To open the Navigator, select View > Navigator, or press the F5 key, or select the Navigator in the sidebar.On the simplest level, the Navigator lists all of a document’s objects, including outline levels – headings by default, other paragraph styles as well if you edit outline levels. Clicking a list item in the Navigator jumps to it in the editing window.

If you use a font that the recipient is unlike to have, select Files > Proprties > Font > Embed fonts in the document before exporting to PDF. Note that embedding will vastly increase the file size if you you have a large number of fonts.

Settings > Digital Wellbeing and parental controls. Tap your preferred Focus Mode or create your own by selecting Add. Select Start to start using that Focus Mode.

To use a custom paragraph style for a heading, choose Tools - Chapter Numbering, select the level and choose a style in Paragraph Style box.You can also choose number 1,2,3 for each level if you need 1.1, 1.1.1 numbering for heading.

You can create User Defined Property in libreoffice writer. File – Properties – Custom Properties – Add Property – Set the type: Date) – Set the value.

To use this property goto Insert – Field – More Fields – DocInformation – Custom.

You can "discretize" or "bin" continuous features into categorical features.

from sklearn.preprocessing import KBinsDiscretizer

kb = KBinsDiscretizer(n_bins=3, strategy='quantile', encode='ordinal')

kb.fit_transform(df['Fare'])

1. File > Templates > Save as Template
2. Give it a name and select "My Templates".
3. Tick the box Set as default template. Click Save
4. File > Templates > Manage templates,
5. Right click the template with a green tick beside it and select Reset Default.

1. Select "Internet Link" from Character styles.
2. Right click Internet Link and select Edit style
3. In the tab Font Effects, click the button Reset to Parent.

Extract all incorrect words in first.txt file and all correct ones in second.txt file using the following sed command.

sed -n 's/."(["])".*/1/p' DocumentList.xml > first.txt

sed -n 's/["]"["]"["]"(["])".*/1/p' DocumentList.xml > second.txt

You wouldn't be blamed for assuming Coralie Clément is a contemporary of Françoise Hardy or Jane Birkin's; her coquettish and sultry, whispered vocals, suave touches of bossa and samba, and splashy dabblings in yé-yé make her sound like Brigitte Fontaine buffing out her scratches and sanding down her bristly edges.

Her debut LP, Salle des pas perdus, is a collaboration with her brother Benjamin Biolay, who wrote and arranged it, only further reinforcing her throwback nature. For a time during the 90s, Momus did a lot of his own Serge Gainsbourg-styled team-ups with elegant yet wryly sassy chanteuses—the Kahimi Karie songs, the Poison Girl Friend songs, the Laila France songs—and this record plucks at the same heartstrings.

The subsequent albums are interesting and possessed with the same sort of low-key charisma, with Toystore perhaps being the most aggressively different: in place of gentle strings and unhurried horns are skippy ukuleles, tinny tambourines, frothy farfisas.

With bands like Scars, I'm reminded of how pop music, Top 40 and underground alike, and regardless of genre, is all about flavor-of-the-month trends. As with everything else available in our capitalist marketplace, we must create an abundance of choice and maintain a level of homogeneity while simultaneously seeking out first-, second-, and third-place winners in order to maintain focus and inertia. As the rewards for the winners are high, there's incentive to throw one's hat in the ring, despite the fact the odds of success—and sustained success—are minuscule. And you only have one shot; five years or so is the average lifespan of a band, and those that exist longer will never be cool in the most valuable way—via novelty—again.

A record that has been on repeat as of late, perhaps in part because of my obsessive reimmersion into Shibuya-kei. (If you missed the big playlist I began, check it out.) Reconnecting with it deeply, thoughtfully, and from the perspective of me as I am today as opposed to through a desire to, frankly, wrap myself in warm, fuzzy nostalgia, has unlocked new respect and reverence. Its whimsical expressiveness and lightning-bolt vigor and costume-party playfulness come from, yes, overstimulated and itchy brains, fidgety crate-digger fingers, but, more importantly, from curious hearts that want to simply celebrate life. Thus, while it's artificially about a sort of cosplay, it's a sincere, pure body of work, and that's what makes it so remarkably special.

 

What a name.

Cally Davis and Catrin Rees called él Records home and its proprietor, UK indie-pop patron saint Mike Alway, their lodestar. Though they didn't make what you'd expect, exactly, if you're familiar with the él catalog, both before and after it was absorbed into the Cherry Red empire. Sure, it's jangly guitar pop with a twee twinkle and primitive production qualities, but these two women had a deranged Rezillos bite and a whimsical songwriting style that's more Todd Rundgren than Morrissey. 

Always a sucker for late-80s pogo-stick guitar pop from Scotland, I cannot resist the Groovy Little Numbers, yet another late-80s pogo-stick guitar-pop outfit from Scotland.

They're noteworthy—or at least more of a curiosity than others—and differentiated from contemporaries in a few ways, however. Lead vocals were often shared by Catherine Steven and Joe McAlinden, who started the band and seem to be considered the only core members, and this boy-girl tag-team adds a twist the Pooh Sticks, Close Lobsters, the Soup Dragons, the Hepburns, and most the rest in the scene didn't have.

Additionally, while trumpets were certainly a feature of the post-Postcard Scotish sound, the way these guys laid it in was gentler, sweeter. Generally, they were gentler, sweeter, more reserved Burt Bacharach than twitchy Violent Femmes.

As you might expect, this two-singles group was a sort of power-pop incubator for at least a couple of those involved: McAlinden started Superstar and was in BMX Bandits; Gerard Love got in with Teenage Fanclub at the onset.

 

A bit of an oddity for their label, Mo Wax, Parsley Sound was, at their most effective, a bit of dreamy indie-pop coming from a downtempo production approach. Sweet and gentle, a little twee, heavily filtered and electrified, despite pursuing a color palette that's au naturel, creaky, sun-bleached.

Perhaps this is what would've happened if Lemon Jelly had gotten Elliott Smith in the studio.

A return to Australia, eh.

At least through the 80s, when they started, calling this ragtag assembly of Sydney folks a band would be generous; their namesake bassist, Michelle Cannane, left shortly after they stumbled into a studio, and all other personnel either wandered in or out a couple times, or overslept and missed a gig, at least once, it seems.

And it shows, particularly on the debut album, A Love Affair with Nature, which sounds like an admittance they'd rather be laid out in a field, grass tickling their faces. It's messy and meandering, unstructured and always out of breath from trying to catch up with itself.

And yet! It is quite a delight. The Go-Betweens if they'd be fronted by Mo Tucker on her sleepiest of Sundays. Lyrically, full of emotion and this sassy irony—a fizzy blend, particularly when it's muffled-under-the-duvet bedroom pop, fried-with-the-curling-iron lo-fi.

(Bonus: As a Unicorns diehard, I can't help but sense a strong cosmic bond here, especially on songs like certain ones Alden Penner recorded when he peeled off from the band—in Australia.)

 

Two Japanese ladies, who look like they could be sisters, one accordion, a bag of campy lyrics, and an orchestra comprised of canned horns and soft strings for the backing band—would you believe their one and only U.S. release arrived through They Might Be Giants' John Flansburgh's Hello Recording Club?

Robert Wratten was a heartbroken guy.

For a few years, in the late 80s, early 90s, he was in the Field Mice, the beloved jangle-pop outfit signed to Sarah Records. When they fell apart, Wratten and his girlfriend and bandmate, Annemari Davies, formed Northern Picture Library, and continued to write rather melancholic songs, but with a certain duskiness and lonely chill rather than the peppy twitchiness and innocent twinkle from before. (Their first LP, Alaska, is very good.)

Northern Picture Library ended when Wratten and Davies split, and thus Trembling Blue Stars was born. (I see your breakup album and raise you a breakup band!)

  

I'm going to explore some of his other works, many of which have been lost to time and lack of translation, both into English and digital formats. As so much of this music only ever existed on CD—and was only ever packaged in Japanese text—it's difficult to track down, let alone be aware of. The man was obscenely prolific, however, and I'd like to spend a little time shining light on the efforts he made outside of his flagship project, Pizzicato Five (ピチカート・ファイヴ, P5).

And we shall begin with T.V. Jesus, a duo comprised of Masumi Arichika (有近真澄) and Rieko Teramoto (寺本りえ子).

If P5 was primarily an exploration of the past through jazzy pop, Burt Bacharach ballads, space-age lounge, rendered in polarly-opposed palettes—soft pastels, gentle and intimate, or bright neons, biting and intense—then T.V. Jesus was the same journey, but with fuzzier and greasier guitars and live drums, a glam-rock corollary to Konishi and Maki Nomiya's (野宮 真貴) union.

 

 

"How does it feel? / The way I feel / Doesn't feel quite real"

With lyrics like those (not to mention a name like theirs and a debut album titled  Against Perfection, a perfect encapsulation of melancholic Gen X irony), why Adorable posters aren't plastered on dorm walls and their songs on all high school first-love and breakup mixtapes out there is... baffling. 

Formed in Coventry, England, and fronted by Piotr Fijalkowski, the band was around at the apex of the shoegaze scene, but they perhaps slid left, right, up, down a little much—too melodious in their waves of distortion, too jangly to be grunge, too poppy to be punks, too pretty and straight to be Madchester ravers. Too often, it's a group's hard-to-place-ness that prevents them from turning a passing sizzle into something sustainable.

A reputation for cockiness and label pressures and spats certainly didn't help. Sometimes, though, a perfect moment is meant to only last for that perfect moment, and it's wonders like this record, so assured and contained, that remind me that the "what if?" question we often find ourselves confronting is a distraction, a red herring, an impulse to fan the flames of infatuation not with deeper connection to that subject of interest but with, well, more shit. 

In the case of Adorable, that desire led to the recording of Fake, a modest LP that tilts towards a flat, less complicated dourness and downcast spirit, one the debut wasn't informed by. Against was a gleaming gem of Echo & the Bunnymen's arena-filling, heartswelling post-punk anthems crossed with the warm fragility of the Jesus and Mary Chain and the fried, blown, tattered brawn of Ride. Often, it's one-and-done series that are the most meaningful. A sense of an ending is a precious gift.

In the 90s, Mark Pritchard was best known for his work in ambient house, IDM, downtempo, primarily through the duo Global Communication, who always managed to be unusually patient, supple, loving, elegant.

When that union dissolved, he pushed ahead in the same direction but with a shift in contextual foundation; he left the cerebral chill of Northern Europe and let his mind and ear drift across the Atlantic to the unhurried and free-spirited coastal enclaves of Brazil for a bossa nova and samba record under the alias Troubleman.

 

Time Out of Mind is a tranquil and warm album that seems built around the possibility of making electro-bossa music, very much in vogue in the post-Theivery Corporation and MPB-revival era, with white privilege and collector culture not at the epicenter. It's a sincere record, one that compassionately seeks to not only reference but build upon and expand another culture's sound through thoughtful, meditative reverence.

Most the elements are live, a celebration of organic sound and meandering arrangement, influenced by Brazil's storied musical tradition and yet so very imbued with Pritchard's precise and club-oriented, Western electronic wizardry.

Highlights are "Toda Hora," a collaboration with Brazil-born Smoke City vocalist Nina Miranda, and the pair that is "Paz" and "Zap," the latter song being not much more than the former in reverse. Eerie and sensual.

It's been a long while, and it will remain that way for at least a little while longer.

I did want to post the playlists I've been maintaining for this year, however. While I'm not writing about music at the moment, I am, as always, collecting, collating, curating these.

For 2023, I'm breaking things down a little more granularly, with two new playlists, "Clurb" and "Calm," being added to the regular offerings of "Classic" (at least ten-ish years old) and "Current (mostly from this calendar year, but maybe some 2022 material makes it past the censors).

A full archive of all these can be found on the Playlists subpage.

Nearly twelve months have passed without a peep from me, and I think—think!—that's going to change in short order.

I've new, albeit modest, things coming via Nilo soon (a sequel to the "Please Honk" bumper sticker), and I'm contemplating ways to more efficiently and quickly publish and distribute all the gobbledygook that is suffocating in my mind and crammed into my notebooks. I am certain some or all of it will live on or be connected to BBBD, though whether this twenty-year-old blog is a hub or spoke remains to be seen.

At any rate, I'll start jottings things down here again, in more typical journal format. In the meantime, follow the four playlists I'll be maintaining as per usual (they're embedded below) and behold my latest "product," a song-a-day experiment. There's an RSS feed for it if that's your jam. (There's something intoxicating about rejiggering a Spotify playlist into, essentially, a microblogging platform, and I'm happy I finally hacked it. This is something I've been wanting to make for ages.)

Let's talk about Momus.

A little.

There's no obvious way to crack into his body of work; you can begin anywhere and proceed to draw a map around that starting point. The essential aerial-view basics, however: Momus is Nick Currie, and while he has mostly recorded under that mononym for over four decades, he began his musical career in the Happy Family, one of 4AD's first signings.

I initially came across him while digitally digging through crates of Shibuya-kei records as a teen; I was enamored with his writing and production for Kahimi Karie and POiSON GiRL FRiEND, amongst others. He slid sublimely into that biome—Burt Bacharach blossoms splashed across Serge Gainsbourg grasses under kitschy exotica electronica canopies.

At some point in the 90s, he fell into a dramatic, emotional, ultimately fraught tangle with a teenage British-Bangladeshi girl named Shazna Nessa, daughter of a "London-based Bangladeshi restaurant and factory owner," though what exactly transpired is unclear, in part because only the Daily Report tabloid covered it.

At any rate, it was with Shazna that he started a project called Milky, and it is their one and only album, Travels with a Donkey, that marks the beginning of my journey with Momus. I'm sure I came upon it either through the Darla website (he had an imprint, American Patchwork, that was distributed by them) or one of the many music blogs with an ear turned to Japan that I followed. A delightfully sweet, twee record that's as much a children's lullabies collection as it is a bedroom pop demo tape.

Shazna was also in an easy-listening lounge-pop act called Maria Napoleon that released an LP in 2000, and that is also worth a listen.

Ed Ball was one of the most significant presences in—and busiest contributors to—the British indie rock scenes of the 70s, 80s, 90s: He ran labels, Whaam! Records and Artpop! Records most notably; he was intimately involved with Alan McGee's Creation Records, home to many of his own recordings, too; and he fronted or toured with perhaps nine dozen different groups. Hyperbole aside, he was certainly active.

I mostly knew him as a member of the cult-fave group Television Personalities, Dan Treacy's band, and for his own, the Times, a garage act normally done up in paisley flowers or melted down into acid-trip lava-lamp ooze.

In the late 70s, however, he had a short-lived project called Teenage Filmstars, and he released a few rinky-dink mod singles under that name. In the early 90s, after a string of Times LPs, he revived it, and made perhaps the best album of his career, Star. On it, he lost the toothy, sunshine-and-lollipops affect that had become his trademark and slid into a fuzzy, distorted chasm of feedback, echo and delay all the way down. It's a triumph of early-days shoegaze, a disoriented morass of strained noise, stretched and squeezed like putty, and yet it's unrelentingly melodious, like what could've been if My Bloody Valentine had made Loveless a record of only big-hooks songs like "Soon."

Enjoy the first of our new format of messages from David Legge, also available to watch on our YouTube Channel! In this two-part message, David encourages us to choose to praise - no matter what our circumstances - in order to affect our mood. Join us for this first part, as we find out what praise is and what it looks like. This sermon is available now from https://www.preachtheword.com in MP3 audio and on our YouTube Channel (https://youtube.com/PreachTheWord) in HD video...

In this second part of his message 'Praise Time!', David looks at what praise does - the effects praise can have upon your life's circumstances and your own personal well-being. Learn some of the practical outcomes of what happens when you activate the power of praise! This sermon is available now from https://www.preachtheword.com in MP3 audio and on our YouTube Channel (https://youtube.com/PreachTheWord) in HD video...

'Fasting God's Way' is the subject of our latest Topical Sermon, as we consider the genuine motives behind the type of fasting God looks for in His people. What's the difference in fasting our way, and fasting God's way? What does our fasting achieve if we're not fasting God's way? How does He view it? Join us for the answers to these and other questions! This sermon is available now from https://www.preachtheword.com in MP3 audio and text formats...

In this series, David Legge looks at how the Minor Prophet, Habakkuk, teaches us to be 'Confident in the Chaos' around us. In these times of uncertainty and confusion, there are some clear principles that will not only help you to survive but enable you to thrive by faith! This first instalment is entitled 'The Paradox of Faith'. If you are questioning 'What on Earth God is doing?' in your life or in the world, then you'll glean some helpful truths from this message. Your questions and faith in God are not mutually exclusive. You can bring your questions to God and He will be your Answer! This message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

Sometimes we don't understand what's happening in our world and in our lives. We wonder how God can allow certain things, let alone use bad things for our good! In Part 2 of 'Confident In The Chaos', learn how Habakkuk responds to God's 'Mysterious Ways' and how you also can posture yourself in faith. This encouraging message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

In 'Confident In The Chaos' Part 3, we learn to 'Stop, Look And Listen'. Habakkuk learned to get to grips with his questions and confusion by bringing them to God. He had to get quiet and listen for God’s voice. We need this discipline especially at this present moment in history. Only faith in what God speaks to our hearts will bring us through as overcomers! This message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

In part 4 of 'Confident In The Chaos', 'The Judged And The Just', we discover part of the answer to Habakkuk's questioning of God and His ways - 'The just shall live by his faith' (2:4). The way we remain confident in the chaos is to believe God. This is also the way to be 'right with God', be saved from judgement and to stay in close fellowship with God - by faith. In this episode we go to the very heart of the Gospel - how Jesus took our sin and we receive God's righteousness through faith in Him. Why not share this message of Good News with someone you know who needs Jesus? This message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

Part 5 of 'Confident In The Chaos' brings us 'A Trinity Of Positivity'. In the midst of the darkness of the 'woes' of judgement against Babylon, the LORD, through Habakkuk, shines some welcome light to help His people have confidence in the chaos they were facing. Find out what these three encouragements are, which will help you through your own chaos in these difficult days. This message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

In Part 6 of 'Confident In The Chaos' Habakkuk has 'A Prayer And Vision For Revival'. In chapter 3, Habakkuk gives us an example of how to pray for revival in the darkest of days. He gives us hope to pray, believing that He wants to bring blessing in His goodness and mercy. Learn how to pray with confidence for a great awakening in these difficult last days. This message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

In Part 7 of 'Confident In The Chaos' Habakkuk exhorts us to 'Choose Joy!'. In these closing verses of Habakkuk we see the power of joy, even in the worst of circumstances - how joy is not rooted in our circumstance, but in our faithful God. See with us how Habakkuk's journey from doubt to faith, and chaos to confidence, ends. In these strange and perplexing days we are living through, we face some similar scenarios to Habakkuk, not least a global economy in dire straits. How do we respond? How do we survive? Can we actually thrive to be 'Confident in the Chaos'? Habakkuk gives us an emphatic - YES!! This encouraging message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

Our new series on 'The Holy Spirit' seeks to reintroduce us to the oft-neglected third Person of the Godhead. Even those who claim to move in the power of the Spirit don't always have a deep relationship with Him as a Person. So, join us as we seek a deeper knowledge and fellowship with 'God on Earth' - the Holy Spirit. In our first study, we ask the question: are you walking in everything of the Holy Spirit that God intended for you as His child? Acts 19 presents us with some 'disciples' who had not entered a full experience of the Holy Spirit. Let's see what we can learn from their interview with Paul, as he asks 'Have You Received?'. This message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

Just like the twelve 'disciples' in Ephesus, the original twelve in Jerusalem also had something missing. They had spent three years with Jesus, but still needed their Pentecost experience. Jesus warned His disciples that they needed more to accomplish His commission. Here in Part 2 of 'The Holy Spirit', we will find out 'What's Missing?', and learn of the utter necessity of living and ministering in the power of the Holy Spirit. This challenging message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

In Part 3 of our series of studies on 'The Holy Spirit', we investigate some biblical and practical steps to receiving the power of the Spirit, the power that you need to live the Christian life and serve Jesus effectively. We'll also consider some hindrances to the Spirit's power in our lives and churches as we learn 'How To Receive'. This message is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

How have you related to the Holy Spirit? He is a person with whom we are to cultivate an ever-deepening relationship. In Part 4 of our series on 'The Holy Spirit', we will look at 'The Person Of The Holy Spirit', discovering many of the characteristics of the Spirit's personality and the roles that He has in the Godhead. Get your Bible ready for this episode as we let the Holy Spirit tell us about who He is as God and who He is to us! This sermon is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...

As Christians we must be aware that we are in a battle of epic proportions, and therefore we MUST 'Stand Firm In The Battle'. To do this, we must have a working knowledge of what plain this battle is fought on, what weapons are at our disposal and the source of our victory. Only then will we know how to stand firm when so much is coming against us from the enemy's ranks. This message was originally aimed at a men's conference, hence the application to men - but, of course, the truths here apply to both genders! This message is available now from https://www.preachtheword.com in MP3 audio and on our YouTube Channel (https://youtube.com/PreachTheWord) in HD video...

Part 5 of our series on 'The Holy Spirit' asks: is there a difference between the Holy Spirit in the Old and the New Testaments? Does He do the same things now as He did then? What can New Testament believers expect that's different in how the Spirit relates to us today? These are all questions we seek to answer in this new study, entitled 'The Holy Spirit In The Old Testament'. Join us for this helpful message, which is available at https://www.preachtheword.com now in MP3 audio format and in HD video on our YouTube Channel (https://youtube.com/PreachTheWord)...