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Mumbai's banker-turned-singer Ameya Dabli performs for Indian Army jawans

Earlier this year, while performing at a military training centre in south Kashmir's Pulwama district, singer Ameya Dabli recalls receiving a disturbing piece of news from the army chief Lt Ranbir Singh. Four terror attacks had taken place at a nearby hillock on the same day. The hill, as he soon learnt, was located less than a kilometre away from the centre.

"The chief said to me, 'Don't worry. We will protect you'. This one reassuring line was enough to allay our fears in that high tension zone," he says. Dabli and his team of musicians went on to deliver a power-packed two-hour performance regaling the audience with musical compositions of poems penned by Kabirdas, Guru Nanak, Amir Khusro and Tulsidas. "We didn't realise how those two hours flew by. You see, that's the power of music," he says. Since then, Dabli has performed at several other conflict regions of the country, including eight districts of Jammu and Kashmir, and four in the Northeast.

Singing for peace
It was three years ago that Dabli, a Bhandup resident, conceptualised Ekam Satt, which are essentially pro bono concerts curated for the Indian Armed Forces and civilians, in order to not just motivate jawans, but also bring peace. Born in a family of music lovers - his mother Anuradha Dabli is a trained classical and light music exponent - the 38-year-old was inducted into singing from the age of seven. "But, the idea to use music as a peace building tool was something that took shape during my last stint as the marketing head of Ronny and Zarina Screvwala's Swades Foundation. Here, I got the opportunity to interact with a lot of non-profits," he says.

Dabli, who holds a robust 15 years of corporate experience as marketing head with the Tata Group, HSBC and Citibank, now straddles a music career along with a venture where he mentors start-ups and NGOs to start their businesses. Till date, he has performed over 1,500 concerts across 15 countries. "Initially, it took us a good six months to curate the songs for Ekam Satt, because we wanted it to be a good blend of sufi, folk and contemporary music. We even got RS Mani, the music arranger of Veer Zaara to help us. But now, it's seamless," he says.

While Dable's pieces comprise the works of legendary poets such as Mirabai, Narsinh Mehta, Khwaja Garib Nawab and Tukaram, the songs are infused with peppy global music styles like hip hop, reggae and opera to make it livelier. "When we approached the Army headquarters in New Delhi with the concept, they loved it and immediately asked us to come on board," he says.

On the shaadi front
Interestingly, Dabli is also a sought-after name when it comes to weddings and sangeet and has performed at the glitzy wedding of Sasha Rawal - sister of Bollywood's leading fashion designer Kunal Rawal - and Samarth Bajaj, and very recently, the engagement of Isha Ambani and Anand Piramal. He has also organised gigs for Kumar Mangalam Birla, David and Lali Dhawan, Aditya Birla and Adi Godrej. "It's not the typical shaadi scene. My forte is the pheras, something that most people don't pay much attention to," he laughs. "I perform something called the signature wedding chants, where I don't just recite mantras, but also provide explanation of the vidhis or rituals," adds Dabli, who perfected his Sanskrit under the tutelage of his father, Professor PV Dabli, a scholar in the language.

Dabli says juggling his entrepreneurial venture with his musical endeavours does test his ability to multi-task. "Sometimes, I don't know which one to focus on more. But that's what happens when you love whatever you do equally," he smiles.

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16 Bhandup schoolkids vomit their way to hospital after mid-day meal

The civic body just can't seem to get its mid-day meals right. It turned out to be a poisonous Thursday at Bhandup's Sahyadri Vidyamandir, after 16 students and a teacher landed in hospital with complaints of stomach ache and vomiting on eating the dal rice served in the school yesterday. While all are stable now, it has once again raised serious concerns over the meal scheme.

The trigger
Though Sumit Dongarkar's mum packs a tiffin for him every day, he looks forward to the brunch served in school, and Thursday was no different, said his mother Sonali, as he loves dal rice.

The 13-year-old and his friends ate the meal with relish during the recess at 9.50 am, but shortly after, trouble started. At first, a Std VII student began vomiting, but soon, more complained of stomach ache and nausea. After other students began throwing up, the school authorities rushed 16 of them, and a teacher, Vidya Lad, who'd tasted the food as per protocol, to Mulund Agarwal Hospital. Sonali Dongarkar said, "Sumit is doing fine now and is under observation."

Who's responsible?
School authorities said that for the last one and a half year, around 700 students have been eating the meals prepared by Lingeshwar Mahila Bachat Gat. Parents told mid-day that VII-C is the first to receive the food every day, and while 16 from the class of 40 took ill, others remained unaffected. "Everybody is stable now. But this has shaken the kids and our trust. Who will take the responsibility for it?" asked Aruna Poojari, a parent.

Another, Aditi Naik, said, "My son, Krish, had a nasal tube attached for a while. He is okay now, but I am going to tell him not to have the meal again." Several parents complained of being kept in the dark about the incident. "The school finishes at 12.30 am. When I went to receive my daughter, she never came out. Then, a friend of hers told me what had happened. I felt dizzy on finding out, but I rushed to the hospital," said Lalita Shinde.

Hospital dean Dr Usha Mohprekar said, "All are stable now. We have moved them to the general ward for observation. Prima facie, it looks like food poisoning. An inquiry will be conducted."

Sampling the fare
Principal Narsingh Mane told mid-day, "The staff were prompt in giving required care to the sick children, all from one division. The food had come from Lingeshwar Mahila Bachat Gat, which has been providing it to us for a while now. So, we are not sure what went wrong. Samples of the food have been submitted to authorities for testing."

BMC education officer Mahesh Palkar said, "We have collected raw as well as cooked food samples from the kitchen of the organisation. The kitchen looked neat and tidy; nonetheless, experts will test the samples to end the inquiry conclusively. Until the investigation report is out, we have ordered the organisation to not supply food; its contract with the civic body will be subject to the probe report.

"The organisation provides mid-day meals to 25 other schools in the vicinity. So, while the investigation is on, all these schools will have to make alternative arrangements."

Also read: 25 students fall ill after consuming mid-day meal at Delhi school, hospitalised

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BJP MLA Ram Kadam on 'elope' remark: Being quoted out of context

Bharatiya Janata Party (BJP) Member of Legislative Assembly (MLA) Ram Kadam has issued a clarification on his 'elope' remark and said that his statement was quoted out of context.

The BJP MLA from Ghatkopar constituency faced a backlash after a video of him where he can be reportedly heard saying that he would kidnap a girl even if she refuses a proposal from a boy and help him elope with her, surfaced on media.

Clarifying his stance on the issue, Kadam told ANI, "A 40-second incomplete video is being circulated by opposition leaders. I would only request them to listen to my complete statement. If my statement has hurt anyone, I won¿t mind expressing regret for the same."

"My statement is being quoted out of context. At that event, I said that all youngsters whether it be a boy or girl should take their parents" in confidence before marrying. If they elope without taking their permission, the parents feel disheartened and it is very wrong to disappoint your parents. After saying so I took a long pause and someone from the audience said something which I repeated on the mike. I also kept speaking after that as well but it was not reported. If I had said anything objectionable, it was being live telecasted and there were a number of journalists present at the venue and someone would have pointed it out. But no one raised an objection because they had heard me completely. To find the true meaning of an address one must listen to it completely," he added.

The BJP MLA made the statement during a 'Dahi Handi' festival organised in Mumbai on the auspicious occasion of 'Janmashtami' on Monday.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever





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Ram Kadam has apologised for his remarks, row should end, says Chandrakant Patil

Senior BJP leader and Maharashtra minister Chandrakant Patil on Friday said the controversy surrounding his party colleague Ram Kadam's remarks against women should end as the latter has apologised. Patil also advised public representatives saying they need to exercise caution while speaking. "Ram Kadam has apologised and the issue should now end. Kadam does not have a history of speaking ill about women. On the contrary, he is known for helping women immensely. Thousands of women in his constituency tie him rakhi every year," Patil told a Marathi news channel.

"Public representatives should be extremely cautious while speaking and they should properly frame every sentence in their heads before uttering them," the minister added. He said new channels should also try to show the true meaning of what has been spoken. "But if what the channels are saying about the remarks is right, the public representative should apologise.
In this case, Ram Kadam was not arrogant and he apologised...So the matter should come to an end," Patil said. Kadam, while speaking at an event during dahi handi celebrations in the city, had said hewould "kidnap" a girl a boy likeseven if she says no to the proposal. "You (youngsters) can meet me for any work," he is seen in the video clip, telling the crowd, mainly comprising youth.

Kadam was heard saying that he got requests from youngsters to help them after girls rejected their proposals. "I will help, 100 per cent. Come (to me) with your parents. What will I do if parents approve (the girl a boy has liked)? I will kidnap the girl concerned and hand her over to you (for marriage)," he was heard telling the crowd.

Kadam was also heard sharing his mobile number with the crowd. His remarks created a huge controversy as it drew sharp reactions from the opposition parties, Shiv Sena and women's organisations. The Maharashtra State Commission for Women issued a notice to Kadam over his remark.

In a video message issued Wednesday, Kadam expressed regret over his remarks saying, "I have very high regard for women. Without giving any explanation about the video clip (of his controversial remarks), I express my regret." He also tweeted saying, "By doctoring my statements, my political rivals created an atmosphere which has hurt the sentiments of our mothers and sisters. I have already expressed regret over my comments and (I am) once again tendering an apology to all my mothers and sisters."

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever





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Mumbai: Dadar Parsi Colony has been turned into 'Parking Colony'

A high court order has inadvertently turned the Dadar Parsi Colony into the Dadar Parking colony. Miffed with all kinds of taxis parking in its premises -after they were not allowed to park under the Khodadad flyover - and causing a 'great nuisance' to residents, the colony's residents wrote to the local police and the BMC in November, seeking an end to the issue. They have got no respite yet.

The Bombay High Court disallowed parking underneath flyovers in February 2016 because of security concerns. Because of that, cabbies have shifted from parking underneath the Khodadad Circle flyover to the Colony.


Cabbies have shifted from parking under the flyover to Dadar Parsi Colony

This has angered residents of the iconic community housing enclave in Dadar East, who first sent an anguished letter about their grievances to the Sion Police Station. The letter cited that private taxi aggregators, black and yellow cabs, and other cabs are parking in the colony, causing a, "great nuisance" to residents, especially those of Katrak, Firdoshi, Khareghat and Mancherji Joshi roads within the colony. Their letter went on to say that cabs are being parked haphazardly, blocking traffic within the colony and not giving its residents any space to park their cars.

Residents Darayus (who goes by his first name), Zarine Engineer, Dilly Dalal, Anjali Cooper, Zinobia Schroff, Sunita Davar and Nikhil Desai said, "The problem started after parking under flyovers was stopped by a High Court order. We appreciate this security measure, yet a majority the cabs that used to be parked under the Khodadad flyover have now made Dadar Parsi Colony their home. This has become a free parking spot."

Garden pardon
When mid-day visited the flyover, underneath which cabs used to be parked, it was clear of vehicles and shuttered from one side. The cab booking office though was functional.

A staffer sat at the ticket window for Mumbai-Pune cabs and said sarcastically, "Bageecha bana rahe hain, pareshaan kar diya." (A garden is being made here; we have been troubled because of no parking).

Said Dadar colony resident Dilly Dalal, "We have become a soft target because the community is so peaceful; we do not stoop to rowdy protests or resort to hooliganism." Instead, these Parsis believe in the power of the pen. Another letter was sent in November, to the BMC's assistant engineer of the waterworks department (F/North Ward), which encapsulated residents' arguments about cab parking bringing in social ills.

This letter read, "There is an illegal racket on at Katrak Road Junction. A flower merchant draws water illegally from a toilet meant for shopkeepers and then the cabs are cleaned." Residents pointed out the huge amount of cab washing makes the roads slippery, and has turned the place into "an illegal taxi stand." They stated that cab parking has a domino effect, "it leads to problems like drinking and other anti-social behaviour."

Residents said angrily that, "There is double and triple parking because of these cabs and we have been rendered helpless against this." Desai added, "Despite complaints, the system is not responding to the problem."

Locals were also in no mood to hum 'dil garden, garden ho gaya' when told that a beautiful garden is going to come up under the flyover, which they could access, pointing to at least 14 gardens within the colony itself. Cooper said, "Authorities should have found an alternate and viable parking space before shutting the parking underneath the flyover."

No solution
Amey Gole, the corporator for Dadar Parsi Colony, said he has had several meetings with residents, but nothing has come out of them. Gole added, "I am, in fact, in-charge of the garden coming up underneath the flyover. The design is almost complete; it looks like the streets of Paris."

Gole added, "Having said that, I do know the problems being caused by parked cabs, and have spoken to the police about these. The police though had a negative attitude and said they could not move the cabs out of the colony. Cops have to ensure the cabs move out, not the BMC. We do have other parking spaces in the area. All of this is extremely difficult as I have been repeatedly told there is no solution," finished Gole.

Also read: Mumbai: Construction noise leads to brawl at Dadar Parsi Colony

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Mumbai Crime: 3 held for abusing, molesting women constable at Wadala

Wadala GRP arrested three persons from the same family for allegedly manhandling and molesting a women constable at GTB Railway station on Saturday morning. The constable was with a Ticket Checker when she caught a woman passenger who was travelling without a ticket in the First class compartment. All the three accused have been arrested.

The alleged incident occurred on Guru Teg Bahadur Railway station of Harbour line on Saturday morning. When a Ticket Checker was checking tickets on a platform when he stopped a 19-year-old Ekta Uppal, a teacher by profession. The checker found that Ekta was travelling without a valid ticket. The TC asked the woman constable present at the station to nab Ekta as she was not ready to pay the fine.

"The woman called her father and asked him to come to the railway station. Meanwhile, Ekta was repeatedly abusing constable. Constable called Senior Inspector of Wadala GRP Rajendra Pal, sending things can go bad," said a police officer. "Senior Inspector with cops reached the spot and asked what's the matter," the officer added.

"The passenger did not have a valid ticket and along with her father and brothers, were abusing constable too. When I tried to intervene they were not calming down. Their errant behavior didn't stop in spite of repeated warnings, therefore we booked all the three," said Rajendra Pal, Senior Inspector, Wadala GRP.

Police have arrested Ekta Uppal (19), Yashraj Uppal (19) and their father Tilakraj Uppal (52) under IPC 354 (Outraging women's modesty) and other relevant sections.

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Five booked for raping a woman during thirteen day captivity in Palghar

Five persons have been booked in Maharashtra's Palghar district for kidnapping a newly married woman, holding her captive for almost two weeks and repeatedly raping her, police said on Monday.

An official said the 21-year-old victim's ordeal began on February 6 when a man posing as a policeman came to her house in Pragati Nagar in Nalasopara and asked her to accompany him to the police station. "The fake policeman told the victim that her husband had been arrested and she should come to the police station with some documents," he said. She was first taken in an accused's autorickshaw to Malad in Mumbai and held captive for eight days and then to Mira Road where she was locked up in an under-construction building till February 18, the official said.

"She was raped by two of the accused at both places. Three others, including a woman, abetted the crime. The victim was released from captivity on February 18," he said. The woman filed a complaint on February 23 and the five were booked on Sunday under relevant sections of the Indian Penal Code for rape and criminal intimidation, the official said. He said no arrests had been made so far and further probe was underway. 

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever





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Aamir Khan celebrates birthday with media; makes special announcement

Aamir Khan had a customary cake-cutting ceremony with the media at his Bandra home, holding a press conference. On his birthday, the actor, who turned 54 today, made an announcement of his next film titled Laal Singh Chadda. Aamir's next release is a remake of Hollywood film Forest Gump (1994). The film starred Tom Hanks and Robin Wright and was based on a novel of the same name.

Following this, Aamir Khan will take off for North Ireland to attend the ongoing Belfast Film Festival. He will be in conversation with Nasreen Munni Kabir on 16th to discuss his body of work.

Check out the pictures of Aamir Khan's 54th birthday celebrations here. (All pictures/Shadab Khan, Yogen Shah)


Aamir Khan's 54th birthday celebration

Aamir Khan was accompanied by his wife Kiran Rao.


Aamir Khan cuts his birthday cake

Fans across the nation have been pouring in wishes for Aamir by posting the actor's pictures, which also saw a strong social trend with the #HappyBirthdayAamirKhan.


Aamir Khan and wife Kiran Rao at his 54th birthday celebrations with media persons


Kiran Rao clicked while feeding the birthday cake to Aamir Khan

Known as Mr Perfectionist of the industry, Aamir Khan for Bollywood has over the years created an image that many look up to. From making films that address the pertinent issues of the society, to speaking his mind on raging issues even off camera, Aamir Khan has always been the one with a calculative brain and has used his position to impart a change in the society.

On the professional front, Aamir Khan likes to explore with the character he plays and the actor likes to surprise his fans with new characters. To experiment with roles, Aamir grows his hair and beard before every film. This also gives him the flexibility to play with multiple looks in one film. We wonder, what Aamir Khan's look would be in Laal Singh Chadda!

Here's wishing a very happy birthday to Aamir Khan!

Also Read: Aamir Khan is a family man, these picture-perfect frames are proof!

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Shammi Kapoor's granddaughter Tulsi Kapoor to perform at Lower Parel

She's a Kapoor. And she's not a part of Bollywood. But since her return from a music school in LA last year, Tulsi Kapoor is making all the right noises with her bluesy-rock compositions, unfiltered lyrics and raw, intimate vocals.

She picked up the keys at the age of four, and moved on to formal piano classes at 15, before picking up the guitar, African percussion instruments and the harmonica. She's now learning the flute from her mother. And contrary to popular belief, she didn't grow up listening to just Bollywood, a genre she appreciates. "My grandfather, Shammi Kapoor, was trained in Hindustani classical and used to sing as hobby. So, I was exposed to a lot of jazz and blues as a kid thanks to him, and my father [Aditya Raj Kapoor] who loves The Beatles and mom [Priti Kapoor]who played a lot of ABBA," says Kapoor. Her travels to the Middle East and the US also introduced her to Portuguese music and Bossa Nova, which find their way in her compositions.

"My music has been influenced by blues and rock, and instrumental music. It's an extension of my personality, emotions and straightforwardness. My lyrics are simple and relatable, and I always appreciate a good hook," she explains.


Shammi Kapoor and Tulsi Kapoor

The centrepiece of her gig will be the track Bloom, which she will perform tonight for the first time. The lyrics talk about rape and abuse, and chart the story of a young girl who falls into wrong hands, only to further fall into the trap of the temporary comforter, who further abuses the trust she places. "We need to understand that rape is about power not sex. It's about dominance of something people can't handle. Some are vindictive cases by those who were abused when they were young, and carry their injuries. It's a pattern that society needs to recognise," she shares.

Adding that she believes that it's an artiste's responsibility to cause social change for the better, she will be using the influence that her last name provides her with, to talk about things that are taboo. "It's crucial that we power through that discomfort about such topics if we want things to change," she concludes.

This gig will be a tribute to her grandfather, who encouraged her to pursue her dream of becoming a musician and was her pillar of strength. She is currently teaching music in the city and working on releasing her debut album Bloom at the end of the year.

ON March 29, 7.30 pm onwards
AT The Integral Space, 14, Senapati Bapat Marg, Lower Parel.
LOG ON TO insider.in
Cost Rs 400

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Get Malaika Arora different shades of grey gym look at affordable price

It's time for some pocket-friendly shopping. Summer has already hit the bay, and people are busy working out to get the beach body right. But, is your body summer ready? If not, it is the right time to hit the gym and get rid of those extra kilos right away!

Malaika Arora was clicked at her gym in Bandra, Mumbai, and the actresses were sporting some easy-breezy gym gears for their workout session. Here's how you can get Malaika Arora's gym look at the affordable price. 

Malaika Arora's shades of grey:

Grey t-shirt: You can buy Fleximaa Women's Cotton Round Neck T-Shirt Plain t-shirt at the discounted price of Rs 249 only. Shop here.

Grey shorts: Get your yoga shorts and keep the workout going with a comfortable pair of gym gears. One shorts might just not be enough for you to keep the pace going. Get two pair of yoga pants at a discounted price of Rs 299 only. Shop here

Sports shoes: You can buy Staylo sports shoes to run, walk, training yourself for yoga marathon for women. Get your pair of similar shoes at the discounted price of Rs 419 only. Shop here.

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App exposed over 3 mn Facebook users' data for years, say report

Representational picture

San Francisco: A data set of over 3 million Facebook users collected via a personality app was available to download freely for anyone for almost four years, New Scientist reported. The data set was collected via the personality quiz app "myPersonality" by academics at the University of Cambridge.

"The data was highly sensitive, revealing personal details of Facebook users, such as the results of psychological tests.

"It was meant to be stored and shared anonymously, however such poor precautions were taken that deanonymising would not be hard," the report said.

The data sets were controlled by David Stillwell and Michal Kosinski at the University of Cambridge.

"More than 6 million people completed the tests on the myPersonality app and nearly half agreed to share data from their Facebook profiles with the project," said the report.

Alexandr Kogan, at the centre of the British political consultancy firm Cambridge Analytica scandal, was previously part of the project.

"Cambridge Analytica had approached the myPersonality app team in 2013 to get access to the data, but was turned down because of its political ambitions," the report said.

Facebook last month suspended "myPersonality" from its platform, saying the app may have violated its policies.

The social media giant on Monday said that is auditing each and every app that has access to the data of its users and has already suspended 200 apps which failed to comply with its policies.

The company CEO Mark Zuckerberg had promised a thorough investigation and audit into apps that had access to information before Facebook changed its platform policies in 2014 -- significantly reducing the data apps could access.

"To date, thousands of apps have been investigated and around 200 have been suspended -- pending a thorough investigation into whether they did in fact misuse any data," Facebook said.

If Facebook finds evidence that these or other apps did misuse data, it will ban them and notify users via Help Centre on its website.

Appearing before the US Congress in April, Zuckerberg told lawmakers that his own personal data was part of 87 million Facebook users that was improperly shared with Cambridge Analytica.

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Facebook introduces new updates in 'Stories' feature, beginning from India

Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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College students in India check smartphones over 150 times a day, say study

Illustration/Amit Bandre

New Delhi: On an average, a college student in India checks his mobile phone over 150 times a day, according to a study conducted by Aligarh Muslim University and the Indian Council of Social Science Research (ICSSR).

The research, titled "Smartphone Dependency, Hedonism and Purchase Behaviour: Implications for Digital India Initiatives", has been conducted in 20 central universities, where 200 students each were interviewed.

"Anxiety and fear of missing out on information make university students check their mobile devices as many as 150 times a day on an average, an activity which can have adverse effects on the students' health as well as academics. "Only 26 per cent of the respondents said they use smartphones primarily to make calls. The remaining respondents use smartphones for other purposes such as accessing social networking sites, Google searches and for entertainment such as watching movies," said Mohammed Naved Khan, the Project Director.

At least 14 per cent of the students use smartphones for three hours or less in a day while around 63 per cent of them use it for four to seven hours daily.

"It came as a shock to us that around 23 per cent (of students) use the devices for more than eight hours a day," Khan added.

According to the study, eighty per cent of the students own a mobile phone and most of them prefer smartphones owing to convenience in the installation of applications, host of features, and ease of use and also work as affordable substitutes for a computer. The study conducted by researchers at AMU has been funded by the ICSSR with an aim to understand various facets of smartphone dependency and addiction among college-going students.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever





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Meher Marfatia: The woods are lovely, dark and deep


Shrikant Karani takes an early morning walk on the Siri Road steps with his dog Mischief. Pics/Sayed Sameer Abedi

The peace is palpable, the serenity a shock to the system. I'm on Siri Road, the misty-twisty path languidly climbing from Chowpatty to Kamala Nehru Park. Obscure and often missed in a blink by those not knowing it, this thin lane links Walkeshwar to Ridge Road. Every runner's dream, every walker's mini Mahableshwar in Mumbai, the country road you can drive on only till a point is summer-pretty. Heavy with fresh yellow and red flowers, its glowing greens slope up and up to an idyllic city panorama.

This is among the last havens of virgin verdure, affording spectacular sky and sea views at various heights Malabar Hill has hewn since the time it was fully forested. "Around 1534, Siri Road led from Gamdevi village up jungle-covered slopes of Malabar Hill through babul plantations to the banyan-girt temple of Walkeshwar," writes Pheroza Godrej in Bombay to Mumbai: Changing Perspectives. "The stream of worshippers from the west coast followed this path up the hill and, as it was narrow, called it 'Siri' or 'Ladder'."


Nonagenarian Nirmala Kotak in the living room of her home at the Dadyseth bungalow, where she has lived for 70 years since her marriage in 1948

I track down Rajkumar Loyalka, after whose father the road is renamed Chiranjilal Loyalka Marg. "My grandfather Ramchandra from Pilani belonged to the East India Cotton Association. His son, my father Chiranjilal, was a stockbroker and freedom fighter," he says.

Siri Road made news three years back when civic authorities wanted to widen and extend its 300 motorable metres by another 300, for traffic to reach Hanging Gardens via Ridge Road. That environmental disaster was averted by vigilant residents mounting a sharp campaign, my friend Kekoo Colah who walks here daily tells me. They painted "Mala kapu naka – Don't axe me" and "Save us from BMC" on the barks of beloved trees. Tipped at both ends by rowed barbers, bus conductors, paanwalas and ragpickers, Siri Road slumbers amid a jumble of shuttered coal and ration shops turned garages and go-downs. But there's trouble in paradise. Sudden bends and secluded niches swerve into kuchcha mud off-paths, whose messily overgrown carpets of dry leaves and dirt piles are hideouts for hardened bootleggers and junkies.


Named for the shape of its fruit

Near enough, city Zoroastrians got the first open-to-sky dakhma, or Tower of Silence, to dispose their dead in 1672. On the sylvan acres of Doongerwadi, prayers for the deceased are liltingly recited in roofed halls called bunglis. The Dadyseth family built one such in the area. The bungli's barest remnants are skirted by Hibiscus bushes with red blooms brighter than the ancient maroon wall ruins they cling to. Banker Dady Nasarwanji amassed vast land tracts in trust to maintain Dadyseth Agiary at Kalbadevi. He acquired the Chowpatty Band Stand property around 1783 from a Portuguese named Barretto.

Nonagenarian Nirmala Kotak has lived from 1948 in the whispering shadows cast by atmospheric Dadyseth bungalow, which is well over a century old. With daughter-in-law Durrat, she pieces memories of 70 years after her marriage. "Our family planted kesar kairi trees in the compound when my three sons were young," she recollects. "We wake to the shrieking of koels and parrots eating mangoes. Peacocks still fly in to drink water from a dripping tap and cobras coil on tree trunks in the heat."


The Stocking Tree grows uniquely on Siri Road alone in Mumbai. Pic courtesy: Shubhada Nikharge

I discover an interesting former Siri Road tenant thanks to Vinayak Talwar of Khaki Tours nudging me to check Volume III of The Gazetteer of Bombay City and Island. The Duke of Wellington indeed lived here when he was Colonel Arthur Wellesley, in a house Seth Cursetjee Manockjee — of the Khada Parsi statue fame — owned, between road and sea at the curve of the bay. (The landlord became such a great friend that his son Manockjee devotedly retained a hair of the Duke in his locket!). The student Eton described as "not at all a book boy and rather dull" went on to vanquish Napoleon at Waterloo and lead England as Prime Minister twice over, in 1828 and again in 1834.

His Bombay home in 1801-02, was "on your right opposite the wood-wharf as you ascend steep Siri road... The house, Surrey Cottage, stood halfway up the now non-existent eastern brow of Malabar Hill. It comprised a lofty hall, with long verandahs at the sides. In front was a porch, to which led two carriage-ways from different directions. One passed the horse stable near the Siri. The hall commanded a view of Back Bay and Girgaum, also the Esplanade and Fort. The Duke, with his eagle eye, must have scanned a glorious scene from Malabar Hill minus steamers and mills."


A second generation hornbill hops to the Karani family kitchen window to be fed - at one time two older birds would show up with a pair of their babies, of whom this is one. Pic courtesy: Utpal Tijoriwala

Wellesley had company round the corner in George Bellasis at Randall Lodge. The soldier and amateur artist was the son of Major General John Bellasis, whose 1790s orders constructed Nagpada's kilometre-long Bellasis Road, to relieve the poor displaced from famine-struck Surat. George met his neighbour when the future Duke of Wellington was recouping from an attack of ringworm, more colourfully referred to as the Malabar Itch. While the infection stopped him sail for an Egypt expedition, that ill-fated ship sank in the Gulf of Aden.

George Bellasis admiringly dedicated his 1815 book, Views of St Helena, to His Grace Field-Marshall the Duke of Wellington who exiled the French emperor to that island. A watercolour of Randall Lodge paints a two-storey structure with a rectangular lawn edged by cypresses.

What other breeze-kissed trees rustle secrets along this sequestered stretch? Colonial chronicles mention sandalwood, mistletoe, star apple, ivy fig and Christmas trees, with rose bushes, celery and cabbage patches around Surrey Cottage. Usha Desai and Renee Vyas, of Tree Appreciation Walks, detail a wealth of local flora: banyan, frangipani, asopalav, sitaphal, parijat, coconut, mango, jungli badam, putranjiva, jackfruit and aritha.

Flowering in the rain and fruiting in winter, the Stocking Tree is unique to Siri Road, according to Sharadini Dahanukar's book, Green Solace. "We haven't seen it elsewhere in the city," says Desai. "When we saw this one December, its stocking-shaped fruits had fallen. From a seed sprouted in the stocking, Renee grew a sapling on her farm." The originally South American tree leans against a chawl wall here.

"Trees like neem, peepul and kamrak were believed holy for harbouring the souls of rishis like Valmiki," says Rajesh Joshi, introduced to me by Ridge Road resident Jaidev Mehta who has walked the length of Siri Road thrice a day for 60 years. Rajesh's grandfather Hansraj Sawairam, from Sirohi in Rajasthan, heralded a line of four generations of Joshis tending the "swayambhu" — Sanskrit for "self-manifested" — Hanuman temple. It is supposed to have spontaneously risen on soil imprinted sacred by Ram, Sita and Lakshman in the Banganga vicinity. "Ram chose this quiet spot to meditate because of its solitude," Joshi says.

This is temple turf, proffering a trio of 150-year-old examples. Of these, two survive — Hanuman and Shiva mandir, nestled close-necked towards the top of the road. Descending nearer Walkeshwar, devotees thronged, too, to the Ram mandir from the 1880s, till at least a hundred years after. Motor sports entrepreneur Shrikant Karani and his wife Feruza recollect its beautiful idols left abandoned. We tiptoe through filthy, forgotten tracks in thickets below their building, Chitrakut, which faces the Ram temple site (Sita awaited Ram's return from Lanka in Chitrakut). Birdsong spikes the soporific afternoon air. Shrikant remembers dozens of Parsi Dairy bhaiyyas form inky blue clusters in trademark uniform shirts, Siri Road being their shortcut for deliveries from Walkeshwar to Ridge Road.

A tilt across, where Loyalka Estate later rose, was the home of the seven talented Pooviah sisters from Coorg. Their portico, sunken eight or nine feet beneath road height, was designed as an oasis of cool, not letting warm winds waft within on the hottest day. The three youngest sisters, Sita, Chitra and Lata, were renowned Kathak exponents. Sita also worked at Handloom House in the 1960s with Kamaladevi Chattopadhyay.

Their contemporary, Shirin Vajifdar narrates how she and her classical dancer sisters Khurshid and Roshan bonded with the Pooviahs. In a journal her family shares, Shirin has written: "We started weekly lessons at the Pooviah sisters' house. The three charming sisters were the greatest devotees of Kathak dance, the most promising pupils of Jaipur gharana maestro Sunder Prasad. They gave all help to learn at their residence."

The Pooviahs possessed the sole telephone on the road. "They would offer me biscuits when I went across as a boy to make calls," says Shrikant Karani. "I played Chor Police with kids of maalis who clipped the Hanging Gardens' hedges. We knocked dangling drumsticks with catapults, and shook pink and white champas to string garlands from fallen petals."

Old-timers mention a stone Vishnu once reclined under a gulmohur grove in the wilderness (Anantashayana — literally, "sleeping on the serpent Ananta"). Wondering where the divine Preserver must have basked benignly in the crisp sunshine, I pass Gagangiri Maharaj Ashram. A hum of discourses and yoga sessions mesh mellifluous with birds rapping tender-to-throaty tango tunes. Which could these be from Siri Road's trio of feathered regulars — oriole, barbet or hornbill — I try to guess, twigs snap-snapping underfoot every minute.

"We have a hill station in our backyard," declares filmmaker Vivek Kumar, treading this path as part of his exercise workout. "A little landscaping might even make this Bombay's answer to Crookedest Street of San Francisco."

Author-publisher Meher Marfatia writes monthly on everything that makes her love Mumbai and adore Bombay. You can reach her at mehermarfatia@gmail.com

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Rahul da Cunha: 'Webaqoof' and other big big words

Illustration/Uday Mohite

So, dear reader, I don't know about you, but I'm a little confused about certain big words that fly around these days. I don't mean words like say, 'farrago' or 'webaqoof' or 'rodomontade' or 'snollygoster' that his eminence Shashi Tharoor has made famous. I mean we know that 'webaqoof' means — it's someone who has no clue how social media works.  Most of you, my X-ennial readers, will identify with this malady — What's an X-ennial, you ask?! Nahin nahin, it not a prequel to the X-men series or the next instalment of 'Avengers Infinity Wars' (that's subject for another column).
Anyway, to get back to the subject at hand — big words. Do you know, for example, what 'Debdumbfoolery' or 'Biplabpolarism' mean — it's the art of talking utter nonsense, making outrageous statements with shameless ignorance and confidence on a public platform.

Like, say, I said something really foolish like, "Modern day internet existed during the times of the Mahabharata" or "Narad Muni was like Google" or, something even more preposterous, like "Darwin's theory was scientifically wrong and shouldn't be a part of college curriculum". You get it, dear reader. This is also called 'Satyapalfootinmunh'.

So it's like — "Hey, that Jigesh thinks no end of himself, always giving these biplabtripupistic fundas."

What else? Let's look at some other big words that made me reach for the thesaurus. How about 'Pappupasshogayalitis' — this tongue twister is the art of dynastic entitlement, when the entitled has no clue what he's doing or saying. So let's say two employees are b***hing about a third, "Really pissed off with my job. Can't get a promotion, that Akash is the boss's son, real pappupasshogaya dufus, but, kya karega, baap ka raj na!"
Dear reader, there's 'Rayaduplessis' — any idea what this means? Okay, it means, 'you finally do well at something in a particular position and a South African annoyingly takes your place to fulfill a quota.

Okay, here's another killer — 'Trumpjong-un' — cool, huh? So any guesses? Okay, it has multiple meanings —

1. An ancient Oriental board game
2. When two mentally unstable people meet and each one
cannot believe they've met their match
3. An American Nuclear Bomb made in North Korea
How about this one — Cosbynski. I'll give you a hint — it has to do with 'molestation' — okay, I won't give it away — email me your answers and you get a free Woody Allen movie DVD as a prize.
And finally there's 'Indranirritatausaurus' — so I'll let you decide what this word means.
Choose between —
1. A member of the pre-historic animal family
2. An issue that annoyingly goes on and on well past its interest value date
3. A story with more deceit,
betrayal and murder than all the seasons of Game of Thrones (GoT) put together
This word is also referred to as 'boradom'.
I'm off, dear reader, see you 'Banuvasarahdimanche'. Huh? What does that mean? It's so simple.
It's a word coined by Messrs Modi and Macron.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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mid day editorial: Motorists, snap out of the selfie-destruct mode

The numbers don't lie; Mumbai motorists are in selfie-destruct mode. At least 50 per cent of road accidents on the 93-km Mumbai-Pune Expressway are due to cars stopping or stalling on the road.

A report in this paper stated that stopping to take a selfie or to enjoy the greenery along the E-way could cost you your life. The first two months of the year have already seen 91 accidents, in which 52 people have died. Of these, 26 accidents happened because of vehicles halting. We must warn people that however tempting the scenery, it is just not safe to halt on the E-way and take photographs of the greenery. Once you reach Pune or the outskirts, you have the time to park your vehicle, alight and take all the pictures you want, so keep moving along the expressway, which is what is was made for.

Travellers must realise that an expressway is a piece of infrastructure, pure and simple. It is designed to take people to their destination. It is certainly not a picnic spot. It is no place to lounge around and eat, get out of the car and wash your hands, use as a Kodak moment or to idle outside your car for any other reason. Drivers have to drive within the speed limit on the expressway.

Cut going over the speed limits, which is a sure killer. Authorities have to ensure cameras are in excellent condition. If there is a car breakdown, switch on your hazard lights, and get your co-passengers to wave their hands; do all you can to alert oncoming traffic. The upcoming monsoon means more challenges for E-way users. Let us bring those fatality figures down, and let the numbers do some happy talking, for once.

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mid day editorial: When protector turns victim

A top Powai school found itself in a controversy after a lady school bus attendant accused the transport manager of molestation. For a couple of days now, this paper has been running reports about the molestation charge with the complainant saying that the man had harassed her earlier, too, but there was no cognizance taken of her earlier verbal complaints.

This case is interesting and we need to have an outcome here, because it is the protector who has become a molestation survivor. It is mandatory for institutions to have women bus attendants inside school buses. The rule has come in the wake of the molestations of girl students on school buses. All schools and their transporters who may be on contract have been told to abide by the rule to ensure safety of girls in buses. There are other rules such as GPS and CCTV in the buses. It is a matter of great shame that sexual harassment has become so rife that even little girls in school buses need to be protected. One must focus on the fact that an attendant, who is supposed to protect the children, has made allegations of being molested.

The school authorities must launch a thorough internal probe, even as the police are conducting an investigation. The survivor, having had the courage to go to the cops, needs to follow the case to its end. Though this happened outside the school bus, buses need to have a GPS and schools must install CCTV cameras in their premises, buses and outside the school so that footage can be used in cases like these.

A thorough follow up and quick action will assuage the worries and fears of parents who cannot be blamed for thinking their children are extremely vulnerable, given that an adult woman, who is like a caretaker in the school bus, has turned complainant herself.

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mid day editorial: Control your temper before you lose it

The city is shaken up by the brutal murder of a young woman working with an upmarket chain of salons. In what has been dubbed as a case having parallels with the Sheena Bora murder, this beautician's body was kept in a car post the murder and then disposed off in marshy land at Wadala. Police teams are trying to recover the body, but have been unsuccessful so far.

It's time to focus on the reason for this murder. According to the police, two colleagues, who have been caught, killed the young woman because she refused to take back a notice sent to one of the accused because of his shoddy performance at work. Despite their entreaties, the victim had not relented about withdrawing a notice sent to one accused till the last day when his employment may have been terminated.

Both colleagues claim, according to reports, that the murder was done in the heat of the moment. The family of the accused, though, insist they are innocent. What has shocked the city is the triviality of the motive. A life has been lost simply because somebody was going to lose his job. As one tries to absorb this, a much smaller report recently was indication of a society, which is weaned on instant gratification and instant rage. A young gym owner was stabbed to death and his female friend hit with a beer bottle over a quarrel with a Disc Jockey (DJ) over which songs to play.

We have been seeing murders happening over slightest provocations. Bring back regard for human life, which has been cheapened considerably. Cherish patience, logic and encourage our children to think before they act. Put an absolute premium on human life. These seem like knee-jerk murders, where rage consumes the murderers, who are mostly ordinary men and women who have no criminal record. Speed kills and in more ways than one.

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mid day editorial: Give stalking the seriousness it deserves

Yesterday, this paper carried a front page report about a Malad resident called Abhijit Mukharji, 25, who was arrested for stalking a 26-year-old woman for eight years. The accused was released on bail five days after the woman lodged a complaint against him. While the court granted bail on strict restrictions, senior officers from the Mumbai Crime Branch have said they will be reviewing the case.

To elaborate, the crime branch arrested Mukharji, who worked for a famous search engine company, on May 3 and remanded in police custody till May 6. This man stalked the woman, hacked into her Tinder account and wiped out all the 'likes' on her account.

While there are restrictions put on the stalker, it is surprising that bail has been granted within five days, for harassment that went on for eight years. The report states that he had even met the woman in Mumbai. Post the meeting, where his conversation rang warning bells for the woman, he started threatening her and warning her not to talk to anybody else because he loved her. She finally filed a complaint.

Let us give stalking the seriousness it deserves. Very often, it is dismissed as casual or harmless. Women who are often told by people that they are imagining there is a stalker. Their fears and concerns are trivialised and they may also be accused to exaggerating the harassment or their discomfort with the stalking.

Making excuses for stalking, like he thought she was someone else, or that he was drunk and did not know he was stalking, are also inexcusable. Online stalking is dangerous and can escalate very quickly to offline situations. Stalking is harassment. It is a crime. It can lead to a dangerous obsession. Treat it with the gravitas it deserves and shut down stalking through severe punishment.

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mid day editorial: Wearing a helmet is always a good start

It is the first weekend in Matheran and we hope to see a number of visitors sporting helmets while horse riding. The paper had reported about how a Mumbai resident had donated a sizeable number of helmets to the hill station, after a little girl suffered head injuries after falling from a horse in Matheran.

Horse owners have also bought helmets and will be providing it to the tourists while horse riding. We appreciate that a start has been made towards ensuring safety for riders. Yet, one hopes that the helmet rule does not run parallel with the helmet rule for bikers in the city. Here, we see that constant vigilance is needed to ensure that bikers wear a helmet. Police nakabandis are set up to catch those riding without a helmet and fines are imposed for the same. One should not need a supervisory body to ensure that riders actually wear a helmet. Horse owners need to be held accountable if their horses are being ridden by visitors without a helmet.

Tourists must understand that the rule is made in the interests of their safety. Good counsel needs to prevail and common sense must rule. Having said that, visitors must go slowly on horses. They should refuse to ride if there is no dedicated helper who will walk along with the animal. Wear closed footwear when you are riding as sandals and slippers are hazardous, especially when mounting a horse, and in case your feet slip out of the stirrup. Parents need to see that their child is with a helper who is in control of the animal.

Matheran horse owners want better roads, which is out of the control of visitors. Tourists and hordes of Mumbaikars who believe if-it-is-May-it-must-be-Matheran should take onus for their safety as far as possible. Wearing a helmet is a good beginning.

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Rahul da Cunha: Gimme more Bollywood!


Illustration/Uday Mohite

So let me just come to the point, dear reader — I have a problem with our Indian media journalists and scribes — my grouse is they just don't cover Bollywood adequately… Shouldn't there be much more media fanfare about our stars? Who wants to only see them in the movies? I want micro details about their lives — their idiosyncracies, food habits, holiday destinations, personal recipes for aloo paratha and Creme Brulee, and quotes from them about everything, should bombard our lives.

I mean let's just take Sonam Kapoor's Shaadi last week — here there's this huge star getting married, and I'm ignorant about who she's marrying, where the various wedding functions were held, who attended the 'mehendi', and stag party, who designed her 51 wedding outfits, what does she think of her hubby's Instagram pictures, what he thinks of hers, what Karan Johar and cousin Arjun Kapoor wore… Why don't I have all this vital information? Why didn't the media fill the virtual world, our broadsheets and the air waves with all this absolutely important news? Really not fair to deprive us of all this! Why are they wasting time writing about stone pelting in Kashmir and elections in Karnataka? Surely this is not as important as that. Totally mistaken priorities, I feel.

And why don't our media photographers shoot our Bollywood stars more in their private lives — why aren't they 'spotted' coming out of movie houses, multiplexes, gymnasiums and airports? Why aren't their tiny tots being 'captured' with their nannies, in parks, through the windows of their school buses, on their iPads. But, singly, my biggest problem is with our Indian advertisers and marketers. Guys come on, why aren't our film icons endorsing brand after brand in your advertising campaigns?

Why aren't copywriters in ad agencies saying to themselves, what is the one USP that my client's water purifier has over the competition? Is it a better germ killer? No… It's Hema Malini.

I mean, do you honestly feel that film stars should only act in movies, is that really enough? Like why can't we see SRK asking us if we know what he smells like in deo ads?

I mean, the great Amitabh Bachchan, I really feel we don't see him enough — are we satisfied merely watching him as a Gujarati in '102 not out', speaking with the same Bengali accent he had in 'Piku'?

Why doesn't his baritone and charisma come out at us through our TV screens, billboards, newspaper supplements and magazines? Surely we want to also see him advertise Direct-To-Home cable facilities in a Bengali accent, tell us that we can control the temperature on our Air Con at home, from our mobile phones while sitting at the airport, and convince us to visit Gujarat. Is that so difficult?

To sum up, I want to be Bolly-wooed much more. Or I will just boycott all brands that don't have a film star endorsing it. And stop buying newspapers that don't have many more Bollywood pages. We just aren't Bollywoodised enough as a country.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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mid-day editorial: Don't play the blame game at the park

Just months after the newly revamped Kamala Nehru Park reopened, a little girl was left with a crushed thumb after she fell from a broken swing in the handicapped section. While the girl's parents alleged that the play area is not maintained properly, the authorities claim that the handicapped section was off bounds and the parents ignored the guards' warnings.

The park was reopened on February 23 this year, a little less than a year after it shut for a makeover. While the main section of the park was being renovated, the handicapped section remained shut. When the park was opened again, the children's facilities earned high praise. However, in mid-day's report on Saturday, a few parents came forward to say that the swings and see-saws were not well-maintained either.

Let us put the accent on quality at our parks. We have to remember that given the paucity of outdoor play venues for kids, there is a great rush to use parks that are available, and equipment is stretched thin because of the sheer traffic of children.

From the very beginning, the authorities need to focus on play facilities with endurance. They must also ensure that the rides are kept in top order, leaving no risk of such horrific accidents. Park authorities must keep a medical kit with basic supplies.

Having said that, children and their parents, too, need to respect park rules. They must follow instructions issued by the park officials and security. Parents must also ensure that facilities meant for differently abled kids are not used by everyone, as that defeats the purpose. Guardians have to remain alert and stop their wards if they try to access parts of the park that are not meant for them.

Blame games are counterproductive. Only quality rides, maintenance, security and respect for rules can ensure a great outdoors experience.

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mid day editorial: Exercise caution around water

A vacation brought nightmare news to a 26-year-old Shillong man's family. The man drowned in the Bhatsa River near Shahapur. He was in the city to spend his summer vacation with his cousins at his aunt's place. He had accompanied his cousins who went to the river to beat the heat. Though he was a good swimmer, he was sucked in by the current and drowned. In fact, the drowned man helped his cousins escape, but could not do so himself.

This report comes just days after the a 24-year-old techie allegedly drowned in a swimming pool in Pune. The deceased hailed from Andhra Pradesh and was a resident of Pune's Hinjewadi. He was taking swimming classes since the past one month.

Reports say the lifeguard realised that the techie had not resurfaced for a while when he jumped in and found the man unconscious. Though he was rushed to hospital, he was declared dead. His post mortem report also mentioned death due to drowning.

Both reports show us that swimmers tend to underestimate the power of water. They tend to overestimate their prowess in the water and end up paying a heavy price for that.

In the former instance, where a Shillong-based man died, people need to desist from jumping into rivers, lakes, ponds to cool off. The waters can be deceptively calm. If you are on a picnic, be content with simply submerging your feet in the water, instead of jumping into it. These lessons must be learnt well. The monsoon will bring with it revellers, who cavort in gushing waterfalls and water bodies at green getaways. Some of these picnics end in tragedies. Take extra caution when you swim, and do not enter a deep pool if you are a beginner or still learning. It must be action caution when it comes to water.

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mid day editorial: Protest without disrespecting the law

Controversy and fracas is heating up over sugar imported from Pakistan. Reports have emerged about an NCP MLA from Thane district and party activists tearing sugar bags stored in a godown in Navi Mumbai. The MLA, who represents Kalwa-Mumbra constituency, said hundreds of NCP activists raided the godown, located in Dahisar Mori area of the satellite town of Mumbai, and tore the bags containing the imported sugar.

This comes on the heels of the Maharashtra Navnirman Sena (MNS), which had already opposed the sale and distribution of imported sugar. MNS leaders from Navi Mumbai visited wholesale traders in the Vashi agriculture produce market committee (APMC), and warned them against the distribution of sugar.

While sentiment and belief is one thing, we hope that these sugar raids will not disrupt the ordinary person's life or schedule. Every political party has a right to credo and action, but it should not come at the cost of citizens.

The relevant party and its workers can hold a peaceful protest outside these godowns if they so desire, to raise awareness. They could also put up their resistance on social media and create awareness about why they oppose the Pakistani sugar. Do voice your opposition, do give vent to your anger or ire and do reinstate your stand. That is your right as citizens of a democracy.

Yet, one must always do so with a respect for people and violence should play no part in these protests. Beware of political shenanigans, which aim to capture eyeballs, rather than espouse the party line or philosophy. Actions like this must not snowball into confrontations with innocent people caught in the crosshairs.

Say no to Pakistani sugar if you wish, but do not disrupt daily life. Respect the law and the people, otherwise you fear losing sight of your cause in a spiral of violence and hooliganism.

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mid day editorial: Live-streaming while driving is not cool

The desire to stream his speeding stunt live on social media cost a 20-year-old engineering student his life, while his cousin, who accompanied him, is battling for his life in hospital. He had stolen the keys to his uncle's car. This report highlighted once again that social media distractions and driving are a lethal mix.

The police have identified the deceased as Shivam Prakash Jadhav from Kharadwadi in Pimpri. He died on the spot. His cousin Hrishikesh Vilas Pawar, 22, was cited as critical and undergoing treatment in a Pimpri Chinchwad-based private hospital.A senior police officer was quoted in the report as saying that the car was speeding at 120 kmph. The passenger was streaming live on Instagram when the driver asked him to show the speedometer. Later, he lost control of the car, and it rammed into a grid separator.

The thrill of speed coupled with the thrill of likes, adulation and congratulatory messages is so potent that there can never be enough said about desisting from using social media while driving. Even earphones are a no-no when driving because your hands may be free, but the mind is elsewhere on the conversation and your focus and attention is compromised.

Here, we also had another factor thrown into the tragic cocktail. The driver was speeding. It was the passenger who was streaming live on Instagram, but the driver's attention was compromised as he was distracted by Instagram. It was evident that the young men were on a suicide mission unknown to them.

Let there be more awareness and we want to see a blitzkrieg on social media how it is not cool to drive and be on social media at the same time. Speed should be similarly panned. Youngsters, this is so not cool. Losing a life for some likes? Certainly not.

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mid day editorial: Cross tracks at your own risk

The mystery behind the death of a group of brothers seems to have been solved, said a report in this paper. The Chavan cousins were found dead between Kandivli and Borivli stations earlier this week.

A day after their death, an eyewitness informed the police he saw them jumping from the train to cross the tracks when it had stopped at a red signal between stations.

An inspector stated in the report that when the train halted, the boys tried to jump to cross the tracks. In doing so, they missed seeing a train coming from the opposite direction and were hit by it. Investigations are on and eyewitnesses are being sought to corroborate the version. Yet, it looks quite certain that this is yet another track death amongst the many in the annals of railway track death history.

We need to see signage on stations warning people not to cross tracks. Even some signage inside train bogies about the danger of crossing tracks will be helpful. This may not be an absolute deterrent, but will at least make people stop and rethink before crossing tracks.

Maybe passengers' unions can put up warnings on social media. A track crossing survivor, who has had a narrow escape, could recount his experience. He could even speak about how lucky he was to escape with his life and exhort the lakhs who use the service not to endanger their lives.

From riding rooftop of trains to crossing tracks, there are so many dangers that commuters bring upon themselves. A service that is already strained to a breaking point is inherently dangerous because of the sheer numbers. It is safety first, when it comes to this service, commuters must realise there is a greater onus than ever on them to ensure their own safety. Crossing tracks is an invitation to a grievous injury or a tragic end.

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mid day editorial: Erring firms must be held liable for their faults

A day after this paper published a report about a couple who has been left in limbo because a financial institute has misplaced their Sale Deed or Sale of Agreement papers, there have been a few readers who have written in claiming that they experienced a similar situation. They, too, had a harrowing story to tell.

According to our report, an Andheri couple who had taken a loan from a financial institution years ago to buy a home and were paying it off over years, finished paying their loan. They asked the institute to return their documents and that is when they learnt that the Sale of Agreement has been misplaced. Their nightmare began, but it has been months the paper has not been found and they have subsequently been unable to sell a home on the outskirts of the city because buyers are wary of buying a home without the original Sale Deed.

Finance institutes cannot afford to misplace such important documents. Institutes might have misplaced the documents while shifting or the file has been lost when being transferred from one centre to another.

If this happens, and from the responses we learn that this is unfortunately not very rare, it is the organisation's responsibility to give the affected a way out. There has to be a redressal mechanism. If the true copy of the document does not work for certain people, the institute has to step in and provide them a solution.

They need to be held liable and accountable. You cannot expect the affected people, who are already suffering considerably and have also spent time and money, to do all this on their own. Those who have erred cannot wash their hands off the matter. They need to be there with the people, whose papers they have irresponsibly, though inadvertently, misplaced, right till the bitter end.

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Rahul da Cunha: Labours of Himanshu


Illustration/Uday Mohite

I knew two Mumbai cops. Two Mumbai cops who went to the same college as me. Yeah, Ashok Kamte and Himanshu Roy were marginally junior to me at St Xaviers' College. Two Bombay boys who became police officers and subsequently looked after the city they grew up in.

One who followed in his father's footsteps as a policeman. The other who chose not to become a doctor like his parents. There was an incredibly tragic irony when Ashok was shot on 26/11 in the narrow lane that separated our college from Rang Bhavan. (It's no surprise that Ashok and Himanshu considered each other brothers — and Himanshu always regretted not being in Mumbai, standing side by side with Ashok, when he was gunned down).

I knew Himanshu Roy a bit. Mumbai is a small city in spite of its size. And, South Mumbai an even smaller world. Himanshu was born and brought up in Colaba, schooled in Campion, and graduated from our college.

I first met him in 1995 at a friend, Mark Manuel's home. He was then an incredibly, lean, bespectacled man — wiry and tall. And I remember thinking he was very gangly for a cop. But he exuded great hunger. There was a glint in his eyes, a manner in his demeanour, a strength in that stick-like figure. I'll never forget that bristling energy. He was like a coiled snake, ready for action, ready to change the world, ready to catch the bad guys, a superhero without the cape and mask. He was idealistic and worldly wise at the same time. (It perhaps requires those two qualities, to join the force and survive). He was about to leave for Nashik, from where he returned two years later, with rippling Popeye arms and a barrel chest.

There is something incredibly brave in deciding to become a Mumbai cop. Not just because of the valour required in handling criminals. But, of the skill needed in navigating a system run by politicians.

It was no surprise that the cases he handled were of a diverse nature. IPL spot-fixing, the J Dey and Pallavi Purkayastha murders, the riots of Khairlanji. He devised anti-dacoity measures in rural Maharashtra, cracked the Shakti Mills rape case. He set up Mumbai's first Cyber Crime Cell, and established a special cell to deal with crimes related to women.

So, the news that he'd shot himself in his flat, was incredibly sad. Cancer had wreaked havoc on his body and perhaps he saw no other way out. But suicide is always a many-sided Hydra. The debate on whether it is a brave move, a cowardly act, a desperate measure or a selfish resolution will rage on forever.

But for me, there is always one trait linked to killing oneself — loneliness. Whether Himanshu 'Hercules' Roy was lonely in his final hour we'll never know. But, a man who'd spent his life protecting a city, ultimately couldn't protect himself.

Goodbye, big man, I'm sure you're out there somewhere, looking out for us.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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mid day editorial: The blame game won't help Mumbai

Mayor Vishwanath Mahadeshwar, the first citizen of Mumbai, recently visited Metro III construction sites, and a front-page report in this paper has already highlighted how he blamed the wrong agency (Mumbai Metropolitan Region Development Authority rather than the Mumbai Metro Rail Corporation) for the possibility of flooding in the city.

While that was one aspect of the mayor's tour, it was his answer to our reporter's question about his view about the Metro work, that is cause for concern. The mayor said that although the BMC is the main planning authority of the city, the Metro authorities did not take permission from them before starting the Metro 3 work. They allegedly did not even take the civic body into confidence before beginning the project.

The mayor's answer was especially disturbing, considering the damage caused by the work to BMC's stormwater drains and sewerage lines. Because of this, there will be flooding if there is a rainfall of more than 300 mm. The state government will be responsible for the same, said the mayor.

Citizens are tired of the blame game that seems to have ensued even before the monsoon. They do not care which agency has done what, they only want to see that there is no major flooding this monsoon. If there is, the authorities need to work swiftly to ensure it is dealt with. Other service arms have to work to ensure the city does not go off the rails.

Every authority must be geared to if not prevent, then at least combat, all the challenges that the monsoon is sure to bring with it. We want to hear and see actions that reassure the public, rather than discouraging finger-pointing and statements loaded with ominous portent.

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Aditya Sinha: Today it's Vala, tomorrow Kovind?


BS Yeddyurappa submits his resignation as Karnataka chief minister to Governor Vajubhai Vala in Bengaluru on Saturday. Pic/PTI

At a press conference moments after BS Yeddyurappa quit as Karnataka chief minister for the third occasion in his life, this time after just two impotent days, Congress president Rahul Gandhi was asked if he would demand Governor Vajubhai Vala's resignation. Just the day before, Rahul had tweeted that Vala's decision to invite Yeddyurappa to form a government, despite being short of a majority and not having any other party's support, was "unconstitutional". Yet, with the press he was philosophical: "What's the point?" Rahul said. "Even if Governor Vala is made to go, Prime Minister (Narendra) Modi would put another puppet in his place, who will take exactly the same decisions."

Rahul repeatedly stressed the point that the RSS, through Modi, is out to destroy all institutions in India because it respects no institution other than the RSS. Modi did not behave like a democrat, he said, but like a "dictator". (Also, the Congress president referred to his BJP counterpart as "murder accused Amit Shah".)

Some Indians don't mind Modi being a dictator. They think democracy in India is too slow and needs to be speeded up. Not only is this sentiment justified by pseudo-Darwinism — so what if the poor get left behind? — it doesn't seem to bother them that subverting Constitutional niceties may backfire on them one day, when the Great Leader is replaced by someone else, perhaps another regional leader in a hurry. For now it's okay if their Governors try one thing in Manipur and Goa, and then try the opposite in Karnataka.


Rahul did not mention, however, the elephant in the room: the occupant of the highest constitutional office in the land. For much of the republic's life we have had some pretty ordinary occupants in Rashtrapati Bhawan, and one need not go far back in history to find some awful examples. Pratibha Patil was nominated by the UPA to be India's first woman president, but she was far from a leading advocate of gender-equality or even equal-pay issues during her career; her elevation was simply an exercise in tokenism —much in the way that Ram Nath Kovind's is. (Another pedestrian candidate, to my mind, was fixer and murky backroom boy Pranab Mukherjee, who in 2012 end-gamed then Congress President Sonia Gandhi into nominating him.)

President Kovind isn't even the first dalit in Rashtrapati Bhawan. The first was KR Narayanan, who unlike President Kovind, had a distinguished career as a diplomat and an academician before he became vice-president (and in 1997, president). President Kovind's achievements have been modest in the field of education; and though he was personal assistant to Prime Minister Morarji Desai, he has been a Hindutva ideologue for over a quarter of a century. The RSS considers him its man.


President Kovind isn't anywhere near the stratosphere of popularity achieved by the other NDA nominee for president, the late APJ Abdul Kalam, who succeeded Narayanan in 2002. On the contrary, President Kovind was earlier this month left looking diminished thanks to former information and broadcasting minister Smriti Irani (repeatedly the proverbial bull in Modi's china shop) who mismanaged his presentation of the National Film Awards, provoking many artistes to boycott the function. (The photos were catastrophic, showing rows of empty seats at the function.)

President KR Narayanan distinguished himself in office with a couple of correct Constitutional decisions that shocked the political establishment, because he acted impartially rather than be the government's rubber stamp. In October 1997, he returned the recommendation by then Prime Minister IK Gujral's to put UP under President's Rule. He is the only president to have refused to impose central rule (he did it again the next year), setting an important precedent for federalism.

Given the recent partisanship of members of the Election Commission and of the Supreme Court, and with Governor Vala's naked and shameless partiality — he disregarded recommendations by various Centre-State Commissions set up since Independence on the Governor's role in inviting a party for government formation — you need not be a rocket scientist to predict President Kovind's behaviour if the 2019 election produces a hung parliament.

Imagine a scenario where the BJP wins about 180 seats and the Congress wins about 185, or the other way around. Forget for a moment how the pre-poll and post-poll alliances shape up. Then ask yourself the question: who will President Kovind invite first to form the government? This must be weighing on the minds of Rahul Gandhi and his team. It is obvious to most of us why Modi appoints whoever he appoints to high Constitutional office — it is to do his bidding. President Kovind's critical moment in history will come when he will have to make a choice — to be another KR Narayanan, or to be another Vajubhai Vala.

Aditya Sinha's latest book, The Spy Chronicles: RAW, ISI, and the Illusion of Peace (HarperCollins India), written with former spychiefs AS Dulat and Asad Durrani, is out this week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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mid day editorial: It's better to nip crime in the bud

This paper ran a disturbing front page story on the weekend. It cited how, for several months, the Mumbra Police have been at their wits' end over bikes and scooters going missing from various parts of the suburban township. Last week, however, the police tracked the culprits, who were a gang of 10- to 15-year-olds.

All the nine boys who were apprehended by the police were minors. All of them hail from poor families in Mumbra and they are passionate about bikes and just wanted to ride them for fun. While the boys have been put in a home, what is worrying is that a couple of parents are in denial about their boys being involved in the theft.
The report said that Mumbra residents had complained to the police about rash driving by young children, who didn't have a driving licence. A social activist in the area had even said that many children here start riding bikes when they are as young as 12.

Most of these kids have not been to school. There is also the prospect that this crime may be a stepping stone for them and it may escalate to bigger crimes once they are out of this home. Parents need to pay much closer attention to what their children have been doing. They may not know about the crime, as it is natural these children will hide this from their parents. But, as a parent, they must try to investigate and question their children in case they suspect an unusual pattern in their behaviour.

It is unacceptable that 10-year-olds are riding bikes, putting not only themselves, but also other bikers and pedestrians in danger. Report them, if you suspect it's an underage boy riding a bike.

Finally, much more social awareness, sustained campaigns, and acceptance rather than denial by parents, can counter this menace. The bike robberies are not all innocent fun, it has grave ramifications for the future.

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mid day editorial: We need an antidote for angry relatives

The lull in incidents involving doctors and relatives of patients has been broken once again. An indefinite strike called by resident doctors of the civic-run JJ Hospital entered its second day on the weekend. The doctors held a candlelight march to protest the attack on their colleagues and to pressure the management to take action to ensure their safety.

Doctors from other hospitals were supporting the protest as well. It started with over 400 resident doctors from JJ Hospital going on strike over the weekend after two were attacked by the family of a deceased patient.

We had seen these flare ups and thought that a long lull may spell the end of the doc-patients' fracas, which has been a very worrisome aspect of the health service sector in the country. It was not to be and the latest incident shows that measures have to be in place to tackle these incidents before they spiral out of control.
Doctors must have adequate security at hospitals. Fears for safety can inadvertently crop up in medical decisions or diagnosis, where sometimes a professional's judgement may be compromised if they think that their workplace does not care enough to protect them.

Violence is not the answer even if the relatives think that the doctors have neglected them or are shocked by the death of their family member. Our civic hospitals have too many patients, but staff is small is comparison. Awareness campaigns, an intermediary between doctors and patients' family, security measures, counselling, and somehow bringing the sense that patients' relatives and doctors are on the same side, could defuse volatile situations. The time for talk, discussion and clucking in disappointment is over. This is a medical emergency at our hospitals. An antidote needs to be found.

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New book offers account on wives, daughters and sisters of Mughal emperors


Tight jackets and tunics in diaphanous materials replaced the more pragmatic, flowing qabas, Jahangir did not marry anyone after Noor Jahan, Women wore jamas of fine muslin, so sought-after that they were named running water and night dew. Pics/Courtesy Aleph

While we all remember the story of 16th century Timurid warrior and scholar Babur's arduous journey from Kabul to Punjab, from where he waged war on Delhi to become the first Emperor of the Mughal dynasty, little is known of the wives, sisters, daughters and aunts, who travelled with him, and helped him establish his empire in the Indian sub-continent.

A new book by Gurgaon-based author Ira Mukhoty, Daughters of the Sun (Aleph Book Company), is a first-of-its-kind attempt to chronicle the role of the women in building the empire, and whose stories have suffered the neglect of both, history and memory. "Women, in general, are a misremembered group in history," says Mukhoty, in an email interview. "Their achievements are constantly ignored or diminished in favour of the histories of men. For the Mughals, it is further complicated by the fact that a lot of the works are in Persian, a language that is seriously out of favour in India. There is a Persian document called the Pilgrims' Confidant, about the Haj pilgrim to Mecca, sponsored by Aurangzeb's daughter Zeb-un Nisa. I tried very hard to have the document translated into English, but was unable to. This is a beautifully illustrated manuscript, which may have interesting references to its imperial patron. The original document is, moreover, in a collection abroad, as are many Mughal documents following the great plunder by the British. So there are many layers obscuring the legacy of the Mughal women; language, despoliation and disinterest," she adds.


Ira Mukhoty

For Mukhoty, the idea of researching this book came to her when she stumbled on the story of Jahanara Begum, daughter of Emperor Shah Jahan, who reigned from 1628 to 1658. "The over-arching scope of her ambition, so clearly spelt out in all her works, took my breath away. At a time when even globally women were expected to live lives of quiet submission, Jahanara blazed such a fiery trail. And yet we really don't remember the extent of her achievements at all," she says.

The book is split into three parts. The first discusses the peripatetic queens, who travelled from Persia to Hindustan, and includes Khanzada Begum, Babur's elder sister, and his wife Dildar Begum, among others. The next talks of the wives during the imperial splendour. Here, Jahangir's wife Mehr-un-Nisa Begum alias Noor Jahan and Mumtaz Mahal — Shah Jahan's wife — find mention. The last section of the book takes us into the waning years of the Mughal empire, fraught with greed and overreaching ambition. The story of Jahanara Begum, the beloved eldest, unmarried daughter of Shah Jahan stands out here.

An interesting source for Mukhoty's book was Gulbadan Begum's Humayun-nama. Gulbadan was sister to Humayun and daughter to Babur, who arrived in Hindustan at the age of five. "She was asked many decades later by her grandnephew, Akbar, to write a biography of Babur and Humayun," Mukhoty writes in the book. "Gulbadan's account is a fascinating insight into the households of Babur and Humayun as seen by an insider. Her writing is forthright, frank and rambunctious," says Mukhoty. "It is her lack of a self-conscious eye on posterity, which made her account so invaluable. She gives us details which help us imagine a living, breathing space instead of a splendid, but unknowable place which the male biographers wrote about. Male historians of that time wrote in grave and obscure prose, about battles and ancestors. Gulbadan wrote about Humayun's opium habit and his relationship with one of his feisty wives," says the writer.

Among the Mughal women, whom Mukhoty has most affection for is Khanzada Begum, who at 65, rode on horseback through 750 km of icy passes to parley on behalf of her nephew, Humayun. "This fearless and indomitable lady made sacrifices all her life for the legacy of her younger brother Babur, and for the future of her family. She was constantly sent as peace ambassador to warring brothers and travelled endless miles through icy terrain on horseback. She wept upon seeing the infant Akbar, because he reminded her of her long dead 'baby' brother Babur. This gives us such a different insight into Babur too, no longer the marauding foreigner of legend but a dearly beloved and mourned brother," she says.

Mukhoty, however, finds Mumtaz Mahal to be the most voiceless of the lot she researched about — the irony being that she was also the most famous. "I think the Taj Mahal, and the 20th century construct of an 'exclusive love' that it generated is definitely the reason Mumtaz Mahal is viewed with affection by so many. But she left no writings, no substantial buildings, no clear evocation of an ambition. She was busy raising 14 children in 19 years, travelling the length and breadth of the country with her restless husband. She will forever be hidden by the splendour of the Taj Mahal."

Also Read: Mughal-Era Artefacts Seized From Antique Smuggler's Secret SoBo Godown

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Game Review: Yakuza 6 is a fitting end to mafiosi Kazuma Kiryu's dangerous journ

Yakuza 6 is the final chapter in the Kazuma Kiryu saga and the debut of a new engine for the game. For those who have never played Yakuza before, there is a handy back story that you can read through complete with choice visuals from the previous game. Even without the story mode, the game is self-sufficient and you won't feel like you are missing something. It plays out like a melodramatic Japanese movie — there are lots of cut-scenes and it will be a while before you go around breaking bones and destroying property. Fortunately, the story is decent enough to keep you engaged, considering it is around 30 hours long.

For the uninitiated, you play Kazuma Kiryu, a yakuza, who is part of the Japanese mafiosi. The idea of the game is to go around completing the tasks assigned in the story mode. However, you are also in Japan, which means there are many fun distractions to while away time. In the past, these distractions have been many and made Yakuza a game that you could play forever. In Yakuza 6, however, the side activities are few, but they are well made. Some choices are playing mahjong, working out, playing baseball, visiting a hostess bar or a cat café.

The biggest addition to the side activities is the Clan Creator mini-game, where you direct gang members in a top down view of a brawl. You can add special characters to your clan, by defeating them in combat. This mini-game is a lot of fun, even though defeating your foes is often too easy. The overall combat in Yakuza is also super easy. Kiryu is capable of handling multiple thugs with just a few basic moves. You can pick up anything off the street and use it as a weapon. Building rage can trigger special moves, which is essentially just beating people senseless with whatever you have in your hand. The simplicity of combat makes it easy to learn, but it can get repetitive after a while.

Visually, the new engine shows off the cut-scenes and characters really shine through. The motion is seamless and once you are in an area, the game never stutters. Japan is recreated beautifully, it is like you are roaming the streets of the country. You can enter stores, narrow lanes and explore anything that is on the map. The game is a fitting end to the story of Kazuma Kiryu. The top-notch storytelling and the graphics more than do justice to the Yakuza series. More side activities and layered combat could have kept the game interesting beyond the main storyline, but despite all of this, Yakuza manages to entertain.

Yakuza 6: The Song of Life
Rating: 4/5
Developer: Sega
Publisher: Sega
Platform: PS4
Price: Rs 2,999

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Talk by historian to revolve around 1800s theatre persona Vishnudas Bhave


Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."


Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Mumbai: Dadar-Lower Parel-Worli set to position itself as a young art district


Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.


Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.


Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.


Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.


Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.


Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.


Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.


Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.


Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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Danny Denzongpa: I howled in the theatre when I first saw the film Kabuliwala


A still from Bioscopewala, featuring Danny Denzongpa in the lead

When we dial up Danny Denzongpa's number on a Friday evening, we are greeted with a faint "hello". The network is choppy, his voice drifts in and out. "I am in a cool place," he says, referring to Sikkim, where the actor is at the moment. His film, Bioscopewala, based on Rabindranath Tagore's renowned story Kabuliwala, is prepping for release, but Denzongpa chooses to stay far from the hustle and bustle of promotion. "I like it here," says the man of few words.

The 70-year-old actor was a little boy when he saw the Balraj Sahni-starrer Kabuliwala (1961). He had also seen the Bengali film earlier, starring Chhabi Biswas. The Sahni film, however, had an impact on him altogether. "I remember our teacher had taken us to see the film and I was howling in the theatre," Denzongpa says. When he first read Tagore's story in school, he made a drawing inspired by it. "There was a man with a pagdi, standing in a hilly backdrop. There was a stream flowing by, and across it, was a little girl." Bioscopewala, he tells us, was originally supposed to star Amitabh Bachchan. "But somehow, that did not materialise. I have always been a huge fan of the film, so, when Sunil (Doshi, producer and co-writer) approached me, I jumped at the chance," he says.

Doing the film was like going back to his college days. "Most of the crew was from my film institute (FTII) — the director, writer, sound designer Resul (Pookutty). I was the senior most among them. I remember when we were shooting in Ladakh, and I would go jogging at early morning, they'd be surprised and tell me 'you're supposed to rest for two days'. But, I am from the hills!" laughs Denzongpa. He also knew his co-actor Geetanjali Thapa, who plays Minnie, well. His other co-actor Tisca Chopra also doubled up as his Afghani tutor. "I had a tutor on sets to correct my diction, but I would always turn to Tisca. She has stayed in Afghanistan for over 10 years and is fluent in the language."

Unlike the original film that was set in the 1940s, Bioscopewala comes forward in time, in the '80s, during the Taliban regime in Afghanistan. Having also wrapped up shooting for the Kangana Ranaut starrer Manikarni: Queen of Jhansi, where he plays an army general who was like a father to the queen, the actor is now enjoying the quiet. He is not Mumbai-bound anytime soon, not even for the premiere of Bioscopewala. "This is the person I am. I'm very shy, I don't party, I stay away from events, I have not had a PR in 45 years. You don't see me talking to the press either, nor I am on television. It's not on purpose. I just don't like attracting attention towards myself." And of course, he's not on social media either. "The only thing I am on is my phone, and that also I forget about at times," he laughs.

Also Read: 7 Memorable Roles Of Danny Denzongpa

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Sunday Cartoon: Cyrus Daruwala Presents - Zal

Missed out on last week's Zal? You can read it here.

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Here's what to expect from journey to Kedarnath


A result of the 2013 floods, which wreaked havoc and killed thousands of people, is that the river Mandakini, which passes the temple area disappears after a stretch

I happily strut on through the Gaurikund market where vendors pour hot chai and roll parathas for eager yatris freezing under their overalls. It is April 29, the first darshan of the season. I have set out at 4.45 am, dodging horses and men wearing pithoo baskets ready to carry pilgrims to the top. I am in the company of a rishi, who grins at my woollens. "It is going to be sunny today," she says, wrapping a rice-paper thin shawl over her white skirt and blouse.


The path is peppered with signboards advising yatris to check their pace

Trek record
A cobbled path begins where the kaccha road ends. A green signboard reads: Kedarnath 16 km. The 2013 flood washed away the old route. Uttarkashi's Nehru Institute of Mountaineering re-charted the route via Gaurikund and passing Jungle Chatti Bheembali and Linchauli to reach the basecamp. Then, another kilometre leads to the temple. Rain shelters, medical camps, bio toilets and potable water fountains appear frequently.


The path has toilets and food stalls and medical camps are regular intervals

When the going gets tough
Uphill, at gradient 8, I set a steady pace, holding onto an orange railing; matching the sparse spotting of crimson-red Buransh flowers in an otherwise green flora valley. The gushing of a waterfall and a dawn in the breaking lend a quietude broken by enthusiastic cries of "Jai Bhole!" and "Har Har Mahadev!". I stop at each signboard that advises walkers to take regular breaks. An hour of evening walk in the city, I realised, was not enough training to adjust to the thin air quality and keep the body supple.


The flood had washed away the old route

Giving up is easy
Ahead of me, a couple plonks onto a bench. "Aur kitna dur hai," the wife asks. A sweeper, cleaning the tracks, laughs, "Bas che ghante chalte jao. Upar mat dekho (Keep walking continuously for six hours. Don't look up to see how far it is)." By now, I have lost sight of my 58-year-old companion, who has kept a steady lead.
I stare at the green board that reads 14 km, the time is 5.30 am. A tendency to get cramps on my right leg, I am surprised it hasn't revolted yet. But there's a sharp pull in my thigh, a new pain on this new adventure. I think to myself: "Why did I sign up for this? Turn back. Just turn back." Probably from the distress look on my face, a woman on horseback sees me and screams from afar: "Don't give up. You will make it."

The tough get going
This is my first victory. To turn a deaf ear to my feet's pleads. By the time I make it to Bheembali, the road steepens. People who have finished their darshan shower encouraging words and promise the ever-winding road will smoothen. By the time I reach Kedarnath basecamp, the clouds have covered the peaks, and there's a light rain splatter. I follow a group through steep patches that help you cut the road time. Sometimes, I find myself on all fours, holding onto branches. My inspiration pool is slowly evaporating.

Miracles find you
In that moment, the clouds clear and the snow peaks make an appearance. It fills me with gratitude — for everything that is right and wrong in my life. The walk down to the confluence of the Mandakini and Saraswati and dip my hands in the icy cold water. I skip the line to the temple, bow to the dhwaj on the temple and turn around for the road downhill.

A walk to remember
The rains have washed the muddy road and turned it into a sludge fest. I follow a couple and their son down a 'short cut' which catches me off-guard. It is open to the valley, and one wrong step will have me tumbling down. This descent is long but we walk it with a joyous gait. The burden was my own uphill, but now, it is ours to share.

8
No. of hours it takes in a state-run bus from Rishikesh to Sonprayag

Adventure & Religious
Tour & taste
Food and Leisure
Relaxing
Educational





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Dance like no one's watching at this free-form workout in Mumbai

At the heart of No Lights No Lycra (NLNL) is the belief that everyone can dance. This free-form workout in the dark was thought up by Australian dance students Alice Glenn and Heidi Barrett in 2009 in Melbourne as a means to truly let go and express oneself.Creative freelancer and the woman behind the Mumbai chapter, Yooti Bhansali, says, "You can dance like nobody's watching, because nobody can see you and also, they're busy enjoying their new-found freedom. From a small room full of nutty dancers in Melbourne, this community has spread to major cities in Australia, London, Hong Kong, Beijing, New York, and is now Mumbai."

Bhansali heard about NLNL from an Australian friend. Is Mumbai ready for such a thing, we ask. "We've seen music gigs in art galleries, movies in bars and quizzes in microbreweries. So, getting people in a dark room to dance doesn't seem much of a stretch," she says Bhansali has got several queries from people across age groups, who are excited about the prospect of a physical activity that's fun. "It's not a party. It's a place where you dance freely. Of course, you could just dance in the dark in the privacy of your home, but let's be honest — would that be as much fun?"

When: 8am, May 23
Where: The Bandra Base, Baitush Saraf Bldg, TPS III, 29th Off Waterfield Rd, Bandra West
Entry: Rs 399, cash only. Get a friend for free

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Silicon Valley trend of using drugs in mini doses daily is catching up in India

Over a phone call from Kolkata, Vikram Rajan*, an audio engineer and guitarist formerly based out of Mumbai, wants us to listen to a track that he has composed. It's available on Soundcloud and, as we stream it, we more or less agree that its flavour of electronica-jazz could accompany a languorous Sunday evening. "For a long time, I had been unable to come up with something good. And, then, I composed this around March while I was microdosing and sometimes, megadosing on acid," says Rajan.

The 33-year-old is referring to a way-of-life that's effectively snapping the ties between drug abuse and the creative arts. This is a lifestyle experiment that some of the brightest techies in Silicon Valley are engaging in, and has got psychiatrists and anti-drug crusaders distraught. "From a 100 mics paper, I take about 20 mics, twice a week, giving the doses a 2-3 days gap. The effects of acid last for about six hours for me," says Rajan, who started experimenting with drugs as a teenager.


After a litany of prescriptions failed to control her mood swings and depression, Ayelet Waldman found relief in LSD. The former federal public defender authored A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life, in 2016. She wrote: "(It) made room in my mind not necessarily for joy, but for insight. It allowed me a little space to consider how to act in accordance with my values, not just react to external stimuli. This, not the razzle-dazzle of pleasure, was its gift." Pic/Getty Images

In need of a quick glossary before we proceed? Acid is officially called Lysergic Acid Diethylamide (LSD), a psychedelic drug banned in India, the possession of which can lead to imprisonment from one to 20 years under the Narcotic Drugs and Psychotropic Substances Act. LSD is often illegally sold in the form of stamps, with the hallucinogen embedded on blotter paper. Mics is micrograms, that's one-millionth of a gram. A microdose is when you have about one-tenth of a recreational 'party' dose, which starts at about 200 mics.

"With microdosing, you are not tripping — this is not a trip. The euphoria isn't there. It's not about feeling good, it's about calmness," continues Rajan. Microdosing first hit headlines after Steve Jobs' passed away in 2011, when a number of inspiring tales on how LSD became the new go-to substance for enhanced performance by tech employees hit the net. Espresso became passé. 'Flow states' were the new yoga. While Jobs did more than just microdose (he was known to have gone all the way), Silicon Valley techies are reportedly doing acid in quantities such that their effects are 'sub-perceptual', where you won't "see stuff" but you harness its "positive" effects.


A dropper with CBD cannabis oil, used for medicinal purposes. Initial research in the area has shown that patients can reap the benefits without its full-blown 'high' effects

Paul Austin, founder of The Third Wave, where you will find a manifesto on microdosing, defines it as, "the act of integrating sub-perceptual doses of psychedelics, such as LSD or Psilocybin Mushrooms, into your weekly routine for higher levels of creativity, more energy, increased focus, and improved relational skills." The Third Wave, according to Austin, follows the first two waves, in which psychedelics were used indigenously for thousands of years, and then, in the 60s and 70s, when they were a part of American counterculture. Austin writes that The Third Wave is upon us, "brought about by recent developments in cannabis legalisation and psychedelic research — and it will change the way mainstream culture perceives psychedelic use."

Classically acid, now weed
For Rajan, however, it wasn't sub-perceptual Silicon Valley that got him to ration his 100 mics stamps, each of which costs about R2,000. It was simply a matter of demand and supply. Mumbai had better stuff than Kolkata, and more availability. Microdosing has classically been associated with LSD, but now has been extended to cannabis as well. Austin's website has guided instructions for microdosing on nine drugs, including cannabis and ayahuasca. Mumbai-based communications officer Varna Kumar*, 25, smokes a mandatory post-work joint every night in order to cope with anxiety and panic attacks. "I feel I have worked enough through the day, without much time to understand what I am going through. At night, when I am by myself, I smoke a small joint to achieve REM sleep," she says. The joint, a mix of two strains, sativa and indica, help her body relax. It makes her anxiety seem defeatable, is how she describes it. Her counsellor, who also smokes up, has not advocated this as a coping mechanism. "It's different from when I am smoking up recreationally during the weekend or when I am away on a vacation. I will do three to four joints when I have nothing to take care of," she says.

Rajan doesn't buy it. He offers an example that may be best contemplated upon or contested by those who have done both LSD and cannabis. "With weed, you are either stoned, or you are not. You will need to smoke up as soon as the high wears off. When you get stoned, your mind becomes passive. But, microdosing on LSD allows you to be calm enough to multitask, allowing a lot of information to be funnelled into your brain easily. You are alert, you are awake," he says, adding, "What is LSD all about? When you start tripping, you see a shift in perspective." You need not agree with Rajan, as he himself says, "We are all chemical reactions", with each of us reacting differently to drugs.

Covert, not convenient
Microdosing will often be compared to that hard-earned and well-deserved one drink after work hours. It's nothing like that, microdosers will tell you, and so will psychiatrists and rehab therapists. For one, microdosing has none of the ease of getting a drink at your favourite pub. You will be persecuted in your search for your creative spell or a calmer mind. Next, it's not even like getting a drug prescription that your GP advises you to have for the course of a fortnight. Kumar and Rajan know it all too well. Microdosing means self-experimentation, knowing when you are crossing the threshold into recreational high dosages. Cannabis, for instance, is best microdosed through edibles, like space brownies, which are available legally in some parts of the world. It's probably the reason why microdosing is yet to take on Silicon Valley proportions in India. "Here, we don't often get to know what strain of cannabis we are using, or where it is sourced from," says Kumar. Saying "this stuff is craazzyy" is, therefore, not enough if you want to microdose. "If you are living with family, it's hard to make edibles. All this means that the convenience factor associated with a drink is not the same with this covert process," she adds.

The idea of the junkie, with matted hair and piercings, is a stereotype that microdosing is replacing. It's no longer cool to be a junkie, especially in the vegan-conscious, gluten-free, aerial yoga health lifestyle that we are seeing around us. Microdosing may be the most metrosexual among the various kinds of drug use, and it carries the allure of high-performance and alleviation of mental health issues, with published studies to back these up. But doctors and psychiatrists are warning us about the glamourisation of microdosing, even as research to mainstream it for mental health is going on. Psychiatrist Dr Samir Parikh says, "Microdosing encourages the thought process that you need a drug for enhanced performance or better creativity or to calm your nerves. This will mean that students microdose before exams, athletes before a run, couples before a wedding, and the next thing you know, because someone has to attend a birthday bash. There is no end to important situations in life. We are making people believe that a student could have scored an additional five marks in an exam had she just microdosed. Can you imagine the perils of this philosophy?" he says. He backs this up with the number of risks associated with prolonged drug abuse, such as a permanent change in brain circuitry, cerebrovascular diseases, and panic attacks.

Then there are those who will argue that moderation as 'one-drink-a-day' is more addictive than the weekend drunken revelry. Is addiction, even in microdoses, still addiction, where the brain searches for rewards compulsively? Kumar disagrees. "Microdosing is the difference between dependence and addiction. For example, I am dependent on a cab to take me to the station. Can I get through my day without it? Can I walk to the station? Yes, I can. That's what microdosing is. I can get through my day without a joint, but a joint just makes it a little easier," she says.Psychiatrist Dr Yusuf Merchant, who runs a rehabilitation centre at Kalyan, says microdoses pose the risk of turning into overdoses. "With any drug, the body learns to metabolise it faster. Which means, that the quantity for a microdose will keep increasing and your hold on reality will keep getting more tangential."

Rajan himself admits to a 'bad trip'. LSD users will tell you that recreational doses are best done in settings that you feel comfortable in, to enjoy, or cope, with the hallucinations. With microdosing, you are headed into your office or your studio to function better. Rajan had once taken more than a microdose, leading him to have a panic attack, the kind where he couldn't even see his hands. The golden rule, he says, is that if you don't go on a full trip, you will never know what a microdose is.

That ailing pain
The push for microdosing is coming from a quarter where its future seems to be most secured — pain management. Mumbai-based homemaker Susheela Kamath*, 48, was diagnosed with stage II breast cancer a couple of years ago, and having undergone nearly a year's worth of chemotherapy and radiation, the accompanying pain and nausea, were all too real. Her daughter provided her with high-grade hash oil. The dealer provided her with a tiny spoon, the kind that you are handed inflight to stir your coffee with. "I had to initially understand, through a lot of trial and error, by gauging my mother's mood, on what a microdose for her would be. Hash oil is very potent," says the daughter.

A little drop of it on her toast every day, helped Kamath cope with pain. "From the third day to the tenth day after chemotherapy, my mother would have about three to four spoons a day, and, on other days, just half a spoon," says the daughter. Coping with the pain meant she could do more during her day, and also have an appetite. Now, months after she has wound up chemotherapy and radiation, she has bid adieu to the prescription drugs that came along with it, and the hash oil as well, without yearning for that high. Unfortunately, unlike medical grade marijuana that is available in some countries, and still not permitted in India, the daughter did not know if the oil had cannabidiol (CBD), which gives marijuana its medical properties, or tetrahydrocannabinol (THC) which gives you the "high".

Dr Kailash Kothari, interventional spine and pain management specialist at Fortis Hospital, Mulund, says that there is not enough evidence to either prove or disprove that microdosing on cannabis can help with pain management, the way opioids, such as morphine, act on the nervous system. "Do cannabinoids work like tranquilisers or do they have long-term effect? There is not enough research as of now," he says, adding, "Getting dependent on these takes a lot of time and not something that can happen in about 15 days of use." In the meanwhile, you can enjoy a night of quiet or a better track on Soundcloud by rationing your stash. But, is it short-term solace or long-term abuse?

*All names have been changed on request to protect identity





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Mumbai 360: Your Weekday Go And Do Guidebook

Monday
Soak in some art
Attend an exhibition where artist Kanu Patel will showcase his paintings. His works are influenced by the religion, history, literature and arts of India.
Time 11 am to 7 pm
At Jehangir Art Gallery, Kala Ghoda.
Call 9825041289
Free

Get a kick
Taekwondo is a semi-contact martial arts form that originated in Korea. Enrol for a summer camp where you can
learn the different techniques that it involves.
Time 9 am
At Natraj Hall, Link Road, Andheri West.
Log on to eventshigh.com
Entry Rs 1,800

Do something to dye for
Batik is a wax-resist dyeing technique that is popular in many Southeast Asian countries. Learn how it’s done in Malaysia, where there are no restrictions on the colours you use On the fabric of your choice.
Time 12 noon
At Iteeha Studio, Mathuradas Mill Compound, Lower Parel.
Log on to insider.in
Cost Rs 2,300

Tuesday
Deal with it
 An affordable watering hole is celebrating its first anniversary. And it’s offering an unbelievable deal to mark the occasion — get 36 unlimited drinks for just '365. If that doesn’t sound like a deal, we don’t know what will.
Time 9 pm onwards
At BKC Dive, Pinnacle Corporate Park, Bandra Kurla Complex.
Call 8655077330

Mark their words
Poetry is one form of the arts that can truly encapsulate the complexity of the human condition. Attend an open-mic event where new and established talent will read out their verses.
Time 8.30 pm
At Hive at Gostana, Parbhat Kunj, Linking Road, Bandra West.
Call 64533359
Cost Rs 250 (including Rs 100 as cover)

Get a high
Aeromodelling is an excellent way of learning basic science and engineering principles. Sign your child up for a course that teaches them how to build and fly model planes.
Time 11 am
At Quistic Learning Centre, Oshiwara, Andheri West.
Log on to eventshigh.com
Cost Rs 2,500

Wednesday
Eat like a local
Sample some authentic Maharashtrian fare at an eatery on the occasion of Akshaya Tritiya. Tuck into delicacies like aamras puri, katachi amti, dalimbi wal and vangiyacha bhari.
Time 12 pm and 7 pm
At The Bombay Havelli, Maharshi Karve Road, Opera House, Girgaum.
Call 33126813
Cost Rs 1,200

Learn about wine
If you are a wine enthusiast, attend the informative Taste and Learn Series being held at the restaurant of a BKC hotel. A sommelier will teach how to distinguish between different makes of the drink, which will be paired with a curated menu of small bites.
Time 7 pm
At Artisan, Sofitel Hotel, BKC.
Call 8268152599
Cost Rs 3,097

Move your body
Attend a physical movements course that focuses on khel kalari, a body-mind training system comprising kalaripayattu, yoga, mobility and locomotion, breathwork, and voice and chanting exercises.
Time 9.30 am to 11 am, and 4.30 pm to 6 pm
At Hybrid Fitness, Bungalow 34, Janaki Devi School Road, Andheri West.
Call 9967535562
Cost Rs 3,000 for each phase

Thursday
Manage money
Attend a workshop on managing your finances if you’re the sort who regularly find yourself asking, “Where did my all money disappear to?” Learn how to choose the right investment options and define your financial goals.
Time 10 am
At Verbena Brewpub, Lower Parel.
Call 39971886
Cost Rs 2,500

Tell tales
Have a story to tell? Attend a session where audience members are invited to take the stage and narrate interesting anecdotes from their life, be it a hair-raising tale or an incident that makes people laugh out loud.
On 8 pm
At The School Of Thought, Laxmi Industrial Estate, New Link Road, Andheri West.
Call 9819546349
Cost Rs 249

Go back in time
Catch Blackstratblues play a gig that rolls back time to the analogue era. The band is fronted by Warren Mendonsa (second from right in pic), a virtuoso guitarist, considered to be one of India’s best.
Time 9 pm
At Todi Mill Social, Mathuradas Mill Compound, Lower Parel.
Call 7506394240
Entry Rs 600

Hear new jokes
The stand-up circuit in Mumbai is choc-a-bloc with a host of established comics and upcoming artistes. Many of them draw their inspiration from life in the Maximum City, meaning their routines are replete with jokes based on, say, Dadar station or vada pav. But if you are looking for something different, attend a gig that features only outstation artistes, who have their own flavour of comedy.
Time 8.30 pm
At The Cuckoo Club, 5AA Pali Hill Road, next to Candies, Bandra West.
Call 9619962969
Entry Rs 250

Catch a play
How does a husband’s quest to get his beloved wife’s sight restored create a stir in the life of an internationally renowned eye surgeon, who has given up his practice? And how does this interesting intersection of three lives play out? Find out at the staging of Molly Sweeney, a play directed by Rehaan Engineer.
Till April 22, 8 pm
At G5A Foundation for Contemporary Culture, Mahalaxmi.
Log on to bookmyshow.com
Entry Rs 750

Also Read: Sign Up For The Ideal Weekend Plan

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World Record Store Day: The ultimate guide to where you can buy an LP

The romanticising of vinyls is not without reason - the gritty, warm sound, the bout of nostalgia and the act of listening may all be cliches, but they also hold true. And today being World Record Store Day, there is perhaps no better way of spending it than actually being in one. So here are a few that can satiate everyone from the grandpa obsessed with Madhubala to the hipster who wears socks from different pairs. Take your pick.

The Revolver Club
Jude D'Souza (seated in pic), CeO at The Revolver Club, says, "I once got a call about someone wanting to purchase weapons and another one asking how they could join this club." He explains that the name is a play on the revolving aspect of vinyls and also an ode to a Beatles album. D'Souza set up the store with co-founder Shalom Benjamin about three years ago, and it has now become a go-to hub for record junkies.
At: LJ Road, Mahim West.
Call: 9833182255
Cost: Rs 100 to Rs 25,000

Royal Music Collection
Known simply as Abdul Razaak's store to those in the trade, this shop tucked away in Fort has been around since 1982. Featuring an array of languages and genres, the stock is a treasure trove of collectors' records. "Most of my customers are regulars and now that record players are back, I get some new ones too. Much what I have comes from old collections, so it's cheap and exquisite," says Razaak, the owner.
At: Kitab Mahal, Dr DN Road.
Call: 98209 33365
Cost: Rs 250 to Rs 2,000.

Music Circle
Pilak Bhatt, owner of Music Centre, which has been around for five years, says he has been collecting records for the last 40 years. At his store you can find both pre-owned records and new ones. "Because of my passion and love for music, I want this format to stay alive. Analogue sound is natural and warm and records have lovely artwork. Plus, there's ample information about the artistes. The sound of Mp3s isn't great, and people are realising that, which is why this revival has come about," Bhatt says.
At: V Mall, Kandivali east
Call: 9833062221
Cost: Rs 300 to Rs 2,000

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Rafiq Bhatia's 'Breaking English' questions the need for musical boundaries

Accepting the futility of genres, of boxing songs into different compartments like stacked products in supermarket shelves, seems to be at the forefront of Rafiq Bhatia's musical endeavour. The 30-year-old American of Indian descent is the guitarist for a New York-based indie outfit called Son Lux. But it's his recent solo album, Breaking English, which makes the listener really question the need for musical boundaries, of sticking labels to a composition as if it's packaged meat.

The title track of the album, for instance, is not jazz, is not electronica, is not lounge, but all of these generic classifications rolled into one lush sound with a coherent narrative, where Bhatia's melancholic guitar plays the role of the protagonist. Each sonic detail in the track is well-defined, to the point where even though fellow Son Lux member Ian Chang's drum beats seem dissonant, they fit like a glove into the overall musical fabric. Bhatia describes this sensibility when he tells us over the phone from Berlin, where he's on tour, "Ryan (Lott, the vocalist for Son Lux) would say that instead of building a house, designing a room and then placing a chair in it, why don't we start with the chair first, and then design the room around it before building the house. There is a theory in poetry called organicism, where the poet lets each individual verse define the form that the poem will take. That is kind of similar to what I'm trying to do with my music."

He further explains his musical process when he narrates a story about one of his influences, Sam Rivers, the late American jazz great. "I've read that he would attend the concerts of all his peers, and purposely study their music to understand what they were trying to do. But this wasn't to replicate what they were playing. Instead, it was to consciously avoid it. Similarly, John Coltrane took the music of his predecessors and retooled the entire musical vocabulary keeping a similar underlying foundation, but with new pathways built on top of it," he says, giving us an indication of how he doesn't hesitate to flush rule books down the toilet.

Hybridity, in fact, lies at the core of Bhatia's creative evolution. The basis for this, he says, might well be his mixed identity. Born in North Carolina, he has never really fit in to any particular community. For, even though his parents are of Gujarati origin, they grew up in Tanzania, before moving to London and then finally to the US. So, while his brown skin stood out among the white kids in his school, he didn't feel completely at home among the Indian community either. "Everybody thinks that I am something else. So, my music is a result of a need to express my identity. It's a form of therapy at some level, because it's also a way of accepting who I am," he says.

He adds that this therapy started early. When he was about eight or nine, the older desi kids in Bhatia's neighbourhood would pick him up in a car and stop at a parking lot, listening to the hip-hop albums that became one of his earliest influences. Was he drawn to them because of the political overtones that such songs often embody? "Not really," he answers, adding, "I was only in the third grade at the time, and I couldn't even understand the words. So it was the musicality that I fell for. But the deeper question is, why were a bunch of brown kids sitting in a car in a parking lot and empathising with hip-hop music? What is it that was drawing them to the words? So you see, it's difficult to disentangle the politics from the music."

It follows thus that an intertwining of politics and music sometimes features in his own compositions. For example, Hoods Up, a complex instrumental piece, drew its inspiration from Trayvon Martin, a black teenager who was cruelly shot down because of a case of mistaken identity. The guitarist says, "I feel some amount of compulsion to express my [political] ideas. But sometimes, it's easy to get carried away with being overtly political because there is so much to be angry about, and often the responsibility falls on artistes to emphasise it. So I would say that politics is a general part of what inspires my music, because there are so many other facets of my personality that also make their way in."

Essentially, then, what Bhatia wants to keep doing is create genre-defying tracks where attention to detail is of paramount importance. "When you take the details and all the generalities of music for granted, that's when your songs start sounding more like other people's music. That doesn't mean you can't make great tracks. It's just that the less you consider those things, the less is the chance that you will make music that departs from convention. The flip side is that when you think actively about each decision, and each one comes from a place of individuality, it becomes hard to find a coherent logic that ties all those things together. And that ends up being the riddle that I am constantly trying to solve with my music."

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Here's a single dad's guide to the galaxy

There are many single parents in India. Not too long ago, a single parent was equal to a woman raising her kid/s. But this is changing. We already have three friends who are single dads - not just divorced - and they wholly look after their kids.

And the best way to know that single dadhood is no longer an aberration is the fact that we now have souldads.com in India. The brainchild of Chetan Shah, it intends to be an online support channel for single parents, especially fathers. Shah shares his experiences and challenges, and invites readers to participate in the conversation. The blog posts dwell on education and parenting, and the emotional challenges of relationships and parenting. While the blog claims to post solutions to overcome them, we didn't see any. A revisit to a site would only happen if it provides solutions. And Souldad.com does not.

Single dads, like moms, need to work full-time to support the family, and it would be great if (like babychakra.com) an online community answers practical and logistic concerns, such as:

  • As a father, where can I find nanny/daycare, governess/companion for my children?
  • Does anyone offer babysitting services for a day/week/short period?
  • Do you have lists or agencies that provide cooks or dabba facilities; as a package, or otherwise?
  • What do I do on festivals? I want my kid to be in touch with their roots, and I have no clue.
  • I need to travel out of the country for work; what do I do?
  • Where do I find tutor lists?
  • Kids have a tough time after their parents separate. What do I do if I think my kid/s may need hand-holding or a counsellor?
  • What are the safe and clean places I can send my kid/s to play under a nanny's supervision?
  • In cities where nuclear families are a norm, daily firefighting is part of any working parent's life. For single parents, even more. Perhaps, it is because they have just started off, but souldads.com needs to address any or more of the above issues if they intend to be a must-see, must-visit online space for single dads.

Log on to: www.singledad.com

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Mumbai's museums and archives reveal fascinating data about their collections

50,000
The approximate books in the library of what used to be Mahatma Gandhi's Bombay headquarters during the freedom struggle

360
Books read by Gandhi that are housed in the museum

45
Books written by Gandhi that are part of the collection log on to gandhi-manibhavan.org

Six
The number of double decker tram models in the collection, which ran in the city from 1920 to 1964. Two of them are still functional

One
A trolley bus model that ran on an electric route between Gowalia Tank and Mazgaon from 1962 to 1971

Five
The total types of ticket-issuing machines in the museum log on to bestundertaking.com

82,795
Total documents (the oldest being from 1830s; with papers revealing the genesis of the company, and architectural and technical drawings including those of typewriter keyboards in regional languages)

52,006
Photographs (oldest being from 1880s with some taken by well-known industrial photographer Mitter Bedi in 1970s) in the archives

1,266
Memorabilia (including the ballot box made for the first election of independent India, along with models of typewriters, that of a refrigerator from 1958, steel cupboard from 1930s, safes, etc.)
Log on to: archives.godrej.com

780
Clay models in the collection of the oldest museum in the city

92
Miniature paintings

230
Total metal objects including artefacts in brass, bronze, copper, bell metal, koftagiri, bidri and photographs on metal
Log on to: bdlmuseum.org

60,000
Total exhibits, which include paintings, sculptures and numismatic

5,000
Natural history specimens in the collection of which 430 are currently on display

2,000
Chinese and Japanese art exhibits in the collection of which 1,100 are on display

4,000
Indian and non-Indian paintings and prints
Log on to: csmvs.in

10,000
Total exhibits of Indian coinage, paper currency, financial instruments and monetary curiosities

1,500
Exhibits that provide a ringside view of the birth of currencies
Log on to: rbi.org.in

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Nidhi Chanani's new graphic novel explores the mother-daughter relationship

When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."


Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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Four poets talk about penning a poem every day through April

Smeetha Bhaumik

The poet-artist, for whom this is the second Glo/NaPoWriMo attempt, says, "Platforms like these are precious to a poet, because of the sense of community and writing in unison that they offer. Writing to new prompts every day is a challenge in itself, and an exciting one; I say this because I have seen unexpected beautiful verses emerge out of my pen [or mouse]." For Bhoumik, it's tough to pinpoint where her tryst with poetry began, "I have grown up with poetry as a background motif in an environment of science and engineering that dominated my Bengali household. So, its aesthetics have been with me all along. Though I took up writing much later, it was as if I had written it all my life. It just flowed," she says.

Moonlit haibun writes itself,
silver crescents that speak to silence
often.
On the walls trellises of poetry,
On the night:
Shadows
Of poems
To come

Ritu Poddar

A NaPoWriMo novice, Poddar says for her, the takeaways are many. "This has been the most productive and creative month of my life so far. I learnt that passion alone cannot take you anywhere but, passion combined with discipline can," she shares. Speaking of the challenges she faced, Poddar says, "There were days when I would easily find inspiration or an idea to write about. But on others, even the prompts could not help. I have stayed up all night to ensure I don't break the chain of writing continuously."

Collecting from every corner of my body
Debris of past heartbreaks,
Stench of hoarded guilt,
Leftovers of repeated mistakes,
Scraps of untreated anguish
Digging hard to pull out weeds of hurt
Rooted deep into the memory bed.
Cutting cobwebs of relations I weaved,
Which had turned into fetters.

When Washington-based poet and publisher, Maureen Thorson began the National Poetry Writing Month (NaPoWriMo) in 2003, little did she realise that it was going to turn April into the busiest month for poets across the world? The objective is to pen down 30 poems in 30 days — spurred on by prompts (available on the official NaPoWriMo blog) and a general camaraderie that allows you to find the much sought-after inspiration writers are constantly pining for. Today, this has become a global community, with most preferring to call it Glo/NaPoWriMo. It has found its way into the lives of many Indian poets.  We speak to four of them as the month comes to an end.

Rakhee Panth

Panth quit her job as a school teacher to pursue writing full time. This was her first NaPoWriMo attempt and she says the experience was exhilarating. She began writing when she was 11 and published her first short story at 14 in Children's World Magazine. "Writing is a lonely profession. This forum encourages writers across the world to stay inspired and motivated as a community [albeit virtual]. It is believed that creativity often follows its own graph but NaPoWriMo pushes you to harness your creative energy every day and expand your horizon in a guided manner — something that many writers are hungry for in our country. It helps inculcate discipline and is a creative and fun alternative to structure your writing process," she says.

When rain finally falls
And takes with it
The earth's sorrow,
Winnows its way
Into her heart
And stays,
I will call to you then

When eternity stops
And time stands still
I shall have dissolved you in me

Aashish Vaidya

The blog, which is maintained by Thorson features a participant every day. Aashish Vaidya was one of the few Indians to be named. Originally from Vadodara, Gujarat, Vaidya says that his foray into poetry was encouraged by his grandfather, and began with their affinity for Hindi ghazals. "Ghazal singing is that beautiful confluence of good poetry, good singing and good music. I wrote poems and articles sporadically in high school, and in college, for newsletters and community magazines. But, I can relate to Picasso's quote 'Every child is an artist. The problem is how to remain an artist once we grow up.' So for many years, the desire to write lay dormant, as the proverbial life happened," he says. Vaidya, who is participating in the challenge for the fourth time, believes its significance is manifold. "It provides this huge nudge to write. And if you tap into the NaPoWriMo blog community, you can also find other individuals around the globe, who are writing. And in many cases, they are struggling to write, like you, at this maddening pace." he says.

But, talking anything rational with them is more
Like 'burning daylight,' or 'whistling up the wind.'
I mean it takes a special someone with,
'Too many cobwebs in the attic,' to believe someone who is
'Slicker than a slop jar or a boiled onion.'
I mean, come on y'all, howdayya believe someone who,
'Knows more ways to take your money than a roomful of lawyers.'

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Six best ways to pamper your 'superwoman' mother on Mother's Day



Give your mother a break from routine, pamper her with a breakfast in bed or a spa hamper for Mother's Day, which falls on May 13 this year. Mikita Laad Gupta, Senior Designer at Bonito Designs and Abraham Santhosh, Head Designer of Elegancia, have shared ways which can help you bring a smile on your mother's face:

1. A day free from the 'Mom routine': Mothers never get a day off from their daily routine and they never complain too. Every mother always has a list of things she needs to do, so why not do it for her? Let her relax at home while you do the grocery shopping, run to the post office, pick up dry-cleaning or whatever else Mom needs you to do. She will definitely appreciate the gesture!

2. Breakfast in bed: The first part of Mother's Day should be her breakfast. A meal ordered from her favourite restaurant. Let her relax and not think about breakfast for everyone at home, because you have already taken care of it.

3. Sparkle up the home for her: Cleaning the house is a huge task for every mother. On this day, help her out by cleaning it before she starts her day. Fix those things that she always wanted to be repaired and make her day.

4. Home decor makeover: Mothers always want to make a change in their house, but they never really get the time for it due to their daily chores and work. This Mother's Day, make her dream come true by doing what she has always wanted to - could be a vegetable garden, or a mini library or a music library or even revamp the sitting room.

5. Pamper her with a spa hamper: Everyone loves a massage, some of them crave for a fresh manicure and pedicure. Some of them have not had a good haircut and colour since a long time. So here's a chance to pamper your mother with a spa hamper and let her have a relaxing day and look pretty as she always should.

6. A photo family tree: Everyone loves to see their old photos. It brings back memories and family tree of photos is the best way to see everyone you love right there. Create a family tree of photos on a wall at home as a surprise for her as she has always wanted to do it but never had the time.

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Mother's Day: Five best ways to say thank you to your mom



Mothers seem to be almost supernaturally gifted with the ability to instantly lift spirits and make us feel loved and cared for. As International Mothers Day draws closer, let us celebrate their wonderful presence in our lives by making them feel extra special. Satish Kannan, Co-founder and CEO of DocsApp and Ankit Garg, Co-founder and CEO of Wakefit.co give away some solutions that can make your mother happy:

1. Gift her a healthy life: Let her know how much you appreciate her selfless care by gifting her on-demand medical assistance and access to quality medical consultation.

2. Gift her blissful sleep: After a hectic day at work and home, the least your mother deserves is a good night's sleep so she can be fully rejuvenated to face the next day with abundant energy. Help her sleep healthier with a high quality and comfortable mattress that makes her feel more rested in a shorter period of time.

3. Gift her career growth: It is not unlikely that your mother took a professional break to raise you and your siblings. Now that you're all grown up and independent, encourage her to kick-start her career once again.

Here are some more interesting ways to thank your mom:

4. Plant flowers for her: It is time to make the most of the summer season. Buy flowers like lilies, zinnia, marigold and plan them for your mom.

5. Cook her favourite dish: Your mom must be cooking for you on each and every day of the year. But, on Mother's Day, let her take a break from routine kitchen activities and you cook her favouriet dish. Bring all ingredients in advance, make the dish and let her relax and enjoy a delicious meal.

(Edited by mid-day online desk, with inputs from IANS)

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