai: Garland wire glitch delays new Chembur-Wadala-Jacob Circle Monorail services

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The Thane Forest Department (Territorial) on Saturday night detained one more person in connection with the poaching case of a sambar deer and leopard, carcasses of which were found last week, trapped in wire snares set at the Film City.

Over the weekend, the five accused were taken to locations they had revealed during interrogation and some important evidence including bones of wild animals were recovered by the department. It was during this exercise that the name of the person came up.

According to sources, the accused were taken to various spots in the Film City where they had allegedly killed the animals. A Forest Department official said, "A few names came up during interrogation based on which one person was picked up."

"The accused also took us to the locations where they had set some snares and we have recovered bones and antlers from one such location," said a source from the Forest Department on the condition of anonymity.

The accused also confessed to having killed a barking deer at one spot, photos of which were found in one of their phones. A person was also named for allegedly selling sambar and spotted deer meat.

"We are exploring the meat trade bit and will get more names as interrogation progresses. One of the accused was wearing a gold chain with a pendant that had a nail resembling that of a big cat. We have seized it and will send it for forensic examination," the source added.

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A 26-year-old man from Kalyan in Maharashtra's Thane district has been booked for allegedly molesting his sister-in-law, police said Monday.

The woman in her complaint stated that she was living in her mother-in-law's home as her husband was bedridden following a paralytic attack and was being nursed there, said an official.

At her mother-in-law's home, the accused made sexual advances towards her, the victim said in her complaint. "After the victim rejected his overtures, the accused assaulted her ailing husband. She was molested by the accused when she intervened.

Neighbours rushed in and saved the couple," he said. The woman filed a complaint with MFC police station in Kalyan Sunday evening following which the man was booked, he said, adding that no arrest has been made so far.

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Thane: Political leaders cutting across party lines have opposed handing over of power distribution duties in three electricity subdivisions of Thane to a private player.

These leaders on Monday met at the circuit house here and among those who attended were Mumbra-Kalwa MLA (NCP) Jitendra Awhad, Shiv Sena MLA Subhash Bhoir, BJP MLA Kisan Kathore and Kalyan Shiv Sena district unit chief Gopal Landge.

These leaders claimed that the experiment to privatise electricity supply in the powerloom town of Bhiwandi here had failed and, hence, it should not be expanded to newer regions of the district. They also claimed that people were opposed to the entry of private players in place of the state-run Maharashtra State Electricity Distribution Company Limited (MSEDCL) in this region.

On January 3 this year, private firm Torrent Power announced it had been appointed as electricity distribution franchisee for three sub-divisions under Thane urban circle of Maharashtra. "The company has emerged as the winner of competitive bidding process conducted by Maharashtra State Electricity Distribution Company Ltd (MSEDCL) for the appointment of input based distribution franchisee for distribution of electricity in Shil, Mumbra and Kalwa sub-divisions under Thane urban circle, for 20 years," Torrent Power had said in a BSE filing. Shil, Mumbra and Kalwa sub-divisions have a customer base of 2.15 lakh, the filing said. The firm is also the electricity distribution franchisee in Bhiwandi since 2007 for a period of 20 years.

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A Maharashtra government official was Thursday sentenced to 16 months rigorous imprisonment by a court in the neighbouring Raigad district for accepting a bribe.

Raigad Additional District Judge BC Kamble convicted Ashik Bharti, a deputy engineer with the Kharbhoomi Sarvekshan and Anveshan Department of Pen, under the Prevention of Corruption Act and fined him Rs 5,000, said a senior Anti-Corruption Bureau official.

Deputy Commissioner of Police (ACB) Mahesh Patil said Bharti had demanded Rs 5 lakh from a contractor to get his bills cleared. The contractor approached the ACB following which a trap was laid on November 6, 2015, and Bharti was nabbed while accepting Rs 1 lakh, Patil said.

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NCP chief Sharad Pawar has accused Prime Minister Narendra Modi of deliberately maintaining "silence" on issues like suicide by farmers and unemployment while campaigning for the Lok Sabha polls. Addressing a rally at Bhayander in Thane district of Maharashtra Monday night, Pawar said unemployment has gone up manifold since the NDA government came to power in 2014.

The former Union minister alleged that the Modi government lacked policies for ensuring industrial and agricultural growth. He was canvassing for Anand Paranjape who is the NCP candidate from Kalyan Lok Sabha constituency.

"Due to lack of any industrial policy, unemployment has gone up in Maharashtra which is the most industrialised state in the country. Modi government is deliberately not making any attempts to ensure the growth of industries and agriculture," the NCP chief said.

Claiming that as many as 11,990 farmers have killed themselves since the BJP government assumed office, Pawar said the prime minister avoids talking about this reality as well as other issues like farm distress, water scarcity and price rise at hustings. "Modi also keeps mum on the Rafale deal scam. Under Modi regime, institutions like RBI, CBI, supreme court etc. are being undermined," he alleged.

Last week, Pawar lambasted Prime Minister Narendra Modi, saying he is "peeping into the homes of others" as he has no family of his own. Addressisng a poll rally at Partur here Monday, Pawar said Indian Air Force pilot Wing Commander Abhinandan Varthaman was released by Pakistan under pressure from the world community and the Modi government had no role in it.

"I have my wife, daughter, son-in-law and nephews. What Modi has?...no one," he said, attacking the PM over his remarks on feud in the Pawar family. "That is why Modi is peeping into the homes of others. How will he (Modi) know how to run a family, he has no one?" the former Union minister said.

The Maratha strongman said Modi stooped low by making comments about his family, but he cannot behave in the same way. At an election rally in Wardha early this month, Modi had said a family war is going on in the NCP. The PM had also claimed that Pawar's nephew Ajit Pawar is slowing capturing the 1999-founded party. Pawar said if Modi had a 56-inch chest, as he has claimed, then why his government has failed to ensure the release of Kulbhushan Jadhav, a former Navy officer, from Pakistani jail.

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So many of us have lost someone we know to cancer. So when 15-year-old Devika Madgavkar, who was volunteering at the Tata Memorial Centre and working with kids with cancer, asked Alfred D'Souza, the director of her choir Stop-Gaps Junior Choral Ensemble, if they could do something to cheer up the children undergoing chemotherapy, he thought, "why not?"

And Carnival in Song was born. "Madgavakar wanted to do something for the kids, who she observed were quite self-conscious and distant after they lost their hair. Also, many of them hail from a low social economic background. The event is just before Lent, which begins on March 6, and as it's the season of hope, we wanted to brighten up their li­ves. I prepared two choirs and reached out to others, who agreed immediately," says D'Souza.

The Salvation Singers

The audience will get to hear ha­ppy numbers, and renditions of peppy tracks with a samba or calypso beat, akin to what you hear at a carnival, shares D'Souza, adding that while the Stop-Gaps Choral Ensemble will be performing Brazil and Senorita, The Salvation Singers will offer a medley of Hindi songs, and Siddharth Meghani will perform some Elvis Presley tracks. The line-up will also include The Victory Chorus Line, and soloists such as Ella Atai, Kim Cardoz, Mehmood Curmally and Darren Das, accompanied by Mimosa Almeida Pinto (piano) and Ishan Jadwani (drums), besides dancers on stage.

"We've been planning this since October. We have a lot of kids aged between five and 15 years, who have their term exams at the moment, but yet th­ey have been practising," adds D'Souza. All proceeds from the evening will be given to the centre's Runners of Hope Initiative.

ON March 1, 7.45 pm onwards
AT St Andrew's Auditorium, St Andrew's College, St Dominic Road, Bandra West 
LOG ON TO bookmyshow.com
CALL 26410926
COST Rs 300 onwards

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We believe that the most important lesson our generation has learnt is that basic is good; enough for fashion labels to have a sub-category of basic apparel and Instagram to source gifs and stickers that say "basic". This (should) transcend to food as well, because at the end of the day, nothing beats sasta and tikau. And so, Kalina's Chindian eatery, King Chilli, has risen above the glitzy culinary offerings of BKC that are high on the glam quotient but not easy on the pocket.

We have been ordering in from what is easily one of the neighbourhood's favourite haunts for months. But a week ago, we learnt that it has launched in a new avatar with a larger dining area not far from the space it started in five years ago. So, on a Sunday night, we finally step out to pay the place a visit.

At the corner of St Mary's Chowk, a brand new shade covers the space. Potted plants line the shack-like eatery and a tawdry magenta curtain, which we identify — having spotted hawkers selling it for '150 at the roadside Monday market — serves as the door. Inside, chairs and tables that evoke the memory of Nilkamal furniture makes for the seating space, along with three booths with slightly plusher sofas that offer some privacy but are rickety all the same.

We join a queue that comprises Catholic aunties in their Sunday frocks and roadside Romeos in their Gully-Boy-inspired garb waiting outside the restaurant. The crowd is substantial, but fast moving, so we get a table in five minutes.

Tom yum

Our partner, who is whining about a sore throat, calls for a tom yum soup (Rs 139) while we order the crackling spinach chicken (Rs 285) and kung pao potato (Rs 174) to begin with, and a chicken in chilly oyster sauce (Rs 295), veg pad Thai noodles (Rs 190) and chicken North East pot rice (Rs 249) for the mains.

Kung pao potato

We find how nothing about the tom yum soup being Thai cute: adrak replaces galangal, nimbu takes the place of kaffir lime and its identifiable piquant broth-y flavour has transformed into a chatpata and fiery soup with a strong kick of spice. The addition of finely chopped dhaniya is equally endearing. Tom yum or not, it works. The chicken appetiser is enjoyable in that the meat itself is juicy and hot. The crackling spinach that it comes with is nice, too, but perhaps could have been elevated with a stronger dose of garlic. We relish the kung pao potatoes and find the use of wedges quite cool: it adds a certain girth to the dish. The lightly toasted whole cashews lend a mild sweetness, marrying the dish with its inherent tanginess.

Chicken in oyster chilli sauce 

The pot rice has a smoky hotness that is likely to have come from the overuse of chilli powder. This dish leaves two out of the four people at the table gasping for breath. We are still undecided about the preparation and could only safely say that we did not hate it. The pad thai noodles are a slight let-down having been overcooked this time. However, the chicken in oyster chilly sauce, a staple for us from the eatery, helps liven up the noodles.

We eat quickly despite the shortcomings of the mains and that's where King Chilli actually passes the test. It's the kind of eatery that may have a few botch-ups, but will remain the go-to place (as is evident from the queue even as we leave the restaurant an hour and a half later) for Kalina's humble diners, including us. What we mean is, where else could we have afforded an end-of-the-month double date for a total cost of Rs 1,522 and take home doggy bags? Only a sasta and tikau place, right?

TIME 11.30 am to 3.30 pm; 7 pm to 11.30 pm
AT King Chilli, near St Mary's Chowk, Kalina, Santacruz East.
CALL 9833487217

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King Chilli didn't know we were there. The Guide reviews anonymously and pays for meals

Varun Dhawan, who is currently promoting his upcoming movie Kalank, was spotted at a popular studio in Juhu, Mumbai. While on his way, the actor bumped into Sunny Deol, and he couldn't stop fanboying after meeting the Gadar actor.

Sunny Deol with Varun Dhawan/picture courtesy: Satej Shinde

Varun Dhawan was elated on meeting Sunny. The actor greeted Sunny Deol and was pleased to share this moment when they bumped into each other.

Sunny Deol, who is currently shooting for Pal Pal Dil Ke Paas, which is his son, Karan's, Bollywood debut, also had a small conversation with his fan. 

On the professional front, Varun Dhawan will be next seen in Karan Johar's multi-starrer period drama, Kalank and Remo D'Souza's Street Dancer 3D.

Talking about Kalank, the film has a star-studded cast comprising Alia Bhatt, Varun Dhawan, Madhuri Dixit-Nene, Sonakshi Sinha, Aditya Roy Kapur, and Sanjay Dutt, this period drama set in 1940s India, is definitely going to take you on an unforgettable journey.

The first look posters of the three men of Kalank came out on March 7 and the leading ladies' first looks were revealed on International Women's Day (March 8). The film was originally conceptualised about 15 years ago by the late Yash Johar and his son Karan Johar, who has bankrolled the film. Abhishek Varman has helmed the period drama that releases on April 17 this year.

Also Read: Kalank is the highest viewed teaser in Bollywood in 24hrs!

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Baidu Facemoji Keyboard. Pic courtesy/YouTube

Chinese tech company Baidu, populary known as China's Google, on Monday said that its third party app "Facemoji Keyboard," has reached over 30 million downloads since its launch.

The keyboard, that is slowly gaining popularity in India, comes with emojis, GIFs, stickers and emoticons, and supports over 100 languages, out of which 22 are Indian dialects, Baidu said in a statement.

The "customisable" keyboard features voice-recognition for easy speech-to-text functionalities and themes designed for special occasions.

With "Facemoji Keyboard," Baidu expects to achieve a three times growth by the end of this year.

"Facemoji Keyboard" was first launched in Japan under the name "Simeji" in 2008.

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One97 Communications Limited, the firm that owns digital payment major, Paytm, announced the unification of bank transfers for its customers with the new 'My Payments' feature on its app.

This will enable Paytm users to make recurring, high-value payment and other monthly expenses in an instant. Using the Paytm app, bank transfers can be done from and to any bank account, making it easier for customers to make payments at zero charge, a facility which even non-KYC Paytm users can avail.

With this new addition to its multilingual app, Paytm is aiming to process Rs 60,000 crore in monthly bank transfers alone by the end of this year. The company is also planning to invest Rs. 5000 crore in its core business, expecting to increase the number of transactions from one billion to two billion this year.

"We have now simplified these payments with 'My Payments' and are expecting six-fold growth owing to this rapid shift in consumer behavior in favor of going cashless. Our users understand that Paytm is more than just a digital wallet company and we will continue adding more such customer-centric features while educating users about the convenience they can experience by using Paytm every day," said Paytm Senior Vice President, Deepak Abbot.

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The numbers don't lie; Mumbai motorists are in selfie-destruct mode. At least 50 per cent of road accidents on the 93-km Mumbai-Pune Expressway are due to cars stopping or stalling on the road.

A report in this paper stated that stopping to take a selfie or to enjoy the greenery along the E-way could cost you your life. The first two months of the year have already seen 91 accidents, in which 52 people have died. Of these, 26 accidents happened because of vehicles halting. We must warn people that however tempting the scenery, it is just not safe to halt on the E-way and take photographs of the greenery. Once you reach Pune or the outskirts, you have the time to park your vehicle, alight and take all the pictures you want, so keep moving along the expressway, which is what is was made for.

Travellers must realise that an expressway is a piece of infrastructure, pure and simple. It is designed to take people to their destination. It is certainly not a picnic spot. It is no place to lounge around and eat, get out of the car and wash your hands, use as a Kodak moment or to idle outside your car for any other reason. Drivers have to drive within the speed limit on the expressway.

Cut going over the speed limits, which is a sure killer. Authorities have to ensure cameras are in excellent condition. If there is a car breakdown, switch on your hazard lights, and get your co-passengers to wave their hands; do all you can to alert oncoming traffic. The upcoming monsoon means more challenges for E-way users. Let us bring those fatality figures down, and let the numbers do some happy talking, for once.

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An injured Kashmiri is rushed to SMHS Hospital in Srinagar after he was hit by bullets in a clash with Indian security forces on May 6. Pic/AFP

Last week at a lunch, I met a senior minister in the J&K government. He belonged to the People's Democratic Party, which used to represent "soft separatism" in Kashmir but, in 2015, formed a government in coalition with the pseudo-nationalist BJP. The PDP has since then lost its support base. "It does not mean the National Conference has picked up that support," the minister said, referring to the Valley's pre-eminent pro-India party: "only some of it". None of that lost support has drifted to national parties like Congress or BJP. One wonders where that support has gone.

One clue is in the ground situation in the Valley, characterised by unrelenting violence. South Kashmir's Shopian district is a warzone; just yesterday, five civilians were killed and five militants shot dead there. An assistant professor at Kashmir University who had joined militancy a mere 36 hours earlier was among those killed. Imagine what it must take to drive an academic to pick up a gun. Every week is like this, and behind the casualty figures is the suffocating atmosphere of clampdowns on entire villages, the security forces' scorched earth policy by burning houses, the unending detention of the political resistance leadership, the military's omnipresence, the curfews, the strikes, the disappearances, and the corpses. No wonder Kashmir is called an "open prison". Ramzan, next week, may bring some respite.

"The difference between now and the '90s," the minister said, referring to when the insurgency first emerged, "is that in those days, when one boy was killed, ten others stood to take his place. Now, when a boy is killed, 30,000 people immediately gather to protest his killing and mourn his martyrdom."

One may wonder where the government figures in all this. In J&K, due to its long-festering separatism and the Pakistan factor, the Centre manages security matters under a "unified command". This makes sense for border management and counter-insurgency operations. Yet it often collides with the local police, under the state government, particularly when the armed forces commit crimes. The state police often have to step back, and the consequence has been deleterious; this was evidenced recently when, after the rape-murder of a nomadic child in Kathua, supporters of the accused expressed disbelief in the local police's professional investigation.

Chief Minister Mehbooba Mufti seems to have all but given up. Her ministers are living it up, some making frequent foreign trips. The BJP reshuffled its part of the coalition, and surprisingly, the minister said, it's a better lot this time. This may be a moot point because nobody expects the government to last beyond 2018. "It will be over a few months before the general election," the minister says. "Mehbooba wants out but needs a reason to walk out of the coalition." The same might be true of the BJP, though one can't imagine it giving up power in J&K, hard-won after so many years.

The Centre is unconcerned by the daily reports of violence and more violence. It suits Delhi's hardline "iron fist" policy. It is sitting back and watching the war of attrition against Kashmiris. BJP general secretary Ram Madhav has publicly said: India tried various approaches in Kashmir but now it is the RSS's turn. Which, starkly put, is to hold the territory even if all residents disappear in the process.

The minister pointed out that Governor NN Vohra's term - at ten years he's the longest serving in J&K - runs out by July. Governor Vohra got his second term by default because of the talent deficit in Prime Minister Narendra Modi's team. If he weren't well into his 80s, he might have defaulted his way into remaining this time also. His time has seen the emergence of a "new insurgency", highlighted by violent summers like that of 2010, 2012 and, of course, 2016, when thousands were injured by pellets. Some say that 2016's disturbances are still continuing.

It is difficult to say that Vohra has been a successful governor, but perhaps it's better to let him stay than to replace him with an RSS man. "At this point, what more harm can an RSS man do," the minister said. "Maybe they can replace him with Yashwant Sinha," he says, referring to the former finance minister who recently left the BJP. Sinha has visited J&K since September 2016 and shown empathy. He has been a thorn in the government's side, however, publicly pointing out its economic mismanagement. Modi brooks no dissidence, and even though the best way to quieten Sinha might be such an appointment, it's unlikely to happen.

That, in a nutshell, is the current Kashmir story. Degradation and violence, while the metaphorical Nero in Delhi plays his fiddle. Except in the legend, it was Nero himself who had Rome set on fire.

Aditya Sinha's new book will be out in May. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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The recent frenzy over supposed cracks in the Kemps Corner bridge - the country's first-ever flyover - has been proved to be an overreaction, but also brings to light the power that WhatsApp has to spread misinformation and paranoia.

This paper yesterday reported that thousands of app users had received a picture of a fissure in a portion of the bridge, with claims that the flyover was in danger of collapsing. The viral photo sparked widespread panic; so much so, that the civic commissioner was drawn into the Kemps Corner frenzy. There was a post from a young politician seeking to reassure the public. The 86-year-old architect of the bridge also gave a statement to assuage fears and calm outrage bubbling on WhatsApp.

Through the days, more rumours came in, stating that the bridge was falling and traffic had been diverted. One can imagine the mental state of a motorist about to drive onto the bridge, if they were to glance at WhatsApp and spot the alarmist message. The rapid-fire messages sparked fear and anger. Reassurance, on the other hand, was much slower to come.

This shows just how important it is that we filter messages on WhatsApp, and not forward blindly. In this 'quick click' age, it takes just the push of a button to spread fear. Thankfully, the bridge fall phobia had no major repercussions, but it does bring to mind other times when WhatsApp messages have started and stoked the fires of a frenzied crisis.

Each of us has a responsibility to verify, or at least use some discretion, before pressing the forward button. There is no race where one has to be first to pass on information. In fact, there is merit in holding back, cross-checking, and then forwarding only if there is credibility in the message. In this instant age, let's not fall for anymore half-baked stories.

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Illustration/Uday Mohite

So let me just come to the point, dear reader — I have a problem with our Indian media journalists and scribes — my grouse is they just don't cover Bollywood adequately… Shouldn't there be much more media fanfare about our stars? Who wants to only see them in the movies? I want micro details about their lives — their idiosyncracies, food habits, holiday destinations, personal recipes for aloo paratha and Creme Brulee, and quotes from them about everything, should bombard our lives.

I mean let's just take Sonam Kapoor's Shaadi last week — here there's this huge star getting married, and I'm ignorant about who she's marrying, where the various wedding functions were held, who attended the 'mehendi', and stag party, who designed her 51 wedding outfits, what does she think of her hubby's Instagram pictures, what he thinks of hers, what Karan Johar and cousin Arjun Kapoor wore… Why don't I have all this vital information? Why didn't the media fill the virtual world, our broadsheets and the air waves with all this absolutely important news? Really not fair to deprive us of all this! Why are they wasting time writing about stone pelting in Kashmir and elections in Karnataka? Surely this is not as important as that. Totally mistaken priorities, I feel.

And why don't our media photographers shoot our Bollywood stars more in their private lives — why aren't they 'spotted' coming out of movie houses, multiplexes, gymnasiums and airports? Why aren't their tiny tots being 'captured' with their nannies, in parks, through the windows of their school buses, on their iPads. But, singly, my biggest problem is with our Indian advertisers and marketers. Guys come on, why aren't our film icons endorsing brand after brand in your advertising campaigns?

Why aren't copywriters in ad agencies saying to themselves, what is the one USP that my client's water purifier has over the competition? Is it a better germ killer? No… It's Hema Malini.

I mean, do you honestly feel that film stars should only act in movies, is that really enough? Like why can't we see SRK asking us if we know what he smells like in deo ads?

I mean, the great Amitabh Bachchan, I really feel we don't see him enough — are we satisfied merely watching him as a Gujarati in '102 not out', speaking with the same Bengali accent he had in 'Piku'?

Why doesn't his baritone and charisma come out at us through our TV screens, billboards, newspaper supplements and magazines? Surely we want to also see him advertise Direct-To-Home cable facilities in a Bengali accent, tell us that we can control the temperature on our Air Con at home, from our mobile phones while sitting at the airport, and convince us to visit Gujarat. Is that so difficult?

To sum up, I want to be Bolly-wooed much more. Or I will just boycott all brands that don't have a film star endorsing it. And stop buying newspapers that don't have many more Bollywood pages. We just aren't Bollywoodised enough as a country.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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Illustration/Devdutt Pattanaik

In the beginning, people said homosexuality is unnatural. Then scientists showed them that hundreds of species of animals do indulge in homosexuality. So people started saying homosexuality may be natural, but it is best restricted to animals. Amongst humans, it is a social disease. This unscientific understanding is popularised by many religious leaders, who are clueless about science, though they insist that the Vedas/Quran/Agama/Tripitaka/Talmud are essentially scientific.

These religious leaders fall into two categories. The first category is the 'liberal' guru who says sex is great for spirituality, provided it is heterosexual. The second category is the 'conservative' guru who says sex is not great for spirituality, and if you must indulge in it, do it for babies.

A gay man heard how a broad-minded Indian guru presented sexuality as an integral part of spirituality, and so decided to read a bit more of the guru's writings. He was suitably impressed, there was a lot of talk of how exploring sexual desires authentically enhances spiritual growth. But then came the horror! When the guru spoke of sexuality, he was referring only to heterosexuality and was essentially promoting orgies as a tool to liberate yourself. He saw homosexuality as a social disease resulting from heterosexuality being suppressed when men are locked with men in monasteries and prisons and women are locked with women in nunneries. This was his fantasy, which he marketed as mystical knowledge of the East!

A lesbian woman came upon a guru who gave her a sympathetic ear, and who confidently asserted that ancient mystical sages (all male, of course) had revealed to him that natural sexual activity is for making babies only, and that pleasure is just nature's way of incentivising you to make more babies. It is the human perversion to bypass the baby-making and focus on pleasure. Such value placed on pleasure comes from stress, hormones, and a lack of spiritual grounding. He insisted that homosexuality is a social pathology, not a natural physiology. She could stay a single woman if she did not wish to be a man's wife, but she had to engineer her life towards spirituality rather than sexuality if she sought fulfilment and happiness. Her libido, he insisted, was in dire need of fixing!

Most of these gurus do oppose the criminalising of homosexuality, and so appear to be modern. However, they do see homosexuality as a deviance (or its Sanskrit equivalent), or a 'fluidity' that needs explanation, management and re-alignment. They mirror the homophobia directed at queer people (pandakas, napunsakas) that we find in ancient monastic orders such as Buddhism and Jainism. Their discomfort with queerness is similar to their well-disguised discomfort with gender equality: 'Women are as good as men, provided they put the man's needs first.' Essentially, these gurus preach qualified equality, where their personal comfort zone (heterosexuality, celibacy, masculinity) remains privileged.

It is important to recognise gurus as political figures. They are today clearly political vote banks, with a vast number of followers who do whatever the guru tells them to do. Hence the power of their spiritual discourses to influence social and political direction needs to be acknowledged.

We must also recognise the power of followers over gurus. Gurus are expected to be superhuman, and 'pure and pious'. We don't mind them dancing to Bollywood songs or playing golf. But if they were to talk too much in favour of sex and pleasure, we will see them as less than spiritual. In our hearts, many of us are convinced spirituality is an adversary of sexuality. We see Shiva who burnt Kama to ash. We refuse to see Shiva who was enchanted by Kamakshi and Mohini.

The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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The BMC has claimed to be monsoon-ready this year, but it’s highly unlikely that the city roads will be pothole-free. File Pic

I like waiting for the BMC to issue proclamations of all kinds based on whatever mystical tests it uses instead of science. It will tell us when the rains are expected, for instance, then promptly issue a new date 24 hours before the original one, citing fresh new information that has probably been sent to its meteorologists via WhatsApp. It will talk about how much water will be collected in our lakes and rivers, then revise that figure every three weeks depending on what percentage of water cuts it can announce for free publicity. I suspect a lot of BMC employees spend their days simply dreaming up new statements to issue, because doing this is a lot easier than completing any actual work.

The good news is, it claims to be monsoon-ready this year. Yes, it claimed to be monsoon-ready last year, too, and the year before, and the decade before, but why should that stop it from issuing a new press release about how it is definitely monsoon-ready this year? If it doesn't issue these statements, how is it supposed to justify the thousands of crores that are poured into our streets and mysteriously vanish before touching the asphalt?

This year's statement says that only 522 roads continue to remain dug up in the city. This presumably does not include the street outside your home or mine, or any street you pass over the next week, because finding a street that isn't dug up in Mumbai is almost like finding proof that our ministers have actually been to school. Apparently, completing road repair and renovation work in the city is definitely the target, which isn't surprising because it has been the target since man first set foot on the Moon. I assume this doesn't include the roads that have been torn apart for the Metro, of course, because the chances of them being smooth and pothole-free in your lifetime or mine are a billion to one.

The Andheri-SEEPZ line of the Metro runs just outside Andheri station towards Versova. The street it tore up and demolished over a decade ago has yet to recover. It has turned into an unofficial market, with commuters now long used to the idea of going around in a wide circle in order to hit SV Road. One can't help, but use that as a benchmark when thinking about what the city will look like when the current Metro projects are finally complete, a century from now.

Our civic body - I use those words loosely, of course - has reportedly prepared a plan of completing work on 1,106 roads in several categories during the financial year 2018-19, with roads classifieds into categories of project roads, priority 2 and priority 3 roads. This must have taken them a few months, because everyone knows how important the task of naming plans or renaming roads is, and how these discussions can go on late into the afternoon. Project roads are easy to spot because they exist in various states of disrepair all around us, but it's hard to figure out the difference between priority 2 and priority 3 roads. In a city that is home to millions of commuters an hour, one would assume all roads are a priority, but that is clearly not the case.

Project roads are also supposed to undergo complete reconstruction, which is BMC-speak for 'we are going to tear them down and start again, and use your taxes to do it a few more times'. The statement didn't just talk about the future though; it also claimed that work on 879 roads was completed by the end of April. Chew on that when you dislocate your shoulder in a rickshaw on your next trip.

I'm pretty sure the fault lies with us. We are the ones who prevent the BMC from focusing on more important things like memorial plaques and compel it to waste valuable time and money on insignificant issues like pothole-free, monsoon-ready roads. If you care about your city and respect the BMC, you should do the right thing and avoid the roads. Work online instead of at an office, chat with friends and relatives via video calls, and educate your children with the help of YouTube videos. Don't use roads until the pesky monsoons are over. Stay at home instead.

When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com

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BS Yeddyurappa submits his resignation as Karnataka chief minister to Governor Vajubhai Vala in Bengaluru on Saturday. Pic/PTI

At a press conference moments after BS Yeddyurappa quit as Karnataka chief minister for the third occasion in his life, this time after just two impotent days, Congress president Rahul Gandhi was asked if he would demand Governor Vajubhai Vala's resignation. Just the day before, Rahul had tweeted that Vala's decision to invite Yeddyurappa to form a government, despite being short of a majority and not having any other party's support, was "unconstitutional". Yet, with the press he was philosophical: "What's the point?" Rahul said. "Even if Governor Vala is made to go, Prime Minister (Narendra) Modi would put another puppet in his place, who will take exactly the same decisions."

Rahul repeatedly stressed the point that the RSS, through Modi, is out to destroy all institutions in India because it respects no institution other than the RSS. Modi did not behave like a democrat, he said, but like a "dictator". (Also, the Congress president referred to his BJP counterpart as "murder accused Amit Shah".)

Some Indians don't mind Modi being a dictator. They think democracy in India is too slow and needs to be speeded up. Not only is this sentiment justified by pseudo-Darwinism — so what if the poor get left behind? — it doesn't seem to bother them that subverting Constitutional niceties may backfire on them one day, when the Great Leader is replaced by someone else, perhaps another regional leader in a hurry. For now it's okay if their Governors try one thing in Manipur and Goa, and then try the opposite in Karnataka.

Rahul did not mention, however, the elephant in the room: the occupant of the highest constitutional office in the land. For much of the republic's life we have had some pretty ordinary occupants in Rashtrapati Bhawan, and one need not go far back in history to find some awful examples. Pratibha Patil was nominated by the UPA to be India's first woman president, but she was far from a leading advocate of gender-equality or even equal-pay issues during her career; her elevation was simply an exercise in tokenism —much in the way that Ram Nath Kovind's is. (Another pedestrian candidate, to my mind, was fixer and murky backroom boy Pranab Mukherjee, who in 2012 end-gamed then Congress President Sonia Gandhi into nominating him.)

President Kovind isn't even the first dalit in Rashtrapati Bhawan. The first was KR Narayanan, who unlike President Kovind, had a distinguished career as a diplomat and an academician before he became vice-president (and in 1997, president). President Kovind's achievements have been modest in the field of education; and though he was personal assistant to Prime Minister Morarji Desai, he has been a Hindutva ideologue for over a quarter of a century. The RSS considers him its man.

President Kovind isn't anywhere near the stratosphere of popularity achieved by the other NDA nominee for president, the late APJ Abdul Kalam, who succeeded Narayanan in 2002. On the contrary, President Kovind was earlier this month left looking diminished thanks to former information and broadcasting minister Smriti Irani (repeatedly the proverbial bull in Modi's china shop) who mismanaged his presentation of the National Film Awards, provoking many artistes to boycott the function. (The photos were catastrophic, showing rows of empty seats at the function.)

President KR Narayanan distinguished himself in office with a couple of correct Constitutional decisions that shocked the political establishment, because he acted impartially rather than be the government's rubber stamp. In October 1997, he returned the recommendation by then Prime Minister IK Gujral's to put UP under President's Rule. He is the only president to have refused to impose central rule (he did it again the next year), setting an important precedent for federalism.

Given the recent partisanship of members of the Election Commission and of the Supreme Court, and with Governor Vala's naked and shameless partiality — he disregarded recommendations by various Centre-State Commissions set up since Independence on the Governor's role in inviting a party for government formation — you need not be a rocket scientist to predict President Kovind's behaviour if the 2019 election produces a hung parliament.

Imagine a scenario where the BJP wins about 180 seats and the Congress wins about 185, or the other way around. Forget for a moment how the pre-poll and post-poll alliances shape up. Then ask yourself the question: who will President Kovind invite first to form the government? This must be weighing on the minds of Rahul Gandhi and his team. It is obvious to most of us why Modi appoints whoever he appoints to high Constitutional office — it is to do his bidding. President Kovind's critical moment in history will come when he will have to make a choice — to be another KR Narayanan, or to be another Vajubhai Vala.

Aditya Sinha's latest book, The Spy Chronicles: RAW, ISI, and the Illusion of Peace (HarperCollins India), written with former spychiefs AS Dulat and Asad Durrani, is out this week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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The most erudite can be swayed by numbers alone. Representation pic

The only reason a semi-circle of well-connected writers, and well-paid editors seemed to loathe Chetan Bhagat so vehemently is because he is so widely read, perhaps even loved, and they aren't, I (rightly) thought — standing in the periphery of that semi-circle at a literary fest after-party, over half a decade ago. With that bitchy conversation over-valuing Bhagat's national impact going nowhere, I stepped out to grab a drink.

Bhagat was at the corner of the bar at Indigo, where a big-shot industrialist, now I forget if it was Anand Mahindra or Ness Wadia (and that's not even the point), somberly walked up to him to check on what's going on in Indian politics. His vishesh tippani followed. Now, where to go?

The most erudite can be swayed by numbers alone, in this case the number of Bhagat's English young-lit readers. Do these numbers always signify democracy? It could produce the opposite effect. Let's look at politics in a bit, but we do know a little about mass news, entertainment, although it's hard to tell one from the other.

They're crafted around second-guessing audience's supposed tastes, often where one thing works, automatically everybody else follows, and therefore an entire industry, over time, step by step, splicing out everything that doesn't fit into the larger, determined hole, produces a mainstream media that looks the same —across. Pick up the most popular radio, television stations, websites, newspapers, or even movies (creating stars, or special effects), and you'll know. One size must fit all. Your circus, my monkeys. It's a numbers' game. And numbers can be gamed.

Is politics that aims for more complicated arithmetic, and much larger audiences, another field that defies free-market, with greater competition only inhibiting choice, and progressively screwing up quality? Survey the national scene. Examine its broad product categories that, weeding out the highest common multiple over time, every political party has conveniently fit into, in order to appeal to the lowest common denominator: Nehru/Gandhi, Sangh, Ambedkar, Lohia, Left (and those opposing them, of course). Grand promises of abolishing poverty (1971), 'acche din' (2014) etc, although well-meaning, are merely side-shows, and tag-lines.

Every politician, ideally, must check one or the other box, holding uniformly same and sometimes inter-changeable opinions on a variety of complex issues. That's what you need/scream to lord over vast public resources/institutions. Target in place. Hit-job ordered. Distraction complete. Groups vote en masse. Design is set.

Educational qualifications, past experience, passing tough exams/interviews that test competence, are for minions entrusted with growing/protecting a small company's pocket change. If you're part of none of the above cult groups, the newbie Aam Aadmi Party, for instance, you do appear like an "anarchist". It's easy to be portrayed as one. This is basically show-business, albeit of relatively not such good-looking people.

How did we get here? Because Ambedkar, the father of Indian Constitution, said we would. If, for one, he ironically stated, we fell prey to 'personality cults', or quoting John Stuart Mill, "lay liberties at the feet of even a great man, trusting him with powers, which enable him to subvert institutions." Two, if political democracy did not follow actual social democracy on the ground (unqualified liberty, equality, fraternity, for all). It didn't. So where do the regular folk stand? Between a rock, and a hard place. But you must pick a side. It makes life simpler.

And you must vote. Have to vote. It's your right. Your privilege. You must vote. This is democracy. They go to vote — for one, or perhaps, against the other. As they did in Karnataka. In a tri-partite fight, the party with the lowest number of seats, steps in to form a government, with the help of the party they fought against. The one with the highest number of seats looks at how they could "poach" from the other two, whose MLAs were locked up! It didn't matter what they fought for, or against.
The popular television anchor with the second highest English news ratings asks the gentleman from the scavenging team how they would manage the numbers. Arrey! He names his captain; and winks, pretty much. They both laugh out loud, in public, on TV, simultaneously. This is supposed to be "horse-trading" to form a "stable" government.

The highest read Indian English writer, Bhagat, weighs in with a pragmatic tweet, that must be seen as our form of public intellectualism — calling horse-trading an "art form". Yes, the election is over. Another will follow. The voter looks puzzled. Or maybe doesn't. Now let's just frickin' move on, right. No, you wanna question this? Oh.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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Have a love for ice-creams but don't want the calories to settle it into those arms? Perhaps slurping on a Michelle Melt might be more appetising. In 2009, a Washington based restaurant named a ice-cream after the then First Lady. But, why look as far as America? Here in Mumbai alone, various restaurants have named dishes after not just Bollywood celebs but even famous painters. Here's where to go celeb-hopping for your tummy.

The Big Bachchan Slider Bombay Bronx, Breach Candy
The Bombay Bronx at Breach Candy is known for all things Mumbai. Apart from the community table inspired by the dabbawalas, a railway map and a huge painting of Amitabh Bachchan on the wall, the food too is an ode to the city and its people. Therefore, it's not surprising to see a chicken slider dedicated to Big B.

Pic/Bipin Kokate

"The idea came to us when we were making a wall poster dedicated to him," says owner Nakuul Kumar. The grilled slider is made with chicken keema, caramalised onions, tomato slices, cheese, lettuce and served with gun powder mayo. Having named it after one of the biggest names in the country, naturally makes the appetiser a crowd puller. "It gives you a direct hint that it's going to be big and fabulous just like Bachchan," he laughs.

Da Vinci Tini Hoppipola, Khar
No prizes for guessing that  Hoppipola's dessert cocktail, made with Baileys, cream and vodka espresso, is inspired by Leonardo Da Vinci. The drink is served with a painting brush and palette, where the "colours" include three types of chocolate — dark, white and caramel. Patrons are encouraged to paint inside and outside the glass, in a manner of getting playful with chocolate.

Rs 495

Sandeep Sharma, bartender, says, "The idea is to engage our customers, be it through games, or through our drinks?" Initially, they would ask customers to slip in behind the bar counter and try out the activity. "But, that proved tedious. So, we came up with this concept. And because it's to do with painting, who better than Da Vinci, to salute?"

RajiniKhanth Dosa The Junction, Mahim
Formerly an economics teacher at HR College, Vikram R Jumani has always been a huge film buff. When he introduced a line of experimental fusion dosas at his restaurant, he was clear that he wanted to doff his hat to the cinematic greats of Bollywood and also down South.

Rs 99

"In the South it's of course Rajinikanth and here, it's the three Khans. That's why the name is RajiniKhanth." The dosa in question is a spin-off on the pav bhaji dosa, wherein the bhaji is cooked on the dosa and the process is a spectacle for the customers to see. Jumani was aware that the name would catch on. "The taste was a deciding factor in the popularity of the dosa. It's a superhit item," he says.

Sonam Kapoor's cake Healthy Treats, Pali Hill
Divya Ranglani's patrons include Kareena Kapoor Khan, Jacqueline Fernandez, Shahid Kapoor and Farhan Akhtar. But it's a Sonam Kapoor cake that made her go viral in 2016. "She would order cakes from us quite often. And one day, she decided to post a testimonial where she said the orange and dark chocolate cake is to die for. This was when nobody knew about us," she says.

Rs 1,200 per kg

After that, calls started pouring in to order the 'Sonam Kapoor cake' and before they knew it, the orange and dark chocolate cake had been rechristened. Now that Kapoor has turned vegan, Ranglani has started baking gluten-free and vegan version of the same.

Dylan's Galouti Kebab Raasta, Khar
Since music is second nature to Raasta, owner Joy Singh wanted a dish named after American singer-songwriter, Bob Dylan.

Rs 355

"He is a revolutionary artiste. But we wanted the dish to be of Indian origin, because he loves the country," he says. Singh chose the galouti kebab and gave it a vegetarian twist as Dylan is rumoured to be a vegetarian. "His love for 'magic mushrooms' — fungi famed for their psychedelic effects — led us to choose mushrooms as the main ingredient. After a number of trials we finalised this galouti and named it as Dylan's Galouti," he says.

Lord Brown's Gift Gymkhana 91, Lower Parel
At Gymkhana 91, you can drink to Lord Burdoch Brown's legacy. Concocted using Jim Beam, pineapple juice, peach juice and smoked cinnamon, it is a refreshing and not-too-potent drink dedicated to the British officer for his contribution to spices.

Rs 595. Pic/Ashish Raje

"Brown established the Ancharakany Cinnamon Estate in 1767 under the East India Company. It's reputed to be Asia's largest Cinnamon estate," says owner Aditya Hegde, who introduced the cocktail last September. Since then, it has naturally got guests curious.

"They do ask about the name and story behind it as the drink also involves drama and theatre, because the smoking of the drink is done in front of the guests at the table," he adds. Hegde says it is common practice at Gymkhanas to dedicate dishes and drinks to somebody iconic, but not so in stand-alone restaurants. "We believe in giving due credit to the person to whom the dish belongs and that's how the trend started," he says.

Dara Singh Thali Mini Punjab's Lake Side, Powai
The Dara Singh thali is not for the weak-hearted. It packs in the best of unlimited eating. It has aloo paratha, chur chur de naan, makki di roti, murg mussalam rice, lamb  yoghurt curry, chicken Amritsari and lot more.

Rs 1,600 (non-veg) and Rs 1,200 (veg)

The accompaniments include four types of beverages, three chaat options, a soup, pickle, chutney and seven desserts. In all, the thali packs in 40 items. Jagjit Singh, co-owner says, "It needs a champion to finish it. And who better than our famous Indian professional wrestler Dara Singh.

Indians looked up to him as a role model." From Uttar Pradesh, to Punjab, Delhi and Rajasthan, the thali brings together the best of North Indian flavours. While they have not met Dara Singh, his son Vindu Dara Singh has sampled this thali. "He was happy to see a thali named after his father. While eating, he was remembering nuggets about him and his father eating together from one plate during his childhood. Vindu loved the lamb yoghurt curry in the thali,"  adds Singh.

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Missed out on last week's Green Humour? You can read it here.

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Kareena Kapoor Khan. Pic/Rane Ashish

In the last few months, we have been a bit awestruck by how hot Kareena Kapoor Khan has been looking — be in stills and videos from her new movie, Veere Di Wedding, which releases in June, or in behind-the-scenes-clips, or basically all her public appearances. The hip and sexy styling, the lustrous hair, the impeccable make-up, and the undeniable, and oh-so-Bebo swag, has helped us see the new mother in a new light, yet again. When we meet her at a suburban hotel, wearing an off-white pant suit, her hair pulled back, and her green eyes set on us with a smile, we are slightly flustered. And we ask, how are you giving 30 somethings, even the one with kids, such hotness #goals.

"No please! Honestly, I have always been very fitness conscious. Everyone is saying I have lost weight so fast, but I have taken a year and a half. It has happened over time. It's not for the movies, but just for me. Like I always say, feed me karela for lunch and dinner and I am happy," she tells us nonchalantly. There is no blueprint plan for the evolution in her style as well, says the 37-year-old. Instead, she says that the movie, where she has been styled differently from previous avatars is responsible for turning up the heat. "That's one of the reasons I did the movie. It's young and fresh. I could have come back in an author-backed role, playing a titular character. But I chose not to. I just had a baby, and I wanted to do something that's young and the language for which is different," she says. She laughs when she recalls Veere Di Wedding producer Rhea Kapoor being wary of bringing the movie to her, because she is a mainstream actress who has been a part of the Khan movies, making Rs 100 crores and more.

A still from Veere Di Wedding

"There is no hero. I have never worked with four girls. No one expected me to do this. When I read the film, I wanted to do it. A mainstream actress would ask 'but what am I doing?' But with Veere, it's about the language of the film that's about four friends. No one has the bigger part." This is where she says, that it's her choices that have always set her apart. And we agree. "I did Chameli when I was 21. I also did Ki & Ka, even though Arjun is younger to me. I did Udta Punjab, even though mine is just a parallel track," she says, and when we point out that she dies in the middle of the movie, she says "Ya! I had to make sure something happened with my character so that people remembered me. I needed that moment. I want to do something different. My attitude towards movies has changed — I may say no to a big-budget films. My headspace is not that." We steer things back to her drop-dead vibe these days. We all can diet and work out, but what is she doing every day that makes her glow?

And the answer is simple. "Happiness," she smiles, "You have to make yourself happy. You have to find joy in smaller things in life, not just success. I am happiest when I am having coffee or a glass of wine with a friend and chatting. Or when I am reading a book, not a script, trying to prove that I have 30 scripts lined up." When we ask her what is she reading these days, we find common ground. "I love reading crime thrillers, especially Jo Nesbo and Agatha Christie. I keep watching the Poirot series again as well. Saif and I are hooked." Seeing her love for Christie, we recommend Japanese author Keigo Higashino to her, and she says, "Please write down the name for me!" We come back to us telling her how we have all been obsessing over her swag on social media, even though she doesn't have an account. "I may not be there but I am there na! And my friends and family keep putting stuff up. I am very much there. Anyway, I don't think anyone wants to hear my opinions — there are so many opinions out there. Wasn't it better that you and I had a chat instead of you already knowing everything about my life?"

Also Read: Kareena, Sonam, Swara And Shikha Had 10 Stylist For Veere Di Wedding

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Love shopping online? There are many ways you can adapt to save money or get more benefit from the deal, say experts. Ramakant Khandelwal, Chief Marketing Officer at PayBack India, and Abhishek Agarwal, CEO and Founder, Globepanda, suggest how to save money:

Compare prices (automatically): You need to simply download a small robotic tool (in the form of chrome extension) which can instantaneously compare price of a product, that you are viewing at an e-commerce site, across most of the leading e-commerce merchants. It can confirm if the price you are seeing is the lowest across, or you should switch to another e-commerce merchant where it is the lowest. You can also set price alerts which will notify you at the right time when your desired product will be available online.

Free shipping: Always keep an eye on e-commerce platform who offer free shipping facilities. But mostly they put a cap of minimum order value, which leaves you with no choice but to exceed your budget to avail it. To overcome this, you can either upgrade your membership for an annual fee or club your purchases or with your friends, so that your cart value is above the minimum amount.

Read reviews about gifts, coupons, and discount: A lot of buyers are lured into buying from a particular site just because they offer free gifts, coupons and discounts. However, the gifts, cash backs and coupons may not really be a lucrative deal when you compare the after discount price of the product with the actual price on other sites. Moreover, the free gifts sometimes are really a thing you have no use for so read about it before you go ahead and order.

Exchange offers: Many e-commerce merchants provide exchange offers to customers wherein they can exchange their old product with a brand new one and pay off the effective final price. Make sure that your product qualifies for the offer. One good way to track such offers is to get a newsletter subscription. Hence stay updated about the best exchange offers.

Look for reward points: Reward point is a nice topping without any effort or cost. If you are only a little bit more aware you can easily earn extra points, offers and rewards on your online purchases. Sometimes, all it takes, is that you start your journey from an affiliate partner and get extra points. Points can be redeemed against attractive e-vouchers of several online portals ranging from fashion, gadgets and travel.

Adopt a saving strategy: Sometimes people register on an affiliate network and buy all things from that account which gives cash back on nearly every deal. This is a great way to save money on every purchase. Also, sometimes the price of a product you are interested in is lower in the incognito window as the seller has a tool in place which inflates the price of things a customer is interested in and has searched online in the past.

Additional offers: Most of the e-commerce merchants offer credit / debit card specific offers either in terms of discount or cashback, from time to time, which easily add to your savings. In addition to this, purchase via app can also get special deals, cashbacks and discounts.

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When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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The opening scene of Aladdin

We are caught in this familiar tussle between a perfect past and a future of possibilities as the curtains for the Disney Broadway-style musical Aladdin open. As 90s kids, for some of us who just adored Aladdin and his entourage, there was trepidation in our hearts last week — will this musical live up to the 1992 animation film?

As the first scene unfolds on stage, we were not disappointed, not in the least bit. A resplendent multi-level market scene in Agrabah, reminiscent of souks that spell 'Middle Eastern' with projected skies overheard, becomes the playground for a chase during which our daring street rat, Aladdin, enters. Directed by Shruti Sharma, who had formerly assisted in Disney's Beauty and the Beast, the re-imagined production with an all-Indian cast begins on a power-packed note, which is sustained through the course of the evening. Watch out for scenes in The Cave of Wonders and the flying carpet. Simply magical.

Mantra excels as Genie

Aladdin, played by Taaruk Raina in the production we saw, ably captures the complex range of human emotions scripted for the part, from flirtatious lover to contrite prisoner. His triad of friends, especially Keith Sequeira as Kassim, is an energetic foil to the character. And, the role of Iago, villain Jafar's sidekick, brings in the much-needed cheekiness and irreverence to this romance. But, the character that will truly steal your hearts is, as always, Genie, played by Puranjit Dasgupta, who goes by the name Mantra. Through him, the musical conveys a local flavour in an international production, the spicy tang of bhel puri amidst clean hummus and pita. It may seem more Bollywood than Broadway at times, also thanks to a heavy dose of melodrama, but, it got the security guards breaking into chuckles as much as the kids in the front row, so that can only be a good thing.

So, what of Jasmine, played by the beautiful Kira Narayanan? The musical does its best to push gender norms, and its stress on themes of personal freedom, especially through this character and Genie, come as gentle reminders to the audiences. Despite this, Aladdin doesn't pass the Bechdel test, and we wish Jasmine and her friends had half as much fun as Aladdin and his bawdy bunch. Jasmine's character is poorly scripted, and it doesn't match up to the original film's feisty, smouldering princess.

It's impossible not to comment on the songs, for this is a musical after all. Some are entertaining, while some, occasionally moving — Aladdin's got the right mix. What may happen for the adults, if not with the kids, is that you may be left wanting a quiet moment in between songs, for there is just far too much excitement on stage. You need to cool off from all that Genie energy.

Aladdin verges on PG at times, though it says suitable for 4+, with lip-locks and some spirited filmi jhatkas. Nothing that should stop your kid, niece or nephew from watching, but we are just putting it out there. Oh, and did we mention that the actors wear shiny sneakers? The kids will want those for school, and that's a conversation you will need to have with them.

WHERE: Jamshed Bhabha Theatre, NCPA, Nariman Point
WHEN: Till May 13. 7.30 PM
ENTRY: Rs 1,250 - Rs 8,250
CALL: 66223737

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Give your mother a break from routine, pamper her with a breakfast in bed or a spa hamper for Mother's Day, which falls on May 13 this year. Mikita Laad Gupta, Senior Designer at Bonito Designs and Abraham Santhosh, Head Designer of Elegancia, have shared ways which can help you bring a smile on your mother's face:

1. A day free from the 'Mom routine': Mothers never get a day off from their daily routine and they never complain too. Every mother always has a list of things she needs to do, so why not do it for her? Let her relax at home while you do the grocery shopping, run to the post office, pick up dry-cleaning or whatever else Mom needs you to do. She will definitely appreciate the gesture!

2. Breakfast in bed: The first part of Mother's Day should be her breakfast. A meal ordered from her favourite restaurant. Let her relax and not think about breakfast for everyone at home, because you have already taken care of it.

3. Sparkle up the home for her: Cleaning the house is a huge task for every mother. On this day, help her out by cleaning it before she starts her day. Fix those things that she always wanted to be repaired and make her day.

4. Home decor makeover: Mothers always want to make a change in their house, but they never really get the time for it due to their daily chores and work. This Mother's Day, make her dream come true by doing what she has always wanted to - could be a vegetable garden, or a mini library or a music library or even revamp the sitting room.

5. Pamper her with a spa hamper: Everyone loves a massage, some of them crave for a fresh manicure and pedicure. Some of them have not had a good haircut and colour since a long time. So here's a chance to pamper your mother with a spa hamper and let her have a relaxing day and look pretty as she always should.

6. A photo family tree: Everyone loves to see their old photos. It brings back memories and family tree of photos is the best way to see everyone you love right there. Create a family tree of photos on a wall at home as a surprise for her as she has always wanted to do it but never had the time.

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Mothers seem to be almost supernaturally gifted with the ability to instantly lift spirits and make us feel loved and cared for. As International Mothers Day draws closer, let us celebrate their wonderful presence in our lives by making them feel extra special. Satish Kannan, Co-founder and CEO of DocsApp and Ankit Garg, Co-founder and CEO of Wakefit.co give away some solutions that can make your mother happy:

1. Gift her a healthy life: Let her know how much you appreciate her selfless care by gifting her on-demand medical assistance and access to quality medical consultation.

2. Gift her blissful sleep: After a hectic day at work and home, the least your mother deserves is a good night's sleep so she can be fully rejuvenated to face the next day with abundant energy. Help her sleep healthier with a high quality and comfortable mattress that makes her feel more rested in a shorter period of time.

3. Gift her career growth: It is not unlikely that your mother took a professional break to raise you and your siblings. Now that you're all grown up and independent, encourage her to kick-start her career once again.

Here are some more interesting ways to thank your mom:

4. Plant flowers for her: It is time to make the most of the summer season. Buy flowers like lilies, zinnia, marigold and plan them for your mom.

5. Cook her favourite dish: Your mom must be cooking for you on each and every day of the year. But, on Mother's Day, let her take a break from routine kitchen activities and you cook her favouriet dish. Bring all ingredients in advance, make the dish and let her relax and enjoy a delicious meal.

(Edited by mid-day online desk, with inputs from IANS)

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Kylie Jenner on vacation with her daughter Stormi. pic courtesy/ instagram.com/kylie jenner

Last month, social media star Kylie Jenner was severely mom-shamed by keyboard warriors for heading to a music festival without her infant daughter, Stormi. While Internet trolls are no experts, what exactly does it take to form a bond with your baby?

“Fundamental human nature includes adapting to changes. For a woman to transition into motherhood is common, nevertheless, it’s not a cakewalk. Many women experience post-partum blues for about two weeks after delivery. Should it extend beyond this period, it could be a sign of a post-partum disorder. Therefore, we need to build a society that accepts and understands the plethora of emotions that a new mother experiences,” says Maithili Thanawala Kanabar, counselling psychologist.

Dr. Bindu KS

Here’s our primer on how to face up to it, and move on.

1. Return to working out
“The body needs six weeks to heal — whether it’s a natural birth, caesarean or an episiotomy [which involves a vaginal cut]. The body’s physiology gets back to normal in six weeks, the uterus comes back to shape and body fluids return to normalcy. Whether a housewife or a working woman, it is advisable that she resumes her fitness regime in six weeks,” says Dr Ranjana Dhanu, consultant, gynaecology and obstetrics, Hinduja Healthcare Surgical. But if you have been regular with your fitness routine before and during your pregnancy, you can even go back to working out within a week if you have had a normal delivery. “Start with light exercises such as stretches and walks,” says Dr Bindhu KS, consultant, gynaecology, Apollo Hospitals, Navi Mumbai. The body, especially the spine, kidneys, heart and lungs and not just the reproductive organs, undergo changes, says Dr Bindhu.

2. Get back to the office
Kanabar explains that there is no “mother manual” that defines the best time for a new mother to dive into a competitive workspace. “Try being around the baby for the first few months. Talk to your baby about beginning work and scaffold it for him/her. If your baby is used to co-sleeping, breastfeeding, and you are finding it difficult to wean him/her off, they may take some time to get used to your absence,” says Kanabar. Unfortunately, not many companies in India have a full-time crèche facility. “Indian companies must make it mandatory to have a full-time crèche at the workplace. This will increase the overall efficiency of working women, especially when it comes to the corporate workplace,”
believes Dr Dhanu.

Dr Ranjana Dhanu

“Almost all companies have a six-month maternity leave policy. The key is to strike a balance between motherhood and work,” says Dr Bindhu. If it gets overwhelming, Kanabar suggests reaching out to your support system. However, she warns that it is imperative for mothers to remember to not board the overcompensating train, which might drive one to overdo things and become more lenient.

3. Take a break
“Any wound takes six weeks to heal and it heals well in this period for any kind of birth. Hardcore physical or adventure activities are absolutely safe after six weeks. All the medical textbooks say that the body needs to resume some kind of exercise or physical activity post six weeks of delivery. If you can afford it, take a nanny along,” suggests Dr Dhanu.

4. Slip into a chic mode
Be it exercising or getting your glam on, pursuing something that makes you look and feel good is a good way to boost your morale. “Me-time is viewed as a selfish concept while in reality, it is a safe space that every human needs to visit to rejuvenate,” says Kanabar. It is the quality of time spent with the baby that matters.
Dr Bindhu adds that people also spend only two to three hours with their child but that does not mean there is no bonding.

Maithili Thanawala Kanabar

Mother, baby and attachment

Some studies suggest that the first three months are the most crucial. Infants develop representations of attachments based on the bond with the primary caregiver. Pioneering British psychiatrist John Bowlby suggested that this attachment acts as a prototype for their future relationships and psychological health.

An infant communicates in rudimental ways and attending to those needs reinforces the infant’s sense of security. It is essential that the mother is attentive and spends quality time with the infant, but there is no need to spend every breathing moment with them. Comforting, breastfeeding on time (or feeding the baby yourself), and communicating with the baby leads to a secure attachment.

Usually, securely attached babies cry when the mother leaves and allow the mother to comfort them when she returns. Every baby responds differently. Remain receptive to the baby’s needs and spend quality time without distractions.

Watch for signs like how the baby responds when you return after a brief absence. Most would allow you to comfort them and look at you when they are inching towards exploring something new. And lastly, mum knows best. So look out for every sign.

Mandira Bedi with her son Veer, who is six today. pic courtesy/jitu savlani

I was fit when I was pregnant. After birth, I had to wait for 40 days before I could exercise again. On the 41st day, I stepped out for my first walk. It was pouring at the time but I had decided that come rain or storm, I will go for it. Later, I started jogging, moved to gymming and lifting weights. I had gained 22kg and was able to return to my pre-pregnancy weight in six months. I had serious post-partum depression that lasted for those 40 days. My depression disappeared after I started exercising. I had a baby pretty late in my life [at 39]. I didn’t fall in love with him at first sight. I wondered, ‘This is the end of my freedom. Will I get work after this?’. It was overwhelming. It’s important to be aware that what’s going on with you is normal and okay. But in that period of 40 days I eventually fell in love with him. Giving birth to him is the best thing I have done. But motherhood is not the only thing that defines me. I am hands-on, but I think you can be a better mother if you are not thinking about it 24/7. That little time for you is crucial. The rule in our house is either parent has to be there at home, always. Working out has less to do for me physically than what it does for me mentally.

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"
The cast and crew of Malgudi Revisited

Malgudi - the famous fictitious place that RK Narayan created - has a certain sense of innocence that seems incongruous with the fast pace of life in a city like Mumbai. It offered the characters a chance to enjoy the simpler pleasures of life, be it a young boy following the journey of a paper boat down a nullah or chucking pebbles into a lake. But now, people here can also get a chance to spend a day in the laidback town, as Tantra Theatre Group brings it to life in a series of short plays called Malgudi Revisited.

In it, a narrator will take the audience around different locations, making them meet the locals who populated Narayan's much-loved book. The day begins early, at 8 am, with a visit to the school where Swami - one of Narayan's most iconic characters - studied with his friends. Their exploits were of an everyday nature. And yet, there were lessons embedded in the story that are relevant even today, such as how a wall of conflict can be broken down with just a bit of empathy and understanding.

The short play featuring the astrologer

Then, around noon, the audience will be taken to a chowk where they will meet "the talkative man", who narrates a story called Old Man of the Temple. It deals with how the talkative man had once encountered a ghost while driving by a roadside temple, who possessed the spirit of the young man at the wheel. Krishna Battar, the ghost, was the one who had built the temple. But his spirit refused to leave the area even after his death, since there was no one else to take care of the holy place. Eventually, the talkative man convinces Battar that it is important to let go of the past, no matter how tough that is. And in the end, it seems that Battar has understood this point, because the next time the man comes around to that temple, the ghost is nowhere to be seen.

Later in the afternoon, the scene shifts to a bank, where a watchman is sitting outside the gate. This watchman tells the audience about how, after retiring from his job, he had discovered a talent for making paper dolls. He had received a lot of love for the same, but one day, he got a registered letter from a bank whose manager had been one of the recipients of his dolls. Now, back at that time, receiving a registered letter invariably spelt financial doom for a person. So, the watchman cursed himself for giving the manager his gift, and the insane fear he felt about opening the letter finally made him lose his mind. The irony, though, is that the envelope had contained a sum of `100, which the manager had sent the watchman, elated with his gift.

Soumitra Acharya

After that, in the evening, the audience is taken around to a marketplace, where they meet an astrologer whose quick thinking saves him from being pummelled by a man he had once tried to kill in his village. And finally, the narrator notices that a light is still switched on in the bank, so he goes to find out if someone is still working there. In the process, the audience comes across the character who was the protagonist of a story called Forty Rupees a Month. This man had decided to quit his soul-crushing job to spend more time with his family. The sum of Rs 40 was not completely peanuts back then. But it still didn't allow him to take his wife and children out for movies, for instance, and so he decided to hang up his boots. But at the last moment before submitting his resignation letter, he found out that he had got a pay hike of `5, and that made him change his mind about packing up his working life and calling it a day.

Soumitra Acharya, who directed and wrote the short plays, and also essays the role of the narrator, reveals this plot structure to us. He also points out how relevant Narayan's stories continue to be. "For instance, the main character in Forty Rupees a Month might well be me, where instead of taking my family out for a movie, my ambition could be to take my parents on a foreign trip. So, like him, even I am stuck in my comfort zone, and refuse to get out of that rut come what may," he says, pointing out how some issues remain constant through the years, and some places like Malgudi - fictitious as it may be - have a sense of timelessness that persists through the ages.

ON: May 13, 7.30 pm
AT: Whistling Woods - Andheri Base, Link Road, Andheri West.
LOG ON TO: bookmyshow.com
ENTRY: Rs 350

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The Louvre Museum

The Mona Lisa. Pic/AFP

The Louvre: Also known as the Louvre Museum and the Musée du Louvre in French, it is considered the the world's largest museum and a historic monument in Paris, France. Housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, It is the world’s most-attended museum as of 2015. Opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the Louvre was closed in 1796 until 1801. The Louvre's collections are divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings. Leonardo da Vinci's Mona Lisa is the Louvre's most popular attraction.

The main entrance of the British Museum in central London. AFP PHOTO

British Museum: Located in the Bloomsbury area of London, the British Museum is among the largest and most comprehensive in existence with a permanent collection of over 8 million works. Established in 1753, the museum first opened to the public on 15 January 1759, in Montagu House in Bloomsbury. It was largely based on the collections of the physician and scientist Sir Hans Sloane. Some objects in the British Museum's collection, most notably the Elgin Marbles from the Parthenon, have caused controversy and calls for restitution to their countries of origin. The museum's expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1881. The centre of the museum was redeveloped in 2001 to become the Great Court, surrounding the original Reading Room. The Rosetta Stone and the Sumerian Queen's Lyre are popular exhibits.
The British Museum houses the world's largest[h] and most comprehensive collection of Egyptian antiquities (with over 100,000[58] pieces) outside the Egyptian Museum in Cairo.

Grounds and entrance to the Smithsonian Institute Castle, Washington D.C.

Smithsonian Institution: Termed "the nation's attic" for its holding of 138 million items, the Smithsonian Institution chiefly located in Washington D.C. is a group of museums and research centers administered by the Government of the United States. The Institution has nineteen museums, nine research centers, and a zoo including historical and architectural landmarks, mostly in the District of Columbia. Additional facilities are located in Arizona, Maryland, Massachusetts, New York City, Virginia, and Panama. A further 170 museums are Smithsonian Affiliates. The museum has over 30 million visitors annually, who are admitted without charge. The Wright brothers' 1903 Flyer, the original Star-Spangled Banner at the National Museum of American History; the Gem Hall (including the Hope Diamond) at the National Museum of Natural History, and the Apollo 11 command module at the National Air and Space Museum are some of its main attractions.

The Acropolis Museum in Athens, Greece

Acropolis Museum: The museum, which was founded in 2003 in Athens, Greece was opened to the public on 20 June 2009. The Organization of the Museum was established in 2008. Nearly 4,000 objects are exhibited at the Acropolis Museum over an area of 14,000 square metres. It is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens and was built to house every artifact found on the rock and on its feet, from the Greek Bronze Age to Roman and Byzantine Greece. The museum also lies on the archaeological site of Makrygianni and the ruins of a part of Roman and early Byzantine Athens. The Acropolis Museum has received numerous awards and accolades over the years. During the August full moon nights, the museum remains open until late at night and welcomes visitors for free. Also the same night concerts take place on the museum's courtyard. Excavation below ground level continues. The site and process are visible through the ground level glass flooring. The site will be available for visitation once the excavation is complete. The Silver Cup designed by Michel Bréal and awarded to the Marathon Winner Spyros Louis at the first Modern Olympic Games (1896), is displayed at the Acropolis Museum and will remain to the Acropolis Museum until the completion of the Stavros Niarchos Foundation Cultural Center, where it will be permanently exhibited.

The Rijksmuseum

Rijksmuseum: Also known as the Imperial Museum, the Rijksmuseum is a Dutch national museum dedicated to arts and history in Amsterdam and has on display 8,000 objects of art and history, from their total collection of 1 million objects from the years 1200–2000, among which are some masterpieces by Rembrandt, Frans Hals, and Johannes Vermeer. The museum also has a small Asian collection which is on display in the Asian pavilion. It is also the largest art museum in the country and was the most visited museum in the Netherlands with record numbers of 2.2 million and 2.45 million visitors in 2013 and 2014. The Rijksmuseum is located at the Museum Square in the borough Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The museum was founded in The Hague in 1800 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened its doors in 1885. On 13 April 2013, after a ten-year renovation which cost € 375 million, the main building was reopened by Queen Beatrix. Frans Hals' Portrait of a Young Couple (1622), Johannes Cornelisz Verspronck's Girl in a Blue Dress (1641) are some of its popular exhibits.

The Winter Palace during the day

The Double Triumphal Arch, the General Staff Building

Hermitage Museum: One of the world's largest and oldest museums, the Hermitage Museum was founded in 1764 by Catherine the Great and has been open to the public since 1852. It is located in Saint Petersburg, Russia. Also called the State Hermitage, its collections, of which only a small part is on permanent display, comprise over three million items including the largest collection of paintings in the world, which occupy a large complex of six historic buildings along Palace Embankment, including the Winter Palace, a former residence of Russian emperors. Of six buildings of the main museum complex, five, named the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage and Hermitage Theatre, are open to the public. Entrance is free of charge the first Thursday of every month for all visitors, and free daily for students and children. The museum is closed on Mondays.

The Museo Nacional Del Prado in Spain

Museo Nacional Del Prado: Alternatively known as the Museo del Prado, it is the main Spanish national art museum, located in central Madrid, Spain and features one of the world's finest collections of European art, dating from the 12th century to the early 19th century, based on the former Spanish Royal Collection, and unquestionably the best single collection of Spanish art. Established in 1819, El Prado is one of the most visited sites in the world with over 2.8 million visitors in 2012 and is the largest in Spain. It is considered one the greatest museums of art in the world. The numerous works by Francisco de Goya, the single most extensively represented artist, as well as by Diego Velázquez, El Greco, Titian, Peter Paul Rubens and Hieronymus Bosch are some of the highlights of the collection. The collection currently comprises around 7,600 paintings, 1,000 sculptures, 4,800 prints and 8,200 drawings among others out of which 1,300 works were displayed in the main buildings by 2012, while around 3,100 works are on temporary loan to various museums and official institutions. The Museo del Prado authorities are planning a 16% extension in the nearby Salón de Reinos, to be opened in 2019.

Exhibits at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. Pic/Sameer Markande

Chhatrapati Shivaji Maharaj Vastu Sangrahalaya: Formerly known as Prince of Wales Museum of Western India it is Mumbai's main museum and was founded on 10 January 1922 by prominent citizens with the aid of the government to commemorate the visit of the then prince of Wales. Located in the heart of South Mumbai near the Gateway of India, the museum was renamed in the 1990s or early 2000s after Shivaji, the founder of Maratha Empire. The CSMVS houses approximately 50,000 exhibits of ancient Indian history as well as objects from foreign lands, categorized primarily into three sections: Art, Archaeology and Natural History. Indus Valley Civilization artefacts, and other relics from ancient India from the time of the Guptas, Mauryas, Chalukyas and Rashtrakuta are also housed there. In its recent modernization programme (2008), the Museum created 30,000 sq ft (2,800 m2) space for installation of five new galleries, a conservation studio, a visiting exhibition gallery and a seminar room, in the East Wing of the Museum and it also houses a library. a host of activities have been planned at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. The events have been designed keeping this year's theme, Museums and Cultural Landscape in mind. Start the day with a guided walk through Fort and listen to stories about its history. (Read more)

Guggenheim-Bilbao

The Guggenheim Bilbao located in Basque Country, Spain, and was constructed in 1997 by Frank Gehry.
It overlooks the Nervión River, and it was created from glass, limestone, and Titanium. Meant to look like a bunch of flowers growing by the river. It is also known to have started what is poppularly known as the “Bilbao Effect”, an effect that is now used to describe the phenomenon of comissioning 'starchitects' to design structures in the city.

Jewish Museum in Berlin

The Jewish Museum in Berlin located at Lindenstrasse in Berlin was constructed in 2001 by Daniel Libeskind. The new building (pictured above) is meant to look like a zigzag pattern and feature sharp angles, dark and narrow paths, interior walls of bare concrete, as well as a titanium-zinc facade with minimal openings. It is meant to document the history of the Jews of Germany and commemorate the Holocaust

Louvre Abu Dhabi

Louvre-Abu Dhabi is located in Abu Dhabi and is a dome shaped structure overlooking the Arabian Gulf. Inspired by Al Ain, which is an oasis emirate, and Islamic and Arabic architecture, this structure was designed by Pritzker Prize winner Jean Nouvel

Museo-Soumaya

The Museo Soumaya, located in Mexico City, Mexico, was constructed in 1994. It was funded by
Carlos Slim and cost 47 million Euros to build. The avant-garde structure with a reflective outer wall brings to mind the sculptures of Auguste Rodin is constructed with an exterior wall of 16,000 polygonal Aluminium panels. It houses various types of art pieces from Europe and Mexico.

Museum of Islamic Art

The Museum of Islamic Art is located in Doha, Qatar and was constructed by I.M.Pei in 2008. Inspired by the mosque of Ibn Tulun in Cairo, Egypt and Islamic architecture, the museum overlooks the the Arabian Gulf, is composed of a 5-floor building that is linked to an education center by a vast courtyard.

Niteroi Contemporary Art Museum

The Niteroi Contemporary Art Museum, located in Niteroi, Brazil was built in the year 1996. A result of the collaboration between prominent architect Oscar Niemeyerand structural engineer Bruno Contarini, the museum was based on the futuristic design resembling an alien spaces ship. The Museum is encircled by a reflecting pool and has a very striking red ramp

The Louis Vuitton Foundation

The Louis Vuitton Foundation is located in Paris, France and was constructed by Frank Gehry in 2014.
The 143 dollar cultural center is not only a museum but is also a cultural centre that enourages the growth of contemporary art. The musum was designed so it looked as if it were floating against gravity.

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Bringing out the BEST

BEST Stories Collective is an Instagram account co-founded by photographers Aslam Saiyad and Gopal MS. It documents nuggets of everyday life and history around the BEST buses in the city. In light of the general elections, Saiyad along with photographer Fahim Sayed have started a campaign on the page where they lay out placards encouraging people to vote to save BEST, the Aarey forest or even the Mumbai coastline.

Talking about how the idea was conceptualised, Saiyad told this diarist, "All the politicians are talking about national or global issues but nobody is talking about the issues of Mumbai, like the future of the Aarey colony, BEST or the Kolis. I wanted to grab the attention of the people, especially in the last days of the elections. Even after voting is over, we will continue to highlight these problems maybe in a different visual format."

From a son to his father

As you read these words with your morning cup of chai, a 100 musicians from the classical, folk and jazz traditions would already be performing at the NCPA as part of a day-long tribute to Ustad Allarakha on his birth centenary, beginning at 6.30 am until 10 at night. But before the live performance came a tribute from the legendary tabla player's son and noted percussionist Taufiq Qureshi, which was released recently.

An archival picture of Ustad Allarakha

The seven-minute long video, Alla ne Rakha, has been composed by Qureshi with lyrics by Rachna Dixit. And in the spirit of today's performance, the video features several well-known names including Ashwini Bhide Deshpande, Shankar Mahadevan, Ajay Gogavale, Salim Merchant and Neeti Mohan.

When Sabya endorsed Sabya

Things came full circle when renowned fashion designer Sabyasachi Mukherjee recently embraced a page named after him. An export of an international account called Diet Prada, Diet Sabya was started in 2018 and weeds out copies and plagiarists from the industry, and may we add, rather humorously.

So when Mukherjee said, "Well done, whoever you are," giving a thumbs up to the faceless folks behind DS, when he spoke to an entertainment website, it reiterated the caption that accompanied the video shared by DS, "That's all."

Austrian moves

After creating a full-length contemporary ballet piece with the Ballet Chemnitz in Germany in 2017, and a collaboration with Polish dance company Zawirowania Dance Theatre last year, Ashley Lobo has now become the first Indian to be invited to choreograph a piece for The Landestheater Linz, the state theatre for Linz in Austria.

Titled Yama, the performance is a full-length 55-minute contemporary ballet piece. "This is a huge opportunity and reassurance for me. Dance for me is about emotion and personal expression, and I look forward to extending that to the Austrians," the choreographer told this diarist.

Danes to the rescue

Even as news comes in of pilots of the grounded Jet Airways being humiliated by a senior official of Spicejet during a recruitment drive, when he called the act a "charity", another heartwarming development assured us that all's not lost in this cut-throat competitive world. The Indian operations of a Denmark-based apparel giant recently posted on social media a campaign titled Join the Family.

Pic/PTI

"Customer centricity is at the core of both retail and aviation industries. With several employees of Jet Airways having been affected due to the recent shut down of the airlines, we... are willing to extend opportunities to them, if you know anyone who would consider an industry change." If you, too, would like to spread the word, career.india@bestseller.com is where CVs can be emailed.

A look called love

Madhuri Dixit Nene looks fondly at husband Sriram during a day out at the movies. Pic/Satej Shinde

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The Juhu police have arrested a 37-year-old man for allegedly flashing and making vulgar gestures at women and college students while riding his bike between Juhu and Khar. According to the police, he has been identified as Nitin Bharadwaj, a resident of Malad.

Requesting anonymity, a police officer said, "Bharadwaj used to target women and students near malls, gyms and other public areas along the Santacruz-Juhu-Khar stretch. To avoid being seen in CCTV footages, he would wear helmets all the time."

Speaking to mid-day, Pandharinath Wavhal, senior PI of Juhu police station said, "We have been receiving several complaints about the same type of offence. A team was formed under the supervision of Deputy Commissioner of Police (DCP) Paramjit Singh Dahiya, and after working on the case for 90 days, we finally caught hold of the accused."
Police sources said that Bharadwaj was an estate agent and he runs a family jewellery business. Till now, a total of seven cases have been registered against him, of which the Juhu police have five.

A police officer said, "A team of 15 police personnel headed by two senior officers was formed. In the course of the investigation, police checked more than 300 vehicles and 100 CCTV cameras. It was getting all the more difficult for them as the accused used to change his number plates whenever he travelled between Malad and Juhu."

Meanwhile, the cops were working on the details of the accused provided by the victims, and this, apart from human intelligence, helped them nab the culprit. Speaking to mid-day, Dahiya said, "The accused has been arrested under relevant sections of the IPC and POCSO Act. We are checking whether he has any criminal records in other police stations. After being produced in court, he was sent to police custody till April 30."

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The 'No Mobile Phones' diktat issued by the Election Commission for voters at polling centres had a rather ambiguous implementation. While some carried it along inside the polling booth, others were asked to keep it out. With directions about phones not being allowed in the 100 meters vicinity of polling stations, the Election Commission had not made any provisions for safekeeping of phones.

Also Read: Election 2019: Mumbai scrapes through in voting report card

The rule ended up confusing voters across the city. Many were unaware of the 'no phone' policy and were left waiting outside the polling centres. The EC had issued such orders after some voters were found clicking pictures while voting during the last elections.

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

While most polling stations had police officials preventing voters from carrying their phones inside, there was no security checking of the bags that some voters carried, "thus making it difficult to ascertain if they were carrying a phone or not," said officials. Some centres also saw the police asking voters to hand over their phones to people standing behind them in the queue.

Dhanraji Yadav, who was at the Manohar Joshi Mahavidyalaya in Dharavi along with her family, said that police officials at the gate asked them if they were carrying any phones. "I waited with all the phones while my family voted. But while I was waiting there, the same police officials allowed other people to carry them by switching them off," Yadav said. An official said that the directives had come from the Election Commission of India. "We couldn't be responsible for everyone's phones and asked them to not bring them."

Also Read: Elections 2019: Regular voters find their name missing at polling booths

100m
Distance around polling booth where phones were not allowed

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

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The 'glamourless' north east Parliamentary constituency saw a lot of drama on voting day since morning. Comprising six assembly constituencies, it saw 55.35 per cent voter turnout. In 2014 the constituency had registered a 51.70 per cent turnout. Of this Ghatkopar east topped the list with 60.30 per cent followed by Mulund at 60.10 per cent, Vikhroli at 59.03 per cent, Bhandup west at 57 per cent, Ghatkopar west at 53.81 per cent and Mankhurd Shivaji Nagar at 44.02 per cent.

'Polling centre goes missing'

The day started with voters at Bhandup east complaining of an entire polling centre gone missing and alleged that it had been shifted two km away without prior notice. Citizens said they realised it only after reaching the spot and did not know what to do.

Bhandup resident Chandra Sreenivasan alleged that it was a ploy to discourage voters. "I wanted to vote. I fought with the election officer on duty and said that such tricks would not put off voters if they intended to do that. We have been voting at the same BMC garden every time and this time when we got the election slip, it had the same address but when we reached the spot, there was nothing there. A few locals then told us that it had been shifted near the old Bhandup phatak which is about 2 km away from the location," she told mid-day.

"The old and ill will not travel 2 km to an unknown spot, but I did not give up. I took an auto and went all the way there and fired the election staff on duty. When I questioned them, they said that they had just received a message in the morning to report here," she added. Election officials, however, said that it was decided to shift the polling centre from the garden to a building and a notice had been put up in the garden, though Sreenivasan said there were no notices.

Candidate posters put up

The BJP's secretary Vivekanand Gupta said they had reported a complaint against the NCP candidate after they found a banner with his photograph within 100 metres of the polling booth in Bhandup. He requested the EC to direct police officials to remove it immediately.

Faulty EVMs

Several complaints of faulty Electronic Voting Machines (EVMs) came to the fore during voting throughout the day, delaying the processes from 45 minutes to one hour. At some centres, there were issues with the Voter Verified Paper Audit Trail (VVPAT) slip as it was not visible after voting and in some cases there was an error displayed. At booth 93 at Sharon English School in Mulund the voting had to stopped after the EVM developed a snag and an engineer had to be summoned to fix it. Voting restarted after 45 minutes.

Also Read: Elections 2019 in Mumbai: Voters, poll officials confused over ban on mobile phones

Candidate's switch disabled

An independent candidate, Anil Hebbar said his name was disabled on EVMs, and after his complaint the machines were replaced. "At booth 155/272 in Mulund, button no 14 next to my name was disabled. The officer in-charge discovered it before polling started and changed the ballot unit leading to a delay of 1 hr and 15 min," he said.

Voted, but not inked

A voter, Reena Verghese, alleged that she cast her vote in booth 243 at St Pius School in Mulund west, but her finger was not inked. She went again inside the booth to get the mark on her finger when she realised this.

Sr citizen's name missing

Kalawati Tambe, 86, missed out on voting as her name was missing from the electoral list. A resident of Kannamwar Nagar building 14, all her neighbours' names were on the list but her's did not figure. She said she came to vote though she was in her hometown for past few days. She complained that she had to climb onto the first floor, her legs were paining and she was very unhappy that she could not vote.

Jugaad chairs

At many places the election commission had put up jugaad chairs tied to sticks like a palkhi to carry senior citizens to upper floors in buildings where there were no lifts. "They showed videos of all those fancy automatic chairs, but they assembled such jugaad plastic chairs," Harkishan Rai, a senior citizen said. The rule of not allowing mobile phones was also leniently followed with cops telling voters that they could carry phones, but requested them to switch them off.

55.35pc

The voter turnout in North East

Also Read: Elections 2019 in Mumbai: Physically challenged, elderly, get little help at polling stations

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Haitham with Shah Rukh Khan on the sets of Dil Hai Hindustani where the two sang SRK’s chartbuster Jabra Fan

When we meet Haitham Mohammed Rafi inside the dimly-lit sets of a popular music reality show, he stands out from those sitting beside him. The white of his traditional dishdasha and the colourful turban — called the massar — make him look like an anomaly. The 23-year-old appears to be closely observing his fellow singer — a girl half his age — who is on stage and singing the famous DDLJ-towel song, 'Mere Khwabon Mein Jo Aaye,' when we raise our hand and call for his attention. There is instant recognition.

"Wallah!" he yells out in Arabic. "How come, you here?" he goes on, in his Middle-Eastern accent.

It has been three years since we first met Haitham. The last time it was in his hometown Muscat, the capital city of the Sultanate of Oman. "I will sing in Bollywood, someday, Inshallah!" he had then rapped, much to the amusement of this correspondent. At the time, we had wished him luck, without mocking his expectations or pointing out the risks.

Last week, when a video of filmmaker Karan Johar sitting in stunned silence after Haitham’s performance of Naina Thag Lenge, went viral on Arab social media, this writer was glad she had kept mum then.

Haitham, an Omani national, has just made it in the final 11 of the first season of music reality show Dil Hai Hindustani. Being an Arab, has only worked in his favour. For the judges, Johar, Badshah, Shalmali Kholgade and Shekhar Ravjiani (of Vishal-Shekhar fame), the first question on their mind was, “Can an Arab sing in Hindi?”

"Okay, maybe!" "But, that good!"

"I have Mohammed Rafi’s blessings," Haitham jokes. Not like, we hadn’t been meaning to ask him the story behind his namesake. Haitham al Balushi takes his middle name, Mohammed Rafi, from his father, who was surprisingly christened by the veteran Hindi singer himself. "Though Omani, my grandfather was a huge fan of Mohammed Rafi," he recounts. “When my father was born, Rafi saab was performing in Bahrain. My grandfather, who was working there, went for the show and managed to have a quick chat with him backstage," he says, adding, “He told Rafi saab, I want you to name my newborn.” The rest, as the Balushi family recalls, is history.

Until seven months ago, Haitham worked as a personal banker with a leading national bank in Muscat. “It was so boring. I hated going to work...it was suffocating," he says. Unable to take it anymore, Haitham put in his papers, and ferociously started looking for opportunities to sing. "I wanted to pursue my passion," he says. We ask him what that is? And, pat comes the reply, "I want to become the first Arab playback singer and composer in Bollywood." Haitham has been harbouring that dream since he was 11.

In Oman, Haitham says, there is no concept of vocal training. "If you're a good singer, you're a good singer." His only source of Bollywood music was audiocassettes and CDs as a child, and later YouTube. "So, when I told my Omani friends that I wanted to become a singer, they laughed. They said, 'You can’t make it big in India…it is so tough'."

On an Indian friend’s advise, he started listening to a lot of ghazals. "I was told that it would help me get my nuances and accent right," he says. His favourite ghazal singers are Jagjit Singh and Rahat Fateh Ali Khan. But, that's how Haitham’s Bollywood dreams first took flight.

In 2012, he became the first Omani to win Muscat Idol, which sees participants mostly from the Indian Diaspora. From there on, due to dearth of a great body of work, Haitham started composing music for Omani TV shows. “But, I realised that I wasn’t enjoying Arabic music. Each time, I sang in Hindi, I was happier,” he says. Of the 500 songs he has composed, 450 were in Hindi. “My mum knew I wasn’t meant for Oman. So, she kept pushing me to try my luck at Indian reality shows,” he says. He tried thrice and failed. The fourth time, he decided to think practically and opted for 'The Voice Ahla Sawt', the Arabic version of the international music show. “Even there, I could not fit in,” he says. This December, after five years of working towards his dream, he got the call. And, that too, from India.

Here, he is still just another contender at the show. But, back home, things have changed for Haitham. After a video of his performance went viral, Omanis in Muscat, who he claims love Hindi cinema, have gone into an overdrive. “I’ve already signed 13 shows in Muscat and Dubai,” he says. “My friends are buying the Indian digital channels, just to watch my show.”

"I think it's a proud moment for my country," Haitham says. Just as we end, he gets his cellphone out, and shows us a photograph of his, clicked with Shah Rukh Khan, where the two are facing each other, striking the latter's signature pose. “India has already opened its arms to me," he gushes.

Raj Khatri at his Malad home. Pic/NIMESH DAVE

As a teen studying at a Khandala boarding school, Raj Khatri was an ardent fan of Hardy Boys. Every week, he’d head to the school library to pick up a copy from the limited edition series, The Hardy Boys Casefiles, that explored mature, espionage-based themes. But he never read a single one. "It was to gaze lovingly at the cover," he laughs. "If you remember, the cover always carried an action shot. Sometimes, it was of a car chase or a person fleeing an explosion or a man hanging precariously from a bridge. They [covers] had a dynamic, kinetic energy that I loved." He would then return to the dorm, sit with a paper and recreate the cover of the week in his notebook.

Khatri, now 35, continues to nurture his fascination with pop art and posters. He spends hours recreating posters of iconic Hollywood films and television shows, presenting his own unique interpretation. Spearheading the alternative movie poster movement in India, now a global phenomenon, Khatri creates re-imagined posters using bold brushstrokes and vibrant colours. Kill Bill, The Dark Knight and The Matrix have all got a cover each. "What artists usually do is take one object from the film and create a poster around it. I decided to make posters that look like abstract paintings, but when you place the movie’s name below them, you get the message."

Most Hollywood films, he explains, have a thematic colour palette. "Uma Thurman’s yellow costume became synonymous with Kill Bill. I watched it and made notes of all the focal elements in the film," he says, adding that he makes posters keeping a film’s fans in mind. "For instance, in the 2014 film, Night Crawler, there’s an iconic red car that the protagonist drives. You’ll get the poster only if you’ve watched the film."

It was on an impulse, that he decided to upload the posters on social media in 2010, not realising they would get him recognition. The artworks later landed him a chance to exhibit his work at a Los Angeles exhibition in 2014. The following year, he launched his first minimal series posters — a take off from alternative posters that instantly went viral.

As creative head with a city-based ad firm, Khatri is also the man behind original posters for Hindi cinema projects Neerja, Phantom, Kahaani 2 and Bang Bang. "Of course, I love the process of digitally creating movie posters, but more often than not, there’s a filter between what I conceive and what is released. It’s not entirely indigenous because there are so many people involved and they all have an input to offer. After a point, fatigue develops," he says.

It was the creative release that alternative posters offered him and a Wacom tablet that his girlfriend, now wife, gave him that saw him through. "No pesky clients and deadlines. I was free to use my own style, and that’s what I love about this," he says.

(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.

Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.

Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.

Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos

Ben is Back

U/A: Drama
Director: Peter Hedges
Cast: Julia Roberts, Lucas Hedges, Courtney B. Vance, Kathryn Newton
Rating: 

A family drama that makes substance abuse look like the enemy of humanity it is, this Peter Hedges directed film dramatically shifts its moods from celebration to welcoming to fearful – all in the span of a few minutes.

When Ben(Lucas Hedges) shows up skulking around at his home driveway in a hooded wind-breaker the audience is unsure as to his antecedents. Then his mother Holly(Julia Roberts), his teenage sister Ivy(Kathryn Newton) and two half-siblings (Mia Fowler and Jakari Fraser) arrive home and we see the trepidation tinted welcome he receives. When his step-father Neal(Courtney B Vance) rushes home after receiving Ivy's urgent message, we understand there's further gravity to the situation.

Director Peter Hedges opens up his pages slowly allowing us to experience in some measure as to what the family is going through. Eventually it becomes imminently clear that Ben's return for Christmas from a rehab program he was recently inducted into, is unexpected and ill-advised.

Check out the trailer here:

While 'Ben is Back' is not exactly a dense suspense drama it draws up intensity from a construct that questions the integrity of it's lead character. Since it's a story about an addict and his struggle with addiction the question that haunts his family and himself is 'Will he use again?' He has sworn and swears again that he won't but he has lied before and given his track record should his family believe him? It's a tough ask. But then what about love, compassion and forgiveness? Can a mother really abandon her child to the vagaries of a habit that could eventually destroy him? The film deals with all these questions and more and the answers that it comes up with are neither easy nor universally applicable.

As Holly takes on the onus of keeping Ben in her sights, she uncovers secrets that test her mothering skills –throughout an increasingly harrowing day and night exposing her to an underbelly that she never opened her eyes to in the past.

There are times when the plotting seems contrived and questionable but by and large Peter Hedges does a good job plying a pathway that has hurdles at every turn. The dramatic tension though is not sharp enough and that's one of the reasons why you feel rather ambivalent about this tale. Performances are universally good though!

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Aquaman

U/A: Action, Adventure, Fantasy
Director: James Wan
Cast: Jason Momoa, Amber Heard, Patrick Wilson, Willem Dafoe, Nicole Kidman
Rating: 

Aquaman - a largely underwater flight of fancy, amounts to a herculean attempt by custodian Warner Bros. to right its wonky DC cinematic universe and it's success is moderate at best. A large part of the credit should necessarily go to the charismatic Jason Momoa( ex Baybatch ) who got promoted to this leading role after showing face in 2016's Batman v. Superman : Dawn of Justice and Justice League.

This superhero saga is mostly origin story myth building through fantasy VFX, so don't expect real characters, adherence to the laws of physics or conversations beyond the monosyllabic. In this film, anything goes - even a ring(chasm) of fire in the midst of a deep blue sea and an ocean of wealth under the Saharan desert. Reality rarely pokes its ugly head into this gamey underwater universe that heralds the dawn of a new King Arthur(Momoa), a half-breed(Human-Atlantean mix) who is expected to prove his worth against the might of his firmly ensconced younger half-brother Orm(Patrick Wilson).

Aquaman's tall-tale is embellished in Royal shenanigans, incorporates themes of environment pollution and engineers a war between the water world and the land world under the pretext of righting the wrongs of a selfish civilization. The attempt here is to create an underwater 'Lord of the Rings' but without the majesty, profundity or significance of that telling.

Check out the trailer here:

Making an oblique nod to 'Splash,' the film opens with Queen Atlanna (Nicole Kidman), fleeing Atlantis, getting washed ashore at Amnesty Bay, Massachusetts, meeting solitary lighthouse keeper (Temuera Morrison), falling in love and subsequently birthing the said, Arthur and then going right back to Atlantis- the underwater city, in order to save the lives of her loved ones. Punctuating the drama is Orm's attempts to amalgamate the seven wondrous oceanic kingdoms and become undisputed Ocean master. Vulko (Willem Dafoe), Princess Mera(Amber Heard) and to a lesser extent King Nereus (Dolph Lundgren) put a spoke in his wheel, so-to-speak.

The film has some stunning imagery but most of the action feels random and incoherent. The narrative is overlong in its desire to include every embellishment possible. There are a few engaging moments but the in-between humdrum is pretty much taxing. Weighed down by its watery excesses, the narrative feels terribly labored and over-done. James Wan ( with his Horror oeuvre) was probably not the right man for this DC recreation. He makes this watery epic a kitschy showboat instead of lending it acuity and memorability. This is a story of excess but even so, it's hard to resist the charms of the lead actors, their outlandish costumes and some wondrous aqua sequences.

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Zero

U/A: Comedy, Drama, Romance
Director: Anand L Rai
Cast: Shah Rukh Khan, Katrina Kaif, Anushka Sharma
Rating: 

For a couple of decades now, relentlessly citing exceptions like Swades (2004) and Chak De India (2007), viewers (and fans) of actor Shah Rukh Khan have often complained about how he plays SRK on screen, regardless of the script, which pretty much is designed around him playing himself, in some form or the other, anyway.

Alert to this obvious feedback, and with audiences, in general, upping its expectations, even from wholly star-driven pics—demanding a certain level of authenticity in stories regardless—you find SRK trying hard to up his own game. Which is great, of course. Raees (2017) and Fan (2016) are relatively good examples on that front. With Zero, as actor-producer, he appears to be trying a bit too hard, I suspect.

For one, this SRK film doesn't star SRK at all! He plays a Meeruthiya, uneducated 'bauna' (dwarf) Bauua Singh, obsessed with two women, almost simultaneously. Both ladies seem out of his reach. One's a fully celestial Bollywood heroine. That's Katrina Kaif. Tells you a lot about this film that she comes across as by far the most credible character around—a heart-broken drunk, dumped by a certain superstar with the surname Kapoor, who "pretends to be a misunderstood, shy type, but is actually a full-on ch*****."

Check out the trailer here:

The other woman (Anushka Sharma), strangely modeled on Stephen Hawking, in a high-tech wheelchair, her mouth contorted, wrist twisted and shaking, is a space scientist. She meets the vertically challenged dude through an odd, offline version of a matrimonial site. What she likes about him is that he can overlook her disabilities and see her as the person she is, rather than somebody one must simply sympathise with.

There is much banter between the two. This is tricky stuff. I understand that all humour is at the expense of some person/group or the other, and we mustn't get all too sensitive about such matters. But I just felt slightly discomfited throughout—mostly in anticipation of a poor joke, punching downwards, rather than one that actually occurs (expect tonnes of think pieces on the web soon though!).

As a viewer, you are rarely made to look beyond the fact that she suffers from cerebral palsy. More so, that he's about a foot shorter than usual, a man-child at the centre of this film— in his late 30s, wholly jobless bloke, blowing up his father's money. You can't tell if he's a duffer or just a dwarf. As if the two were even vaguely related. He is supposed to be a die-hard romantic. Your heart must melt for this simpleton still.

It's hard, if not impossible, to feel anything for such a parody of a person, as Zero jerkily jostles between heartland, rustic realism (Aanand L Rai's Tanu Weds Manu), and a far-out romantic fantasy, vaguely along the lines of SRK's wonderfully sorted Om Shanti Om (2007), also partly set in show-biz. You're in fact bored rather than bothered by all the travels on screen.

The only take-away is how tough it must've been to pull this off. Which is true for films of this massive scale—regardless of the emotional payoff. The VFX work, cutting down SRK's size, is by itself a work of art. And that's just a fraction of the craft and cost involved in a picture perennially on a flight of imagination—whether the penny drops, or not.

Guess it'd be impossible for filmmakers to attempt a leap of faith so high, without quite convincing themselves that they're on to a masterpiece. One hopes (for them), others feel so too. Clearly, I didn't.

Also Read: Zero Movie Interview: Shah Rukh Khan, Katrina Kaif And Anushka Sharma Reveal All

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Simmba
Director: Rohit Shetty
Actors: Ranveer Singh, Sara Ali Khan, Ashutosh Rana
Rating: 

With this film, a super-star is born. Why would one risk this over-statement? Because super-stars in Bollywood, or in the Indian movie context, have remained, for decades, the most apt equivalent to Hollywood super-heroes.

They come with little or no back-story. As in the case of Simmba - being an orphan is good enough. The front-story, as it were, is neatly split between the hero, and the villain, along with a prologue, epilogue, heroine, comedian, extras, and the all-important 'takiya-kalaam' (stock refrain): "Tell me something I don't know!" The motivation, like with super-hero flicks, is rather rudimentary. Saving a girl is as good as repeatedly saving the world!

What matters is how the super-star, by sheer dint of his vigorous personality - where you can't distinguish between the actor and character - carries along an entire movie, and indeed the audience, on his strong shoulders alone.

Once the image is set, the penny drops, and while the going is good, the super-star on screen is good enough to ensure audiences in theatres. And there's got to be a reason why no star ever since the '90s, in a real sense, has been able to convincingly play this part that, I suspect, is the hardest to hit home with, anyway.

Ranveer Singh does just that. And how! Part Govinda, from Raja Babu type pictures in the '90s, part Anil Kapoor from Ram Lakhan in the '80s, but wholly holding his own in a typically Rohit Shetty action-entertainer, Singh adds tremendous credibility to a character that had begun to tire us over time.

For one, given his robust résumé (if you only compare this performance to the anti-hero Alauddin Khilji's in Padmaavat earlier this year), you know he isn't casually reprising a role, given a captive audience (that '90s super-stars had begun to). He puts in as much effort into Simmba as he might into a Bajirao Mastani, say, mastering the Marathi twang (without quite coming across as a parody of Nana Patekar); killing it softly with well-written one-liners; setting the dance floor on
fire; romancing like a dude; doing action, like a proper, desi hero!

You fall for Inspector Sangram Bhalerao (Simmba)-a cartoonish, corrupt cop, who wants to eventually right the society's wrongs-essentially, because, you fall for the stupendous Singh on steroids. Every scene works, because he does; and vice versa. The net result is a movie that, within the same space, seems better than Ajay Devgn's Singham (2011). But for the middling soundtrack, it would've been better than Salman Khan's Dabangg (2010).

Either way, what you won't go looking for is the picture's plot, based on the Telugu potboiler Temper (2015). Because you already know what to expect: Singh as a hero. Sonu Sood as a villain. Villain ke haraami brothers. Hero ki abla nari sister. And the rape, and the revenge drama, that follow.

I'm unsure if one adequately appreciates how hard, bordering on the near impossible, it is to engagingly pull off a masala-melodrama such as this. Shetty knows more than a thing or two about this timeless genre. Yet, this may well be one of his rare movies where the connoisseur and the crackling masses are most likely to seamlessly converge.

As an audience, the only way to know if a film of this sort is working (for you), is when you find yourself (sometimes guiltily, but mostly in a carefree sort of way) smiling, responding, and along with a packed theatre, reacting to shenanigans on screen-whether they entirely make sense or not ain't the point.

The script can be full of holes. You hope your brain isn't. This is how I caught this picture, with folk in the front-benches-whistling, clapping, making loud noises, and then going quiet, during dramatic sequences.

This only brings back strong memories of large single-screen cinemas - on the verge of extinction - with people on both cheap and super-expensive seats, sharing entertainment as a common, tribal experience. That's where you should go for this. As if on cue, to Ajay Devgn walks in as Singham. As does Akshay Kumar, announcing his next film cop-flick with Shetty, Sooryavanshi (2019). You might think this is meant to be a Ranveer starrer piggy-backing on '90s super-stars - inhabiting the same Marvel-like super-hero, cinematic universe. Look at him. I think it was the other way round!

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Mary Poppins Returns

U/A: Comedy, Family, Fantasy
Director: Rob Marshall
Cast: Emily Blunt, Lin-Manuel Miranda, Angela Lansbury, Ben Whishaw, Emily Mortimer
Rating: 

Disney drums up age-old magic by picking up the threads of an unforgettable original which had the unassailable diva Julie Andrews mesmerize way back in 1964. This time around Emily Blunt essays the all-important role of the magical nanny whose job is to put things right in the Banks’ siblings Michael(Ben Whishaw) and Jane’s (Emily Mortimer)now adult world just as she did when they were kids – with Lin-Manuel Miranda doing a Dick Van Dyke in this Rob Marshall sequel.

The setting is 1930’s London, Michael is a widower with three lovely kids and his sister Jane is an activist who appears to have lost out on love. Burdened by debt and threatened by the bank, Michael can barely keep his head up when Mary Poppins flies into their lives and makes all the difference!

Check out the trailer here:

Director Rob Marshall manages to tie-in to the original with enchanting ease - spelling forth a magical 130 minutes of music and fantasy that keeps you reminiscing while laying out an entirely fresh scenario that’s just as trippy as the original. Marshall reteams with cinematographer Dion Beebe, to give the narrative an inveigling widescreen luster, with production designer John Myhre and costume designer Sandy Powell chipping in with their nostalgia imbuing contributions. The pre-war 1930s setting is superbly presented just as the bath-time routine, excursion in the park and journey into an all-too brittle adventure, rekindle the vivacity and colorfulness of yore. It’s a wondrous amalgamation of ideas from the past and present, merging together in synchronicity of technique and wonder that is entirely enthralling.

Also Read: Emily Blunt Got Scared With Mary Poppins Returns Offer

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The Mule
Director: Clint Eastwood
Cast: Clint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Andy Garcia, Alison Eastwood, Taissa Farmiga, Ignacio Serricchio, Loren Dean, Eugene Cordero, Robert LaSardo
Rating:

Eighty-eight-year-old Clint Eastwood’s 37th feature has him directing and acting in a drama about an elderly man whose late-life drug running — egged on by desperate circumstances — becomes a tool for heavy rumination regarding conscience, morality, and reclamation. Nick Schenk (of Gran Torino fame) fashions this screenplay inspired by the New York Times Magazine article The Sinaloa Cartel’s 90-Year-Old Drug Mule, about a true event, written by Sam Dolnick.

The original mule was Leo Sharp, a World War II veteran and great-grandfather. But, for this film, Eastwood and Schenk take some creative liberties to present a sensibility that is more Eastwood than the real-life event would oblige. The experience delineates the nearly destitute senior Earl Stone’s (Eastwood) tryst with criminality conspired by an alienated family construct, and a flagging business. Earl was never there when he was needed by his family, ex-wife Mary (Dianne Wiest) and, especially, daughter Iris (Alison Eastwood). Their rejection of him when he runs out of money may be painful to watch, but it is fairly justified in the schema of broken relationships damaged by ego trips.

Eastwood, of course, lives the part. He fits the role, but as far as the fan-image goes, he seems frailer and less imposing than he did in his last cinema outing. But that physical deterioration doesn’t take anything away from the manner in which he has constructed this slow-burning, contemplative, engaging, humorous tale, which appears to be somewhat autobiographical in the manner in which it deals with relationships that are central to the story here.

We can see that Federal agents, led by a DEA Special Agent in charge (Laurence Fishburne), and newbie Colin Bates (Bradley Cooper), trying to nail some cartel drug runners out West, are eventually going to come across this unsuspicious drug-runner. But the film is not about that cat-and-mouse chase as much as it is about a conscience finally coming awake, and Earl making robust efforts to atone for his past mistakes.

Eastwood’s mule seems to bask in the freedom that easy money brings him, and appears to be unaware of the hellish depths that the murderous cartels would reach — and that’s precisely how the film plays out. With every film, like in this one too, Eastwood’s politics also comes out, loud-and-clear. He may be intriguing as a person, but not always politically correct as an actor-director voicing his personal world-view.

Earl’s eventual redemption also comes a little too easy, given the havoc he may have engineered by his flirting with the cartel. The tone shifts are jerky, the narrative veers to the ponderous and the experience doesn’t come across as entirely fulfilling — even though the cinematography and minimalistic appurtenances lend shadowy depth to the experience.

The supporting characters don’t get much screen-time, even though they are integral to the plotting. Eastwood hogs the show here. His apparent disconnect with the consequences relating to his actions is a hurdle that’s difficult to overcome. And that’s also because Eastwood’s image still manages to over-power his latter-life performances. As an audience, we are more likely to be distraught over his real-life physical deterioration than we are about the reel life character’s disempowerment.

Watch The Mule Trailer

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Uri: The Surgical Strike
U/A: Action, Drama
Cast: Vicky Kaushal, Yami Gautam, Paresh Rawal
Director: Aditya Dhar
Rating: 

Like with several others, you may not find a single bloodthirsty, jingoistic-militaristic bone in my body. And yet, there's a scene in this film, focused on a little girl, whose father, an officer, has just died in the recent attacks on the Army base in Uri. She walks up to the casket, surrounded by soldiers in attention, at his state funeral.

The moment freezes for a second. The little child, rather unexpectedly, exults the regiment's war cry. Soldiers instantly respond. Emotions naturally heighten. It's hard not to feel a lump in your throat.

This is the sort of visceral 'josh' that the film organically excites, which makes it work, almost through and through. And yet, for a movie wholly centred on a mission and the military, it is a rare desi one—Sankalp Reddy's under-rated The Ghazi Attack (2017), being another recent exception—that never meanders from the actual minefield: Not a minute wasted on sundry peripherals, songs, love-story, and the like, that most Hindi war films (Border, LOC Kargil, Lakshya included) have had to resort to, in order to fit into a more mainstream, Bollywood format.

But, first, let's settle the apprehension that many might rightly share: Is this a propaganda picture? In so much as it places to the extreme fore the might and valour of unsung heroes of Indian Army, who risk their lives in covert operations, details of which, for reasons of state secrecy, go unreported? Sure. And that's pretty much true for all patriotic, war movies, regardless.

But, no: Is it a propaganda film for the BJP government, few months before the general elections, seeking credit for a military operation initiated/executed under its watch? Well, the magnanimous Prime Minister modeled on Narendra Modi (Rajit Kapur) is very much omnipresent. Which, going by trailers and posters of late, he's likely to be, on the big screen, over the following months, with several films based on/around him—bit like a super-hero from the Marvel/DC universe!

The PM is well represented along with his cabinet, given lookalikes of Parrikar, Jaitley, Rajnath Singh, and the hand-picked National Security Advisor Ajit Doval, played by BJP MP Paresh Rawal, as a shrewd, sharp sleuth, right at the centre of the high-table, leading the military operation from a snazzy war-room.

Check out the trailer here:

Whether this story "based on true events," liberally mixing fact with fiction, has been actively sponsored by the government or not; can tell you this, they will like what they see. Folk on the Pakistani side though come across as total 'phateechars', ever willing to sell their soul and their nation's secrets. Either way, what the endorsement from the Indian Army (its publicity wing is prominently credited) evidently earns for the pic is incredible access to top-notch military hardware, hitherto unseen in the history of Hindi films.

Supremely competent first-time director Aditya Dhar uses these weapons—sophisticated machine guns, grenades, rocket launchers, top-grade fighter aircraft—to hit home with a winning plot, over two hours, 10 minutes of stunningly shot (Mitesh Mirchandani), non-stop, military-action drama, packed with pyrotechnics that appear authentic, world-class, technically kickass.

Background score (Shashwat Sachdev) is pitch-perfect. Some of the combat sequences (Stefan Richter) are sensational. Sparks fly, quite literally; even as sentiments are firmly in place, to keep you engaged with the characters, and their emotional motivations.

Yeah, it's hard to evoke both. No better actor to lead this charge than the fully fired-up Vicky Kaushal (Raazi, Sanju, Love Per Square Foot, Manmarziyaan, Lust Stories)—bulked up like a sniper, menacingly calm as a military mind—inspiring his peers (Yami Gautam, Kriti Kulhari etc) in the film, and patrons in the theatre, with an infectious energy that is impossible to resist. Kaushal's had a phenomenal 2018. Clearly, the dream run continues.

The film is primarily set in 2016. The basic premise is known. It concerns a top-secret, low-intensity, shock-and-awe assault, or a surgical strike, on hideouts in Pak-occupied Kashmir, responsible for terror attacks across the border—more specifically, by four militants, allegedly of the group Jaish-e-Mohammed, on the Indian Army brigade headquarters in Uri, near the Line of Control, less than a fortnight before.

Very little—next to nothing—is known about these 'surgical strikes'. How does this revenge operation pan out in the picture, then? Given multiple Abbottabads being mounted, a lot like a desi Zero Dark Thirty (2012)—Katherine Bigelow's brilliant docu-drama detailing capture of Osama bin Laden. As compliments go, that's as huge as it gets. No?

Also Read: Watch video: Vicky Kaushal gives us a sneak peek into his prep for Uri

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The Second Act

U/A: Comedy, Romance
Director: Peter Segal
Cast: Jennifer Lopez, Leah Remini, Vanessa Hudgens
Rating: 

Jennifer Lopez probably fancies herself as a 'Working Girl' and that explains her producing and acting in a film that has shades of the Oscar winner mashed up with done to death romcom elements. The script credited to Elaine Goldsmith-Thomas and Justin Zackham transforms an uneducated, street-smart 40-year-old woman, Maya(Jennifer Lopez) into a winning corporate consultant – and to get there she jumps the truth about her background, gets a resume makeover and wins the confidence of the head honcho. The boss (Treat Williams) sets up two teams, one lead by Maya and the safer one led by his daughter, Zoe (Vanessa Hudgens). But no prizes for guessing who won that battle. The usual alienation from old friends is followed by a redemptive effort at truth-telling.

Peter Segal's Second Act tries to do too much. The impetus for Maya's cheat makeover comes from professional rejection - We meet Maya the day she loses out on a big promotion at Value Shop, because of her lack of an MBA and a dopey idiot gets it because he does. We see Maya reconciling with the daughter she gave up for adoption and then losing her again for a bit before they reconcile again. The same happens with her friends and colleagues from her former workplace. They are the ones who support and encourage her (to hilarious results sometimes). Corporate skulduggery notwithstanding there's also the romantic interest whom she failed to confide in. It's all too complicated rather than complex.

Check out the trailer here:

The few times the film manages to perk you up involves an impromptu dance with Maya leading her office nemesis (Freddie Stroma) onto the dance floor in an attempt to sideswipe his attempt to expose her. And another time you feel the passion is when she and her girlfriends (Remini, Lacreta, Dierdre Friel) do a "Push it REAL good" dancing sing along. The writing is not without its frivolous light-hearted banter but much of it is lost in the attempt to paint Maya in a gratifying light. This romcom is fairly bearable but not exactly likeable.

Also Read: Jennifer Lopez explains why she did Second Act

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The Accidental Prime Minister
U: Biography, drama
Dir: Vijay Gutte
Cast: Anupam Kher, Akshaye Khanna
Rating:

Given the imagery in the trailer, it is impossible to walk into The Accidental Prime Minister anticipating anything. The intent of its makers is evident: its strategic release, months prior to the election, solidifies its positioning as a propaganda film. Films are meant to have fodder for debate and discussion. And the topic of discussion here, I propose, is how Mayank Tewari, the writer of Newton (one of India’s most balanced political films) and Hansal Mehta (Shahid) came up with something as abhorrent as this.

Probably hoping to pitch this as India’s answer to House Of Cards (HOC), the film’s narrative is too incoherent to make a political statement, let alone start a dialogue. HOC, of course, made with tremendous gumption, never has a political bias. It merely mirrors the goings-on behind the closed doors of the White House. Based on the book by Sanjaya Baru, this movie attempts to make sense of power games in the corridors of the coveted bungalow No. 7, Race Course Road (the official residence of PMO). But there’s no escaping the fact that it can only pass as a run-down, Made In China version of HOC.

If at all the idea was to shame and embarrass the Congress party, the writing here lacks the desired punch. The onus of shaping the material lies in the hands of the director, and Vijay Gutte is visibly inept. Of course, the lofty and on-point casting of Akshaye Khanna as Baru and Anupam Kher as PM Dr Manmohan Singh, salvages the situation considerably, but there’s no saving the film from shoddy direction.

Baru’s book walks the tightrope carefully, making ground-breaking political revelations, but never reducing Dr Singh to a laughable figure. Even his worst critics would agree, Singh was a man of poise. On Gutte’s insistence (or so I would like to believe) Kher turns Singh into a mute cartoon, who deserves to be pitied. It almost feels like the makers want to mock Singh — mimic his voice, slouch his gait. Baru had carefully carved Singh as a fiercely loyal man, standing strong on his ideals; one who is manipulated by the Gandhis (Sonia and Rahul). Gutte never focuses on the vulnerable equations between Singh and the Gandhi family.

He, in fact, allows Khanna to get disturbingly Frank Underwood-ish, turning up the dark humour in every third sentence. Khanna is great at what he does, but he makes Baru seem more like a saffron loyalist, not a Congress insider. Gutte takes us through the hallmarks of the Congress government, from the nuclear deal to the 2G scam, in a news bulletin, decade roundup-sort of a fashion, creating the build up for the film’s Singham (PM Modi). Do we know how Singh felt through it all? That’s for another film. There’s enough to laugh about in this offering, but the joke here is that while Hollywood continues to make great content, we are still nitpicking and name-calling.

Watch The Accidental Prime Minister Trailer

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Why Cheat India
U/A: Drama Satire
Director: Soumik Sen
Cast: Emraan Hashmi, Shreya Dhanwanthary
Rating:

The 'curse of the second half' in Hindi pictures is simply so severe, especially when it comes to films with well-known faces, that even as I find myself really enjoying a movie, there's a radar at the back of the brain constantly cautioning one to only hope that the post-interval portions even live up to the first half — by half. If so, then as an audience, you're pretty much through.

Is this movie an exception in that regard? Well, it eventually starts descending to such levels of random, thoughtless spinning of the yarn that by the end of it you're not even too sure it's the same film that you had started with in the first place. And hell yeah, it begins really well, what with highlighting the academic strains of being a teenaged 'padhaku' kid, Sattu (the boy's so brilliantly cast), in a lower-middle class family in Lucknow, coaxed into cracking a coveted engineering entrance exam (they don't call it IIT for some reason). For, how else does the father who's invested all his money into his child's supposed dream see his pension scheme through?

The film shines much-needed light on a common Indian teenaged nightmare, as sincerely presented in stand-up comedian Biswa Kalyan Rath's rather under-rated Amazon Prime series, Laakhon Mein Ek (2018). While sticking to searing realism — getting its time-setting, the year 1998 right, down to baggy trousers, and Force 10 type sneakers — the filmmakers manage to give the hero, Emraan Hashmi, a filmy sort of entry, smartly slipping in a soothing ballad, as well. Well done!

Hashmi plays a one-man racketeer who sneaks in smart kids, with counterfeit hall tickets, to max entrance tests on behalf of rich children, sitting at home, paying their way to top colleges as a result. You sort of know where the film might be going with this. And, maybe, that's the problem. Proxy contestants at overcrowded competitive exams for key educational institutions, where even well-prepared students wait for Godot to get in, is a huge multi-crore, organised industry, involving a system wholly corrupted, from top to bottom. Technology would have plugged some of the holes already; one's unaware to what extent.

If you haven't heard as much about this underworld, one should legitimately blame the news media for it — particularly in the case of the 2013 Vyapam (Madhya Pradesh Professional Examination Board) Scam, for instance, where close to 40 people, most of them whistleblowers, have mysteriously died, while the investigations are still on (or not quite) —but largely under-reported in the mainstream press.

And I thought this is what the film could be about — unearthing an earth-shaking scandal that should ideally knock you off your head. But, no, this is a film that attempts to combine strong commentary on the education/examination system, with a high-paced, heist thriller, with belaboured twists and turns, while trying to balance all of it with the urban slickness and high-life that Hashmi's inevitably romantically inclined, unscrupulous characters aspire for, and achieve, in his typical capers.

Watch Why Cheat India Trailer

So whatever fault you may find in the film possibly exists in the story/script to start with. And perhaps the reason is Hashmi himself, for he can't help but get on the big screen with strong baggage of the sort of flicks that have made him the star he is. The audience is obviously to blame for it, and the fact that Hashmi remains still an under-rated actor, because he is hardly commercially lauded for parts where he wholly goes off the beaten path — Dibakar Banerjee's Shanghai (2012), I'm told, tanked; Danis Tanovic's Tigers (2018) went straight to OTT (Zee 5), both being his career's best works.

And so he goes back to being himself: the trademarked flawed hero, who eventually justifies his wily actions as a natural outcome of a multiple-choice, rote-learning system that gives very few kids a choice beyond acing it to get ahead. How a scamster like his character is the solution still, and not the issue, is beyond me. Have to say though, what the audience will empathise with is the fact that far too few fine courses/colleges exist for far too many desi children: a progressively massive problem staring us in the face and an even uglier future. This affects everyone. To be fair, the government is just as clueless on how to deal with it as this totally confusing 'pop-con' pic.

Also read: Emraan Hashmi: Change of Cheat India title is illogical, ridiculous

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