The Stranger's only news round-up. by Nathalie Graham

International District stabbings: On Friday, someone stabbed five people in what appears to be a random, unprovoked attack in Seattle's Chinatown International District. The same person is believed to be responsible for other stabbings in the neighborhood that occurred between Thursday and Friday. In total, police believe the suspect stabbed nine victims in two days. Police arrested the suspect on Friday. His bail was set for $2 million.

Back at it: Around 300 people gathered over the weekend at the Space Needle for a rally against Donald Trump's re-election. It feels like we were protesting Donald Trump's presidency just yesterday. Time is a flat circle when your country keeps electing a fascist.  

Hundreds of immigrants, students, activists and union workers are protesting in Seattle against U.S. imperialism, violent policies against migrants, police violence and structural economic violence and exploitation by the capitalist class. pic.twitter.com/dZ9JFFPAii

— Guy Oron (@GuyOron) November 9, 2024

Wet, wet, wet: The rain is here. I hope you like it. 

????️ Showers are here to stay, with wet conditions on track through the week. #WAwx pic.twitter.com/0yM2lMdZH7

— NWS Seattle (@NWSSeattle) November 11, 2024

Income tax when? According to 2023 census data, the median wages for tech workers in the Seattle area last year was about $157,200. That's a $14,000 increase from 2022's tech-worker wage estimate, according to the Seattle Times' FYI Guy. Meanwhile, the median income for non-tech workers in Seattle was about $81,100 and only bumped up a measly $2,800 since 2022. 

Vaccinate your kids: Stop being stupid and get your kids their shots. Whooping cough is on the rise with nearly 1,200 cases documented statewide. Of those cases, over 80% are in children. "This is just the tip of the iceberg. We’re starting to see the impact of waning immunization," Dr. James Lewis, a health officer with the Snohomish County Health Department, told KIRO7. 

Help SIFF staff out: Go see a secret staff pick on Wednesday and throw a few bucks in the kitty to help support SIFF workers who are out of a job now that the Egyptian Theater out of commission. 

A pipe burst at The Egyptian and SIFF staff need our community’s support!

Join us on November 13th at 7pm for a free screening of a VERY secret and VERY good movie. Tickets are free, but please donate to the fundraiser linked on our web page! https://t.co/AjQjZHaWJf pic.twitter.com/GLANjC3Hrs

— Northwest Film Forum (@nwfilmforum) November 9, 2024

Analysis suggests Gaza dead are mostly women and children: New analysis from the United Nations Human Rights Office found that 70% of those killed by Israel in Gaza were women and children. The UN verified the details of 8,119 people killed in Gaza from November 2023 to April 2024. Of them, 26 percent were women. Around 44 percent were children, most commonly between five and nine years old. The report said the data indicates "an apparent indifference to the death of civilians and the impact of the means and methods of warfare." 

Wildfire to the East: Dry, windy conditions are to blame for a brush fire in New Jersey that now covers 39 acres. The blaze is currently 30% contained. Meanwhile, at least six more fires are burning in the state. And at the same time, two acres burned in the middle of Brooklyn’s Prospect Park, killing a teenage park ranger. Wildfires have increased in east coast states thanks to historic droughts. Boston to New York City and Philadelphia to Washington, D.C are under red flag warnings. The bad news is everything is going to get worse thanks to who we elected president. 

Meanwhile: A California blaze tearing through Ventura County is 31% contained and still covers 32 square miles.

Trump chooses UN ambassador: New York Rep. Elise Stefanik has been chosen to fill the role. Stefanik, who serves as House Republican Conference Chair, is a Trump loyalist with little foreign policy experience. Trump called her a “strong, tough, and smart America First fighter.” 

Bird flu in Canada: The first presumptive case of bird flu in a human has been identified in British Columbia. The infected person is a teenager who likely contracted the illness from contact with animals. So far, the virus hasn't spread from human to human. 

Another abortion horror story: A woman in Georgia was 18 weeks pregnant with her second child when she miscarried. Despite her bleeding and her risk of serious infection, doctors could not perform a routine dilation and curettage due to abortion laws. They had to wait 24 hours or until the woman seemed like she might die unless she received the surgery. Sure enough, they waited until her hemoglobin levels were perilously low and then operated. While she survived, the pain and fear she went through was not medically necessary. Her pain was legislated.

Wicked whoopsie: Mattel released special dolls for the new Wicked movie. On the bottom of the packaging, Mattel listed "Wicked.com" to drive people to the movie site. Only Wicked.com is a porn site that makes parody porn movies. Mattel said sorry. 

A song for your Monday: You like to groove, right?

The Stranger's morning news round-up. by Ashley Nerbovig

Goooooood morning: The National Weather Service predicts a 50% chance of rain today, with a breezy evening ahead. Meteorologists expect wind speeds to possibly top 29 miles per hour, so batten down your rotting porch pumpkins people!

Time to talk dollars: Want to tell the City Council how to spend your tax dollars? Go to public comment tonight at 5 pm at City Hall. Or you can participate remotely. You can go to tell them to support a capital gains tax, or oppose cuts to tenant services. Or tell the Council to respect the Jumpstart spend plan and actually use the payroll tax to pay for affordable housing, as it was intended. Check back on the blog for more coverage of the budget from Hannah. 

ICYMI: With the blowout loss for former Council Member Tanya Woo, Hannah tells City Council Member Sara Nelson to count her days. Local politicos plan to mount a serious challenge to the conservative Council President Nelson next year in the hopes of ousting her and her pro-cop, pro-business agenda out of office.

Rob Saka Seeks Street Car phase-out: Saka proposed phasing out the South Lake Union streetcar and redirecting the funding to bus service in the City. The budget for the street car is about $4.4 million, which isn't a whole lot of money when you consider Saka wants $2 million to remove the Delridge median so he can take a left turn.

Last week, the Office of Police Accountability (OPA) completed its investigation into Seattle Police Department (SPD) Officer Kevin Dave, who hit and killed 23-year-old Jaahnavi Kandula as she crossed through a crosswalk in January 2023. The OPA found Dave violated the department's driving policies as well as its policies requiring officers to follow the law. The City must hold a Loudermill hearing for Dave, which allows him to tell his side of the story before deciding on his discipline, so it may be a couple months before we know the final outcome. In the meantime, Dave continues to fight the traffic ticket Republican City Attorney Ann Davison issued him for his killing of Kandula. Seattle Municipal Court shows Dave's next hearing is scheduled for 8:30 am on December 18 in courtroom 301. 

BREAKING: OPA concluded its investigation into SPD Officer Kevin Dave on Friday and sustained policy violations for breaking the law and vehicle operation. Next step will be deciding discipline for him.

— Ashley Nerbovig (@AshleyNerbovig) November 11, 2024

What's your plan for this week anyway? Maybe you're checking out Christmas Dive Bar? Or maybe it's too soon? Maybe you're trying to enjoy something with more Thanksgiving vibes? Well, as always, our sister publication EverOut has you covered with the top 41 things to do this week in Seattle.

Republicans likely to control the US House: As it stands, Republicans have won 214 seats in the House, with Democrats at 205, and 16 races yet to be called. To control the House, Republicans need only to pick up another four seats, which they seem highly likely to do. Congress returned to Washington this week, ready to start setting Trump's right-wing agenda into motion.

Trump plans to pick Senator Marco Rubio for Secretary of State: The worst people in American continue to jockey for a position in Trump's new administration, with Florida Republican Rubio possibly securing the role of America's top diplomat, according to Politico. We're sure to hear more names in the coming days, including people such as Tiffany Justice, co-founder of Moms for Liberty, who Trump may consider for Secretary of Education. The nightmare continues. 

Israel kills 14 in Gaza: Two Israeli strikes killed 14 people in an area Israel had mostly declared to be a humanitarian zone. The deaths included at least two children, according to the Associated Press. 

Migos’ “Bad And Boujee” (Feat. Lil Uzi Vert): Been a minute since I checked out Tom Breihan's the Number Ones column, and I'm glad I plumbed it for a song today because I normally wouldn't think about Migos around holiday season, but that's when "Bad and Boujee" climbed to the number one spot on the charts, so I suppose that makes it a holiday classic.

Reading a sex-advice column at a time like this might seem a little pointless. by Dan Savage Reading a sex-advice column at a time like this — to say nothing of writing a sex-advice column at a time like this — might seem a little pointless. But I’ve lived long enough to know that seemingly pointless distractions, small comforts, and guilty pleasures have the power to sustain us in bad times. Taking a moment to read (or write or illustrate) a sex-advice column — or listen to or make some music or watch or make some porn — doesn’t mean you’re complacent or complicit. (Unless you voted for him, of course, in which case you can fuck the fuck off.) Because it’s the little things — the small pleasures — that keep us sane, keep us connected, and keep us going. Anyway, sitting down to write a column this week lifted my spirits a bit. I hope reading this week’s column lifts yours. — Dan P.S. All…

[ Read more ]

Tuesday’s catastrophic results at the federal level mask a different, more durable, and deeply consequential result here in Seattle: Voters chose a public safety candidate from the left. by Kamau Chege

Tuesday’s catastrophic results at the federal level mask a different, more durable, and deeply consequential result here in Seattle: Voters chose a public safety candidate from the left.

For close observers, the result was no surprise: Alexis Mercedes Rinck, running on a strong message of smart, sensible, and progressive public safety and stability, won her primary handily, led in the polls in the lead up to the general election, and easily defeated an incumbent councilmember citywide with more votes than any city council candidate has ever won in a Seattle election.

The critical takeaway is how she won. Rinck, unlike other candidates from Seattle’s left wing in recent years, conceded to the obvious but difficult-to-navigate reality that Seattle voters view public safety as the single most important issue in local elections and, importantly, that those views actually reflect a material reality that bears serious public attention and public work. Missing from the campaign were efforts to browbeat voters for being concerned about public drug use, visible homelessness, and a pervasive sense of disorder in our streets. 

Unlike her opponent, however, Rinck’s policy proposals to tackle voters’ biggest concerns are evidence-based. She supports deep investments in affordable housing — and is willing to raise revenue to pay for it. She’ll work to expand mental health treatment opportunities for those who need it. She’ll fully fund critical municipal services that connect people to resources before they fall into crisis. And she’ll work to build more housing everywhere.

Woo’s campaign, meanwhile, felt rudderless and contradictory to itself. She was at once painting herself as an outsider seeking change, but also as an incumbent who got progressive results. But in facing a charismatic, competent opponent who conceded that Woo’s main issue was central but ran on doing something about it that might actually work, Woo’s campaign collapsed. 

At the beginning of the year, a campaign based on public safety seemed like fertile ground for Woo and her colleagues on the city council who won their elections hammering the same themes against a left that failed to counter pandemic-era attacks about defunding the police.

Rinck’s progressive campaign neutralized those attacks by recognizing a fundamental liberal principle: that when public spaces become private domains — whether through encampments or open air drug markets — they deny public amenities to the many while inadequately serving the few who are unhoused or in crisis. The solution most people want, as Tuesday’s results suggest, lies not in costly incarceration or aimless sweeps but in moving people from crisis to care.

The public’s fixation on safety and stability in this election should not surprise us. Fears about safety flourish in populist moments, in cities divided between haves and have-nots, and in places grappling with widening inequality. As zoning laws continue to strangle our ability to build, crisis care programs are starved for funding, and democratic institutions strain under populist pressure, voters gravitate to a basic need for physical and psychological security.

Rinck’s campaign offers us a model and a playbook for organizing with hope and meeting people where they are — even if that is initially a place of fear and contradiction. Her campaign, and those we hope will follow it in winning back the City Council for progressives, offers abundance in the face of scarcity and hope in the face of despair.

We’re facing bleak times as a country. Perhaps it’s precisely because things are so bad right now that we can't give in to despair, whose pernicious power is its ability to narrow our attention to narratives that only encourage more despair. Its impact results in our inaction. 

As implausible as it seems, this moment demands hope, and specifically, hope as action. We must remind ourselves and each other of our own agency, and our ability to imagine a better future, a better system. Despair calls on us to retreat. Hope asks: what if we win? Then demands we go out and make it happen. On Tuesday, Rinck did just that.

Kamau Chege is a democracy reform advocate. Rian Watt is an economic justice advocate.

"These pigs locked me up to see what color I'd rot into!" by Suzette Smith

Like any fan of Seattle hardcore band the Blood Brothers, I have found myself at a show, pressed up against a wall of people, shouting the wrong lyrics to their songs. For instance, on their hit "USA NAILS" there's a hook where you think you're singing a cheer-style "one, one, and two!" but the lyrics are actually: "These pigs locked me up to see what color I'd rot into!"

The energetic screamo group was active from 1997-2007, during which time they released five critically-acclaimed albums, completed several European tours, and even played a set on Jimmy Kimmel Live, overcoming the reservations of the show's freaked-out producers. Perhaps the best indicator of their success is the fact that their US reunion tour—which hits Seattle on November 14 and 15—is selling out in several cities.

Ever ones to cut the bullshit, Blood Brothers don't have a new record; they're playing the fucking hits. Still, the tour is timed with Epitaph's anniversary reissue of one of their biggest albums Crimes (2004) on vinyl.

When we sat down to talk to Johnny Whitney, who fronts the band with fellow singer/screamer/guttural whisperer Jordan Blilie, he noted that plenty of lyrics websites list incorrect verses for Blood Brothers songs. "It's hilarious how wrong some of them are," Whitney said. "The lyrics on Spotify are not even close to what I'm actually saying. Just buy the fucking CD, and look it up. Come on, people."

We spoke with Whitney and Blilie separately, over sprawling phone calls that we have organized into this piece. For clarity, we're listing their responses together, as we seek to get into the nitty gritty of this group's  danceable, screaming-nightmare material.

Foremost, Whitney and Blilie both began by gushing about the other three members of their band: frenetic drummer Mark Gajadhar, vigorous guitarist Cody Votolato, and ultra-versatile bassist Morgan Henderson, who is currently best known as a member of Fleet Foxes.

"I cannot fucking believe that I got to work with these guys," Whitney says. "I just took all those things for granted at the time. Everybody was, and still is, coming from totally different places [musically], but there was always something really special about all of us together that was there from the moment that we started."

THE STRANGER: Johnny, I've always gotten the impression that you're the major force behind the lyrics.

JOHNNY WHITNEY: I came up with the majority of the lyrics, but it certainly was collaborative between Jordan and I. I would freewrite as much as I could, to have material to draw from, and going back to those notebooks kept things as free and fresh and not contrived as possible. The drawback of that approach is the lyrics are very abstract and hard to parse direct meaning from, but that's also kind of the point. I found myself writing about the absence of answers, or the absence of concrete truths that you can hold onto.

A lot of times, my process would center around coming up with a cool idea: a song name or some common refrain that we would want to work into a song, like "Burn Piano Island, Burn." Something that has a hook or conveys an image or feeling. Then we would reverse engineer the lyrics from that.

JORDAN BLILIE: I would absolutely say that I felt like Johnny was the driver, and for good reason. He's really good. When you see someone who is in a flow state, you do your best to accentuate and collaborate, to help mold and shape and add your pieces. It was always stuff that I was really excited to dig into. It was just that rich and that vibrant. The challenge for me was what can I add to it, you know? It always pushed me to try and come up with the most creatively-inspired stuff that I could.

You two have such an engaging stage style. People would call it sassy, but that has always felt like a description from people who have never been to a play and can't recognize theater. Do either of you have a background in theater arts?

WHITNEY: I wanted to be a child actor—I actually auditioned for that movie Blank Check (1994). Actually, a year after Jordan and I met, we were both in a Jr. High production of Alice in Wonderland. He was the Mad Hatter, and I was the Mock Turtle.

BLILIE: Why would you say that? [Laughs]

"USA NAILS" was such a hit, and it involved a phone number everyone could scream. How did that come to be?

WHITNEY: The name and the "1-900-USA-NAILS" comes from the chain nail salon, but we reverse-engineered it into a song about somebody using their one phone call from the county jail to call a phone sex line. It's the idea of loneliness, disaffection, and parasocial relationships with things that exist solely for their own profit or gain.

And yet it's also danceable. There are these moments live where you have an audience of people shaking their asses and shouting "to see what color I'd rot into!" Did you start with that idea and work backwards, or just jam it into that moment of the song?

WHITNEY: At that time, the band would all sit together in a room and have a kind of song tribunal about how each part should go. Then, at some point, we'd have a semi -finished version and [Jordan and I] would just try to fit lyrics to the songs. Especially on Burn, Piano Island, Burn. Some of those songs needed an editor so bad, right? I wouldn't change a thing about it, but looking back, there are parts where it sounds like everybody's playing a different song at the same time, but it kind of works, right? And for the lyrics, sometimes we just had to make it work.

That wasn't the first time Jordan whispered his lyrics in a guttural tone, but it's one of the more emblematic, right? How did that start?

BLILIE: By necessity—I don't have much of a range, you know? I have this weird baritone. Very early on we were drawing from crust punk, where you just have two voices screaming. And we didn't put a whole lot of thought into even what the other person was doing. But then, as we continued to develop, the stuff became more complex, and there was more room for different sorts of shadings of what we could do vocally. So it was just finding out: What is it I can do other than scream at the top of my lungs?

WHITNEY: Jordan's part at the end just works right? He was very inspired by Jarvis Cocker.

BLILIE: Yeah, you can trace that right back to Pulp. If you listen to any Pulp song, there's gonna be some whispery storytelling, with the compression cranked up so you can kind of hear every lick of the lips.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/burn-piano-island-burn">Burn, Piano Island, Burn by The Blood Brothers</a>

BLILIE: Some of my favorite moments of writing with Johnny are the ones that we would where we would crack each other up.

Can you give an example?

BLILIE: Every lyric of "Guitarmy." We really got a kick out of the idea of opening our major label debut with the words, "do you remember us?" Because of the audacity, the absurdity of it.

So you guys all started this band when you were in your teens.

BLILIE: Yeah, we started when we were like, 15-16.

Are there any lyrics that have not aged well, in your opinion?

BLILIE: I'm sure they're the ones that we're not playing. [Laughs.] This question reminds me of something one of my professors said. It was my first class at UCLA, Queer Lit from Walt Whitman to Stonewall. In class discussions my fellow classmates would critique writing from the 1800s for not satisfying certain criteria, and our professor would say: You cannot look at the text backwards. You have to look at it forwards. You can't apply current day criteria to something that was written when that criteria didn't even exist. You have to engage with it in the context of when it was written. I don't think anything we wrote is in a canon warranting that level of examination, but it's useful nonetheless. It's a way for me to remind myself that I was 20, and I had the tools of a 20-year-old. It helps me to not beat myself up too much about it.

WHITNEY: There's a story behind this. When we were doing the song "Camouflage, Camouflage" on Young Machetes, Jordan and I were going back and forth on the lyrics. He was like, "Yeah, I'm great with all this." But he put a line through one verse, where I say: "All the girls in Montreal are smashing skateboards in the street." And I was just like: Fuck you, dude. I'm gonna keep this in. But he was right, because it sounds stupid, and it's like, really horny and makes me want to light my skin on fire. So I'm changing it to something else, probably something different every night.

I wonder about imagery in Blood Brothers' songs that seems to be responding to beauty standards at the time. Like, in "Ambulance, Ambulance" you've got this blistering segue to the chorus: "What is love? / What is scam? / What is sun? / What is tan?"

WHITNEY: That's a double meaning. Because it's like tan—like suntan—but also tan is a blah color, right? It's like the color of a dentist's office wall. If you think of the idea of love being something that could feel on-fire, passionate, the color of a dentist's office wall is the opposite. Although, tanning does come into play in a lot of our lyrics. I've noticed as well.

Or on "Beautiful Horses" the lyrics are "gallop into your romance novels / dance atop heavy pectorals."

BLILIE: I think we were seeing an increasingly vapid culture, and we were trying to dig into that—dig into: What does it do to someone when they're bombarded by these sorts of images and messages? There was a lot of that in that writing; I can't say specifically with "Beautiful Horses," but I think "Trash Flavored Trash," would probably fit under that umbrella.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/crimes-bonus-track-version">Crimes (Bonus Track Version) by The Blood Brothers</a>

In "Rats and Rats and Rats for Candy" there's an ongoing narrative of rats living inside a woman. It's like a play. There are characters. And the rats eventually chew out of her and try to find a new body to live in. I wondered if that was also about beauty standards or body dysmorphia?

WHITNEY: That song, it's about that, but it's also about manipulation, right? Not to get too personal, but I grew up with somebody who weaponized being sick—faked being sick—for their entire life in order to manipulate people and extract something they needed out of them. The character in that song is kind of a victim, but like a siren at the same time. They're trying to lure somebody in.

Is that person the rats, or are they Candy?

WHITNEY: The rats are in Candy. I mean, it's both.

What about "The Shame?" Your group resonates so much with "everything is gonna be just awful / when we're around" that you're putting it on t-shirts 20 years later. What does it mean?

WHITNEY: The whole premise of that song is having to sell yourself—how to commoditize yourself. It's about how you function in a capitalist society. You sink or swim by your ability to market yourself, make yourself desirable—whether it be in relationships, job market, blah blah blah. I've always been repulsed by that and was especially at the time we wrote it, which was in Venice Beach, while we were recording Burn, Piano Island, Burn. It was the longest time I'd ever been in LA, and that's the epicenter of being a self-salesman. That line encapsulates the feeling of being sold something. And you're in a position where, in order to survive, you have to be your own salesman.

Salesmen show up in other songs, like "The Salesman, Denver Max." That's another one that almost feels like a short story.

WHITNEY: I initially cribbed the idea for that song's lyrics from the Joyce Carol Oates short story, "Where Are You Going? Where Have You Been?" It follows a narrative of a very dangerous, predatory man in the process of stalking and kidnapping somebody. “Denver Max” was a huge, uncomfortable gamble for me, because I wrote the entire song on my acoustic guitar, recorded it to a 4-track, and then played it for the guys—totally expecting them to hate it. It was really daunting to try to contribute as a songwriter; Cody, Morgan, and Mark are such talented musicians. I think they may have hated it; I don't really remember how we ended up recording it. It was nobody's favorite thing, but we just tracked it, and it sounded great and worked.

Have you read anything by playwright Caryl Churchill?

WHITNEY: Never heard of her.

"Live at the Apocalypse Cabaret" has a lyric in it that reminds me of her play Far Away, which has a scene of milliners making hats for people to wear at a public execution, so I always felt a symmetry there, because of the lyrics "the cross-eyed map of the afterlife is knitting tiny neck ties." 

WHITNEY: I'm going to be super honest, the songs that I'm the most familiar with the lyrics of, at this very moment, are songs that were going to be playing, because I've been rehearsing them. But I do remember, with that song, we were trying to be funny without being silly. Like, a cross-eyed map is a map that makes no sense, where you don't know where you're going. Knitting tiny neckties are noose ties. It's like dressing yourself up for death, right? It's trying to dress up something that's really heinous and horrible and incomprehensible, and also trying to navigate that, through a map that makes no sense.

At this moment you have cracked my understanding of a play you haven't even read. But I digress, I've read that "Celebrator" was a direct response to Toby Keith's "Courtesy of the Red, White and Blue."

BLILIE: That pumped up patriotism felt gross when taken in context with the images and much of the information that we were seeing come out of Iraq and Afghanistan.

Is that why there are so many mentions of amputated limbs on Crimes?

BLILIE: The bulk of Crimes was trying to engage with war so that's where you get a lot of that grizzly imagery.

Well, personally, it's so nice that you're touring right now. Blood Brothers are great for when you need to scream, but you can't. You can scream along to the Blood Brothers in your head, or out loud at a show.

BLILIE: I'm glad that we could be of service, in that regard. It's hard for me not to go into a really bleak mindset when I look at our current political landscape. I find myself equal parts enraged and terrified. And there are times when I have to just close all news down. I guess it is a good time to get up and scream.

The Blood Brothers play the Showbox Thurs, Nov 14 and Fri, Nov 15. Thursday's show is all ages, and Friday's is 21+. 

This story was originally published in our sister paper, Portland Mercury.

The most depressing thing last night for me was reading that a longtime friend voted for the worst candidate they've ever voted for because the other one was worse. They wouldn’t say who they actually voted for. This is what we’ll be left with as a country when all this is done.

I gave another $100 to Harris to compensate, and of course voted straight Democratic on Thursday. Unlike my friend I was proud to vote for her. The alternative, after what we lived through between 2017 and 2021, to choose to go through that again, hard to imagine the horror.

And of course that’s assuming he voted for Harris.

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Please help us raise funds to buy guitars, for the youth here on the Navajo Reservation. Everyone deserves a beautiuful life.

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A new collection of bodystockings by MusicLegs®.

Opaque footless bodystocking with long sleeves. Ribbed nylon which is semi-opaque when stretched. Scooped neck. Crotchless. Suitable for workout.

A new collection of mini dress by MusicLegs®.

Opaque mini dress. Black and white wild stripes to highlight the body contour. Halter neck to show off your sexy shoulders.

A new collection of pantyhose by MusicLegs®.

Semi-opaque tights with hologram dragon. Dragon pattern is glittering stick-on laser hologram print.

A new collection of fishnet stockings by MusicLegs®.

Geometric fishnet thigh high with Lycra. Wide comfort band.

A new collection of opaque minis by MusicLegs®.

Sexy opaque minis with one shoulder off by MusicLegs®. Trimmed with glittering multi-facet rhinestones.

Newlook Marketing is a participating partner of Thomson Medical Centre FBI (First Born Incentive) and SBI (Subsequent Born Incentive) Programmes.

Privileged card members (in Singapore only) are entitled to a 15% discount for the online purchase of Kendall® Travel Socks on this website. This discount is also enjoyed by your spouse.

A new collection of stockings by MusicLegs®.

Big checker fishnet thigh high with footless ring toe. Very hot. Goes well with minis and long skirt.

A new collection of Corset by Sensual Mystique®.

Embroidered corset with push-up underwire cups. With front lace-up, hook and eye back. With detachable adjustable garter and matching g-string.

A new collection of wristband by Greenyarn®.

Besides being anti-bacterial, anti-fungal and anti-odor, Greenyarn wristbands absorb and emit far-infrared radiation to help in cell activation, promotes blood circulation and metabolism.

Stitched with fine gauge 200 needle count "3-D" knitting system, they contain a high percentage of Eco-fabric, a nano-technology material.

A new collection of knee guard by Greenyarn®.

Greenyarn knee guard helps to relieve joint pains, as they are known to reduce the arthritis and other joint pains significantly. Besides being anti-bacterial, anti-fungal and anti-odor, Greenyarn knee guard absorbs and emits far-infrared radiation to help in cell activation, promotes blood circulation and metabolism.

Stitched with fine gauge 200 needle count "3-D" knitting system, they contain a high percentage of Eco-fabric, a nano-technology material.

A new collection of Bustier by Sensual Mystique®.

Tapestry feeling satin flower jacquard long-line bustier. Comes with lightly padded underwire cups, hook and eye front, body controlling side, front, and back boning plus a waist cinching lace-up back, adjustable garters and matching g-string.

A new collection of Teddy by MusicLegs®.

Opaque stretch mini dress in glittering Lurex. Leopard print. Very hot.

A new collection of Chemise by Sensual Mystique®.

Chemise with sexy lace-up back and matching g-string. Soft and comfortable fabric that is figure-hugging. Very hot.

A new collection of Corset by Sensual Mystique®.

Beautiful chinese jacquard, strapless corset with lace-up back, slimming waist and detachable garters. Comes with a matching g-string. Designs from USA.

A new collection of cami by Sensual Mystique®.

Mesh cami and matching g-string. Adjustable elastic straps.

Light, soft and comfortable fabric that is figure-hugging. Design by USA.

A new collection of ankle highs by MusicLegs®.

Fashion ankle highs fishnet with laced top. Fashionable criss-cross tie-up with string, wrapping them nicely around your calves for that sexy look.

Goes well with Laced up fishnet fingerless gloves.

A new collection of knee highs by Sarah Borghi®.

Fashion patterned knee highs. Tube design to fit most feet length.

A new collection of cami by Sensual Mystique®.

Satin shine corset with boning and matching g-string. Side zip with ribbon lace up front.

A new color added to the collection of yoga socks by Greenyarn®.

Greenyarn yoga socks helps to relieve joint pains, as they are known to reduce arthritis and other joint pains significantly. Besides being anti-bacterial, anti-fungal and anti-odor, Greenyarn yoga socks absorbs and emits far-infrared radiation to help in cell activation, promotes blood circulation and metabolism.

Stitched with fine gauge 200 needle count "3-D" knitting system, they contain a high percentage of Eco-fabric, a nano-technology material.

A new collection of lingerie set by Elegant Moments®.

4-piece set of matching lace bra, garter belt, g-string and net thigh high.

A new collection of camisette set by Elegant Moments®.

Distinctive zebra print camisette with attached garters. Comes with matching g-string and stockings. 3-piece set.

A new collection of socks by Elegant Moments®.

Ballerina lowcut sock with satin lace up ties.

A new collection of Lace trim cami and low rise brief by Sensual Mystique®.

Comfortable laced trim cami with matching low rise brief.

Elegant and sensual with a feminine touch. Light, soft and comfortable fabric.

* Designed in USA

A new collection of Meshed princess panels camisole set by Sensual Mystique®.

Two piece meshed princess panels, lace appliqu, and adjustable straps with matching panty. Light, soft and comfortable fabric.

* Designed in USA

A new collection of Business Wear Mercerised Cotton Socks by Propeds®.

Cool comfort men's cotton socks for business and casual wear. 100% fine mercerized cotton. The mercerized cotton helps socks retain their original bright colors and allows for maximum moisture absorption.

Freesize (size 6-10). See sizechart at http://www.newlook.com.sg/sizechart.asp?style=PP04154