Among couples being treated for infertility, depression in the male partner was linked to lower pregnancy chances, according to a study.

The study showed that couples in which the male partner had major depression were 60 per cent less likely to conceive and give birth than those in which the male partner did not have major depression.

On the other hand, depression in the female partner was not found to influence the rate of birth.

In addition, intake of a class of antidepressants known as non-selective serotonin reuptake inhibitors (non-SSRIs) was also linked to a higher risk of early pregnancy loss among females being treated for infertility, the study appearing in the journal Fertility and Sterility, noted.

However, SSRIs, another class of antidepressants, were not linked to pregnancy loss. Neither depression in the female partner nor the use of any other class of antidepressant were linked to lower pregnancy rates.

"Our study provides infertility patients and their physicians with new information to consider when making treatment decisions," said Esther Eisenberg, at National Institutes of Health's Eunice Kennedy Shriver National Institute of Child Health and Human Development (NICHD) in Maryland, US.

Citing previous studies, the authors noted that 41 per cent of women seeking fertility treatments have symptoms of depression.

Another study of men seeking in-vitro fertilisation (IVF) treatments reported that nearly 50 per cent experienced depression.

For the study, the team analysed data for 1,650 women and 1,608 men to evaluate the potential influence of depression in couples seeking non-IVF treatments.

Among the women, 5.96 per cent were rated as having active major depression, compared to 2.28 per cent of the men.

Women using non-SSRIs were roughly 3.5 times as likely to have a first-trimester pregnancy loss, compared to those not using antidepressants.

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Researchers have found that long term chronic isolation cause the build-up of a chemical in the brain, that increases stress, aggression and fear.

The mice isolated for two weeks showed behavioural changes like, increased aggressiveness towards unfamiliar mice, persistent fear, and hypersensitivity to threatening stimuli.

When encountering a threatening stimulus, mice that have been socially isolated remain frozen in place long after the threat has passed, whereas normal mice stop freezing soon after the threat is removed, the research said.

Although the study was done in mice, it has potential implications for understanding how chronic stress affects humans and has potential applications for treating mental health disorders, said lead author Moriel Zelikowsky, postdoctoral scholar at the California Institute of Technology in the US.

Previous studies have determined that social isolation for two weeks in mice resulted in the upregulation of the signalling molecule neuropeptide, tachykinin 2 (Tac2)/neurokinin B (NkB) -- a short protein molecule.

In the new study, published in the journal Cell, the team found that chronic isolation leads to an increase in Tac2 gene expression and the production of a neuropeptide called neurokinin B (NkB) throughout the brain.

But, administration of a drug that chemically blocks NkB-specific receptors enabled the stressed mice to behave normally, eliminating the negative effects of social isolation.

On the other hand, artificially increasing Tac2 levels and activating the corresponding neurons in normal, animals led them to behave like isolated and stressed, the research showed.

Suppressing the Tac2 gene in certain different brain parts, increased fear behaviours, or aggression accordingly, implying that it must increase in different brain regions to produce the various effects of social isolation, the researchers said.

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A slow and steady weight loss plan is always a good idea, but losing weight too fast means putting your health at a risk which can lead to severe issues. So, be wise about undertaking excessive exercising or going for a crash diet. Pooja Chaudhary, wellness consultant, Healthians, an online diagnostic center that offers at-home services, lists down the common factors to take care of during a weight loss regime:

Losing weight around 0.45 kg-0.9 kg per week is a safe bet. But losing more than that can be considered as rapid weight loss which can have an impact on the health. At the start of exercise plan or diet plan, people witness a sudden weight loss of 2-3 kg. This is actually the water weight.

Angeli Misra, Co-founder of Lifeline Laboratory, lists down a few side effects of losing weight too fast:

1. It could damage your liver: Alcohol is not the only factor that puts you at a risk of developing a fatty liver. Sometimes following a surgery to reduce weight can also affect your liver.

2. Loose skin: Rapid weight loss leads to loose skin as skin loses elasticity.

3. It may slow down your metabolism: Excess of everything is bad. Excessive exercises and crash dieting can slow down your metabolism as you easily and soon get tired. Due to that your body works slow and you feel a sense of fatigue.

4. Other side effects: Losing weight fast by doing excessive exercise, swimming and crash diet may be linked to several other side effects like hunger, fatigue, irritability, muscle cramps, dizziness, constipation or diarrhea.

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Representational picture

Many people are so busy that they barely have time to eat, let alone pause for a water break, and you may find you often go hours and hours without quenching your thirst. But staying hydrated has real advantages, including helping you maintain your energy and focus so you can operate more efficiently, so it's important to give your drinking habits the attention they deserve. Dr. Manoj Kutteri, Wellness Director at Atmantan Wellness Centre gives some simple ways to make fueling up with fluid throughout the day a little easier

Always carry a water bottle
If you have a bottle within arm’s reach, it's very likely that you'll mindlessly sip from it throughout the day, without having to make a conscious effort. It is important to drink fluids during your workouts, especially if you are exercising outdoors or in a hotter climate. You should carry water with you while exercising. And it is necessary that you drink water in the few hours, leading up to your workout, as well as you need to be drinking water during the workout as well. It is recommended to drink a glass of water every 15 minutes during your exercise session

Have Infused Water
Drink infused water also called fruit-flavored water or fruit-infused water. Fruit-flavored water is a combination of fruits, vegetables, and herbs immersed in cold water. The health benefits of fruit-infused water include flushing toxins from your system, filling you up, so you don't eat much junk food, keeping your organs healthy while you are sweating, etc.

Electrolyte Drinks
Electrolytes are electrically-charged substances found in your blood, urine and other bodily fluids. They are essential to keep a healthy balance within the body and come in different forms, including chlorine, potassium, phosphate, magnesium, calcium and sodium. Sweat releases electrolytes, so in order to replenish them, you must consume foods and drinks that contain electrolytes like coconut water, citrus fruits, salt water, cranberry drink, watermelon juice, cucumber drink, etc.

Fruits and Vegetables
Another tip for staying hydrated in summer is adding fruits and vegetables with high water content to your diet. Strawberries, cucumbers and watermelon contain about 92 percent of water per volume. Other fruits with high water content are cantaloupe with 90 percent, grapefruit with 91 percent, and peaches with 88 percent. Pineapple, cranberries, orange and raspberries contain 87 percent water by weight. Also, vegetables like tomatoes, beetroot, carrots and celery contain water.

Also Read: Top 7 Tips To Keep Your Skin Hydrated And Healthy During Summer

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Glass containers in which Arora has collected soil from different parts of Aarey. PICS/ABIGAIL D’Souza 

A conversation with artist Vikram Arora throws up a vital piece of insight into the issue of deforestation at Aarey Colony. Arora, along with four artists from Hong Kong and a Serbian national based in Mumbai, is spending a few days living with locals in the city’s jeopardised green cover, and he tells us, “The tribals here have a family that doesn’t include only the people they live with. It includes the trees they planted, the animals and birds that depend on those trees, the leopards around them and so on. So everything is inter-dependent, and the fallout [of deforestation] is ecological in nature, because the birds don’t have those trees any more. And the leopards will confront humans because their habitat has been taken away.”

This is the issue that forms the backbone of a project called Forest Tales: Mysteries Hidden in Concrete. It involves the six people creating individual works of art based on their experience of living in the heart of Aarey Colony, immersing themselves in the local culture by tilling the soil that nurtures the food that their hosts cook for them.

Chim Chi Ho tilling soil

Arora tells us that one of his projects, for instance, requires him to collect 33 types of soil from different parts of Aarey, symbolic of the 33 hectares of land in the area that is lost to the demands of construction work for the disputed Metro project. “I will put these bits of soil into 33 different containers on which I will draw Warli art, a traditional tribal style. The idea is to archive the memory of the soil in case that land is also taken away in the future. I will present the different glass containers as an installation to show how, if we proceed without long-term planning, we will end up building a fragile future for ourselves,” he says.

The other project he has embarked on is called Cut Me a Slice of That. For it, he will bake a pie inspired by savelya, a local sweet dish made with coconut and jaggery, which his host taught him to make. He will then serve that pie cut into different pieces when the various works of art are showcased to the public at an event later this week. “It’s meant to reflect the sentiment of how the land grab is taking place, piece by piece. For example, every time there is an emergency in the city, the NSG commandos are given a space in Aarey. A veterinary college is also given space here if they want it. Now the Metro wants its chunk too for the car shed. So, they keep taking this land away piece by piece, through rampant deforestation,” he explains.

(From left) Michael Leung, Vikram Arora, Gum Cheng, Yip Kai Chun and Chim Chi Ho, the artists living in Aarey. Katarina Rasic is not in the photo

Arora adds, however, that not everyone in the local community is against displacement. A few padas (settlement clusters), he says, are happy because they think they will get a house in a tower, though they eventually might never get to reach this carrot being dangled before them. “They are driven by economic sensibilities, thinking they will be moving into high society when, and if, they get those houses. But the whole idea is not only about them shifting base. Instead, it’s about the trees that are being cut to facilitate that process,” he says, pointing out how unless this urbanisation challenge is managed in a sensitive manner, ecological concerns are bound to be sacrificed at the altar of rampant concretisation.

Vikram Arora

ON May 20 AT Keltipada, Adivasi Pada, Unit no 18, Aarey Milk Colony, Goregaon East.
LOG ON TO artoxygen.org

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Chef Cham Hun Chakap plates a portion of chilli chicken. Chilli chicken is one of the spicier dishes that can be traced back to Tangra. But the food of the Kolkata locality is often a lot sweeter than other Indo-Chinese dishes because that’s how the Bengalis prefered it. This can be evidenced in something like honey chilli potato.

Chef Cham Hun Chakap moves around the kitchen with the assurance of a well-set batsman completing a comfortable single down to deep midwicket. He is running the show behind the scenes at a restaurant in an upscale Powai hotel, which is hosting an event called Tangra Festival. The dish that the chef is whipping up for us is chilli chicken, possibly the most ubiquitous item in the culinary spectrum of Indo-Chinese dishes. And he tells us that it was invented in Tangra, the new Chinatown in Kolkata, considered by many to be the Mecca of this particular cuisine.

Tangra does indeed occupy a unique spot in the country’s food-scape. It all goes back to about 100 years ago, when the British — along with Kolkata’s older Chinese community in Tirreti Bazaar — established the area, setting up leather factories there to manufacture boots and other goods for soldiers at the battlefront during World War I. Business picked up further during World War II. But then, the British packed their bags in 1947. So, the Chinese community took over the tanning operations. Their life ambled comfortably along, only to be turned upside down by the Indo-China war of 1962, when many indigenous Chinese people immigrated to safer havens like Canada, Australia and Taiwan. And suddenly, the community in Kolkata found its numbers to have considerably dwindled.

Food to the rescue
What’s worse is that the ones who were left behind, and who had picked up the mantle of the leather business from their predecessors, found themselves on the wrong side of the law after the state government deemed the tanning industry to be an environmental hazard in the mid-’90s. A large number of factories thus faced closure, with some being shifted to the nearby neighbourhood of Bantala. Many of the owners faced overnight financial ruin. So, to get out of the soup they found themselves in, they turned their attention to another business that had been gaining momentum in the area over the ’70s and ’80s — restaurants serving “Chinese” dishes.

“Initially, these restaurants were serving the authentic cuisine of the Chinese mainland. But that did not suit the palate of Kolkata’s Bengalis, who found it to be too bland. So the restaurants were running in losses in the beginning, till their owners decided to alter the recipes, adding Indian herbs and flavours,” chef Cham says, adding that this formed the genesis of what we call Chindian cuisine.

Illustration/Ravi Jadhav

These dishes, of course, bore as much resemblance to true-blue Chinese food as idli-sambar does to tandoori chicken. Instead of being stir-fried, for instance, most of the preparations were gravy-based. The spice quotient was also so much higher than a Shanghai local would put his chopsticks down to fan his mouth after one bite. Plus, while something like a Peking duck is roasted over a length of time, Tangra food was geared to suit the purposes of the quick-service restaurants there. This automatically also meant that the meat — including the fish items — was almost invariably diced into pieces, instead of being served whole, like some of the dishes in mainland China.

Pan-Indian acceptance
Be that as it may, the cuisine gradually started spreading to other parts of the country. Nelson Wang, a Tangra local who opened SoBo’s China Garden in 1984, is widely credited with having invented chicken Manchurian, a dish which if you say is Chinese, you might also say that the giant panda is India’s national animal. Punjabis also caught on to the trend, developing a brand of Sino-Ludhianvi dishes. And with time, Indo-Chinese food became a mainstay of restaurants in various cities, including Mumbai, where lunch home menus reserve equal space for “Chinese” dishes as they do for stuff like chana masala and aloo matar.

The credit for this goes to the original restaurateurs of Tangra who Indianised their indigenous dishes. But things are no longer hunky-dory in the Kolkata neighbourhood, says Dominic Lee, a fourth-generation Tangra local. “Many of the smaller restaurants are finding it difficult to sustain themselves, with only the bigger eateries, which have space for parking, constantly managing to upgrade themselves because they have the requisite capital,” he tells us, adding that the recent controversy around dubious meat being supposedly sold in the city’s restaurants has led to a further dip in fortunes.

Nonetheless, he continues, the legacy of the cuisine has left a permanent imprint on the history of India’s food. Take chilli chicken, something so popular that it’s travelled all the way from the humble Kolkata locality to the swish Powai hotel where chef Cham is making us his version of it. But when he is done in a matter of mere minutes, he recognises the look of doubt on our face after we have had a taste. “I have to make a blander variety because most of our customers are from the West, and they wouldn’t be able to handle something too spicy,” he explains, revealing how Indo-Chinese cuisine of the Tangra variety is a preserve of only our own countrymen.

Looking for it anywhere else in the world would be like looking for a needle in a haystack, for all practical purposes.

Awesome sauce
A huge contribution that Tangra has had is popularising the concept of chilli sauce. “You will find it in all the kathi roll shops dotted around Kolkata. But before we added it to our food to suit Indian taste buds, people had no clue about it,” says Lee.
Till May 27, 7 pm
To 11.30 pm
AT Emperor's Court, Renaissance Mumbai Convention Centre Hotel, near Chinmayanand Ashram, Powai.
Call 8291165421

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A 24-year-old man's parents hatched a plan to kill him after they were physically abused by him on more than one occasion. On Saturday, Waliv Police arrested the parents, sister and her husband of the deceased person. Upon enquiry, the accused told the police that the deceased person would physically and verbally harass them often.

As per the police investigations, the deceased, Rohit Chaudhary, who was a driver, was found lying dead in a pit in Bhoiwada, Bhyander. Initially, the identity of the man was unknown. His mother later filed a missing complaint. After probing the matter, the police found injury marks on the face and neck of the individual and later managed to identify him. The police then registered a murder case.

After checking mobile records, it was revealed to the cops that the last call to the deceased was made by his sister. Upon suspicion, cops then questioned the family and found out that Rohit would beat and abuse them.

During questioning, the family confessed to the crime. They stated that they recently visited their native place in Uttar Pradesh and hired two men to kill Rohit for an amount of Rs 2 and a half lakh. An advance amount of Rs 1 lakh was transferred in the bank of the contract killers.

The police have arrested the father Lalchand, mother Sunita, sister Shruti and her husband Anup. Police are currently on the hunt for the contract killers in Uttar Pradesh.

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After months of stiff resistance to the high-speed train, villagers in Palghar finally took the bullet for their community. In return for their land, the bullet train authorities have not only promised the residents of 73 hamlets handsome compensation, but will also give them long-pending basic facilities, such as hospitals, schools and water supply.

This is the first time the authorities are using such a tactic to acquire land for government projects. Since June, the villagers have rebuffed all attempts to persuade them to get on board with the project, despite promises of hefty compensation. But when the authorities decided to ask individual land owners what they wanted, most of them demanded basic facilities that would benefit the entire community, which they had long been deprived of.

Authorities built a medical centre and school in pre-fabricated pods

Basic needs met
The locals' needs were simple enough - hospitals, schools, water - and easy to address. The National High Speed Railway Corporation Limited (NHSRCL) used shipping containers and train coaches set up the first two requirements at a cost of just R5 lakh per container, and around R4 lakh per year for salaries. The team is also looking at providing schools. The existing school at Dahanu is being upgraded, and the NHSRCL will ensure that it is staffed.

At Virathan Khurd, a medical facility was built in one of these pre-fabricated pods. At Silte village, the dilapidated health centre is being upgraded and converted into a permanent hospital. Dahanu's civic body will supply doctors and nurses who will visit the villages twice a week.

"Another health centre will be set up in a container at Silte. We are also planning to deploy a mobile health unit once a week in every village with the help of the local  civic body," said Dhananjay Kumar, NHSRCL spokesperson.

On Saturday, Railway Board chairman Ashwani Lohani will visit the villages to inaugurate the facilities. As for the water supply, the authorities will explore the possibility of tapping groundwater. If it is not feasible, then alternative arrangements will be made, said sources.

Everyone wins
This novel approach to appeasing project-affected people (PAPs) was born out of equal parts necessity and empathy. The Mumbai-Ahmedabad bullet train project requires a total of 350 hectares of land in Maharashtra alone, and the lion's share of this land is in Palghar (221 ha). Of the 104 affected villages in the state, 73 are in Palghar tehsil. The resistance from these villagers threatened to derail the project from its 2022 deadline.

"The village sarpanchs have now authorised only a select set of people whose land is actually affected, and only they and the representatives of the sarpanch's office can deal with the land issues. No outsiders are allowed to deal with the NHSRCL teams," said Kumar.

"During conversations with the villagers and the sarpanch, they showed us a new road and other developmental projects for which the authorities had taken land from them. They said that despite these new projects, their village's condition had not improved. They lamented that they did not even have a hospital, and they had to travel far for medical attention," said the official.

"Our teams held extended discussions with the locals and made a list of all their requirements. We prioritised their needs and fixed them one by one, after which the villagers realised that we were serious about their welfare," he added.

All this is in addition to the compensation to be given to the land owners. "We are giving compensation at five times the value of the land, and an additional 25 per cent of the value to those who have willingly consented to the land acquisition in Maharashtra and Gujarat," said Kumar.

Sarpanchspeak
Speaking to mid-day, Dilip Bhoir, sarpanch of Silte village, confirmed: "The bullet train officials have indeed been working for our welfare. We gave them a list of our needs, and accordingly, they are upgrading the medical units. We have strictly told them not to get in touch with anybody except the affected land owners. This way, there will be no political interference or unnecessary activism."

Also Read: NHRCL: Mumbai-Ahmedabad bullet train fares likely between Rs 250 and Rs 3000

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A 72-year-old retired tehsildar allegedly committed suicide on Wednesday morning by shooting four bullets in his head with his licensed revolver at his bungalow near Manor, Palghar district. The deceased has been identified as Pandrinath Sankhe.

According to the Manor police, Pandrinath lived with his wife in Maswan and was found in a pool of blood in the bedroom around 6 am. At the time of the incident, his wife Poonam and the watchman at the property were in the house. When they heard the shots, they rushed to the bedroom and found Pandrinath motionless on the floor and the revolver next to him, said a source, adding that the police have concluded four bullets were fired based on the four empty cartridges that were found and based on the others saying they heard four shots.

He allegedly shot himself with. Pics/Hanif Patel

The deceased's neighbours and relatives who stay nearby, too, heard the firing and immediately called the police. A team reached the spot and rushed the body to the local hospital, where doctors declared him dead before admission. Senior inspector Siddhawa Jaydhaviyi said, "Inquiry has revealed a single entry wound and four bullets in the head. The deceased's relatives have questioned why and how a suicidal person would fire four times. We have sent the body for a detailed autopsy to JJ Hospital and will investigate accordingly. As of now, we have registered an accidental death report."

Also Read: Mumbai: 8-year-old drowns in water tank in Nalasopara

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A series of earthquakes shook Palghar district on Friday claiming one life. Six earthquakes were recorded through the day with the largest being of magnitude 4.1 on the Richter scale. Since November 2018, 16 earthquakes of the magnitude, more than three have occurred in the Talasari taluka of Palghar district, and the civic administration has raised a high alert asking citizens to stay away from buildings.

Tremor kills two-year-old

At the time of the strongest quake, two- year- old Vaibhavi Bhuyal fell on a rock while escaping her home and hit her head. "She was rushed to the Talasari Rural Hospital but succumbed to injuries," said a civic official from Palghar. The frequent tremors have scared locals, with most of them sleeping outside their homes for the last few months.

"As Talasari is a tribal belt, most houses are built of temporary material, and people are sleeping outside despite the cold and fear of reptiles," said a local. "We are taking all possible measures to ensure zero casualties. We are also in the process of providing tents to citizens with the help of NDRF," said Dr Prashant Narnavare, Palghar District Collector.

Earthquake swarm

According to the National Centre of Seismology, several earthquakes have been recorded in Central West India, of a small magnitude for long periods ( three to four months).

Such activity has been categorised as 'earthquake swarm' and no earthquake of a large magnitude takes place in such cases. However, due to geographical complexities, it is not possible to declare this.

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Rajendra Jadhav, a traffic constable who remained in a comatose state for the last eleven months died on Sunday night at his residence in Worli. Jadhav, who was posted at Tardeo Traffic Division, had collapsed while on duty in April 2018 after suffering a stroke.

After treatment in Bhatia Hospital, he was shifted back to his home as per doctor's instructions as there was no improvement in his health. He passed away in his residence, his last rites were performed at the Worli Crematorium on Monday afternoon.

A batchmate on condition of anonymity said, "Jadhav's family was receiving his salary up until now. But the worry is what happens to his 7-year-old son, who suffers from rare congenital heart disease and needs an injection every alternate day for the same? We are currently trying to collect funds in order to aid his family," he added.

The fateful day
On 2nd April 2018, Rajendra Jadhav was walking towards a traffic chowky at Nana Chowk, Tardeo, when he suffered a stroke and collapsed on the ground. He was rushed to Bhatia Hospital, where it was revealed that he suffered a cardiac arrest due to which his brain was deprived of oxygen supply. After a month’s treatment, he slipped into a coma.

After being treated at Bhatia Hospital, which is not on the panel of the Mumbai Police Health scheme, he was shifted to Bombay Hospital followed by JJ Hospital. "Due to cardiac arrest, Jadhav went into a vegetative state," informed a colleague of Jadhav on condition of anonymity.

Babasaheb Dhangar, the constable in-charge at Tardeo Traffic said, "I worked with Jadhav for almost 4 years. He was very loyal and always ready to lend a helping hand. From the day he fell ill, we tried our best to help him and his family. We collected around Rs 4 lakh through contribution and his batch mates, too, contributed as much as they could," he added.

After initial treatment at Bhatia Hospital, Jadhav was shifted to Bombay Hospital. After a brief stay for a month, Jadhav was taken home as per instructions by the doctors. Another surgery was performed on him at JJ Hospital but it was not successful. 

Also Read: Mumbai: 25-year-old constable risks life to save family from blaze in Girgaum

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Our cab pulls up outside Bayroute in Cuffe Parade and through the heavy door, we are transported into a tavern with large cloth lamps that resemble hot air balloons, glass-blown light fixtures, beige sandstone walls and mirrors that make us stop and stare. Natural light floods the space through the windows adorned with heavy curtain drapes. We point our cell phone camera in every direction wondering how similar it is to a set from Aladdin.

The restaurant, which serves Mediterranean and Middle Eastern fare from Egypt, Turkey, Lebanon and Greece, is dished out by chef Ajay Thakur. Before we order drinks, we call for hummus. A city food consultant we have with us for company suggests that the iconic dish is the true test of good Middle Eastern fare. So, we pick the baharatli hummus (Rs 475).

Turkish Express

The chick pea mash comes with a shot ofspicy Tunisian chilli pepper that is flaming orange in colour. The pine nuts and olive oil drizzle, too, is a well-rounded upliftment. Next, we try the quwarmah Kuwaiti (Rs 595), a Turkish pide or flatbread folded like a long boat that comes with well-marinated ingredients and is donned with caramel golden fried onions, fresh pomegranate rubies and herbs. This we pair with drink like an Egyptian (Rs 375) and Turkish express (Rs 450). The first beverage has the sweetness of ganna and a punch of dark rum along with the tangy-sweet twist of lime juice and honey. The latter, which is supposed to have a whiskey base, tastes like coffee and cream instead. So, we send it back and are told that they forgot the booze. When we try it again it's a truly indulgent drink spiked with a well-smoked whiskey.

The mains had its own share of hits and misses. We tried Koshari (Rs 645), the national dish of Egypt made with pasta, lentils and rice, in Dubai at a street festival a few years ago. That version was local with the vendor having picked up the recipe from his mother. The one at our table tastes of tomato gravy and pasta. It's a let down.

Arni arakil 

Arni arnaki (Rs 1,395), our non-veg pick, is a portion of za'atar-butter-braised lamb shanks served with roasted veggies, caramelised onion and a pine nut pilaf. Here, the winner is the pomegranate grape jus: a thick, molasses-like juice that perfectly balances the fall-of-the-bone meat.

For dessert, we pick the mint chocolate and Greek yogurt popsicles (Rs 525). As we bite and lick the sweet treat, we're convinced the restaurant, which also has an outlet in Powai, is a go-to spot for the right dose of
Middle Eastern.

TIME 12 pm to 1.30 am
AT Bayroute, Minoo Manor Building, 7, Captain Prakash Pethe Marg, Badhwar Park, Cuffe Parade.
CALL 8291156403

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Bayroute didn't know we were there. The Guide reviews anonymously and pays for meals

Industrialist Gautam Singhania and wife Nawaz Modi Singhania attended the starry celebration in honour of newly-weds Akash Ambani and Shloka Mehta on March, 10, 2019. Akash Ambani and Shloka Mehta tied the knot on March 09, 2019, in the presence of their family and friends. The newly-married couple's wedding was attended by various celebs from business, politics, Bollywood, and sports worlds. The lovebirds, who are childhood friends, got married in a lavish ceremony at the Jio World Centre, Bandra-Kurla Complex.

A big fat party was thrown by the Ambanis to welcome the newlywed couple the Jio World Centre which saw all the big personalities of Mumbai together. Industrialist Gautam Singhania and wife Nawaz Modi Singhania graced the celebration with their presence at Bandra-Kurla Complex. Gautam Singhania was suited up in a dashing royal blue suit paired with a striped tie. Nawaz Modi Singhania, his wife complimented his dark suit with a bright red saree and a trendy sleeveless blouse with golden embroidery. She also completed her elegant attire with a jewelry set made of heavy green stones.

Also Read: Akash Ambani-Shloka Mehta's party: Natasha Poonawalla makes a glitzy appearance

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A Bandra boy is bringing back the music from the streets of Mumbai in a new avatar, with the debut of the ensemble Bombay Brass this Friday. And who better to combine the essence of Bombay and jazz than Rhys Sebastian, who was brought up by his musician mother Merlin D'Souza and grandfather, cello maestro Sebastian D'Souza? "It was inspiring to watch my mother work and provide for the family. The possibility of doing something apart from music — writing about football, for example — was there, but this is where I belong," the 30-year-old Manchester United fan shares.

Rhys Sebastian

His new ensemble, comprising Robin Fargose (trumpet), ID Rao (tenor sax), Ramon Ibrahim (trombone), Jehangir Jehangir (drums), Saurabh Suman (bass), Zohran Miranda (guitar) and Rahul Wadhwani (keys), is a result of his quest for his own sound and is more about experiencing the music than about just being a collective, Sebastian says. "It's about bringing the musical experience from the streets to the stage and giving it back to the audience. I love that energy and we tap into the same, making it inclusive for musicians as well as the audience," he adds.

In a way, their music will bring together Bombay and New Orleans, he points out. "I've always loved the hustle and bustle of Bombay, which I feel is a distant relative of New Orleans. Both have similar street music, with a lot of brass [like in wedding bands here]. I love the rawness of that sound. I love the freedom of expression in both these cities. What we are doing is not something that I have seen here," he adds.

Saurabh Suman

Besides doing Amy Winehouse and Stevie Wonder covers, the band will also have some Shankar Jaikishan songs that Sebastian's grandfather had originally rearranged. "I love Bollywood songs from the '60s and '70s, like Mera Naam Joker. I'm looking forward to bringing that back with a lot of brass," Sebastian informs. Their two originals for the evening promise to talk about the city, including about the traffic on the roads.

Sebastian is also working on a project called The Bartender with music director Mikey McLeary, where they will reinvent old songs from the '60s and '70s with a 10-piece band that will include three horn players and vocalists Shalmali Kholgade, Saba Azad, Rachel Varghese and Anjuli Sarvanaman.

ON March 15, 9 pm onwards
AT The Quarter, Royal Opera House, Mathew Road, Opera House, Girgaum.
LOG ON TO insider.in
CALL 83291 10638
COST Rs 749 onwards

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Maharashtra Chief Minister Devendra Fadnavis said he had asked BMC chief Ajoy Mehta to fix "primary responsibility" for Thursday's foot overbridge collapse by Friday evening. The deck of a foot overbridge on DN Road connected to CSMT station collapsed Thursday evening, killing six persons and injuring 31.

Fadnavis was speaking to reporters after meeting the injured in St George's Hospital nearby. "It is shocking that such an accident can take place even after a structural audit. Primary responsibility will be fixed by this evening. I have asked civic chief (Ajoy Mehta) to find out names of those responsible," Fadnavis said.

"A high-level probe into this incident has already been ordered. Those responsible (for the collapse) will be punished," he said. Earlier in the day, a Brihanmumbai Municipal Corporation official had said the FOB was found to be structurally safe when it was audited in August 2016, soon after a British-era bridge over Savitri River got washed away in monsoon downpour in Mahad in Raigad district.

During that audit, 354 bridges were checked for their structural soundness. The FOB that collapsed on Thursday was marked C2B. This means it needed minor repairs only. Tenders were floated for the repair but it got held up," the official had said on Friday morning.

Fadnavis also said he had ordered a re-visit of all earlier structural audits carried out on such structures. The Maharashtra CM visited the mishap site post the visit to the hospital.

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Music knows no boundaries. That's perhaps why when Talisman, a world music group at Stanford University, California, found similarities in the way The Sound Space (TSS), a Mumbai-based initiative, approaches music, all it took was a few email exchanges to bridge the 8,500-mile distance. This Sunday marks the group's India debut, Mumbai being their first stop as part of a 10-day tour.

The Mumbai performance, called Naad, will be an a cappella one where 15 students of TSS will open the show, which will be followed by a collaborative performance between them and Talisman singers. For the finale, eight Stanford students will present their repertoire, which includes songs from their 2019 selection as well as classics.

A Sound Space session with kids

"Talisman had been following what we do, and they contacted us for a collaboration because they know that we reach out to a range of people," says Kamakshi Khurana, who founded TSS with her sister Vishala 13 years ago, about the philosophy that binds them. Trained in Indian classical music from Lucknow University, it was their bachelor's degree in psychology, which afforded them the ability to understand the human mind and take the help of music to affect it.

Kamakshi and Vishala Khurana

"Our aim is to spread music education and therapy and music from different cultures, and use it as a catalyst to get through to people from diverse sections of society," she adds, referring to their work in old age homes, cancer care centres as well as the corporate sector, and their music education programmes in schools, which often culminate in concerts where children from international and NGO schools perform together. Talisman, on the other hand, was founded in 1990, in solidarity with the anti-Apartheid movement, to bring to light under-represented music and stories on campus. Its musicality thus has roots in the South African tradition, but the repertoire now includes well-loved compositions from the world over. A multicultural group — it currently includes students from India, Thailand, Zimbabwe and the US — its selection for this year features Aye Mere Watan ke Logon and Dil Diya Gallan.

The initial talks began in December, and through email exchanges and watching a few videos, the Talisman and TSS students have prepared parts of a popular Indian song, which they will present together. "Vishala and I believe that all kinds of music need to be appreciated and we want our students to be exposed to it. Which is why we have elements of western classical music as well as African folk rhythms in our sessions, but a cappella is a different style of music, which hasn't been explored extensively in India," shares Khurana. She adds that the Talisman group will also conduct a workshop for the children. "This will help us teach our kids to think in a cappella style, as the voice application is so different. When they see a performance of this level, it is a nudge for them to take their art form more seriously."

ON March 24, 6 pm
AT Shantivan Gardens, Malabar Hill.
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It was in March 2018 that we had first written in these pages about Awestrung, a monthly gig series held at a Lower Parel mall. But after that, all information about subsequent editions had dried up. The reason is that the organisers had temporarily shelved the property because they felt that they needed to refresh the format, and come back with something bigger and better. And that's exactly what's happening this weekend when Awestrung returns on an unprecedented scale, with 50 artistes from diverse genres sharing the stage.

This comeback was orchestrated after Artists Aloud — the indie wing of a major music company — approached the folks at High Street Phoenix, the mall where the concert is held, with a proposition. Soumini Sridhara Paul, VP of Artists Aloud, tells us, "When we started speaking [to the mall authorities], we told them that we have a format where, in 2012, we had brought in 50 artistes to perform together on stage. We said, 'Why not replicate that model for Awestrung?' They replied, 'Let's do this.' And that's how we came to be partners."

Soumini Sridhara Paul

She adds that the line-up is curated in such a way that the emphasis is on independent artistes making original music. So, you have a Hindi rock band like the Delhi-based Faridkot. There's local electro-rock act Laxmi Bomb. Manganiyar mainstay Mame Khan is on the bill, too, as is rapper ACE of the crew Mumbai's Finest. Then there are electronic producers, singer-songwriters and Sufi acts, among others who complete the list of performers. In short, name it and chances are that you will have an act playing a genre you like.

Each outfit will get a maximum of 10 minutes on stage so that things keep moving, with a compère, Mihir Joshi, keeping the audience entertained in the interim. Mame Khan is the penultimate performer, before Smokey, a Mumbai-based DJ, brings the show to an end. She tells us, "Imagine, I am closing the festival. So, all the focus will be on me and there's thus a bit of both, nervousness and excitement. But I'll keep my set chilled, so that it's a nice goodbye for everyone." Which is just as well, because after the gamut of music that will be on offer, a mellow note is possibly the best way to end this massive, eight-hour concert.

ON March 22, 2 pm
AT High Street Phoenix, Senapati Bapat Marg, Lower Parel
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The next time you pack your loved ones a gift, how about doing it in a way that brings a smile to their face even before they open it?

In a gift-wrapping workshop on Friday, participants will learn to wrap presents in attractive and efficient ways using Japanese techniques that cover box making, box wrapping, and ribbon handling. There will also be a discussion on the choice of materials.

A tousseau packaging workshop on Saturday will cover techniques on the wrapping and presentation of bridal paraphernalia including sarees, cosmetics, footwear and flowers. The workshop also covers hamper making and basket decoration.

While both workshops by Vesture will provide relevant materials for the respective sessions, participants must carry their own tool-kit consisting of scissors, glue guns, tape, boxes and the items to be wrapped. All participants leave with a certificate, goodies and their very own wrapping project.

AT The Sahil Hotel, 292, Bellasis Road, RBI Staff Colony, Mumbai Central.
ON April 27, 10 am to 1.30 pm; April 28, 11 am to 6 pm
CALL 9818442805
COST Rs 5,500; Rs 8,999

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On Sunday, hundreds of Ghatkopar residents staged a silent protest march against a proposed route of the Metro Line 4. The residents alleged that the route planned by the Mumbai Metropolitan Region Development Authority (MMRDA) would block a narrow stretch in the area, adding to the woes of the residents. They have already written to the authorities concerned in this regard, but if the matter isn’t taken seriously, they plan to move court.

Backed by former corporator, Pravin Chheda, the residents raised slogans and marched along the stretch starting from Amar Mahal Junction and passing through Pant Nagar and Laxmi Nagar areas. The proposed Metro line would also pass through the same route connecting Wadala with Kasarvadavli in Thane. The residents have requested the MMRDA to reroute the line to the Eastern Express Highway, which was the initial plan, as it would not only be convenient but would also help in avoiding traffic congestions.

Jitubhai Mehta, who resides on M G Road, said, "As the route is already congested, the Metro will add to the mess. If the line goes towards the Eastern Express Highway, more people will benefit from it."

"We are not against the project, but all we are asking for is that the line be rerouted. The road is very narrow and it's extremely difficult to find parking space. If the Metro comes up there then problems will increase," said Sunilbhai Joisar, a Goradia Nagar resident.

Speaking to mid-day, Pravin Chheda, former corporator of the area, said, “We have already submitted letters to the authorities concerned. We are also trying to meet the chief minister to take our request forward. If the matter isn’t resolved soon, we’ll move court."

While MMRDA Additional Metropolitan Commissioner Pravin Darade remained unavailable for comment, local BJP corporator Parag Shah also could not be reached.

The proposed Metro line 4
Length of the belt: 32.32 km
Number of stations: 32
Nature: Fully elevated
Depots: Owale and Godrej Land

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Earlier this year, while performing at a military training centre in south Kashmir's Pulwama district, singer Ameya Dabli recalls receiving a disturbing piece of news from the army chief Lt Ranbir Singh. Four terror attacks had taken place at a nearby hillock on the same day. The hill, as he soon learnt, was located less than a kilometre away from the centre.

"The chief said to me, 'Don't worry. We will protect you'. This one reassuring line was enough to allay our fears in that high tension zone," he says. Dabli and his team of musicians went on to deliver a power-packed two-hour performance regaling the audience with musical compositions of poems penned by Kabirdas, Guru Nanak, Amir Khusro and Tulsidas. "We didn't realise how those two hours flew by. You see, that's the power of music," he says. Since then, Dabli has performed at several other conflict regions of the country, including eight districts of Jammu and Kashmir, and four in the Northeast.

Singing for peace
It was three years ago that Dabli, a Bhandup resident, conceptualised Ekam Satt, which are essentially pro bono concerts curated for the Indian Armed Forces and civilians, in order to not just motivate jawans, but also bring peace. Born in a family of music lovers - his mother Anuradha Dabli is a trained classical and light music exponent - the 38-year-old was inducted into singing from the age of seven. "But, the idea to use music as a peace building tool was something that took shape during my last stint as the marketing head of Ronny and Zarina Screvwala's Swades Foundation. Here, I got the opportunity to interact with a lot of non-profits," he says.

Dabli, who holds a robust 15 years of corporate experience as marketing head with the Tata Group, HSBC and Citibank, now straddles a music career along with a venture where he mentors start-ups and NGOs to start their businesses. Till date, he has performed over 1,500 concerts across 15 countries. "Initially, it took us a good six months to curate the songs for Ekam Satt, because we wanted it to be a good blend of sufi, folk and contemporary music. We even got RS Mani, the music arranger of Veer Zaara to help us. But now, it's seamless," he says.

While Dable's pieces comprise the works of legendary poets such as Mirabai, Narsinh Mehta, Khwaja Garib Nawab and Tukaram, the songs are infused with peppy global music styles like hip hop, reggae and opera to make it livelier. "When we approached the Army headquarters in New Delhi with the concept, they loved it and immediately asked us to come on board," he says.

On the shaadi front
Interestingly, Dabli is also a sought-after name when it comes to weddings and sangeet and has performed at the glitzy wedding of Sasha Rawal - sister of Bollywood's leading fashion designer Kunal Rawal - and Samarth Bajaj, and very recently, the engagement of Isha Ambani and Anand Piramal. He has also organised gigs for Kumar Mangalam Birla, David and Lali Dhawan, Aditya Birla and Adi Godrej. "It's not the typical shaadi scene. My forte is the pheras, something that most people don't pay much attention to," he laughs. "I perform something called the signature wedding chants, where I don't just recite mantras, but also provide explanation of the vidhis or rituals," adds Dabli, who perfected his Sanskrit under the tutelage of his father, Professor PV Dabli, a scholar in the language.

Dabli says juggling his entrepreneurial venture with his musical endeavours does test his ability to multi-task. "Sometimes, I don't know which one to focus on more. But that's what happens when you love whatever you do equally," he smiles.

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The iconic R.K. Studios set in the eastern suburbs of Mumbai, Chembur is up for sale. The Studios was built by the late filmmaker-actor Raj Kapoor, the scion of the Kapoor family. Actress Kareena Kapoor Khan, her father Randhir Kapoor and uncle Rishi Kapoor have spoken about this huge "emotional loss". R.K. Studios was gutted in fire on September 16, 2017, which burnt the living memories of the late Raj Kapoor and films made under that banner.

Talking about the Studios's sale, Rishi Kapoor spoke to Mumbai Mirror about the strength they had to gather before taking this descision of letting go of their memories. "For a while, we did juggle with the idea of renovating the place with state-of-the-art technology. However, in reality it isn't always possible for a phoenix to rise from the ashes. We Kapoors are very emotional lot but then..."

"The investment in rebuilding the Studios would just not have yielded sufficient revenue to keep it going. Believe me, we had to take the larger picture into account and take a level-headed decision. Even before the fire, for years R. K. Studios had become a huge white elephant, toting up losses. The few bookings we would get from films, TV serials and ad shoots would expect free paR.K.ing space, air-conditioning and discounts," told Rishi Kapoor to the publication.

The report also states that the main reason behind selling the Studios is that it is located in Chembur and no longer favoured by the filmmakers, who mostly build their sets at Studios in Andheri and Goregaon's Film City.

"We brothers are strongly bonded. But who knows about our children and grand-children? What if differences crop up in the next generation? The Studios would only end up in litigation as so many industrial and textile estates have. There would be family differences and only lawyers would end up charging heavy sums of fee. Do you think my father would have liked to see his labour of love becoming the subject of courtroom proceedings?" elaborated Rishi Kapoor.

Reminiscing the memories of the famous R.K. omelette sandwich and ginger tea from the Studios, he said, "True, there are so many wonderful memories there. So much film history, but that would be like clutching on to straws in the wind."

When asked by the tabloid if there were any mixed feelings, he said "Not really. We had to place a stone on our hearts (Chhati pe patthar rakkhar, soch samajh kar decision liya hai)."

Films like Awara, Mera Naam Joker, Aa Ab Laut Chalein, Henna, Bobby, Boot Polish and many other films have been shot at the iconic R.K. Studios.

Also Read: Bollywood Celebs 'Heartbroken' Over Sale Of RK Studios

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Close to a week after the September 7 Kurla wall collapse that injured four people, the notorious hawkers who played a part in causing it are back. mid-day observed this on a visit to the site of the incident outside the railway station on Thursday. All of the hawkers are sitting within 150 metres of the railway station, despite a 2017 Bombay High Court ban on the same. The Central Railway (CR) has alerted the BMC about their presence.

Local MLA Mangesh Kudalkar said, "The wall was leaning. I'd alerted the railways in June 2017 and done regular follow-ups, but the issue kept moving from one department to another. And then, this happened," he said. CR had held the hawkers partly responsible for the collapse, saying they'd drilled holes into the structure, thus weakening it. In addition to them, two old trees, whose roots got entangled in the concrete wall had also weakened it.

Railway officials said preliminary inquiry into the collapse had revealed that the wall had been damaged. "This wall is made of brick masonry. Hawkers used the outer face of this wall for hanging their goods on thick nails and hooks and weakened it. Moreover, there are two old peepal trees near this boundary wall. Some roots of these trees also entered this wall, which may have weakened it further. We've already begun work on building a new wall and have also spoken to BMC about the hawkers' issue," said a railway official. mid-day reached out to the civic body, but they remained unavailable.

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In a shocking incident that took place in the eastern suburbs of Mumbai, a 59-year-old man was beaten to death after a fight broke out for using a public toilet for a little longer. The elderly man was killed in a spat over using the public for a longer time. The incident took place on Wednesday night.

As reported in Mumbai Mirror, the incident took place on September 19, in the Sangam Nagar area located in Wadala East. The accused was identified as Shakir Ali Shaikh (34) who had an argument with Yadav when he used the public toilet for a little longer. When the locals intervened and prevented the altercation the two left the argument and left from there. Later, when Yadav was walking back home, Shaikh attacked him and hit him until Yadav fell into a nullah. 

After the local residents took notice of the fact that Yadav had fallen into the nullah, they rushed to his aid and immediately took him to the nearest hospital where the doctors declared him dead on arrival. The Wadala TT police have arrested the accused and have registered a case.

A police officer from Wadala police station was quoted saying, "Yadav worked with a transport company and offered driving lessons. We have registered a case and arrested the accused."

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It's a busy morning inside the sprawling open kitchen at Chembur's Pot Pourri with blogger-author Saee Koranne-Khandekar helming the activity with help from executive chef Vinod Garde. In the last 10 days she has been pretty much relegated to this section of the 175-seater space. The only time we see her stepping out is to answer a phone call or greet a guest. The reason is a new culinary experiment that will see the restaurant, known for dabbling in global cuisine, present a new face of Maharashtrian food. One that you might not identify by its appearance — we did not — but certainly by taste.

Chicken Bhujing is a street dish available inVirar. Bhujing, derived from the Marathi word, bhujne, is a process of roasting chicken with potatoes on charcoal and then mixing it with nylon poha and masalas

Creating a new avatar
Starting today, Pot Pourri will roll out a new menu curated by Khandekar that will be available only till October 24. The objective is to showcase how traditional Maharashtrian recipes can be tweaked and made palatable to an evolving audience, who might otherwise gawk at the idea of eating faraali misal or varan phala at a gourmet restaurant. Having said that, Khandekar is clear that food won't carry any 'deconstructivist' baggage. Portion sizes are hearty, and there are no foam, vapours and gasses to accompany it.

Pathare Prabhu pot pie with tomato saar

"I had to mainly work on the way I approached certain traditional dishes," says Khandekar, who in 2016, authored Crumbs! Bread Stories and Recipes for the Indian Kitchen, that offered more than 40 recipes of Indian and international breads. She adds, "For instance, if I said thalipeeth with koshimbir, people who are not familiar with the cuisine, might say, 'Oh, this is just too experimental for me'. They might find it intimidating and rustic, and not want to eat it at all." In order to give the spiced Maharashtrian pancake a makeover, Khandekar has created thalipeeth tostadas, topped with a creamy guava-based yoghurt salad. The dish, prepared using bhajanee (flour made from roasted grains, legumes and spices), has been fashioned to look like the Mexican tortilla with guacamole. If you have tasted the Maharashtrian snack, a powerhouse of nutrition, the taste will hit home. It's the yoghurt that helps balance the spiciness of the pancake, making it a sumptuous bar snack.

Faraali misal is eaten while fasting. Here's it's served with a peanut dip

Khandekar believes that although, thalipeeth has for centuries been a 'multigrain' offering, the idea of bringing into the mainstream never took off due to its seemingly regional strappings. "Somewhere, in the name of 'evolution', we have drifted away from what's intrinsic to the culture. Our cuisine which was earlier very millet and rice-heavy has now moved to being wheat heavy. Seasonal items like gourds barely make an appearance," she adds.

Modak icecrean with crispy vermicelli; Baked coconut fudge karanji with vanilla icecream

Getting global recognition
For any regional cuisine to reach the pedestal of a fine dine, it needs to go through a rite of passage, believes Rajendra Agnihotri, executive chef, at White Charcoal Fine Dine, Empressa Hotel, Andheri. "In terms of food, the key lies in the attention to detail when it comes to ingredients and methods of preparation. The ingredients need to be sourced from where it originates and the chefs need to be local who have specialised in the cuisine; it has to be authentic to the T. If you're making the classic kombdi rassa, you would need gavthi chicken. The one purchased from a supermarket won't have the same taste," he says. When it comes to Maharashtrian cuisine, it's the diversity that makes it complex. In fact, the vegetable Kolhapuri that you might have seen on almost every Indian restaurant's menu doesn't exist in the region, adds Khandekar.

Saee Koranne-Khandekar with chef Vinod Garde. Pics/Sayyed Sameer Abedi

"There is nothing called as Veg Kolhapuri. If you go to Kolhapur, there are so many different masalas. There's no one-size-fits all masala." Akshay Deshpande, Sous Chef (Indian specialty), Conrad Pune, who grew up eating Maharashtrian food at home, admits that he's seen little of the food on the fine dine space. "It has been over eight years that I have taken up regional cooking professionally, but I admit that the cuisine in its entirety is an extremely unexplored cuisine. I think it's because it's extremely rustic and there's no standardisation so to speak," he says.

The cuisine from Vidharbha, the north-eastern region of Maharashtra, known for its extreme climates, is famous for its extremely spicy flavours, while Konkan is more mellow given all the coconut and kokum that goes into it. According to Khanderkar, who has extensively researched traditional Maharastrian cuisine, what has made winners out of misal pav and puranpoli, are the people who migrated from Western Maharashtra, introducing it to Mumbai through khanavals. "They made a business out of it and that's why it is what it is," she says. But those dishes that did not transition to the mainland, are yet to enjoy their moment in the sun.

Back to basics
The 'unsophisticated' appearance makes it a tricky business. She, for one, had to battle one critic in her own home. "My husband was of the opinion that Maharashtrian food is not visually appetising," she says. But chefs are now channelling their energies into presentation. The modernist element is consistent throughout Khandekar's menu. Take the Pathare Prabhu Pot Pie with tomato saar, served in a shot glass. The latter is a spicy tomato soup made with curry leaves and chillies. It's eaten with rice in parts of Maharashtra and Karnataka. Here, the dish is a take on the shepherd pie. The taste is unmistakably Pathare Prabhu, courtesy the signature fragrant garam masala which gets its edge from the fennel seeds that are ground along with Bengal gram, fenugreek, whole wheat and black peppercorn. All ingredients, we are told, have been sourced locally.

Agnihotri feels the local and regional cuisines are slowly making their way into the mainstream. And, it's a lot to do with the growing realisation of the food miles concept, which is a way of expressing just how far the food we eat travels from the farm where it is first produced, before it ends up on our tables. Although the expression was first coined back in the 1990s, it has entered public consciousness given the awareness of carbon footprint and environmental degradation. "You want to tap into indigenous resources. It's to do with chefs who are going back to roots. There's a return to basics," he says.

The winners

• Chicken Bhujing, a signature street dish popular in the confines of Virar and Vasai. Those living outside the parameters may have no clue. The chicken is roasted along with potatoes and then fried and steamed with onion. It's then mixed with nylon poha and a special masala mix
• Orange kharvas with dink crumb and kaakvi is a colostrum pudding served with fried edible gum, fresh orange and sugarcane molasses
• Varan Phala Ravioli is their take on the Maharashtrian pasta. It is made with whole wheat and stuffed with coriander and goda masala in a tuar dal sauce

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A high court order has inadvertently turned the Dadar Parsi Colony into the Dadar Parking colony. Miffed with all kinds of taxis parking in its premises -after they were not allowed to park under the Khodadad flyover - and causing a 'great nuisance' to residents, the colony's residents wrote to the local police and the BMC in November, seeking an end to the issue. They have got no respite yet.

The Bombay High Court disallowed parking underneath flyovers in February 2016 because of security concerns. Because of that, cabbies have shifted from parking underneath the Khodadad Circle flyover to the Colony.

Cabbies have shifted from parking under the flyover to Dadar Parsi Colony

This has angered residents of the iconic community housing enclave in Dadar East, who first sent an anguished letter about their grievances to the Sion Police Station. The letter cited that private taxi aggregators, black and yellow cabs, and other cabs are parking in the colony, causing a, "great nuisance" to residents, especially those of Katrak, Firdoshi, Khareghat and Mancherji Joshi roads within the colony. Their letter went on to say that cabs are being parked haphazardly, blocking traffic within the colony and not giving its residents any space to park their cars.

Residents Darayus (who goes by his first name), Zarine Engineer, Dilly Dalal, Anjali Cooper, Zinobia Schroff, Sunita Davar and Nikhil Desai said, "The problem started after parking under flyovers was stopped by a High Court order. We appreciate this security measure, yet a majority the cabs that used to be parked under the Khodadad flyover have now made Dadar Parsi Colony their home. This has become a free parking spot."

Garden pardon
When mid-day visited the flyover, underneath which cabs used to be parked, it was clear of vehicles and shuttered from one side. The cab booking office though was functional.

A staffer sat at the ticket window for Mumbai-Pune cabs and said sarcastically, "Bageecha bana rahe hain, pareshaan kar diya." (A garden is being made here; we have been troubled because of no parking).

Said Dadar colony resident Dilly Dalal, "We have become a soft target because the community is so peaceful; we do not stoop to rowdy protests or resort to hooliganism." Instead, these Parsis believe in the power of the pen. Another letter was sent in November, to the BMC's assistant engineer of the waterworks department (F/North Ward), which encapsulated residents' arguments about cab parking bringing in social ills.

This letter read, "There is an illegal racket on at Katrak Road Junction. A flower merchant draws water illegally from a toilet meant for shopkeepers and then the cabs are cleaned." Residents pointed out the huge amount of cab washing makes the roads slippery, and has turned the place into "an illegal taxi stand." They stated that cab parking has a domino effect, "it leads to problems like drinking and other anti-social behaviour."

Residents said angrily that, "There is double and triple parking because of these cabs and we have been rendered helpless against this." Desai added, "Despite complaints, the system is not responding to the problem."

Locals were also in no mood to hum 'dil garden, garden ho gaya' when told that a beautiful garden is going to come up under the flyover, which they could access, pointing to at least 14 gardens within the colony itself. Cooper said, "Authorities should have found an alternate and viable parking space before shutting the parking underneath the flyover."

No solution
Amey Gole, the corporator for Dadar Parsi Colony, said he has had several meetings with residents, but nothing has come out of them. Gole added, "I am, in fact, in-charge of the garden coming up underneath the flyover. The design is almost complete; it looks like the streets of Paris."

Gole added, "Having said that, I do know the problems being caused by parked cabs, and have spoken to the police about these. The police though had a negative attitude and said they could not move the cabs out of the colony. Cops have to ensure the cabs move out, not the BMC. We do have other parking spaces in the area. All of this is extremely difficult as I have been repeatedly told there is no solution," finished Gole.

Also read: Mumbai: Construction noise leads to brawl at Dadar Parsi Colony

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Wadala GRP arrested three persons from the same family for allegedly manhandling and molesting a women constable at GTB Railway station on Saturday morning. The constable was with a Ticket Checker when she caught a woman passenger who was travelling without a ticket in the First class compartment. All the three accused have been arrested.

The alleged incident occurred on Guru Teg Bahadur Railway station of Harbour line on Saturday morning. When a Ticket Checker was checking tickets on a platform when he stopped a 19-year-old Ekta Uppal, a teacher by profession. The checker found that Ekta was travelling without a valid ticket. The TC asked the woman constable present at the station to nab Ekta as she was not ready to pay the fine.

"The woman called her father and asked him to come to the railway station. Meanwhile, Ekta was repeatedly abusing constable. Constable called Senior Inspector of Wadala GRP Rajendra Pal, sending things can go bad," said a police officer. "Senior Inspector with cops reached the spot and asked what's the matter," the officer added.

"The passenger did not have a valid ticket and along with her father and brothers, were abusing constable too. When I tried to intervene they were not calming down. Their errant behavior didn't stop in spite of repeated warnings, therefore we booked all the three," said Rajendra Pal, Senior Inspector, Wadala GRP.

Police have arrested Ekta Uppal (19), Yashraj Uppal (19) and their father Tilakraj Uppal (52) under IPC 354 (Outraging women's modesty) and other relevant sections.

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A 26-year-old man from Kalyan in Maharashtra's Thane district has been booked for allegedly molesting his sister-in-law, police said Monday.

The woman in her complaint stated that she was living in her mother-in-law's home as her husband was bedridden following a paralytic attack and was being nursed there, said an official.

At her mother-in-law's home, the accused made sexual advances towards her, the victim said in her complaint. "After the victim rejected his overtures, the accused assaulted her ailing husband. She was molested by the accused when she intervened.

Neighbours rushed in and saved the couple," he said. The woman filed a complaint with MFC police station in Kalyan Sunday evening following which the man was booked, he said, adding that no arrest has been made so far.

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The Maharashtra Anti-Terrorism Squad has arrested a man in connection with an alleged ISIS-inspired group that wanted to carry out mass attacks at big events using poisonous chemicals, police said on Sunday. The arrest was made on Saturday from Mumbra in neighbouring Thane district and a laptop, tablet computer, hard disk, pen drives, router, mobile phones and diaries were seized from his residence, an ATS official said.

The ATS had earlier arrested eight people, and detained a minor, from Aurangabad and Thane after several teams carried out searches through January 21-22, an official said. They were charged under Indian Penal Code section 120B (criminal conspiracy) and relevant provisions of the Unlawful Activities (Prevention) Act (UAPA) and the Bombay Police Act. This group, during interrogation, had named the accused who was arrested Saturday, he added. He will be produced in a court on Sunday, the official
informed.

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Officials of a school in Palghar in Maharashtra have been booked for allegedly threatening a student to give positive feedback about the institution, police said on Sunday. A student had complained that teachers at the school while distributing feedback forms, had told him that he would not be allowed to sit for the annual exams if he gave a poor review, a Virar police official said.

The 13-year-old student was also threatened with a beating by the teachers, the official said quoting the complainant. Palghar police spokesperson Hemant Kumar Katkar said Virar police on Saturday registered a case under sections of the Juvenile Justice (Care and Protection of Children) Act and section 506 (criminal intimidation) of the Indian Penal Code against the Yahswant Nagar-based school. The official said a probe was on and no arrests had been made so far. 

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Thane: A girl who had gone missing in 2016 from Mumbra was found in Goregaon through a post on social media site Tik Tok. Police took her into custody and learned that the girl went on her own accord.

According to Mirror Now, a woman on November 6, 2016, registered a complaint at the Mumbra police station that her daughter had been abducted. Acting on the complaint, police began searching for her through various means but were unsuccessful. The case was later transferred to the immoral trafficking prevention cell on May 11, 2018. Assistant Sub-Inspector Raju Mahale was appointed to investigate the case.

During the investigation, Police learned that the kidnapped girl has been using Tik Tok and shared it on social media. Police began tracking the girl on social media and asked her to make a video call. After confirming the identity, the police asked the girl to meet her sister under a false pretext of her mother being ill. She was then taken into custody and cops began interrogating her.

During the interrogation, the girl revealed that she left home on her own accord and not under pressure or threat from anyone. As a result, the kidnapping charge was dissolved. She also revealed that after running away from Mumbra, she was living in Goregaon for ten days and later started a catering business in Surat for 3-4 months. Later, she shifted to Vasai for few months. Since then, she has been living in Nalasopara.

On further investigation, it was revealed that the girl had made a fake account under the name of Abhay Shetty and befriended her sister and her husband after watching a video of them on Tik Tok ten days ago. The sister and her husband had uploaded a video of Bhojpuri song on a Tik-Tok mobile app. The girl began to chat with her sister and her husband and ask information about the family.

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The article has been sourced from a third-party source and Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability, and data of the text. All information provided in this article is for informational purposes only.

Thane rural district's Navghar police are finally making the right noises following repeated complaints against noisy bikers by locals. The police have begun a heavy crackdown against bikers using modified silencers that create much noise, contributing to the already terrible noise pollution levels in the city.

The police are not just seizing such bikes but also destroying the modified silencers in front of their owners. More than 55 cases have been registered so far in this regard and more than 35 silencers have been destroyed in the last couple of weeks.

People living in Bhayander East have been forced to endure a cacophony of noises that the modified silencers or bikes with no silencers at all make. Also, patients admitted to nearby hospitals had complained to the local police on multiple occasions but no concrete action was taken so far.

Police fool violators
Action initiated against such bikers in the past has posed quite some challenge to the police who claim that if these bikers are followed, most of them speed away without a thought for their own lives or that of others. In such a situation, it is difficult to catch hold of them, said an officer of the Navghar police station. "We thus adopted a new method. We have formed a special team, members of which dress up as different people - beggars and godmen - and patrol areas around traffic signals to nab such bikers. The idea has worked so far," said PSI Vijay Takke from Navghar police station.

Locals have welcomed the move. "It is a nightmare for us as these bikes zip past our houses almost every day and it becomes extremely disturbing, more so for children and elderly people," said a local who had filed many complaints against errant bikers in the past. "The police action has now reduced the number of noisy bikers but the drive must not stop," he added.

55
No. of cases against errant bikers registered so far

35
No. of modified bike silencers destroyed so far

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Unidentified persons allegedly tried to withdraw nearly Rs 26 crore through cheques by forging signatures of senior civic and health officials from Thane district in Maharashtra, police said on Sunday. However, their attempts were foiled by alert bank officials, a police spokesperson said.

Two banks informed the Thane Municipal Corporation (TMC) that some unidentified persons came to their branches in Pune and Chennai in the last few days carrying cheques worth around Rs 26 crore and bearing signatures of civic commissioner Sanjeev Jaiswal and health officer R T Kendre, the official said. They informed the TMC that these persons wanted to deposit the cheques in favour of some private organisations.

On cross-checking with the TMC about such high-value cheques, the banks got to know that those were not issued by the civic body, she said. Later, during verification, the cheques were found to be carrying forged signatures and stamps of the senior civic and health officials, she said.

Based on a complaint by the civic body, an offence was registered on Saturday against unidentified persons under various Indian Penal Code sections for forgery and cheating, the police spokesperson said. No arrest was made so far, she said, adding that a probe was underway in the matter.

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When we watched Chennai-born American artist Sid Sriram perform his album, Entropy, in the city a few months ago, we didn't know what to expect. We hadn't heard of the artist, and we thought he was going to perform what has been come to be loosely referred to as "fusion". But the show, replete with trippy visuals, was an experience that combined Indian classical and his alternative music aesthetic quite seamlessly. "I think this album is pretty unique in how organically the different influences have all come together. It's a journey filled with energy."

When we ask him what he would say if he had to describe his music to someone who has never heard it before, he explains, "My music is very visual. I'm a huge Jackson Pollock [an American artist known to be of the pioneers of the abstract expressionist movement] fan, and I think the best way to describe my music would be some kind of a sonic parallel to his visual work. It's a cross section where pop/soul, my Carnatic roots and ambient/lo-fi electronic music clash together."

But what is the starting point to create such "fusion"? "The starting point is always an emotional trigger. Once I get that hook, I turn my mind off and channel whatever waves are moving through me. I've learned to get out of my own way and let the universe do its thing."

WHERE: The Habitat, 4th floor, (Hotel Unicontinental), Road Number 3, Khar West
WHEN: February 23, 9 pm
COST: R500
LOG ON TO: insider.in

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Modern jazz instrumental trio from Kolkata The Bodhisattwa Trio is making all the right noises with the release of their new offering, The Grey Alb­um. With the bonus track in th­eir seven-song effort, the ba­nd is mapping the evolution of their own sound over the last seven years. The track, called The Cronos, is a part of all their albums, and marks a change from their up-tempo and rock vibe in their debut album to their jazz sound today, complete with intricate drumming details and synth bass that compel you to keep the beat with your body movements.

A lot of this shift has to do with Arunava Shonai Chatterjee (synth and synth bass) replacing the band’s ba­ssist early last year, which nudged Bo­dhisattwa Ghosh (guitar) and Pr­emjit Dutta (drums) to experiment wi­th their sound. "We always had an inclination towards jazz but started out with progressive rock as we thought we could do justice to that kind of music. Having played as an outfit for so long, and opted for a synth bass, we felt we could go into uncharted territory and could handle difficult sounds and spontaneous creativity," says Ghosh.

Their Mumbai gig will feature all the tracks from their new album, which is divided into two pa­r­ts — chaos to creation, and creation to chaos. The first three songs comprise story-telling between the members and is built on the idea of the duality of an artist’s mind, explains Ghosh, adding that, "There’s an abstraction as artistes don’t think in one particular direction, and this dual nature can be seen in our art as well." Their music is inspired by life events and observations rather than sounds, says Ghosh.

The second half comments on how civilisation is spiralling out of control into chaos, with songs like The Last Train, which talks about the trains in the holocaust in the Second World War and the Indian Partition, and American Dream, which was composed after the members got talking about American capitalism and how we’re on the brink of nuclear war. "We end with Shame, which speaks about the death of a nation, and our chaotic political scenario," informs Ghosh.
They will also be playing songs from their previous album but in a new avatar.

TIME 9 pm onwards
AT The Little Door, off New Link Road, Andheri West 
CALL 9899928776

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Enjoy a vegan gourmet experience this Wednesday where you can tuck into dishes like cauliflower pistachio quinoa with cauliflower cream and roasted garlic panisse; beetroot kibbeh with a beetroot walnut pomegranate cream and salted vegan feta; and cacao olive oil cake with cacao oil and lemon coconut ice cream.

The event is curated by chef Raveena Taurani, who says, "Normally, when we step into a restaurant, the main course always focuses on an animal protein or a carbohydrate-heavy dish, but I was keen to showcase the vegetable as a true hero and show people how even veggies can be wholesome and flavourful in a meal."

ON February 27, 8 pm to 10 pm
AT Yogisattva, Pinnacle House, 15th Road, PD Hinduja Junction, Khar West 
CALL 9867455009
LOG ON TO yogisattva.com
COST Rs 2,700

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Marking the occasion of Mahashivratri along with the success of her film Luka Chuppi, Kriti Sanon visited a Shiv temple in the suburbs of Mumbai to express her gratitude to the almighty.

With an opening of Rs 8.01 crore, Luka Chuppi marked Kriti Sanon's highest opener, as the lead actress. Amidst her busy schedule, Kriti visited Shiv Mandir in Santacruz to offer prayers and thank the almighty for showering her with love from the audience.

Check out some pictures here:

Kriti Sanon clicked at Shiv Temple in Santacruz (All Pictures/Yogen Shah)

Kriti Sanon clicked at Shiv Temple in Santacruz with her mother

Kriti Sanon clicked at Shiv Temple in Santacruz with her mother

Riding high on the success of her recent film Luka Chuppi, Kriti Sanon has been garnering love and appreciation for her quirky character Rashmi.

Kriti Sanon obliges a fan with a selfie outside the temple

Earlier, the actress visited Cinema halls to gauge the reactions of the audience as well as sold tickets at the theatre herself, surprising her fans with her sweet gesture. The actress has carved a place for herself with strong characters delivering remarkable performances there by winning the hearts of the audience.

Beginning the year with Luka Chuppi, Kriti Sanon is all set to offer a plethora of diverse characters this year with her films hailing from different genres. She will be next seen in Arjun Patiala, Housefull 4, and Panipat.

Also Read: Exclusive: Kriti Sanon on Panipat character: Killing people with sword was powerful

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"Empowerment is such a frequently used term. Sab bolte hai. But what it really implies is to just be yourself," Avantika Mathur asserts. The 30-year-old artist from Navi Mumbai has been making graffiti on the city's walls for years — and in some cases, the street lamp got there after the artwork did. "Art is a powerful medium, but street art is the best form to explain an ideology. It's an open gallery," she adds. And next week, Mathur along with six female artists will transform the neighbourhood of Marol into a gallery through Ladies First, India's first women-only street art festival.

Walls spanning over 10,000 sq ft will be painted on in Marol Village

The week-long event organised by Marol-based graffiti agency Wicked Broz in collaboration with the Military Road Residents Welfare Association, will see artists paint on multi-storied buildings and running walls spanning over 10,000 sq ft. Although talks about putting together a street art festival were in the works for a year, the idea of turning it into a women's-only event culminated from a Rajasthan trip in January that the organisers were part of. Rikis D Santander, a street artist from Chile, had mentioned that not only were India's gullies overcrowded, but very few women were part of that crowd.

Avantika Mathur

"Even globally there are very few female-centric events. Someone even asked us why women need a separate festival. I said that if I count the number of women who paint on the streets, that number will still be miniscule. Until we don't celebrate these artists, people won't be motivated to come out and paint," Zain Siddiqui of Wicked Broz explains, adding that they initially conceptualised a grander event with more artists. "But a lot of festivals happen as a one-time thing and then disappear. We didn't want that," he says, while proceeding to talk about the line-up that includes Abigail Aroha Jensen from New Zealand, Delhi-based Anpu Varkey and Ratna Singh, a Warli artist.

Zain Siddiqui

"The styles are diverse and we haven't only restricted ourselves to graffiti because we don't want to go around painting something ambiguous. It should mean something," Siddiqui tells us, while Mathur adds, "While Anpu paints large animals, I follow a bohemian surrealist style, which is all about finding yourself."

MC Manmeet Kaur

In addition to wall painting, Ladies First will also feature workshops, exhibitions of canvas work by participating artists, talks and film screenings. Hip-hop cyphers by female artistes such as Goa-based rapper MC Manmeet Kaur is also scheduled to take place. And on the last day, the public (including men) will be free to create artwork on a large wall. As Mathur says, education is key. "For people to appreciate street art, it is necessary that they understand it first. So, each piece we create will have a narrative."

ON March 25 to 31, 9 am to 6 pm
AT Bharat Van, Military Road, Marol Art Village, Andheri East.
CALL 8887795823
Email ladiesfirststreetart@gmail.com

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For Celeste Cordo, growing up in Bandra was a lot about figuring out the right harmonies and vocal arrangements in her choir. But, when the neighbourhood children's choir became defunct about a decade ago, Celeste, now 60, decided to start her own music education avenue with Gleehive, spearheaded by a children's choir. "She wanted to start her own choir for the neighbourhood kids to learn and appreciate music," says Dawn Cordo, her 30-year-old daughter. And they will be bringing some of the magic and sense of belonging that comes with being part of a choir to Mumbaikars at their annual concert, The Gleehive Buzz, tomorrow.

It's their teaching style that makes this concert a tad different from others. "Our classes are not academically driven and we don't have any certification. So, it's not just meant for people who can sing, but anyone who appreciates music," says Dawn, who completed her degree in music education from Berkley College of Music and decided to come back to start an education programme, besides singing backing vocals in studios and doing vocal arrangements for artistic projects.

Dawn Cordo

The evening will go on to show their growth from being just a choir, as there will also be small instrumental ensembles with students playing string and woodwind instruments. The kids, aged between five and 15, will show their dancing skills as well as play different characters on stage. "The music won't just be classical or jazz, but also include songs from musicals like The Ugly Duckling. The theme is markets from around the world because we wanted to show that life is like a marketplace where you meet people from varied cultures, you get things and you lose things, and even when there's a disagreement, we always approach one another with kindness and love," adds Dawn.

The performers also include kids with autism and ADHD, who, Dawn says, have only benefited from pursuing their musical interests. "Music is therapeutic. There's a student who communicates better because of the feeling of being included. It's also important for kids who aren't exposed to those with special needs to mingle with them," shares Dawn.

ON March 20, 7 pm to 8.30 pm
AT St Andrew's Auditorium, St Dominic Road, Bandra West 
CALL 26410926 (for passes)

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It is the festival of colours and most of the people are celebrating their day of happiness with family and friends. Saif Ali Khan and Kareena Kapoor's son, Taimur Ali Khan, who is already a social media sensation, was spotted celebrating Holi with the paparazzi, whom time and again, he is seen waving and smiling at! 

A video shared by one of Taimur's fan club, where the tiny tot is seen playing with the water gun at his Bandra residence, has become a wave on the net. Take a look!

 

 

 

View this post on Instagram

Tim is playing with pichkaris 😂😍❤ðŸÂÂ’™ðŸÂÂ’šðŸÂÂ’›ðŸÂÂÂ’ÂÂÂœ 📹- @viralbhayani #taimuralikhan

A post shared by Taimur Ali Khan (@taimuralikhanworld) onMar 20, 2019 at 11:05pm PDT

Taimur, in his house, is seen in a playful mode while spreading joy with his smile and spraying water from the balcony.

Meanwhile, Soha Ali Khan, sister of Saif Ali Khan, also shared a colourful pretty picture of Inaaya Naumi Kemmu on Instagram. Soha captioned the image: "Happy holi!!! [sic]"

 

 

 

View this post on Instagram

Happy holi!!! ❣

A post shared by Soha (@sakpataudi) onMar 20, 2019 at 11:25pm PDT

Isn't she looking adorably cute? 

Kareena Kapoor Khan, who is married to actor Saif Ali Khan, has time and again expressed concern over the growing paparazzi culture in India. She wondered how people could be so interested in her two-year-old son Taimur's life.

Also Read: Taimur Ali Khan is also a bookworm just like papa Saif Ali Khan; see photos

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She's a Kapoor. And she's not a part of Bollywood. But since her return from a music school in LA last year, Tulsi Kapoor is making all the right noises with her bluesy-rock compositions, unfiltered lyrics and raw, intimate vocals.

She picked up the keys at the age of four, and moved on to formal piano classes at 15, before picking up the guitar, African percussion instruments and the harmonica. She's now learning the flute from her mother. And contrary to popular belief, she didn't grow up listening to just Bollywood, a genre she appreciates. "My grandfather, Shammi Kapoor, was trained in Hindustani classical and used to sing as hobby. So, I was exposed to a lot of jazz and blues as a kid thanks to him, and my father [Aditya Raj Kapoor] who loves The Beatles and mom [Priti Kapoor]who played a lot of ABBA," says Kapoor. Her travels to the Middle East and the US also introduced her to Portuguese music and Bossa Nova, which find their way in her compositions.

"My music has been influenced by blues and rock, and instrumental music. It's an extension of my personality, emotions and straightforwardness. My lyrics are simple and relatable, and I always appreciate a good hook," she explains.

Shammi Kapoor and Tulsi Kapoor

The centrepiece of her gig will be the track Bloom, which she will perform tonight for the first time. The lyrics talk about rape and abuse, and chart the story of a young girl who falls into wrong hands, only to further fall into the trap of the temporary comforter, who further abuses the trust she places. "We need to understand that rape is about power not sex. It's about dominance of something people can't handle. Some are vindictive cases by those who were abused when they were young, and carry their injuries. It's a pattern that society needs to recognise," she shares.

Adding that she believes that it's an artiste's responsibility to cause social change for the better, she will be using the influence that her last name provides her with, to talk about things that are taboo. "It's crucial that we power through that discomfort about such topics if we want things to change," she concludes.

This gig will be a tribute to her grandfather, who encouraged her to pursue her dream of becoming a musician and was her pillar of strength. She is currently teaching music in the city and working on releasing her debut album Bloom at the end of the year.

ON March 29, 7.30 pm onwards
AT The Integral Space, 14, Senapati Bapat Marg, Lower Parel.
LOG ON TO insider.in
Cost Rs 400

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Summers is here and its to get your summer body to flaunt it! Janhvi Kapoor was clicked at the gym in Bandra, Mumbai. Janhvi Kapoor opted for an all-grey gym outfit, and her latest gym look is doing rounds on the internet. 

Janhvi Kapoor/picture courtesy: Yogen Shah

Black and grey sports bra: Buy Enamor Padded Wirefree Medium Impact Sports Bra at the discounted price of Rs 389 only. Shop here.

Grey top: Zesteez Women Grey and Black Sports Tshirts Activewear at the discounted price of Rs 499 only. Shop here.

Grey yoga shorts: Get Avaatar Women's Cotton Yoga Shorts at the discounted price of Rs 250 only. Show here.

Filmmaker Boney Kapoor and late actress Sridevi's daughter Janhvi's debut film, Dhadak with Ishaan Khatter was appreciated by critics and audience alike. The film was a remake of a blockbuster Marathi film titled, Sairat. Janhvi Kapoor is currently shooting on the biopic of Indian Air Force combat pilot Gunjan Saxena. The film has been titled Kargil 83.

Apart from this, she will be seen in a double role in Dinesh Vijan's Rooh-Afza with Rajkummar Rao and Karan Johar's directorial, Takht. This film comprises an ensemble cast of Ranveer Singh, Kareena Kapoor Khan, Bhumi Pednekar, Anil Kapoor and Vicky Kaushal.

Also Read: This gym look of Janhvi Kapoor and Parineeti Chopra is pocket-friendly

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Representational picture

San Francisco: To help small and large businesses reach out to 1.3 billion people who use Messenger every month, Facebook has launched an Augmented Reality (AR) tool for them. With this tool, the businesses can leverage the "Camera Effects Platform" to easily integrate AR into their Messenger experience, bringing the virtual and physical worlds one step closer together.

"When a person interacts with your business in Messenger, you can prompt them to open the camera, which will be pre-populated with filters and AR effects that are specific to your brand," David Marcus, Vice President of Messaging Products, said in a blog post on Tuesday.

From there, people can share the image or video to their story or in a group or one-to conversation or they can simply save it to their camera roll.

"To date, there are over 300,000 active bots on Messenger, and over 8 billion messages are exchanged between people and businesses each month -- that's 4 times the amount of messages exchanged since just last year," Marcus informed as Facebook began its annual two-day F8 Developers' Conference in San Jose on Tuesday.

"Today, there are 200,000 developers actively building experiences, forging connections between people and the brands they love and bringing real value to their everyday lives," the post added.

To begin with, ASUS, Kia, Nike and Sephora will launch AR effects for their Messenger experiences.

Facebook also announced that buyers and sellers in its Marketplace will be able to communicate across languages with "M Translations".

"Now when people connected through Marketplace receive a message in a language that is different from their default language in Messenger, M will ask them if they want to translate the message.

"This will help drive commerce between buyers and sellers despite language barriers. At launch, translations from English to Spanish (and vice-versa) will be available in Marketplace conversations taking place in the US," the post further said.

Facebook will gradually roll out "M suggestions for translations" in additional languages and countries.

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Xiaomi India on Wednesday announced the launch of "Mi Music" and "Mi Video" to offer value-added Internet services in India.

"With the launch of these two apps 'Mi Music' and 'Mi Video', we hope to serve millions of Xiaomi smartphone users with a better user experience through enhanced Internet services," Manu Jain, Vice President, Xiaomi and Managing Director, Xiaomi India, said in a statement.

"Mi Music" is a pre-installed music app which offers an integrated music streaming service along with the ability to store offline music and has nearly seven million daily active users in India, the statement said.

"Mi Video" is a pre-installed video app that provides integrated video streaming across platforms.

"Mi Video" content is currently powered by Hungama Play, SonyLiv and Voot. It offers more than 500,000 hours of content with nearly 80 per cent free content, the statement added.

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Representational picture

San Francisco: Facebook has announced a new tool for website owners and developers that will alert them about phishing attacks on their platforms. "We are extending the capabilities of our 'Certificate Transparency Monitoring' tool to make it easier for developers to learn about new domains that are maliciously created to implement phishing attacks," security engineer David Huang and software engineers Bartosz Niemczura and Amy Xu said in a blog post late on Wednesday.

Phishing websites try to trick people into revealing their passwords, credit card numbers, or other sensitive information.

The tool, announced during the F8 annual developer conference in San Jose, alerts website owners of these scams so that they can take action to protect their domain and the people who use their websites.

"Certificate Transparency Logs" are designed to keep a record of all valid security certificates issued by publicly-trusted Certificate Authorities.

"We have been using these logs to monitor certificates issued for domains owned by Facebook and have created tools to help developers take advantage of the same approach," the post said.

Using these tools, developers can learn about certificates that are mis-issued for the domains they control.

"We are extending the capabilities of our tool to send alerts when certificates are issued for potential phishing domains," the post added.

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As part of its redesigning spree, Google has provided a surprise makeover to its Drive.

The Google Drive now appears to take major inspiration from the recently redesigned Gmail app. There are no new features, but the appearance has been tweaked to match with other Google products.

To begin with, the Drive interface background has been changed from gray to white for a neater look. The boxes and icons have also been given rounded corners and a taller appearance than before, Engadget reports.

In addition to that, the Drive logo is now placed prominently on the top left corner of the interface. The icons have also been shuffled a bit.

The latest changes to Google Drive will start reflecting in some time as the company is gradually rolling out the redesign.

After drawing criticism from users worldwide about its controversial redesign, audio-video sharing platform Snapchat has rolled out another app redesign for iOS users.

In the new design, snaps and chats are aligned chronologically and "Stories" from friends have been moved back to the right-hand side of the camera screen.

Snapchat has added a separate "Subscriptions" feature to keep "Stories" from popular creators and publishers in the loop while letting the other "Stories" be separated, The Verge reported late on Thursday.

"We are currently rolling out an update to address this by sorting communication by recency and moving 'Stories' from friends to the right side of the application, while maintaining the structural changes we have made around separating friends from creators and sorting friends' 'Stories' by relationships," Evan Spiegel, CEO, Snapchat had said earlier this month, in the company's first quarter earnings call.

Snapchat was testing a new design in April that would move the user's "friends' stories" alongside the "celebrity content" in the "Discover" section again to ensure that the user's feed would not be dominated by the "celebrity content".

There is no word yet on when the update would be available on Android.

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Illustration/Uday Mohite

Oh, wretched irony, that President Ram Nath Kovind — whom BJP president Amit Shah unabashedly introduced as a Dalit when nominating him as a Presidential candidate — should himself introduce a caste system, where it never existed before: India's august National Film Awards. The President informed the Directorate of Film Festivals (DFF) three weeks earlier that he would leave the award function in an hour. But the winners were informed only a day earlier, that the President would give away only 11 of the approximately 137 awards at the 65th National Film Awards; the rest would be given away by Information and Broadcasting Minister Smriti Irani, and Minister of State Rajyavardhan Rathore. As the award winners' invitations stated that they would receive the award from the President of India, they wrote to the DFF about a breach of trust, "65 years of tradition was being overturned in a jiffy," and nearly 55 winners boycotted the function.

Nothing spoke of the sordidness of this prestigious event as that photograph with just two disturbed award winners, in a hall full of empty chairs. The names of the 30 award winners who protested were not even announced. It is heartbreaking that a number of award winners, including Fahadh Faasil, who won Best Supporting Actor for Thondimuthalum Driksakshiyum, and Parvathy, who won Special Mention for Take Off, both in Malayalam, returned home without their National Awards. We are proud the National Awards still go to those truly deserving them, mostly. Bollywood, which usually hogs the limelight, is shown its true place in Indian cinema at the National Film Awards. Malayalam cinema won 11 major awards, Hindi cinema only eight in comparison; Bengali and Assamese cinema won five each; Marathi cinema won four; Tamil and Telugu cinema won three each.

The President, who is 72, gave no reasons for his self-styled, one-hour Cinderella rule. If he had medical issues, he could reasonably have declined, or split the awards into two sessions.

I have had the honour of attending four National Film Awards — once as an award winner, and thrice on the National Film Award Jury, in 2008, 2011 and 2014. Bungling and uncertainty are a given. I had won the National Award for Best Film Critic for 1998, but received the award only in 2000, because of unstable governments. As I'm usually at the Berlin Film Festival in February, I had asked the DFF about likely dates since October, but they said they would know only at the last minute. I was at the Berlin Film Festival when I was swiftly summoned to New Delhi, so my parents Indu Shedde and S Rammohan went to New Delhi, and my mother received the National Award on my behalf from President KR Narayanan.

On the other hand, Ramendra Naresh, a Dalit student who topped the MCA programme at the Babasaheb Bhimrao Ambedkar University, refused to accept his gold medal from President Kovind at the convocation scheduled last December, to protest against the growing atrocities against Dalits. Along with all this year's award-winners, I applaud Naresh as well.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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An injured Kashmiri is rushed to SMHS Hospital in Srinagar after he was hit by bullets in a clash with Indian security forces on May 6. Pic/AFP

Last week at a lunch, I met a senior minister in the J&K government. He belonged to the People's Democratic Party, which used to represent "soft separatism" in Kashmir but, in 2015, formed a government in coalition with the pseudo-nationalist BJP. The PDP has since then lost its support base. "It does not mean the National Conference has picked up that support," the minister said, referring to the Valley's pre-eminent pro-India party: "only some of it". None of that lost support has drifted to national parties like Congress or BJP. One wonders where that support has gone.

One clue is in the ground situation in the Valley, characterised by unrelenting violence. South Kashmir's Shopian district is a warzone; just yesterday, five civilians were killed and five militants shot dead there. An assistant professor at Kashmir University who had joined militancy a mere 36 hours earlier was among those killed. Imagine what it must take to drive an academic to pick up a gun. Every week is like this, and behind the casualty figures is the suffocating atmosphere of clampdowns on entire villages, the security forces' scorched earth policy by burning houses, the unending detention of the political resistance leadership, the military's omnipresence, the curfews, the strikes, the disappearances, and the corpses. No wonder Kashmir is called an "open prison". Ramzan, next week, may bring some respite.

"The difference between now and the '90s," the minister said, referring to when the insurgency first emerged, "is that in those days, when one boy was killed, ten others stood to take his place. Now, when a boy is killed, 30,000 people immediately gather to protest his killing and mourn his martyrdom."

One may wonder where the government figures in all this. In J&K, due to its long-festering separatism and the Pakistan factor, the Centre manages security matters under a "unified command". This makes sense for border management and counter-insurgency operations. Yet it often collides with the local police, under the state government, particularly when the armed forces commit crimes. The state police often have to step back, and the consequence has been deleterious; this was evidenced recently when, after the rape-murder of a nomadic child in Kathua, supporters of the accused expressed disbelief in the local police's professional investigation.

Chief Minister Mehbooba Mufti seems to have all but given up. Her ministers are living it up, some making frequent foreign trips. The BJP reshuffled its part of the coalition, and surprisingly, the minister said, it's a better lot this time. This may be a moot point because nobody expects the government to last beyond 2018. "It will be over a few months before the general election," the minister says. "Mehbooba wants out but needs a reason to walk out of the coalition." The same might be true of the BJP, though one can't imagine it giving up power in J&K, hard-won after so many years.

The Centre is unconcerned by the daily reports of violence and more violence. It suits Delhi's hardline "iron fist" policy. It is sitting back and watching the war of attrition against Kashmiris. BJP general secretary Ram Madhav has publicly said: India tried various approaches in Kashmir but now it is the RSS's turn. Which, starkly put, is to hold the territory even if all residents disappear in the process.

The minister pointed out that Governor NN Vohra's term - at ten years he's the longest serving in J&K - runs out by July. Governor Vohra got his second term by default because of the talent deficit in Prime Minister Narendra Modi's team. If he weren't well into his 80s, he might have defaulted his way into remaining this time also. His time has seen the emergence of a "new insurgency", highlighted by violent summers like that of 2010, 2012 and, of course, 2016, when thousands were injured by pellets. Some say that 2016's disturbances are still continuing.

It is difficult to say that Vohra has been a successful governor, but perhaps it's better to let him stay than to replace him with an RSS man. "At this point, what more harm can an RSS man do," the minister said. "Maybe they can replace him with Yashwant Sinha," he says, referring to the former finance minister who recently left the BJP. Sinha has visited J&K since September 2016 and shown empathy. He has been a thorn in the government's side, however, publicly pointing out its economic mismanagement. Modi brooks no dissidence, and even though the best way to quieten Sinha might be such an appointment, it's unlikely to happen.

That, in a nutshell, is the current Kashmir story. Degradation and violence, while the metaphorical Nero in Delhi plays his fiddle. Except in the legend, it was Nero himself who had Rome set on fire.

Aditya Sinha's new book will be out in May. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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Illustration/Uday Mohite

Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.

Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.

Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.

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In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Pic/AP

One of the better things during the Karnataka Assembly election, no matter who emerges the single largest party tomorrow, was Congress president Rahul Gandhi's press conference in Bangalore. You may not have seen it on TV. It is on YouTube, however. Rahul again comes across in a light different to the whispers about him during the past two decades, proving how it was all the doing of a well-oiled BJP machine. My favourite part was Rahul's take on Prime Minister Narendra Modi's recent visit to Wuhan in central China for an "informal" summit with President Xi Jinping.

Here's what he said:
"I expected the PM to go to China as the leader of our country [and] speak to them about Doklam... He didn't say a word. [He] had a conversation with the Chinese President with no agenda. Are you telling me there's no agenda? There is an agenda, it's called Doklam; there is an agenda, it's called the Maldives; there is an agenda, it's called Nepal... The agenda is that we're surrounded on all sides; it's pretty clear. But you guys don't like to raise that, I don't know why.

"Our foreign policy has been completely decimated. And it's because the PM views foreign policy as an individual exercise. He's of the impression that he can go have a conversation with the president of China, or he can go have a conversation with the president of Nepal, and everything will magically happen.

"The PM needs to carry his own people with him. Are there any conversations going on with the finance minister, with the defence minister about this type of strategy? No. It's a one-man show."

Briefly: China tried to seize the Doklam plateau in Bhutan last year but after a 73-day standoff against our troops, it backed down. It has reportedly since built an infrastructure leading to Doklam. In the Maldives, China is displacing India: President Abdulla Gameen last year welcomed three Chinese warships, and last month hosted the Pakistan army chief. In Nepal, despite Modi's visit this weekend to promote Janakpur, Sita's birthplace, as a religious tourism spot, the Nepalese have drifted from us after India's five-month blockade in 2015 - we were pushing for greater political inclusion of the Madhesis. Modi is a villain for the Nepalese, as evident on social media.

China has seized advantage of India's pathetic neighbourhood behaviour, and, as Rahul said, has India surrounded. No wonder many think Modi went to beg Xi to keep relations calm in the run-up to the 2019 parliamentary election. That Modi's governance is election-oriented is no secret. Will the Chinese will play ball? When the two-day "informal" summit ended, the Indian side issued a statement and reportedly urged the Chinese to issue their own. Compare the two and you see a difference: while India mentioned a strategic direction to our respective armies to avoid tension on the Line of Actual Control, China only said the armies would follow past protocols. Joint statements are never easy, but individual statements are a piece of cake.

Modi had to supplicate himself because he cannot afford to go into the 2019 election after a showdown with China. Even a short skirmish will humiliate India. Unlike tension on the Line of Control with Pakistan, which benefits Modi since it can be dovetailed into communal rhetoric, tension with China gives Modi no benefit. Modi cannot help but humour China.

The Chinese were amenable to being humoured since they have now what they wanted in Doklam. China nowadays also wants to be seen as a responsible global power: hence it has nudged North Korean leader Kim Jong-Un into meeting his South Korean counterpart and, next month, with Donald Trump. China has also reached out to Japan, with whom relations are more complicated than with India.

Mainly, it was because Modi agreed to humiliate the Dalai Lama, the Tibetan Buddhist spiritual leader who has lived in India since 1959. India prohibited its ministers from attending a Dalai Lama function (ironically, to thank India) and asked him to shift it from Delhi to his base in Dharamsala, Himachal Pradesh. It was an insult; worse, he privately expressed the fear that he might be expelled.

The Chinese gave us time but they did not give Modi a hug. In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Rahul Gandhi is right: Modi has decimated India's foreign policy. It's too bad that this and other aspects of his press conference were ignored by the TV media. But then, after Gujarat, Karnataka has been good practice for him. Modi's obsession with the 2019 election means that governance will suffer, so Rahul will get more occasions to show the public his mettle.

Aditya Sinha's next book, The Spy Chronicles: RAW, ISI and the Illusion of Peace, co-written with a former RAW chief and a former ISI chief, is out next week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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