A large haul of weapons, including 170 guns, swords, machetes and knives, was found at the shop of a local BJP functionary in Dombivli, the police said on Wednesday. Dhananjay Kulkarni, deputy chief of BJP's Dombivli city unit in Thane district, from whose store the seizure was made, has been arrested, police said. The 170 weapons were found during a raid conducted by the Kalyan Crime Branch at Kulkarni's fashion accessories store in Tilak Nagar on Monday night, the police said. The cops added that he was arrested on Tuesday morning.

A local BJP leader said Kulkarni was the vice-president of the party's Dombivli unit. "Following a tip-off, the raid was conducted at Tapasya House of Fashion, which sells fashion accessories and cosmetics," a police officer said. "The weapons for sale included eight air guns, 10 swords, 38 press button knives, 25 choppers, nine kukris, nine guptis (bladed weapon concealed in a wooden case), five knives, three axes and a sickle," he added. "The seized weapons are collectively worth R1.86 lakh. The outlet has been operating for the past seven months," the officer said.

"Kulkarni had procured the arms from Crawford Market, and Punjab and Rajasthan," he added. The accused was on Tuesday produced before a local court, which remanded him in judicial custody, police said. The NCP has demanded an explanation from Chief Minister Devendra Fadnavis over the arms seizure. State NCP President Jayant Patil said the incident revealed the manner in which the BJP wanted to rule."What kind of riots do the BJP want to incite by using these weapons?" he said.

170
No. of weapons recovered from the shop

Rs 1.86 lakh
Total worth of the weapons

Also Read: Bal Thackeray plotted to kill Sonu Nigam, says Nilesh Rane; Sena MP rubbishes claim

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Thane Crime Branch Unit I on Wednesday arrested a man along with two others for allegedly procuring the Call Detail Records (CDR) of his wife's phone while the couple's divorce case is on. The victim has also alleged that a police officer has been helping her husband get the call records of her and her friend's phones.

According to the police, Ketan Bundela married Surjit Kaur in 2011, and filed for a divorce in the same year. He later began harassing Kaur, who sought help from her friend Vishal Patane. Bundela was also aided by his brother Kunal and brother-in-law Farooq Shaikh in harassing Kaur.

Bundela and Kaur worked together in a well-known company, where the two fell in love and decided to get married. "My nightmare began right from the second day of our marriage. They made me participate in some horrible rituals. My husband also asked me to maintain relations with his brother Kunal. I soon left that house and returned to Mumbai from Pune. He then sent me a divorce notice. He also influenced my lawyer which is why the case is still on," said Kaur.

Along with her friend Patane, Kaur recently caught hold of Shaikh's phone when they found the CDR and thus approached the Crime Branch. "We have arrested the accused and secured their custody. There is so far no involvement of any police officer," said a Crime Branch officer.

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A 40-year-old man allegedly killed his wife and later committed suicide by hanging himself in Thane on Thursday. Sunil Sangle, an auto driver, on Wednesday night strangled his wife Archana Sangle (35), to death at their home in Sri Nagar locality and later hanged himself on Thursday afternoon, said police inspector Sulabha Patil.

The couple often had fights over domestic issues and apparently the man also suspected his wife’s character, and this may have triggered the murder, police said. According to Hindustan Times, Sunil Sangle was an auto-rickshaw driver and his wife worked as a security guard at an IT park in the city. A probe is underway, the police added.

In a similar case, a 38-year-old man was arrested for allegedly killing a man suspecting him of having an extra-marital affair with his wife in outer Delhi, police said Saturday. The accused identified as Anil Chaudhary, a resident of Nangloi, used to work in a shoe factory.

Other two men, Bakil (38) and Kamrul Huda (27) who allegedly robbed the victim after he was killed by the accused Chaudhary, were also arrested, police said. On Thursday, Nihal Vihar Police station was informed by Satya Bhama Hospital that a person has been brought dead in the hospital, Rajendra Singh Sagar, Additional Deputy Commissioner of Police (Outer) said.

The victim was identified as Vikas Yadav by his relatives. He used to work as a labourer in a chemical factory. On interrogation, the accused Chaudhary revealed he suspected Yadav of having an illicit relationship with his wife since a year. So, he decided to eliminate Yadav and on Wednesday night, he fired at Yadav, the officer said. Yadav was carrying two mobile phones and Rs 15,000 which were missing from his possession, the officer added.

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Maharashtra minister Eknath Shinde has expressed confidence that the BJP-Shiv Sena alliance will win the Lok Sabha polls and asked the coalition workers to work for increasing the victory margin this time. Addressing a meeting of Shiv Sena-BJP workers at Dombivli town in Maharashtra's Thane district on Sunday night, the senior Sena leader also asked them not to be reckless or underestimate the rival candidates. "Our victory is definite this time also.

Our target should be to ensure maximum difference of votes between the winning and losing candidates," said Shinde, who is also the guardian minister of Thane. Lauding Srikant Shinde, the sitting Sena MP from Kalyan seat in Thane, for the work done by him in his constituency in the last five years, the minister claimed the voters would elect him this time also. State minister Ravindra Chavan said voters in Dombivli segment of the constituency earlier supported the BJP and Shiv Sena and this time also they will ensure victory for the alliance candidate.

"This election is an important one and the party workers should ensure that our candidate wins by the maximum victory margin," he said. Srikant Shinde is the saffron alliance's candidate from Kalyan where his main rival is Babaji Patil of the NCP. Lok Sabha elections to total 48 seats in Maharashtra will be held in four phases on April 11, 18, 23 and 29 and the results will be declared on May 23.

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So many of us have lost someone we know to cancer. So when 15-year-old Devika Madgavkar, who was volunteering at the Tata Memorial Centre and working with kids with cancer, asked Alfred D'Souza, the director of her choir Stop-Gaps Junior Choral Ensemble, if they could do something to cheer up the children undergoing chemotherapy, he thought, "why not?"

And Carnival in Song was born. "Madgavakar wanted to do something for the kids, who she observed were quite self-conscious and distant after they lost their hair. Also, many of them hail from a low social economic background. The event is just before Lent, which begins on March 6, and as it's the season of hope, we wanted to brighten up their li­ves. I prepared two choirs and reached out to others, who agreed immediately," says D'Souza.

The Salvation Singers

The audience will get to hear ha­ppy numbers, and renditions of peppy tracks with a samba or calypso beat, akin to what you hear at a carnival, shares D'Souza, adding that while the Stop-Gaps Choral Ensemble will be performing Brazil and Senorita, The Salvation Singers will offer a medley of Hindi songs, and Siddharth Meghani will perform some Elvis Presley tracks. The line-up will also include The Victory Chorus Line, and soloists such as Ella Atai, Kim Cardoz, Mehmood Curmally and Darren Das, accompanied by Mimosa Almeida Pinto (piano) and Ishan Jadwani (drums), besides dancers on stage.

"We've been planning this since October. We have a lot of kids aged between five and 15 years, who have their term exams at the moment, but yet th­ey have been practising," adds D'Souza. All proceeds from the evening will be given to the centre's Runners of Hope Initiative.

ON March 1, 7.45 pm onwards
AT St Andrew's Auditorium, St Andrew's College, St Dominic Road, Bandra West 
LOG ON TO bookmyshow.com
CALL 26410926
COST Rs 300 onwards

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Breaking a leg to commercial tunes blaring out of speakers at a crowded club might be fun for some. But a cosy setting with a close group of friends huddled around a table, sipping on cold beer, sounds more like the kind of night the time-strapped and hard-working Mumbaikar might opt for when looking to unwind.

A glimpse from a Beer Tales session

It is this milieu that Effingut, which debuted in the city last year, is trying to emulate. "Our outlet in Bandra is more of a sit-down place where there's no loud music, so you can have real conversations. We thought, 'What do people do when they meet up at a friend's place?' They sit and talk, and typically it's about things like Game of Thrones, or the latest Marvel movie. And that's when we decided to launch this programme," says Sanika Kelkar, who helms marketing for the brewery, speaking about Beer Tales, a weekly interactive session.

Sanika Kelkar

At these events, Kelkar explains, what transpires is a casual chat with attendees discussing everything ranging from contorted Game of Thrones theories to the best songs by Coldplay. "We have got a great response. In fact, the idea to host a meet-up themed around Friends came from our patrons," Kelkar shares, adding, "To keep the enthusiasm going we have giveaways, like beer, DVDs and cool merchandise. We are hoping to organise larger events and meet and greet sessions, too, but we want to keep the essence of these get-togethers casual."

At: Effingut, Linking Road, Bandra West.
On: Every Tuesday, 8 pm to 11 pm
Call: 8657449223

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Aamir Khan had a customary cake-cutting ceremony with the media at his Bandra home, holding a press conference. On his birthday, the actor, who turned 54 today, made an announcement of his next film titled Laal Singh Chadda. Aamir's next release is a remake of Hollywood film Forest Gump (1994). The film starred Tom Hanks and Robin Wright and was based on a novel of the same name.

Following this, Aamir Khan will take off for North Ireland to attend the ongoing Belfast Film Festival. He will be in conversation with Nasreen Munni Kabir on 16th to discuss his body of work.

Check out the pictures of Aamir Khan's 54th birthday celebrations here. (All pictures/Shadab Khan, Yogen Shah)

Aamir Khan's 54th birthday celebration

Aamir Khan was accompanied by his wife Kiran Rao.

Aamir Khan cuts his birthday cake

Fans across the nation have been pouring in wishes for Aamir by posting the actor's pictures, which also saw a strong social trend with the #HappyBirthdayAamirKhan.

Aamir Khan and wife Kiran Rao at his 54th birthday celebrations with media persons

Kiran Rao clicked while feeding the birthday cake to Aamir Khan

Known as Mr Perfectionist of the industry, Aamir Khan for Bollywood has over the years created an image that many look up to. From making films that address the pertinent issues of the society, to speaking his mind on raging issues even off camera, Aamir Khan has always been the one with a calculative brain and has used his position to impart a change in the society.

On the professional front, Aamir Khan likes to explore with the character he plays and the actor likes to surprise his fans with new characters. To experiment with roles, Aamir grows his hair and beard before every film. This also gives him the flexibility to play with multiple looks in one film. We wonder, what Aamir Khan's look would be in Laal Singh Chadda!

Here's wishing a very happy birthday to Aamir Khan!

Also Read: Aamir Khan is a family man, these picture-perfect frames are proof!

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Varun Dhawan, who is currently promoting his upcoming movie Kalank, was spotted at a popular studio in Juhu, Mumbai. While on his way, the actor bumped into Sunny Deol, and he couldn't stop fanboying after meeting the Gadar actor.

Sunny Deol with Varun Dhawan/picture courtesy: Satej Shinde

Varun Dhawan was elated on meeting Sunny. The actor greeted Sunny Deol and was pleased to share this moment when they bumped into each other.

Sunny Deol, who is currently shooting for Pal Pal Dil Ke Paas, which is his son, Karan's, Bollywood debut, also had a small conversation with his fan. 

On the professional front, Varun Dhawan will be next seen in Karan Johar's multi-starrer period drama, Kalank and Remo D'Souza's Street Dancer 3D.

Talking about Kalank, the film has a star-studded cast comprising Alia Bhatt, Varun Dhawan, Madhuri Dixit-Nene, Sonakshi Sinha, Aditya Roy Kapur, and Sanjay Dutt, this period drama set in 1940s India, is definitely going to take you on an unforgettable journey.

The first look posters of the three men of Kalank came out on March 7 and the leading ladies' first looks were revealed on International Women's Day (March 8). The film was originally conceptualised about 15 years ago by the late Yash Johar and his son Karan Johar, who has bankrolled the film. Abhishek Varman has helmed the period drama that releases on April 17 this year.

Also Read: Kalank is the highest viewed teaser in Bollywood in 24hrs!

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Why would anyone name their café and juice bar after Thanos? Our company for the evening questions, diving into telling us more about the Marvel Comics supervillain.

This powerful villain who has stood up to many heroes belonging to the Avengers, Guardians of the Galaxy, Fantastic Four, and X-Men series, greets us in a larger-than-life sculpture. We spot a child pick up Thor's axe to pose for a picture.

The 20-seater is packing on a Sunday evening, and we are game to wait it out, stepping up onto the comfortable grey stools as we tune into more of Thanos' exploits.

When the automatic glass doors open into the spaceship-like interiors, the Bollywood buff in us jokes that it reminds us of Shakal's den sans the sharks. The space is done up in grey, with a burst of pop in orange chairs; Captain America stares back at us from the wall outside the washroom, and there's a galaxy drawn on the walls and larger table tops. Our table top for two holds up a fist. The space décor is exciting, and we order a veg burger (Rs 229), chicken salami and egg sandwich (Rs 349) and khow suey (Rs 299). The menu, interestingly also has dedicated keto, all-day breakfast and waffle sections, which we skip for another day.

Veg cheese burger

The burger comes with a fat aloo patty marinated with herbs, and a crusty coat the crunch of which we can hear with every bite. The side of potato wedges are fresh from the fryer and the coleslaw is creamy with slender strands of salad. Their salami sandwich is homestyle, as is the filling. For a change, we like the simple treatment that gives us what we asked for — a juicy salami strip and well-done eggs.

Orange and celery juice

The khow suey tastes more like a pasta-based dish, and we have no qualms about being snooty about the fact that no one does a Burmese khow suey better than Joss by restaurateur Farrokh Khambata. This one comes in a bowl held by red claws, and sides of fried basil, fried cashew nuts and full peanuts which we prefer chopped, but no garlic shreds. The noodles are overcooked and the curry needs more depth; overall, the dish fails to come together. To wash all this down, we've picked a healthy orange and celery juice (Rs 269) that comes wearing a fruit slice hat on the rim.

House of Thanos is charming for its offbeat ambience, and a comfort menu that makes room for your keto and other diet demands. Still thinking about the name, we conclude: That's the thing about comics fanatics, right? You never know whose side you are on.

AT House of Thanos, 7/8, Rizvi Mahal Building, Near Bhabha Hospital, Waterfield Road, Linking Road, Bandra West
TIME 9 am to midnight
CALL 8879362686

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House of Thanos didn't know we were there. The Guide reviews anonymously and pays for meals

Mumbai-based Prajakta Koli may be one of the country's most popular digital personalities, with over three million subscribers to her YouTube channel MostlySane, but she has still not forgotten the very first YouTube FanFest that was held in 2014.

"It was an intimate amphitheatre [at Bandra fort] with around 300 to 500 people. And now we're expecting a crowd of 15,000 to 20,000 coming this weekend," she tells us, referring to the upcoming edition of the festival that bridges the gap between video personalities and their fans — getting both parties at one venue. The Mumbai edition will be held at JioGarden.

Creators walk the red carpet, there's a meet-and-greet for fans who have managed to grab the limited tickets, but most importantly, the event is live-streamed for fans across the globe. This year's line-up features Koli along with Internet personalities Lilly Singh, Amanda Cerny, Gaurav Chaudhary aka Technical Guruji and Bhuvan Bam.

Lilly Singh and Prajakta Koli 

"It's crazy. More than the festival, I've seen creators evolve with every fest... it's like you can't map where this is going to get in the next few years," Koli says. After winning multiple awards in the past three months, she will now collaborate with Singh for the fest. "When I started doing videos four years ago, I wished that I could meet her, and I did twice. Luckily, she doesn't remember the first time, when I was working as a radio intern and I had gone to interview her," she recalls, proceeding to talk about Singh's upcoming late-night show, which will make her the only woman and LGBTQ person to host such a show on a major network. "It's setting the bar high for creators; imagine if a Superwoman vlog can have such an impact all over the world,
what will a late-night show do?"

Koli maintains that the festival will bring in lots of surprises, and popular vlogger Nikunj Lotia aka Be YouNick concurs.

Amanda Cerny does comedy sketches

"The biggest takeaway is going to be the great experience. This shall be my third appearance at the YTFF, but nothing can be compared to the feeling I had the first time, when I hadn't even performed," he says, stressing on three key points that added to the success of his channel — a great script, perseverance and copious amounts of chai. "If I were to start afresh today, I'd spend less time worrying about technical nuances and focus on producing better scripts," he shares.

So, if you're a budding creator, you can forget about the pressure of having to go out this weekend and tune into your screen instead.

ON March 30, 6.45 pm to 9.15 pm
LOG ON TO www.youtubefanfest.com

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She's a Kapoor. And she's not a part of Bollywood. But since her return from a music school in LA last year, Tulsi Kapoor is making all the right noises with her bluesy-rock compositions, unfiltered lyrics and raw, intimate vocals.

She picked up the keys at the age of four, and moved on to formal piano classes at 15, before picking up the guitar, African percussion instruments and the harmonica. She's now learning the flute from her mother. And contrary to popular belief, she didn't grow up listening to just Bollywood, a genre she appreciates. "My grandfather, Shammi Kapoor, was trained in Hindustani classical and used to sing as hobby. So, I was exposed to a lot of jazz and blues as a kid thanks to him, and my father [Aditya Raj Kapoor] who loves The Beatles and mom [Priti Kapoor]who played a lot of ABBA," says Kapoor. Her travels to the Middle East and the US also introduced her to Portuguese music and Bossa Nova, which find their way in her compositions.

"My music has been influenced by blues and rock, and instrumental music. It's an extension of my personality, emotions and straightforwardness. My lyrics are simple and relatable, and I always appreciate a good hook," she explains.

Shammi Kapoor and Tulsi Kapoor

The centrepiece of her gig will be the track Bloom, which she will perform tonight for the first time. The lyrics talk about rape and abuse, and chart the story of a young girl who falls into wrong hands, only to further fall into the trap of the temporary comforter, who further abuses the trust she places. "We need to understand that rape is about power not sex. It's about dominance of something people can't handle. Some are vindictive cases by those who were abused when they were young, and carry their injuries. It's a pattern that society needs to recognise," she shares.

Adding that she believes that it's an artiste's responsibility to cause social change for the better, she will be using the influence that her last name provides her with, to talk about things that are taboo. "It's crucial that we power through that discomfort about such topics if we want things to change," she concludes.

This gig will be a tribute to her grandfather, who encouraged her to pursue her dream of becoming a musician and was her pillar of strength. She is currently teaching music in the city and working on releasing her debut album Bloom at the end of the year.

ON March 29, 7.30 pm onwards
AT The Integral Space, 14, Senapati Bapat Marg, Lower Parel.
LOG ON TO insider.in
Cost Rs 400

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It is easy to feel like a tourist in your own city. We know we feel that way when we reach Ranwar village on Bandra's Chapel Road — because we're wandering around staring at house numbers, until we finally find number 43. The space is called Cohostel — a hostel for backpackers that's around six months old.

The managers Ashu and Shekhar welcome us in, through a passage where doors on either side are named after Bandra's villages — Malla, Waroda, Ranwar, Boran, Pali, and others. "Our visitors are always curious when they observe the name plate, and ask us about Bandra's history. Some of the villages aren't even seen anymore but we thought it was important to at least put it out there," Ashu tells us. But there's a space beyond the standard dorm rooms, too. A rooftop area that plays host to comedy gigs by new collectives such as The Squibhouse Comedy that will host one called Knocktale Night tonight.

Managers Ashu (extreme left) and Shekhar (extreme right) interact with tourists

"Other venues tend to be more professional so they charge for the entry, equipment, etc. Our events are complimentary for the guests and for outsiders, we have a small cover fee for pizza and soft drinks. The comedians are also from small groups and we give an opportunity to anyone who wants to showcase their talents. It's an intimate setting," he says, while a backpacker from Iceland enters the room to check out.
Prashant Nihalani, who helms the hostel with his father and partner, tells us that the idea was to create a social space with cheap accommodation. "The rooftop setting is so fluid that when we host a movie screening, we just move the chairs by the kitchen to create a theatre setting. We wanted this to feel like home and not intimidate anyone as even travellers want to make friends." In addition to stand-up and screenings, the venue will continue to host storytelling and poetry performances.

The doors of each room are named after Bandra's villages — Malla, Pali and Boran among others. Pics/Atul Kamble

For comedians like Prasad Mathkar, who will perform tonight along with nine others, the hostel provides a diverse audience that you wouldn't get to meet at other mainstream venues. "It is fun to perform for an international audience. You have to try to get where they are from and tailor your set accordingly. This is the fourth time that I'm performing here and the audience has always been very receptive because they treat this like their own homes," he shares.

Prasad Mathkar

For Rs 800 a night, visitors get stay and breakfast, but they are free to order what they like or cook in the kitchen on the rooftop. Books and magazines are also stacked in a shelf and the managers, who have moved to the city from Varanasi, interact with guests as if they've known them for a long time — and that's perhaps what it means to be home away from home.

ON Tonight, 7.30 pm to 10 pm
AT Cohostel, 43, Chapel Road, Ranwar village, Bandra West.
CALL 9856564545
LOG ON TO www.eventshigh.com
Cost Rs 200

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Coolpad 'Note 6'. Pic courtesy/Twitter

Chinese handset maker Coolpad launched 'Note 6', an offline exclusive product in India on Tuesday. Two of the most notable features of Note 6 are 5.5-inch HD display and 8MP+5MP dual front cameras. The company in a statement said that smartphone will be available from Tuesday in 32GB and 64GB internal storage variants with 4GB RAM for Rs 8,999 and Rs 9,999 respectively.

Note 6 is powered by a Qualcomm Snapdragon 435 chipset, backed by 4,070 mAh battery and runs on Android 7.1 Nougat Operating System (OS). "Coolpad 'Note 6' will offer a great value for money smartphone for Indian customers," said Syed Tajuddin, CEO, Coolpad India.

"We are also planning to introduce more aggressive offline devices in the next few months to expand in the offline market through our retails partners and multi-brand outlets," Tajuddin added.

Coolpad "Note 6" will be available at over 300 multi-brand stores across eight states including Delhi-NCR, Telangana and Maharashtra.

(Edited by mid-day online desk, with inputs from IANS)

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If your grandparents are struggling with isolation, showing them how to use Facebook may help as researchers, including one of Indian-origin, have found that social networking sites offer tools and activities that may help older adults feel more empowered and less lonely.

Facebook and similar social networking sites could play a critical role in easing isolation and making them feel like they are part of a large community, said the study published in the journal New Media and Society.

"This is important, especially for older adults who might be aging in place, because they have mobility constraints that limit their ability to socialize," said study co-author S. Shyam Sundar, Professor at the Pennsylvania State University in the US.

For the study, the researchers recruited more than 200 participants who were 60 years and older and used Facebook for at least a year.

The researchers "friended" the participants on Facebook so they could count the number of times they used the various tools in the site during the past year.

The participants were also asked to respond to a questionnaire that captured the gratifications they obtained from Facebook.

Older adults who posted a lot of personal stories on Facebook felt a higher sense of community, and the more they customised their profiles, the more in control they felt, Sundar said.

The researchers also suggested that commenting on and responding to them gave older users a feeling of social interaction.

Sundar added that using social media is not a uniform experience that is either all bad, or all good, but offers multiple functions for diverse users.

Older adults are increasingly adopting social media, in general, and are a growing number of Facebook's total membership, said Eun Hwa Jung from National University of Singapore who worked with Sundar.

Facebook is considered the most popular social network among older adults, the researchers added.

The researcher also emphasised that developers of social media networks should consider the needs of this growing group of users.

For example, they should create features that enhance the identity of older adults while simultaneously protecting their privacy.

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Digital Transformation with 5G – 2nd 5G India 2018 International Conference & Exhibition. The conference will be held on May 17 and 18, 2018 at The Leela, Mumbai

Bharat Exhibitions is organising the 2nd edition of the 5G India 2018 International Conference and Exhibition, bringing together India’s telecom industry leaders, policymakers and telecom analysts to discuss how 5G will enable the future ushering in a new India. The conference to be held on May 17 and 18 at The Leela, Mumbai will focus on issues and opportunities related to the deployment of 5G and high-speed digital applications that will drive cross-industry applications and spur digital transformation and connectivity to catalyze growth.

With 5G promising to bring about a sea change in the digital ecosystem by servicing more industries through one architecture, the conference will address the tremendous growth that promises to take place in the next few years to revolutionize the Indian Data market and help India to emerge as a qualitative internet market as against a quantitative one. Leading experts will speak about the challenges and opportunities that operators and technology providers will face in the transformation of mobile broadband to 5G.

The event will witness the 5G Demo by various organization (BSNL, Reliance Jio, Intel, IIT Hyderabad, IIT Bombay). The conference will include sessions and panel discussions on what will it take for India to emerge as one amongst the leaders in standardization for 5G technologies and applications, enabling the positive use of Artificial Intelligence for all, global perspectives on 5G, preparing for 5G, trends and drivers shaping 5G, spectrum and technology for 5G and a CXO Round Table on Digital Transformation with 5G.

Shri Manoj Sinha, Hon’ble Minister of Communications (Independent Charge) and Minister of State for Railways, Govt. of India will be the Chief Guest, Smt. Aruna Sundararajan, IAS, Chairman, TC & Secretary (Telecom), Department of Telecommunications, Govt. of India and Mr. Malcolm Johnson, Deputy Secretary-General, ITU will be the Guests of Honour, Introductory Address by Mr. Adrian Scrase, CTO, ETSI and Keynote will be deliver by Shri Anupam Shrivastava, Chairman & Managing Director, Bharat Sanchar Nigam Limited. 5G India 2018 International Conference and Exhibition is being supported by the Department of Telecommunications, Ministry of Communications, Govt. of India and the Ministry of Electronics and Information Technology, Govt. of India. With Broadband India Forum as the Knowledge Partner, the conference is also being supported by the industry associations including 3GPP, TSDSI, CEWiT India, COAI and TAIPA.

With plenary sessions, technical tracks in an innovative show formats and international case studies, the agenda will include visionary presentations from 30+ speakers across the globe including Mr. Klaus Pendl, First Counsellor – ICT, Delegation of the European Union to India, Mr. Sebastien Soriano, Chairman, ARCEP France, Mr. Daniel Brower, Vice President, Program, Deutsche Telekom, Mr. Julius Knapp, CTO, FCC USA and Dr. Wu Yong, Senior Standards Expert, 3GPP as well as Senior Spokesperson from BSNL, INTEL, Google, Savitri Telecom Services, Syniverse, Keysight Technologies, UTStarcom, Cambium Networks, CSG International, Rohde & Schwarz, Commscope, Infineon and Siae Microelettronica.

About Bharat Exhibitions

In a world where technology is erasing borders, it is indeed ironical that professionals find it increasingly difficult to maintain peer to peer contact on regular basis. Bharat Exhibitions fills in this space by managing and hosting some of India’s premier Telecom & IT events. We own niche and prestigious conference properties in the new generation technology arena such as 100 Smart Cities India, Cloud & Network Virtualisation India, 5G India, Data Centre India, Broadband Tech India, Smart-Sustainable Cities Technology & Innovation Summit, Cyber Security India, SMC Technology India and Telecom CXO Summit. We have a simple mission: Establish & deliver contacts that create value for your business.

For further details, please visit http://www.bharatexhibitions.com

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In a bid to deliver transparency in technology and stay ahead of ethical pitfalls, Google has said that its Artificial Intelligence (AI) calling system "Duplex" would now identify itself while making appointments.

Following the launch of the "Duplex" system, which lets AI mimic a human voice to make appointments and book tables, among other functions, a widespread outcry over the ethical dilemmas were raised by tech critics.

Google clarified to The Verge that the experimental system would have a "disclosure built-in" that means that whenever Duplex gets involved in some type of verbal communication with a human at the other end, it would identify that the human is talking to an AI.

"We understand and value the discussion around Google Duplex, as we have said from the beginning, transparency in the technology is important," a Google spokesperson was quoted as saying.

"We are designing this feature with disclosure built-in, and we will make sure the system is appropriately identified. What we showed at I/O was an early technology demo, and we look forward to incorporating feedback as we develop this into a product," the spokesperson added.

Google CEO Sundar Pichai introduced Duplex earlier this week in the company's annual developer's conference Google I/O and demonstrated how the AI system could book an appointment at a salon and a table at a restaurant.

In the demo, the Google Assistant sounded like a human. It used Google DeepMind's new WaveNet audio-generation technique and other advances in Natural Language Processing (NLP) to replicate human speech patterns.

However, tech critics raised questions on the morality of the technology saying it was developed without proper oversight or regulation.

According to tech critic Zeynep Tufekci, the demo was "horrifying" and the initial positive audience reaction at I/O was evidence that "Silicon Valley is ethically lost, rudderless and has not learned a thing".

Google had originally said in a blog post written by engineers Yaniv Leviathan and Yossi Matias that "it's important to us that users and businesses have a good experience with this service and transparency is a key part of that".

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Microsoft

The fast-emerging field of Artificial Intelligence, which has suddenly caught the attention of the IT industry and the governments across the world, is facing a large skills shortage, a top Microsoft official has said.

The Artificial Intelligence (AI) is also facing the challenge of appropriate use of data, group programme manager of Microsoft Learning Matt Winkler told PTI.

"There is a pretty large skills shortage. Lots of folks are talking about it (AI). A lot of folks are very, very excited about it and then they want to go and make that real. And when they go to make that real, there's a really large skills shortage," Winkler said.

That's why it's so exciting to be trying to bring these technologies to more developers because it's going to bring more people into the mix, he said. Winkler said the second challenge is really around data.

"How do you get the data in the right shape? How do you prepare the data? Because all of the AI in the world is based on data, and so what makes it interesting is the data that you have, the data that your business has, that what you understand about your customers. So how do you most effectively use that data to go and produce models," he said.

Then within kind of any individual product project, one of the key challenges is the same thing that the industry has seen with software, which is, if one tries and do too much, the project gets much harder.

"And so we'll often times see failed projects, which are the result of trying to create just the most amazing thing having done nothing," he said.

At the recently concluded developers conference ¿ Build 2018 ¿ Microsoft's CEO Satya Nadella talked about how to make AI accessible for everyone.

"Our guidance to a lot of customers to pick a domain and pick a used case where you have a high, high-quality data and that it is really well understood. Start there, get some wins with that and then start expanding the use cases so far," Winkler said.

Microsoft is partnering with multiple players in both the private and governmental sectors to use AI for public good.

"Absolutely, AI is being used for public good. For instance, it is being used in school districts in order to predict drop-out rates in India.

"We see a ton of healthcare applications: patient re-admission rates is very very popular one. We have seen medical image analysis. We are doing some really interesting work doing diabetes prediction through scans of retinas," Winkler said.
Microsoft is working with the Snow Leopard Trust, a non-profit organisation dedicated to the preservation of the snow leopard and parts of Nepal and India to analyse in real time the presence of snow leopards.

"So it's fundamentally changed the way they do their research," he said, adding that the Microsoft is working with three-four other conservation agencies doing similar things.

"For a lot of the customers, what AI is enabling is not just an incremental... but It's something they fundamentally couldn't do before. So it really does introduce a step change for the things that they want to do in their business," Winkler added.

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While digital technology often receives brickbats from the health-conscious, a 76-year-old man in Hong Kong now wants anyone with a heart problem to wear an Apple Watch after it helped him get a new lease of life by sending an alert about his elevated heart rate.

Gaston D'Aquino, a semi-retired diamond trader, was sitting in a church in April when he spotted an alarm on his timepiece telling him that his heart rate was too high, tech website Phone Arena reported on Sunday.

Although D'Aquino was feeling fine, he skipped Easter lunch with his family to go to the hospital.

That decision proved to be life-saving as a battery of tests performed on him later revealed that two of his three main coronary arteries were completely blocked, and the other was 90 per cent blocked, according to the report originally published by the South China Morning Post on Friday.

The doctors at the hospital lauded the Apple Watch for its accurate readings.

On the advice of the doctors, D'Aquino later had an angioplasty, in which tiny balloons are temporarily inserted into clogged arteries and inflated to open them.

He was sent home the following day. "It went well and I'm feeling much, much better," he told South China Morning Post.

D'Aquino, who is a self-professed Apple fan, then wrote a letter to Apple CEO Tim Cook informing him how the Apple Watch helped save his life.

In his email to Cook, D'Aquino recounted his story, noting that "this was the first time that my watch alert had ever gone off, but I was not feeling anything, no dizziness or pain" and "in short, I was a walking time bomb".

He told Cook how he got "a new lease on life" after the operation and also requested him to keep "promoting the use of the Apple Watch for anyone with cardiac problems".

Cook wrote back to D'Aquino saying how happy he was to learn about his story.

"Gaston, I'm so glad you sought medical attention and you're fine now. I appreciate you taking the time to share your story. It inspires us to keep pushing. Best, Tim," Cook was quoted as saying.

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Shrikant Karani takes an early morning walk on the Siri Road steps with his dog Mischief. Pics/Sayed Sameer Abedi

The peace is palpable, the serenity a shock to the system. I'm on Siri Road, the misty-twisty path languidly climbing from Chowpatty to Kamala Nehru Park. Obscure and often missed in a blink by those not knowing it, this thin lane links Walkeshwar to Ridge Road. Every runner's dream, every walker's mini Mahableshwar in Mumbai, the country road you can drive on only till a point is summer-pretty. Heavy with fresh yellow and red flowers, its glowing greens slope up and up to an idyllic city panorama.

This is among the last havens of virgin verdure, affording spectacular sky and sea views at various heights Malabar Hill has hewn since the time it was fully forested. "Around 1534, Siri Road led from Gamdevi village up jungle-covered slopes of Malabar Hill through babul plantations to the banyan-girt temple of Walkeshwar," writes Pheroza Godrej in Bombay to Mumbai: Changing Perspectives. "The stream of worshippers from the west coast followed this path up the hill and, as it was narrow, called it 'Siri' or 'Ladder'."

Nonagenarian Nirmala Kotak in the living room of her home at the Dadyseth bungalow, where she has lived for 70 years since her marriage in 1948

I track down Rajkumar Loyalka, after whose father the road is renamed Chiranjilal Loyalka Marg. "My grandfather Ramchandra from Pilani belonged to the East India Cotton Association. His son, my father Chiranjilal, was a stockbroker and freedom fighter," he says.

Siri Road made news three years back when civic authorities wanted to widen and extend its 300 motorable metres by another 300, for traffic to reach Hanging Gardens via Ridge Road. That environmental disaster was averted by vigilant residents mounting a sharp campaign, my friend Kekoo Colah who walks here daily tells me. They painted "Mala kapu naka – Don't axe me" and "Save us from BMC" on the barks of beloved trees. Tipped at both ends by rowed barbers, bus conductors, paanwalas and ragpickers, Siri Road slumbers amid a jumble of shuttered coal and ration shops turned garages and go-downs. But there's trouble in paradise. Sudden bends and secluded niches swerve into kuchcha mud off-paths, whose messily overgrown carpets of dry leaves and dirt piles are hideouts for hardened bootleggers and junkies.

Named for the shape of its fruit

Near enough, city Zoroastrians got the first open-to-sky dakhma, or Tower of Silence, to dispose their dead in 1672. On the sylvan acres of Doongerwadi, prayers for the deceased are liltingly recited in roofed halls called bunglis. The Dadyseth family built one such in the area. The bungli's barest remnants are skirted by Hibiscus bushes with red blooms brighter than the ancient maroon wall ruins they cling to. Banker Dady Nasarwanji amassed vast land tracts in trust to maintain Dadyseth Agiary at Kalbadevi. He acquired the Chowpatty Band Stand property around 1783 from a Portuguese named Barretto.

Nonagenarian Nirmala Kotak has lived from 1948 in the whispering shadows cast by atmospheric Dadyseth bungalow, which is well over a century old. With daughter-in-law Durrat, she pieces memories of 70 years after her marriage. "Our family planted kesar kairi trees in the compound when my three sons were young," she recollects. "We wake to the shrieking of koels and parrots eating mangoes. Peacocks still fly in to drink water from a dripping tap and cobras coil on tree trunks in the heat."

The Stocking Tree grows uniquely on Siri Road alone in Mumbai. Pic courtesy: Shubhada Nikharge

I discover an interesting former Siri Road tenant thanks to Vinayak Talwar of Khaki Tours nudging me to check Volume III of The Gazetteer of Bombay City and Island. The Duke of Wellington indeed lived here when he was Colonel Arthur Wellesley, in a house Seth Cursetjee Manockjee — of the Khada Parsi statue fame — owned, between road and sea at the curve of the bay. (The landlord became such a great friend that his son Manockjee devotedly retained a hair of the Duke in his locket!). The student Eton described as "not at all a book boy and rather dull" went on to vanquish Napoleon at Waterloo and lead England as Prime Minister twice over, in 1828 and again in 1834.

His Bombay home in 1801-02, was "on your right opposite the wood-wharf as you ascend steep Siri road... The house, Surrey Cottage, stood halfway up the now non-existent eastern brow of Malabar Hill. It comprised a lofty hall, with long verandahs at the sides. In front was a porch, to which led two carriage-ways from different directions. One passed the horse stable near the Siri. The hall commanded a view of Back Bay and Girgaum, also the Esplanade and Fort. The Duke, with his eagle eye, must have scanned a glorious scene from Malabar Hill minus steamers and mills."

A second generation hornbill hops to the Karani family kitchen window to be fed - at one time two older birds would show up with a pair of their babies, of whom this is one. Pic courtesy: Utpal Tijoriwala

Wellesley had company round the corner in George Bellasis at Randall Lodge. The soldier and amateur artist was the son of Major General John Bellasis, whose 1790s orders constructed Nagpada's kilometre-long Bellasis Road, to relieve the poor displaced from famine-struck Surat. George met his neighbour when the future Duke of Wellington was recouping from an attack of ringworm, more colourfully referred to as the Malabar Itch. While the infection stopped him sail for an Egypt expedition, that ill-fated ship sank in the Gulf of Aden.

George Bellasis admiringly dedicated his 1815 book, Views of St Helena, to His Grace Field-Marshall the Duke of Wellington who exiled the French emperor to that island. A watercolour of Randall Lodge paints a two-storey structure with a rectangular lawn edged by cypresses.

What other breeze-kissed trees rustle secrets along this sequestered stretch? Colonial chronicles mention sandalwood, mistletoe, star apple, ivy fig and Christmas trees, with rose bushes, celery and cabbage patches around Surrey Cottage. Usha Desai and Renee Vyas, of Tree Appreciation Walks, detail a wealth of local flora: banyan, frangipani, asopalav, sitaphal, parijat, coconut, mango, jungli badam, putranjiva, jackfruit and aritha.

Flowering in the rain and fruiting in winter, the Stocking Tree is unique to Siri Road, according to Sharadini Dahanukar's book, Green Solace. "We haven't seen it elsewhere in the city," says Desai. "When we saw this one December, its stocking-shaped fruits had fallen. From a seed sprouted in the stocking, Renee grew a sapling on her farm." The originally South American tree leans against a chawl wall here.

"Trees like neem, peepul and kamrak were believed holy for harbouring the souls of rishis like Valmiki," says Rajesh Joshi, introduced to me by Ridge Road resident Jaidev Mehta who has walked the length of Siri Road thrice a day for 60 years. Rajesh's grandfather Hansraj Sawairam, from Sirohi in Rajasthan, heralded a line of four generations of Joshis tending the "swayambhu" — Sanskrit for "self-manifested" — Hanuman temple. It is supposed to have spontaneously risen on soil imprinted sacred by Ram, Sita and Lakshman in the Banganga vicinity. "Ram chose this quiet spot to meditate because of its solitude," Joshi says.

This is temple turf, proffering a trio of 150-year-old examples. Of these, two survive — Hanuman and Shiva mandir, nestled close-necked towards the top of the road. Descending nearer Walkeshwar, devotees thronged, too, to the Ram mandir from the 1880s, till at least a hundred years after. Motor sports entrepreneur Shrikant Karani and his wife Feruza recollect its beautiful idols left abandoned. We tiptoe through filthy, forgotten tracks in thickets below their building, Chitrakut, which faces the Ram temple site (Sita awaited Ram's return from Lanka in Chitrakut). Birdsong spikes the soporific afternoon air. Shrikant remembers dozens of Parsi Dairy bhaiyyas form inky blue clusters in trademark uniform shirts, Siri Road being their shortcut for deliveries from Walkeshwar to Ridge Road.

A tilt across, where Loyalka Estate later rose, was the home of the seven talented Pooviah sisters from Coorg. Their portico, sunken eight or nine feet beneath road height, was designed as an oasis of cool, not letting warm winds waft within on the hottest day. The three youngest sisters, Sita, Chitra and Lata, were renowned Kathak exponents. Sita also worked at Handloom House in the 1960s with Kamaladevi Chattopadhyay.

Their contemporary, Shirin Vajifdar narrates how she and her classical dancer sisters Khurshid and Roshan bonded with the Pooviahs. In a journal her family shares, Shirin has written: "We started weekly lessons at the Pooviah sisters' house. The three charming sisters were the greatest devotees of Kathak dance, the most promising pupils of Jaipur gharana maestro Sunder Prasad. They gave all help to learn at their residence."

The Pooviahs possessed the sole telephone on the road. "They would offer me biscuits when I went across as a boy to make calls," says Shrikant Karani. "I played Chor Police with kids of maalis who clipped the Hanging Gardens' hedges. We knocked dangling drumsticks with catapults, and shook pink and white champas to string garlands from fallen petals."

Old-timers mention a stone Vishnu once reclined under a gulmohur grove in the wilderness (Anantashayana — literally, "sleeping on the serpent Ananta"). Wondering where the divine Preserver must have basked benignly in the crisp sunshine, I pass Gagangiri Maharaj Ashram. A hum of discourses and yoga sessions mesh mellifluous with birds rapping tender-to-throaty tango tunes. Which could these be from Siri Road's trio of feathered regulars — oriole, barbet or hornbill — I try to guess, twigs snap-snapping underfoot every minute.

"We have a hill station in our backyard," declares filmmaker Vivek Kumar, treading this path as part of his exercise workout. "A little landscaping might even make this Bombay's answer to Crookedest Street of San Francisco."

Author-publisher Meher Marfatia writes monthly on everything that makes her love Mumbai and adore Bombay. You can reach her at mehermarfatia@gmail.com

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Illustration/Uday Mohite

Oh, wretched irony, that President Ram Nath Kovind — whom BJP president Amit Shah unabashedly introduced as a Dalit when nominating him as a Presidential candidate — should himself introduce a caste system, where it never existed before: India's august National Film Awards. The President informed the Directorate of Film Festivals (DFF) three weeks earlier that he would leave the award function in an hour. But the winners were informed only a day earlier, that the President would give away only 11 of the approximately 137 awards at the 65th National Film Awards; the rest would be given away by Information and Broadcasting Minister Smriti Irani, and Minister of State Rajyavardhan Rathore. As the award winners' invitations stated that they would receive the award from the President of India, they wrote to the DFF about a breach of trust, "65 years of tradition was being overturned in a jiffy," and nearly 55 winners boycotted the function.

Nothing spoke of the sordidness of this prestigious event as that photograph with just two disturbed award winners, in a hall full of empty chairs. The names of the 30 award winners who protested were not even announced. It is heartbreaking that a number of award winners, including Fahadh Faasil, who won Best Supporting Actor for Thondimuthalum Driksakshiyum, and Parvathy, who won Special Mention for Take Off, both in Malayalam, returned home without their National Awards. We are proud the National Awards still go to those truly deserving them, mostly. Bollywood, which usually hogs the limelight, is shown its true place in Indian cinema at the National Film Awards. Malayalam cinema won 11 major awards, Hindi cinema only eight in comparison; Bengali and Assamese cinema won five each; Marathi cinema won four; Tamil and Telugu cinema won three each.

The President, who is 72, gave no reasons for his self-styled, one-hour Cinderella rule. If he had medical issues, he could reasonably have declined, or split the awards into two sessions.

I have had the honour of attending four National Film Awards — once as an award winner, and thrice on the National Film Award Jury, in 2008, 2011 and 2014. Bungling and uncertainty are a given. I had won the National Award for Best Film Critic for 1998, but received the award only in 2000, because of unstable governments. As I'm usually at the Berlin Film Festival in February, I had asked the DFF about likely dates since October, but they said they would know only at the last minute. I was at the Berlin Film Festival when I was swiftly summoned to New Delhi, so my parents Indu Shedde and S Rammohan went to New Delhi, and my mother received the National Award on my behalf from President KR Narayanan.

On the other hand, Ramendra Naresh, a Dalit student who topped the MCA programme at the Babasaheb Bhimrao Ambedkar University, refused to accept his gold medal from President Kovind at the convocation scheduled last December, to protest against the growing atrocities against Dalits. Along with all this year's award-winners, I applaud Naresh as well.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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The numbers don't lie; Mumbai motorists are in selfie-destruct mode. At least 50 per cent of road accidents on the 93-km Mumbai-Pune Expressway are due to cars stopping or stalling on the road.

A report in this paper stated that stopping to take a selfie or to enjoy the greenery along the E-way could cost you your life. The first two months of the year have already seen 91 accidents, in which 52 people have died. Of these, 26 accidents happened because of vehicles halting. We must warn people that however tempting the scenery, it is just not safe to halt on the E-way and take photographs of the greenery. Once you reach Pune or the outskirts, you have the time to park your vehicle, alight and take all the pictures you want, so keep moving along the expressway, which is what is was made for.

Travellers must realise that an expressway is a piece of infrastructure, pure and simple. It is designed to take people to their destination. It is certainly not a picnic spot. It is no place to lounge around and eat, get out of the car and wash your hands, use as a Kodak moment or to idle outside your car for any other reason. Drivers have to drive within the speed limit on the expressway.

Cut going over the speed limits, which is a sure killer. Authorities have to ensure cameras are in excellent condition. If there is a car breakdown, switch on your hazard lights, and get your co-passengers to wave their hands; do all you can to alert oncoming traffic. The upcoming monsoon means more challenges for E-way users. Let us bring those fatality figures down, and let the numbers do some happy talking, for once.

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Australia's new head coach and former batsman Justin Langer interacts with the media at Melbourne on May 3. He replaced Darren Lehmann. Pic/Getty Images

Australia have a great coach in Justin Langer to guide them through one of their worst cricketing crises. Correction: They have a batting great as coach. The majority of permanent coaches of the Australian cricket team were not Test greats. In fact, the last batting great to wear the coach's cap was Bob Simpson; their first ever coach.

It was under Simpson that newly-appointed coach Justin Langer made his Test debut for Australia — in the summer of 1992-93 — when the West Indies were still the number one team in the world. Langer will not forget it. How could he? The first ball he faced in Test cricket, off the swift Ian Bishop, landed firmly at the back of his helmet. The blow left him dizzy and dazed at the Adelaide Oval. Interestingly, he was also knocked down in his 100th Test — at Johannesburg in 2006 — when he was hit hard behind the right ear by South African Makhaya Ntini to play no further part in the match.

Much like that delivery, Langer's entry into international cricket in the early 1990s was hard. He expected to be on the flight with Allan Border's England troops in 1993, but he didn't find favour with the selectors. He only became a regular one-drop batsman for his country five years down the line, before combining splendidly with Matthew Hayden in the opening position.

He was part of the 1997 Ashes series in England, but did not feature in any of the five Tests. That did not stop him from playing the perfect team man. Mark Taylor was in the throes of a treacherous slump that got the critics dissecting every one of his innings. Langer and his skipper happened to be batting together in the side game against Derbyshire, who were captained by former teammate Dean Jones. Taylor slashed at one off Philip DeFreitas and Jones dropped the catch at slip. At the end of the over, Taylor exclaimed to his junior partner, "That's bloody it, mate. I just can't f****n play!" The young bull (that's what Taylor called Langer when he related this incident in his autobiography Time to Declare) refused to accept the negativity from his skipper. "Mark, that's bloody rubbish," Langer shot back and added, "Of course, you can play. You know that. Just watch the bloody ball really close, stick in here and it will come."

Taylor listened to Langer's advice and ended up hitting his first straight drive in six months to score 63 in 181 minutes. In the next game — the opening Test of the 1997 Ashes — Taylor helped himself to a second innings hundred. The following year, while Langer continued to deal with his in-out, in-out situations, he toured Pakistan where his teammates nicknamed him Arthur Morris.

In The Power of Passion, one of Langer's four literary works, he revealed that Morris (who was part of Don Bradman's 1948 Invincibles) used to be asked often by cricket lovers about how it felt to be in the same team as Bradman. Now, Morris happened to be at the non-striker's end when Bradman was famously bowled by Eric Hollies for a duck in his last Test innings at The Oval in 1948. The dismissal prevented The Don from ending up with a three-figure batting average. Morris used to remind his audience about the fact that while Bradman's duck was most talked-about, people forget that he scored 196 in that same innings. Similarly, Taylor's 334 not out is celebrated as an epic performance, but Langer scored a hundred in that innings — his first in Test cricket — at Peshawar, but it never gets talked about. Given the shared irony of their stories, the Arthur Morris moniker stuck.

Langer ended his career in 2006-07, when Australia claimed the Ashes back after England regained the urn in 2005. Gripping cricket notwithstanding, not many Australians will look back on that contest, their first Ashes series loss since 1986-87, with pleasure. While the Australians were playing poorly in 2005 and were made to follow on at Trent Bridge, my Australian friend Andrew Ramsey, who was reporting the series for The Australian newspaper, was asked to pen a piece for The Times in London.

The guest writer was critical of Australia's performance. As Ramsey left his room for the breakfast lounge in the team hotel at Nottingham, he bumped into Langer, who told him that he read the article. Ramsey was expecting a negative reaction, but Langer called Ramsey's analysis "spot on." He patted him on his shoulder twice and ran towards the elevator to join his teammates in the team bus.

Acceptance is a great trait to have. Langer has many more, developed ever since his 11-year-old eyes watched on television his Western Australian hero Dennis Lillee shatter Viv Richards' stumps off the last ball on Boxing Day in 1981 at Melbourne. Lillee's incredible inswinger made Langer yearn to play for Australia someday. Doubtless, he'll want to be a great coach now.

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

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On the ferry, leaving the island of Burano at dusk. pic courtesy/Rosalyn D'mello

Because the high chairs and tables extending onto the pavements are arranged like invitations; because the indigo sky greets us with its distinct hue, informing us that though the sun has set and it is past 8 pm, the evening has only just begun; because our feet, so tired from daytime explorations, miraculously find the strength to continue their march; because Mac's Ruby Red lipstick enhances our personalities, making spectacles of our skin tone; or maybe because we are not alone, by 9 pm, unfailingly and with impressive regularity, Mona and I become Queens of the Italian night. There are travellers who tuck themselves in early so they can restore their bodies for the future that awaits them when they awake. Not us.

We are nocturnal explorers, un-bound by the limitations of cartography. We find tentative destinations and then walk the streets like we own them, like they belong to us. We allow ourselves to get distracted by the sights we suddenly stumble upon; we make commentaries on street signs, we take pleasure in seducing policemen into smiling sheepishly at us, we keep ourselves open to conversations with strangers. During the day you could ostensibly call us tourists. We visit monumental sites; pay entry fees, download audio guides and take photographs of everything that impress us. But at night, we are uninhibited.

Because we come from a reality that is both condemned and celebrated as third world, we have few filters about what constitutes safe and unsafe European streets. We trust our intuitions that have been fine-tuned through years of navigating streets that ought to be friendlier towards women's presences, that could do much more to encourage women's loitering. Online guides tell us to be wary of specific areas, but because Napoli feels like a somewhat seamless city with one street urging you on to the next, one inviting façade leading you to explore another, we do not exercise too much restraint as we navigate a city that feels overwhelmingly familiar. We walk through gritty and un-pretentious streets, walk into dive bars and surprisingly cheap restaurants. On our first evening in Napoli, for example, we followed a cyber suggestion and found ourselves at an institution where every drink on the menu was priced at one euro. It was teeming with as many people as could be found in a single Mumbai local compartment, all elated and happy drunk. We had a few Apero-Spritzes and proceeded towards a jazz bar, stopping in between because we were lured by a boutique shop on a wayside street.

There we had excellent red wine, and the choicest green olives. The jazz bar was a bust; it turned out to be a pretentious speak-easy where the bartenders wore white coats like mixologist doctors. Yes, there was what sounded like Billy Holiday singing in the background, and plush red sofas and a superbly well stocked bar, but it was cosmetic, and expensive, and after a small moment of indecision, we decided to simply walk out and go elsewhere. It wasn't a disappointment because on the way we had encountered so much of the city's past by way of arcades, historic fountains, grand edifices and random ruins.

This behaviour of ours hasn't been confined just to Napoli. Even in Firenze and Venezia, our nightly excursion was the day's highlight. In those cities, more than in Napoli, night-time turned out to be the only time when we weren't part of a swarming mass of tourists; when we didn't have to wait in extensive, un-ending lines to get in somewhere. It was surreal, navigating the canals of Venice at 2 am, when the water-borne city feels like an abandoned ghost town, when there isn't a single tourist for miles. Our friends and us had no compunctions being the last to leave a bar. Our friends lived just around the corner, while we, for cost-effectiveness, had chosen an Airbnb in neighbouring Mestre. We were undaunted by the prospect of finding our way to the 24x7-hour ferry to Piazzale Roma, then taking the night bus home. There was something deeply thrilling about having the luxury of public transport at that hour.

I always remember the feminist Shilpa Phadke when I've had a successful late-night out. She speaks frequently about the significance of the feminist claim to 'fun'. "Fun in public spaces cannot be quantified or sometimes even explained," she says. "How does one communicate the pleasure of asphalt under your feet; the rush of finding the bus you want at a traffic signal and managing to jump into it… the exhilaration of wandering in your city at night laughing with your friends. This is not simply fun, it's belonging to your city and having it belong to you." I could argue there's something similarly exhilarating about doing all of that as two women in a foreign land. When our male friends in Venice caringly offered to let us crash in their spare bedroom because it was past midnight, we politely declined. "Are you sure you want to go back so late?" they asked. "Yes," Mona replied. "Because we can!"

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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It is the first weekend in Matheran and we hope to see a number of visitors sporting helmets while horse riding. The paper had reported about how a Mumbai resident had donated a sizeable number of helmets to the hill station, after a little girl suffered head injuries after falling from a horse in Matheran.

Horse owners have also bought helmets and will be providing it to the tourists while horse riding. We appreciate that a start has been made towards ensuring safety for riders. Yet, one hopes that the helmet rule does not run parallel with the helmet rule for bikers in the city. Here, we see that constant vigilance is needed to ensure that bikers wear a helmet. Police nakabandis are set up to catch those riding without a helmet and fines are imposed for the same. One should not need a supervisory body to ensure that riders actually wear a helmet. Horse owners need to be held accountable if their horses are being ridden by visitors without a helmet.

Tourists must understand that the rule is made in the interests of their safety. Good counsel needs to prevail and common sense must rule. Having said that, visitors must go slowly on horses. They should refuse to ride if there is no dedicated helper who will walk along with the animal. Wear closed footwear when you are riding as sandals and slippers are hazardous, especially when mounting a horse, and in case your feet slip out of the stirrup. Parents need to see that their child is with a helper who is in control of the animal.

Matheran horse owners want better roads, which is out of the control of visitors. Tourists and hordes of Mumbaikars who believe if-it-is-May-it-must-be-Matheran should take onus for their safety as far as possible. Wearing a helmet is a good beginning.

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Captain Michael Clarke (left) listens as Bill Lawry speaks to the Australian team before the Melbourne Test v Sri Lanka on December 26, 2012. Pic/Getty Images

Bill Lawry has called time on his fulfilling 40-year career as a television commentator with Channel Nine. His retirement is a loss and no commentator can utter 'it's all happening' as excitingly as the former Australian captain. Lawry, 81, (nicknamed Phanto for his love for Phantom comics) decided he had enough of commentary when his employers lost the bid to cover cricket Down Under. Lawry enjoyed every moment of his commentary years. He was grateful for the opportunity Kerry Packer gave him in 1977, six years after retiring from first-class cricket.

Cricket destiny was not so kind to Lawry during the 1970-71 Ashes. Selectors Sir Don Bradman, Neil Harvey and Sam Loxton dumped him despite his 324 runs in five Tests at an average of 40.50. The illustrious ones who wielded the axe didn't feel obliged to inform him. When Lawry tried to meet one of them before flying out of Adelaide on the morning after the sixth Test, he discovered the selectors had already checked out for home. He then headed to the room of his fellow Victorians Ian Redpath and Keith Stackpole who delivered the news of his sacking.

He took it on his chin, headed home to Melbourne and put behind his disappointment in the company of the pigeons he reared as a hobby. Lawry scored 5,234 runs in 67 Tests at 47.15. As a batsman, he could be obdurate and adhesive, but his supporters didn't see that as a negative. Ian Wooldridge, the famous British sports writer, apparently called Lawry, A Corpse With Pads On. Lawry defended Wooldridge in an interview, saying a sub-editor used those words in a headline for one of Wooldridge's pieces. "I always regarded Wooldridge as a tremendous writer. I have always had a good relationship with him," Lawry said in Why Cricket Matters.

Richie Benaud, his first captain, often recalled Lawry's courageous 130 on a difficult, uneven pitch at Lord's in 1961 when England pacemen Fred Trueman and Brian Statham rendered the opener "black and blue" with their body blows. The 1962 edition of Wisden Cricketers' Almanack projected his bravado aptly: "Lawry was Australia's spinal column in the second Test at Lord's. This was an indomitable effort of sheer graft under severe pressure with the ball flying about and he was tenacious, painstaking and wonderfully cool."

On the 1964-65 tour of the West Indies, danger came in the form of the swift Wes Hall and Charlie Griffith, who damaged Lawry's right cheekbone, but couldn't stop him from carving a gritty double century. Lawry had a sweet and sour stint as captain, winning nine of his 25 Tests. His eight losses included four in a row on the dreadful 1969-70 tour of South Africa. For 35 seasons — from 1969-70 to 2004-05 — he enjoyed being the only Australian captain to win a Test series in India.

Despite being on top of MAK Pataudi's 1969-70 side, Lawry found captaincy hard in India. His team were not granted current-day luxuries and amenities. Plus, there were a couple of riots. There's an amusing story about the Mumbai Test of that series when fans set a stand on fire at the Brabourne Stadium. The crowd felt the decision to send back S Venkataraghavan (caught behind by Brian Taber off Alan Connolly) was a dubious one. The Australian players feared for their lives and at one point, vice-captain Chappell suggested to skipper Lawry that the team should retreat to the dressing room. In Lawry's mind, there was a Test match to be won, so he said (according to historian Gideon Haigh in The Summer Game), "Hell, we need a wicket badly."

From a personal point of view, it was a disappointing series for Lawry. His 10 trips to the crease could fetch him only one half century and he became unpopular with the media. However, there were no Australian newspaper journalists on tour for him to give his side of the story. Indeed, commentary was his second innings in cricket. He excelled, he entertained, even exaggerated. He got excited to the point of causing amusement to his fellow commentators. When Venkatapathy Raju and Javagal Srinath were running between the wickets in their quest to clinch a close win over the Australians at the Gabba in the 1992 World Cup, Lawry goaded the Indian pair to run like hares. And once, he confessed to saying, "Inzamam-ul-Haq has taken this attack by the throat of the neck."

Lawry was invariably on air when drama made its way into a match. He called many a memorable Indian cricket moment in Australia — Sachin Tendulkar's two Test hundreds on the 1991-92 tour, Sunil Gavaskar's walkout at Melbourne and the victory that followed in 1981. Australian cricket viewing will never be the same without Channel Nine and the new rights holders could regret that they have no one as good as Lawry to scream on air, "What a ripper!"

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

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The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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A day after this paper published a report about a couple who has been left in limbo because a financial institute has misplaced their Sale Deed or Sale of Agreement papers, there have been a few readers who have written in claiming that they experienced a similar situation. They, too, had a harrowing story to tell.

According to our report, an Andheri couple who had taken a loan from a financial institution years ago to buy a home and were paying it off over years, finished paying their loan. They asked the institute to return their documents and that is when they learnt that the Sale of Agreement has been misplaced. Their nightmare began, but it has been months the paper has not been found and they have subsequently been unable to sell a home on the outskirts of the city because buyers are wary of buying a home without the original Sale Deed.

Finance institutes cannot afford to misplace such important documents. Institutes might have misplaced the documents while shifting or the file has been lost when being transferred from one centre to another.

If this happens, and from the responses we learn that this is unfortunately not very rare, it is the organisation's responsibility to give the affected a way out. There has to be a redressal mechanism. If the true copy of the document does not work for certain people, the institute has to step in and provide them a solution.

They need to be held liable and accountable. You cannot expect the affected people, who are already suffering considerably and have also spent time and money, to do all this on their own. Those who have erred cannot wash their hands off the matter. They need to be there with the people, whose papers they have irresponsibly, though inadvertently, misplaced, right till the bitter end.

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Mayor Vishwanath Mahadeshwar, the first citizen of Mumbai, recently visited Metro III construction sites, and a front-page report in this paper has already highlighted how he blamed the wrong agency (Mumbai Metropolitan Region Development Authority rather than the Mumbai Metro Rail Corporation) for the possibility of flooding in the city.

While that was one aspect of the mayor's tour, it was his answer to our reporter's question about his view about the Metro work, that is cause for concern. The mayor said that although the BMC is the main planning authority of the city, the Metro authorities did not take permission from them before starting the Metro 3 work. They allegedly did not even take the civic body into confidence before beginning the project.

The mayor's answer was especially disturbing, considering the damage caused by the work to BMC's stormwater drains and sewerage lines. Because of this, there will be flooding if there is a rainfall of more than 300 mm. The state government will be responsible for the same, said the mayor.

Citizens are tired of the blame game that seems to have ensued even before the monsoon. They do not care which agency has done what, they only want to see that there is no major flooding this monsoon. If there is, the authorities need to work swiftly to ensure it is dealt with. Other service arms have to work to ensure the city does not go off the rails.

Every authority must be geared to if not prevent, then at least combat, all the challenges that the monsoon is sure to bring with it. We want to hear and see actions that reassure the public, rather than discouraging finger-pointing and statements loaded with ominous portent.

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The lull in incidents involving doctors and relatives of patients has been broken once again. An indefinite strike called by resident doctors of the civic-run JJ Hospital entered its second day on the weekend. The doctors held a candlelight march to protest the attack on their colleagues and to pressure the management to take action to ensure their safety.

Doctors from other hospitals were supporting the protest as well. It started with over 400 resident doctors from JJ Hospital going on strike over the weekend after two were attacked by the family of a deceased patient.

We had seen these flare ups and thought that a long lull may spell the end of the doc-patients' fracas, which has been a very worrisome aspect of the health service sector in the country. It was not to be and the latest incident shows that measures have to be in place to tackle these incidents before they spiral out of control.
Doctors must have adequate security at hospitals. Fears for safety can inadvertently crop up in medical decisions or diagnosis, where sometimes a professional's judgement may be compromised if they think that their workplace does not care enough to protect them.

Violence is not the answer even if the relatives think that the doctors have neglected them or are shocked by the death of their family member. Our civic hospitals have too many patients, but staff is small is comparison. Awareness campaigns, an intermediary between doctors and patients' family, security measures, counselling, and somehow bringing the sense that patients' relatives and doctors are on the same side, could defuse volatile situations. The time for talk, discussion and clucking in disappointment is over. This is a medical emergency at our hospitals. An antidote needs to be found.

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Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.

Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.

Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.

Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.

Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.

Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.

Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.

Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.

Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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There is nothing like a blind tasting to make you realise how your senses need an overhaul. But when there is chocolate involved, then it's a worthwhile endeavour. Especially when the chocolate-maker that invites you is the 140-year old Du Rhone Chocolatier from Geneva, which is a Swiss handmade chocolate brand. After I tasted a few chocolates at the new Du Rhone Chocolatier store that opened this week at Peddar Road (our favourite was the Coline which is a dark ganache with 70 per cent cocoa beans from Brazil and Papua New Guinea), we were treated to a fun game of blind chocolate tasting. We liked what CEO and owner Frederico Marangoni had to say, when he said he never wants Du Rhone to be a mass produced chocolate. "It's as old school as it gets. Every flavour is taken directly from the root. When you taste raspberry, that's real raspberry jelly," said Marangoni, and we have to agree, especially after tasting the richness of the chocolates.

The game was simple — smell a flavour, taste a chocolate and then write down what we experienced. The first one was our lucky one, as it's the only one we got right. We took in a whiff of orange, and bit into a delicate slab of chocolate. And then what Marangoni said suddenly made sense to us. "Most factory made chocolates have thick outer crusts and barely any chocolate inside. Here, the exterior is thin and fine, and full of rich chocolate inside. You can't have more than two at a time." And he was right.

Pic/Sneha Kharabe

I then tasted lemon (which I identified as peppermint), raspberry (which I called strawberry) and passionfruit (which I felt was kiwi). If you are dying to eye roll right about now, know that I am already doing it. The best part of this experiment was that I got to try these ultra fine, luxurious chocolates that made me feel like we were getting a taste of Swiss tradition. It also made me sure of the fact that we would be visiting the store again soon, to try out the Mocca Glacé, whose ingredients are a well-kept secret. But when you make chocolate as good as Du Rhone, it makes sense to guard with your life.

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Without access to modern technology like refrigeration, people in developing countries often have to throw away a significant proportion of the fish they catch. EU-funded researchers have delivered innovative, low-cost solutions to help such communities around the world make their fish stocks go further.

Redoing your office interiors? Try out some of the must-have elements in office spaces like the right furniture, adding nature to the surroundings and activity based settings. Ishan Thacker, Associate Director, Vector Projects (I) Pvt. Ltd. and Amit Ramani, Founder and CEO of Awfis Space Solutions list some recommendations.

1. The right furniture: This plays a pivotal role in any kind of work space setting. Offices need to invest in the right kind of furniture to increase their employees' efficiency. Opt for something that has high functionality over ordinary designs. Adjustable desks and chairs can be a good choice; multipurpose furniture can also be added to save space. Another new entrant in the space is reconfigurable furniture that can be customized as per need. It provides both the required flexibility as well as privacy.

2. Go back to nature: Add in a little nature to your premises with biophilic designs. The latest trend in the office space, the presence of plants and other natural elements can add positivity within the environment and improve the air quality.

3. Activity-based settings: It is exciting to be at a workplace that engages you with diverse group of people and gives you the opportunity to network and collaborate. Flexible workstations, new age cabins, activity-based settings including comfortable couches and beanbags, breakout zones, meeting lounges and pods are some of the attractions in an office that provide a natural crossroad for employees to meet and share ideas, thereby enhancing their motivation levels and productivity.

4. Ergonomic lighting: Our cortisol level drops significantly under artificial and poor lighting conditions and dimly lit workplaces strain the eyes, causing headache and drowsiness. This can lead to poor productivity. Natural light is the best. Daylight that filters through the space not only affects employee well-being but also boosts the energy and mood level. Consider making the best use of natural light and swap the florescent bulbs with personal lamps, string lighting, and soft coloured bulbs to keep your employees alert and attentive.

5. Aesthetic appeal: Everything from layout, to furniture and even artwork is subject to appeal in a workplace. The idea is to create a transcendental experience for the user and to design a warm casual space that works as an incubator for ideas. Materials like wood and metal bring warmth and rustic feel to the space. Keeping in mind the fact that the office workspaces today are dynamic in nature and are witnessing rapid changes, the workplace style should be bold, industrial and vibrant with new age materials, technology and decluttered design vocabulary.

6. Technology: A modern office space is incomplete without the right technology. Integrated systems, fast-speed internet connections and latest hardware and software are things your office must have to appeal to the incoming tech-savvy generations. Not only that, office can also invest in mobile devices or rather agile settings to help one switch easily from one place as to another. The new workforce prefers more flexibility which will in turn result in enhanced productivity.

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When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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Illustration/Uday Mohite

Several years ago, when Dr Karanvir Singh was pursuing his doctorate in the field of applied psychology, he stumbled upon an interesting find. The focus of his PhD was relationships. What he surmised from those years of research and interviews was that "if people enjoyed good relationships with their partner, it also positively influenced and affected other areas of their lives too." But Singh, who now works as a relationship empowerment coach, believes that romantic utopia isn't possible, until one develops a perfect relationship with themselves.

Karanvir Singh

Having conducted over 55 workshops on relationship management across the globe, Singh is conducting a session for singles - My Perfect Welationship - that will equip participants with the right tools to create their happily ever after. The two-hour-long session, which will involve games apart from examination of case studies, will walk you through three main topics.

"First, it's important to define what is a right relationship," says Singh. While there is no ideal relationship, having false notions about love can be detrimental, he adds. Singh will also reflect on the need for "creating an inventory" of the kind of behaviour one is looking for, from their potential partners. "Top on this list is the non-negotiable ones," he says, adding that he will also discuss ways where one can spot the red flag in romance. Lastly, he will suggest ways of breaking the communication barrier. "When communication between two people is more aligned, half the conflicts can be gotten rid of," he says.

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"
The cast and crew of Malgudi Revisited

Malgudi - the famous fictitious place that RK Narayan created - has a certain sense of innocence that seems incongruous with the fast pace of life in a city like Mumbai. It offered the characters a chance to enjoy the simpler pleasures of life, be it a young boy following the journey of a paper boat down a nullah or chucking pebbles into a lake. But now, people here can also get a chance to spend a day in the laidback town, as Tantra Theatre Group brings it to life in a series of short plays called Malgudi Revisited.

In it, a narrator will take the audience around different locations, making them meet the locals who populated Narayan's much-loved book. The day begins early, at 8 am, with a visit to the school where Swami - one of Narayan's most iconic characters - studied with his friends. Their exploits were of an everyday nature. And yet, there were lessons embedded in the story that are relevant even today, such as how a wall of conflict can be broken down with just a bit of empathy and understanding.

The short play featuring the astrologer

Then, around noon, the audience will be taken to a chowk where they will meet "the talkative man", who narrates a story called Old Man of the Temple. It deals with how the talkative man had once encountered a ghost while driving by a roadside temple, who possessed the spirit of the young man at the wheel. Krishna Battar, the ghost, was the one who had built the temple. But his spirit refused to leave the area even after his death, since there was no one else to take care of the holy place. Eventually, the talkative man convinces Battar that it is important to let go of the past, no matter how tough that is. And in the end, it seems that Battar has understood this point, because the next time the man comes around to that temple, the ghost is nowhere to be seen.

Later in the afternoon, the scene shifts to a bank, where a watchman is sitting outside the gate. This watchman tells the audience about how, after retiring from his job, he had discovered a talent for making paper dolls. He had received a lot of love for the same, but one day, he got a registered letter from a bank whose manager had been one of the recipients of his dolls. Now, back at that time, receiving a registered letter invariably spelt financial doom for a person. So, the watchman cursed himself for giving the manager his gift, and the insane fear he felt about opening the letter finally made him lose his mind. The irony, though, is that the envelope had contained a sum of `100, which the manager had sent the watchman, elated with his gift.

Soumitra Acharya

After that, in the evening, the audience is taken around to a marketplace, where they meet an astrologer whose quick thinking saves him from being pummelled by a man he had once tried to kill in his village. And finally, the narrator notices that a light is still switched on in the bank, so he goes to find out if someone is still working there. In the process, the audience comes across the character who was the protagonist of a story called Forty Rupees a Month. This man had decided to quit his soul-crushing job to spend more time with his family. The sum of Rs 40 was not completely peanuts back then. But it still didn't allow him to take his wife and children out for movies, for instance, and so he decided to hang up his boots. But at the last moment before submitting his resignation letter, he found out that he had got a pay hike of `5, and that made him change his mind about packing up his working life and calling it a day.

Soumitra Acharya, who directed and wrote the short plays, and also essays the role of the narrator, reveals this plot structure to us. He also points out how relevant Narayan's stories continue to be. "For instance, the main character in Forty Rupees a Month might well be me, where instead of taking my family out for a movie, my ambition could be to take my parents on a foreign trip. So, like him, even I am stuck in my comfort zone, and refuse to get out of that rut come what may," he says, pointing out how some issues remain constant through the years, and some places like Malgudi - fictitious as it may be - have a sense of timelessness that persists through the ages.

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Palash Kothari. Pic Courtesy/Fahama Sawant

It's a hot, toasty afternoon in Mumbai. We can see bits of the pumpkin-coloured sky through the window blinds. The phone rings once, twice. On the other end is 21-year-old Palash Kothari aka Sparkle and Fade. "I really don't know what to expect," Kothari admits, speaking about his upcoming gig with Bengaluru-based producer-drummer duo Nikhil Narendra and Shreyas Dipali.

The Fringe is a new gig series to be launched in the city, which will feature artistes who create hybrid music. "Hybrid is very open. It can be analogue or digital, classical or jazz, acoustic or electronic, basically the coming together of conventional and non-conventional methods," explains Sainath Bhagwat, programmer at Mixtape, a Mumbai-based artist and event management company.

Nikhil Narendra + Shreyas Dipali. Pic courtesy/Mayuresh Vartak

"In the current scenario, there's a bulk of electronic and live music being made, which cannot be performed/consumed in a traditional club space. The idea for this night was born out of a collective desire to create a platform to showcase these artists in the right environment," Sainath adds.

Unsure of what to call Kothari's music, we dawdle between electronic and bedroom producer (a term used for musicians making and producing experimental music in their bedrooms) hoping to understand the use of Hindustani classical samples in his older EPs. "I am not sure what to call my music either. I began playing the synth when I was three and then, I trained in Hindustani classical. That was my first step into music, so the influence comes from wanting to put a little bit of me as a child into the music I make now," he elaborates.

"I was listening to pop and EDM in high school. Swedish House Mafia's concert in India inspired me to finally put my music out. Then I got bored, because it wasn't satisfying. So, I started making music that I felt right about. I mellowed down a little as a person and I guess that comes through in the sound, which is more solitary now," he says.

For Kothari, while the influences are aplenty, not mimicking takes conscious effort. "I am working on something now. So, I am going to stop listening to other music because it's difficult not to emulate them. I don't see any point in making music that already exists. In effect, this will probably also be my last gig before my new stuff is out," he signs off.

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Innovation Driven Approach and Creative Content Soars Radio City’s Share% to 12.4% (Source: RAM, Delhi, 12+ All)
Mumbai : May 08, 2018: Radio City 91.1FM, India’s leading radio network, backed by its innovative and enriching content has yet again dominated the capital city of India, emerging as a strong no.2 radio station as per the RAM (Radio Audience Measurement) ratings in Delhi for the week 12-15, 2018. Pioneering unique 360-degree intellectual properties spread across entertainment genres and superiority in programming content helped, Radio City secure a remarkable Share% of 12.4% over the past four weeks.
Radio City is #2 based on Share % in Delhi. (Source: RAM, Markets: Delhi, Demographic: 12+ All, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018).

Commenting on the performance, Mr. Abraham Thomas, CEO, Radio City said, "We are very excited to see growth in reach for Radio City in Delhi over the past few weeks. These ratings reinforce the loyalty conferred by our listeners in the city and encourages us to continue our effort in providing them with enriching content. Our innovation first approach has truly paid off as we can see that our station has emerged No.2 in Delhi amongst listeners and advertiser. Truly Dilli ki Rag Rag Mein Daude Radio City”

Radio City has also emerged as the No.1 player as per the latest RAM ratings In Bangalore with Share % of 25.4% Source: RAM, Market: Bangalore, Demographic: 12+ All, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018). Radio City ranks No 1 in Mumbai with Share % of 16.5% Source: RAM, Market: Mumbai, Demographic: 25-44 Sec AB, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018).

Radio City’s consistent top rating once again proves its popularity in one of the most competitive and prominent markets by providing its listeners with innovative and clutter breaking content

About Radio City 91.1FM:

Radio City, a part of Music Broadcast Limited (MBL) is a subsidiary of Jagran Prakashan Ltd. Radio City was the first FM radio broadcaster in India and brings with it over 16 years of expertise in the radio industry. as on March 31, 2017, Radio City reached out to over 52.5 million listeners in 23 cities covered by AZ Research (Source: AZ Research Report).

Music Broadcast Limited currently has 39 stations, including 11 newly acquired stations in Phase III auctions. Radio City in its third phase expands to Kanpur Ajmer, Kota, Bikaner, Udaipur, Patiala, Patna, Jamshedpur, Nasik, Kolhapur and Madurai.

Radio City has spearheaded the evolution of FM radio programming by offering content that is unique and path-breaking. The network introduced humor and the concept of agony aunt on radio with Baber Sher and Love Guru respectively. It also initiated the Radio City Freedom Awards and provided a launch pad to budding singers with Radio City Super Singer, the first-of-its-kind radio talent show in India. Through its ‘Rag Mein Daude City’ philosophy, the network has adopted a local approach that resonates with the listeners while inculcating a sense of city pride and infusing local culture and flavour on-air. The network provides terrestrial programming along with 51 other web-stations, through its digital interface, www.radiocity.in.

Radio City has been featured consistently in ‘India’s Best Companies to Work For’ study conducted by Great Place to Work Institute. The network has repeatedly been called out as amongst the best in the media industry. In 2017, the company was included in the list for the 6th time.

For further details, log on to www.radiocity.in

Make your summer stylish and comfortable by teaming up your right dress with apt jewellery and perfect accessory. Shreyasi Pathak, Stylist, Vajor and Sonal Sahrawat, Creative Director, Sonal's Bijoux & Adawna list some tips to look stylish this summer.

1. Jumpsuit: Jumpsuits are the most effortless and sought-after choice when you want to dress up effortlessly in this scorching heat. Sleeveless with floral prints along with a flared silhouette is what will keep you going throughout the day. Wear it with a pair of flats, sunglasses and statement earrings to walk the streets in style.

2. Dress: A casual summer dress is a must during bright sunny days. Whether you opt for solid colours or for soothing prints, nothing can come to your rescue in this heat other than a nice breezy dress. Keep the look chic and boho and style it well with a pair of sandals, tassel earrings and candy pop sunglasses.

3. Top and bottom: For someone who loves to keep their looks effortless, minimalist yet full of class, for someone who loves to explore places when on a vacation, a fun top with a pair of bottoms is your go-to choice! Complete your look with a slip-on and a sling and you're ready with your on-the-go look.

4. Bright coloured stones: Go colour-crazy with your wardrobe and try mixing in some vibrant coloured stone jewellery. Dare to rock a more-is-more look and brighten up your summer outfits with unique coloured jewellery pieces.

5. Stylish pearls: Pearls are something that never goes out of style and this year is no exception. Wear it as a stud or as a dangling earring, this style will never fade away. Opt for long dangling style pearl earrings for any parties, weddings or social events and make a style statement to rock your gorgeous look this year.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Representational picture

New Delhi: Jewellery is timeless but when it comes to trends, every season, occasion and era brings with it a wave of intriguing new designs so make sure you are opting for the right pieces this season. Ishu Datwani, Founder of Anmol Jewellers, lists some tips.

• The big jewellery trend to look forward to in 2018 will be very classic European with designs and finish in an international tone.
• Classic diamond jewellery with statement diamonds and precious coloured gemstones like emeralds, rubies and tanzanite is expected to trend in 2018.
• Jewellery set in rose gold is another very popular trend as rose gold gives a very classy, elegant and luxurious look and works well for Indian skin tones.
• When it comes to bridal jewellery, diamonds will continue to shine as the eternal charm of Polki is here to lead the show.
• Samir Sagar, Director, Manubhai Jewellers, agrees that rose gold is expected to continue shining in 2018, especially in the lightweight segment.
• The metal has become popular as the warm pink hue brings with it a dash of luxury and can be clubbed with yellow gold and white gold jewellery too.
• Daily wear lightweight jewellery studded with diamonds in pink gold is trending amongst the young, urban, working women. The USP of these diamond collections is that they give the wearer the pleasure of adorning the luxury metal with diamonds on an everyday basis as the range starts from Rs 35,000 only.
• In bridal jewellery segment, Jadau continues to be in trend.
• Gold chokers with long kanthas studded in kundan karigari with colourful gemstones in hues of green, pink, red, blues and pearls have become a new trend, especially with Bollywood divas donning the same for reel and real life weddings.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Stretching from the imposing skyrises of Colaba and Malabar Hill to the fishermen's colonies in Worli, the prestigious VVIP Mumbai South Lok Sabha constituency is the richest in the country making it a high-stakes affair for the two main contestants - Shiv Sena sitting MP Arvind G. Sawant and rival Milind M. Deora of the Congress.

Despite being wealthy, the constituency is barely 'generous' in exercising its franchise - it was way back in 1967, when George Fernandes won on a single point agenda of providing sufficient water supply to all, that 67.42 per cent electorate voted.

Again in 1991, the voting percentage plummeted to an abysmal 38.65, giving credence to the belief that people in high-rises remain indifferent to the political process. But in 2014 the percentage went up to a modest 52.48.

The population of Mumbai South is approximately 20 lakh and the voter strength is 14,85,846 including 15 per cent of some of the country's richest, a large 70 per cent dollop of middle-class and a sprinkling of 15 per cent eking out an existence in slums in what is one of the few fully urbanized constituencies of India.

Unconcerned by the turnout figures, Shiv Sena's Sawant exudes is optimistic of winning again.

"I am the voice of the masses and the classes. I have been present whenever and wherever I was needed in the past five years," Sawant told IANS.

On his rival Deora, he shot back: "Where was he for the past four years and nine months? This is what commoners and business community ask me. It is my work for all sections and my contacts with the masses that will decide the election."

Though incommunicado despite repeated attempts by IANS, the former Union Minister Deora has remained unflustered by the opposition barbs.

After all, in a political-corporate coup of sorts, last fortnight, he secured the open support of key players from India Inc, sending panic waves in the ruling Bharatiya Janata Party-Sena combine.

Ranked as one of the most cosmopolitan constituencies, Mumbai South is beset with many problems that have remained unresolved over the years.

"There are hundreds of old buildings, ancient sewage lines, house gullies, traffic congestion and slum pockets in Darukhana, BPT, Colaba and Worli which are of great concern," Waris Pathan, All India Majlis-e-Ittehadul Muslimeen's sole Mumbai MLA, told IANS.

Though there is the ambitious Coastal Road project coming up, Patyan says "a lot will depend on its implementation, or it will be disastrous for the entire city".

Besides, there is the gnawing problem of security in the region which has witnessed two of the worst terror strikes in the country - the 1993 serial bomb blasts and the 2008 terror strikes.

Not surprising, since this constituency is home to the country's most affluent business districts which contribute hugely to the national exchequer, some of the poshest residential complexes, Indian and foreign banks, and national and international firms are headquartered here.

There are also offices of global corporates, airlines, embassies, luxury hotels, swanky restaurants and pubs, global tourist attractions, open shopping plazas, malls and multiplexes, reputed schools, colleges, an array of heritage buildings, the official residences of Maharashtra Governor, Chief Minister, the Chief Justice of Bombay High Court and other judges, the Legislature and the Mantralaya.

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Voting day is here, but not all of us remember how exactly to go about it. Don't worry, mid-day's refresher has it all covered. Among the most important things to remember is to not forget to carry any one of the 11 accepted identity proof documents (see: Valid proof of identity) and to not use your mobile phone in and around the polling booth. Voting begins at 7 am sharp and will last until 6 pm.

While some of us may have got the voting slips, those who haven't got theirs need not panic. All you need to do is go up to one of the helpdesks set up at street corners and look for your name. If your name is on the list, the corresponding voting booth number and other details will be mentioned there. You can also look for your name online before leaving the house on https://electoralsearch.in. If your name is not on this list, you cannot vote. No argument. Do remember to register yourself on https://www.nvsp.in before the assembly elections.

Police officers being briefed about bandobast duty a day before voting day in the city. Pic/Sameer Marakande

No mobile phones

Mobile phones cannot be used within 100 metres of the polling booth, but for the working population of the city, who either votes on its way to or from work, you may carry your phone with you but must remember to either switch it off or keep it on silent mode. Cars and bikes, too, will have to be parked 100 metres away from polling booths. Only designated vehicles carrying people with disabilities will be allowed close to polling booths.

Only 11 valid ID documents

Please remember that the voter slip is not proof of identity. You have to also carry any one of the 11 identity cards. If you have none of them, once again, you cannot vote.

Please do not argue with the election duty staff, they have no role to play in this.

Shivaji Jondhale, Mumbai City Collector, said, "If there is no name on the electoral list, then people cannot vote. It is very important to be a registered voter. Further, if there is no voting slip but your name is on the electoral list of the Election Commission and you have a valid ID card, then by checking with the help desk you can find out the polling station and can exercise your right to vote."

Wait for the beep

The confusion about the long press while registering your vote on the electronic voting machine was cleared by Collector officials. They said your vote is considered registered once the long beep is heard. Do keep your finger pressed on the button until you hear it or your vote will not be registered.

Live Blog: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

Come out and vote!

The Election Commission has taken various measures to ensure citizens come out and vote. The total number of voters in the city, is 96.39 lakh. The EC and Collector offices of the city are aiming at a voting percentage of at least 61% this time from 41% in 2009 and 51% in 2014.

Citizens, too, have come forward to help increase voter turnout. An ALM from Juhu has organised a pick-up for senior citizens to the polling booths. The EC, too, has organised help for people with disabilities. Further, in order to ensure proper transport system during the voting process, the Collector offices have organised 2,985 vehicles in Mumbai suburban district and 1,769 vehicles in Mumbai Island City.

There is a staff of 15,000 working in the island city and over 60,000 in the suburbs on election duty. There are 2,601 polling stations in the island city which has two constituencies, and 7,472 polling stations in the suburbs that have four constituencies, said officials.

Also read: Elections 2019: Mumbai Police to deploy 40,000 cops on election duty; issue guidelines

Students, take that selfie!

This year, the EC and government officials have been explaining the electoral process to young students in the hope that it reaches their parents at home. One of the initiatives is the 'selfie' movement, where students have been urged to take their parents to polling booths and put up selfies on social media with their parents after voting.

96.39l
No. of voters in Mumbai

61
Voting percentage that the Election Commission is expecting in Mumbai

Also read: Elections 2019: 422 polling stations in Mumbai declared 'critical'

Valid proof of identity

• Passport
• Driving licence
• Identity card issued by the Election Commission/Central and state government/ Public Enterprises / Local Body Institutes
• Bank passbook with photograph
• PAN card from the Income Tax Department
• ID card given by the Census Commissioner
• Job Card under Employment Guarantee Scheme
• Health card from the labour ministry
• Pension passbook or pension payment order with photograph of the retired employee
• ID card of MLA/MP
• Aadhaar card, too, will be considered as identity proof

Also read: Elections 2019: Popular politicians and key battles in Mumbai

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I have a crush on a girl who is also a close friend. We have been in the same class at college for two years and spend as much time together as possible. The whole class thinks we are in a relationship, but we are not. I want to though, because I really like her. I think she has a soft corner for me, too. What should I do? Should I propose to her? If I do and she rejects me, I am afraid of losing my friendship, too.
— Abesh K
If you have known this girl for two years and call her a close friend, it's safe to assume she wants to be your friend too. Jeopardizing it by telling her how you feel doesn't seem likely. I don't know if 'propose' is the word I would use though, because it makes sense to simply have a conversation and get a sense of how she looks at you. If the two of you can have a mature discussion and evaluate whether or not there is potential for a relationship, there should be no danger to your friendship provided you are open to the possibility that she may not feel the same way about you.

I have wanted to be with this guy for the longest time, but he doesn't want to commit. We date often, but I know he is also seeing other women. Should we get into an open relationship? It will hurt me, but it may be the only way for us to be together.
If the idea of an open relationship hurts you, and you want to consider it just because you want to be with someone, aren't you setting yourself up for disappointment right at the start? Wanting to be with someone is great, but the chances of that working out are higher only when it is based on mutual respect and acceptance, so I suggest you think carefully about how you will be able to come to terms with an open relationship.

The inbox is now open to take your most carnal and amorous queries. Send your questions on email to lovedoc@mid-day.com

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With the city going to the polls today, a total of 422 polling stations has been declared 'critical', which includes 65 from Mumbai suburban and 357 from the Island City. As part of the special arrangements made at polling stations, live web-casting and video-recording will be done. The procedures will be monitored closely and immediate action would be taken in case of any suspicious activities.

As per the instructions given by the Election Commission (EC), the booths that polled more than 75 per cent votes in the last elections or where the same candidate got 75 per cent votes have been marked as 'critical'. Even the law and order situation of the last election has been taken into consideration before deciding on this.

According to sources, live web-casting will be done at more than 10 per cent (763) of the total 7,472 polling stations in suburban Mumbai. The procedure will be carried out based on the terms of the 65 'critical' polling stations out of the 763. Whereas, in proper Mumbai, of the 357 polling stations declared critical, web-casting will be conducted at 260. As part of the security arrangements, additional force, including teams of the Central Industrial Security Force, will be deployed within a 100-metre radius of polling centres.

Live Blog: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

Speaking to mid-day, a senior official said, "No polling station has been found to be sensitive even after a detailed study, but even the critical ones will be monitored closely by us. The live web-casting will be continuously monitored by the EC-appointed observers."

Also read: Elections 2019 in Mumbai: Everything you need to know before you vote

763
No. of polling stations in suburban Mumbai where web-casting will be done

260
No. of polling stations in Mumbai where web-casting will be done

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With Saturday evening marking the last day of campaigning, most candidates spent Sunday at their office, after a month of being on the field to woo voters. Most of them held meetings with party workers.

Speaking to mid-day, Shiv Sena-BJP candidate from Mumbai North West constituency, Gajanan Kirtikar said, "I am really happy with the support we have got during campaigning and it will work in my favour because the Shiv Sena-BJP has delivered on the promises that were made. The added advantage for Shiv Sena-BJP is that we have a very good force of party cadres on ground and their efforts will help us achieve success. I would also appeal to voters to come out in large numbers and cast their votes."

While many candidates interacted with party workers and people from the constituency, many also studied voting patterns to understand where they stand, instead of having a relaxing day at home. Shiv Sena workers have been assigned various tasks including interacting with voters in their localities and requesting them to come out and vote in large numbers.

Mumbai North West Congress-NCP candidate Sanjay Nirupam said, "There has been a good response to our campaigning and all I can say is that people should come out in large numbers and exercise their right of voting." Other candidates such as Rahul Shewale (Mumbai South Central), Eknath Gaikwad (Mumbai South Central) and Gopal Shetty (Mumbai North) spent the Sunday in their offices similarly.

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A teenager lost his hard-earned money that he was taking home to Bihar, when four to five people looted it. The accused, one of whom attacked him with a knife are at large, and he feels it is God's grace that he is alive and with his family.

Dharmesh Sharma, 19, a resident of Kalyan, works as a JCB operator. According to Sharma, on April 23, he wanted to go to Bihar by a train which starts from Kalyan railway station. At the inquiry window he was told it would arrive at 11 pm.

A person standing nearby claimed he was also going to Bihar and took him to platform 6. Later the man told him the train would start from Kurla (LTT) and after convincing him, took him there on the pretext of better seats.

But at Kurla the accused took him to an isolated spot, and threatening him with a knife, asked him for his valuables. "I pushed him and started running away. But he attacked me with the knife," alleged Sharma.

Soon, the man was joined by four-five more men who stole Rs 7,000 from Sharma, and his mobile. Senior Inspector Kalyan GRP, A Bartakke said, "We have registered the offence. We waiting for Sharma, so we can get details on the suspects' appearance etc."

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A missing platform stands between Mumbaikars and the restored tram the Brihanmumbai Municipal Corporation (BMC) had promised to set up for display at Bhatia Baug, by the first week of April. While the tram coach is nearly ready, the tender for construction of the platform, which will serve as its base, didn't receive an adequate response, and a second tender cannot be floated until after the Lok Sabha elections in the city.

The BMC floated a tender last month to appoint a contractor who will construct a 3 feet tall platform. The tram, as well as part of tracks, will be installed on top of it. The overall of cost of restoration of the tram and construction of the platform is estimated to be R28 lakh. "We received a response from a single bidder so we have to float another tender. However, since the model code of conduct is in place, we will have to wait for the elections to get over," said Kiran Dighavkar, assistant municipal commissioner of A ward. He added that they will float the tender next week and it will remain open for a period of eight days.

Also read: Elections 2019: 422 polling stations in Mumbai declared 'critical'

Based on the plan, the BMC is considering letting people enter the tram under certain conditions. Before the final setup, however, the BMC will need the approval of the heritage committee. Unlike most projects that are approved based on documents, for this project, the committee members will have to inspect the tram. On April 24, A ward officials wrote to the heritage committee asking them to inspect the tram and give their approval for the project. Dighavkar added that the tram will be brought to a godown in Cuffe Parade from Rabale sometime this week.

Over the past couple of months, the tram was restored in a workshop in Rabale using the parts of another tram that was functional in Kolkata between 1874 and 1907. Once the tram has been assembled at Bhatia Baug, the BMC is planning to set up lighting in the area to attract visitors. Civic officials are also planning to install LED screens inside the tram which will display information about the history of trams in Mumbai from the horse drawn ones till the electrical ones which were taken off the road around 50 years ago.

Also read: Elections 2019: Netas appeal to citizens to vote

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Soon, medical colleges might have to keep one expert from the Maharashtra Medical Council (MMC) to address cases of medical negligence.

MMC wrote to the Directorate of Medical Education and Research (DMER) earlier this month, asking them to implement this across the state. "We have written to DMER, asking them to introduce one council member on the expert panel investigating medical negligence cases in medical colleges. This would help in bringing more transparency and better judgment of orders," said Shivkumar Utture, president of MMC.

Dr TP Lahane, director, DMER confirmed receiving the request, "The proposal is extremely welcoming but before coming to a conclusion, we need to discuss it with the council members." So far, around 500 cases of medical negligence or issues regarding treatment are still pending with the council.

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Polling for the fourth phase of the Lok Sabha polls began on Monday in 71 Lok Sabha constituencies spread across nine states. Over 12.79 crore voters will decide the fate of 945 candidates today. Polling started on a peaceful note in 17 Lok Sabha constituencies in Maharashtra for the fourth and final phase of 2019 parliamentary elections, officials said on Monday.

Pic courtesy/Pradeep Dhiwar

As many as 3,11,92,823 voters, including 1418 transgenders, are eligible to exercise their franchise for which the Election Commission of India has set up a total 33,314 polling stations in these constituencies, deployed 68,018 balloting units, 39,977 control units and 43,309 VVPAT-EVMs.

Pic courtesy/Suresh KK

The 17 constituencies polling are: Mumbai North, Mumbai North-West, Mumbai North-East, Mumbai North-Central, Mumbai South-Central, Mumbai South, Nandurbar, Dhule, Dindori, Nashik, Palghar, Bhiwandi, Kalyan, Thane, Maval, Shirur and Shirdi.

Pic courtesy/Sameer Markande

Pic courtesy/Sameer Markande

Pic courtesy/Sameer Markande

Voting will be conducted from 7 am to 6 pm under stringent security measures with over 40,000 personnel on guard only in Mumbai, officials said.

Pic courtesy/Bipin Kokate

Anil Ambani was spotted casting his vote in Mumbai

Pic courtesy/Sneha Kharabe

Mumbai: BJP candidate from Amethi, Smriti Irani and her husband Zubin Irani cast their vote at a polling booth in Versova. #LokSabhaElections2019 pic.twitter.com/rPmk33TXlT

— ANI (@ANI) April 29, 2019

Priya Dutt and husband Owen Roncon cast their vote in Mumbai

Pic courtesy/Sneha Kharabe

Director Kunal Kohli casted his vote in Mumbai

Pic courtesy/Sneha Kharabe

Tennis player Mahesh Bhupathi cast his vote in Bandra

Pic courtesy/Ranjeet Jadav

Film maker Vishal Bhardwaj casted his vote in Andheri West

Union Min&BJP leader Piyush Goyal after casting his vote at Walsingham School, Malabar Hill in Mumbai: This election is now a Tsunami election. North South,East&West, Modi wave has overtaken the country. PM Modi is the tallest leader today in the country. #LokSabhaElections2019 pic.twitter.com/S6fXnrhLE1

— ANI (@ANI) April 29, 2019

Pic courtesy/Ranjeet Jadav

Sanjay Nirupam with family cast his vote in Andheri West

The Election Commission has set up 1.40 lakh polling booths/stations and has made elaborate security arrangements. 

Pic courtesy/Yogen Shah

Urmila Matondkar present at the polling booth to cast her vote.

Pic courtesy/Sneha Kharabe

Actor Amir Khan cast his vote in Bandra

Pic curtesy/Yogen Shah

Actor Anupam Kher cast his vote 

Polling will be held in 17 seats in Maharashtra, 13 each in Rajasthan and Uttar Pradesh, eight in West Bengal, six each in Madhya Pradesh and Odisha, five in Bihar, three in Jharkhand and a part of the Anantnag constituency in Jammu and Kashmir.

Pic courtesy/Nimesh Dave

Gopal Shetty with family at the voting booth in Mumbai

Pic courtesy/Bipin Kokate

Milind Deora with family at the polling booth in Mumbai

Pic courtesy/Faizan Khan

Manoj Kotak cast his vote in Mumbai

In the first three phases, voting has been held in 302 Lok Sabha constituencies, and 168 more seats will go to polls in the last three phases. Election to 542 Lok Sabha seats is being conducted in seven phases between April 11 and May 19. Election in Vellore constituency in Tamil Nadu has been cancelled following excess use of money power. Results will be declared on May 23.

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As Mumbaikars set out to vote in the Phase 4 of Lok Sabha elections 2019 a glitch in the EVM machine led to delay in voting at a polling booth in Malad west.

Voting was yet to begin at booth number 162 of Malad West, Daulat school in Mumbai when this report was being filed. A technical glitch was detected in the EVM machine that led to the delay.

#LokSabhaElections2019 : Voting is yet to begin at booth number 162 of Malad West in Mumbai after a glitch in EVM was detected. #Maharashtra

— ANI (@ANI) April 29, 2019

The machine was being replaced by the poll authorities.

Also read: Elections 2019 in Mumbai: Everything you need to know before you vote

A total of 422 polling stations have been declared critical which include 65 from the suburbs of Mumbai and 357 from the Island city. 

The instructions given by the Election Commission said that the booths that polled more than 75 per cent votes in the last elections or where the same candidate got 75 per cent votes have been marked as critical. Law and order situation has also been kept in mind. 

Meanwhile, veteran actress Shubha Khote, BJP MP Paresh Rawal and his wife Swaroop Sampat have already cast their vote.

In yet another constituency, voting got delayed at booth no 19 in Sion Koliwada in Pratikshanagar as the EVM machine was not working. The voting process got delayed by an hour by the time the glitch was fixed. 

However, a senior official who spoke to mid-day said, "No polling station has been found to be sensitive even after a detailed study, but even the critical ones will be monitored closely by us. The live webcasting will be continuously monitored by the EC-appointed observers."

(with inputs from Samiullah Khan)

Also read: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

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