Six weeks on the New York Times bestseller list! And eight weeks in a row on the USA Today list! I'm overwhelmed. Thank you so much to everyone who took this story in and allowed it to mingle with your heart! 

https://www.nytimes.com/books/best-sellers/2024/09/15/hardcover-fiction/

Happy paperback book birthday to my YA thriller, THE LAKE HOUSE!!! It's about three girls stranded in the woods in Maine. No food, no water, no shelter, and someone -- or something -- is hunting them. Paperback edition out today from HarperTeen! 

http://www.sarahbethdurst.com/LakeHouse.htm

COVER REVEAL!!! So over-the-moon excited to share with you the cover of my next cozy fantasy, THE ENCHANTED GREENHOUSE! Gorgeous art by Lulu Chen and design by Esther S. Kim. With cool mint sprayed edges!! Coming July 2025 from Bramble!

THE ENCHANTED GREENHOUSE is set in the same world as THE SPELLSHOP. It's about Terlu Perna, the librarian who created Caz and was transformed into a wooden statue as punishment. That should have been the end of her story. Yet one day, Terlu wakes up...

I am so absolutely in love with the cover, and I can't wait for this book to be out in the world!

Now available for pre-order!

http://www.sarahbethdurst.com/EnchantedGreenhouse.htm

Before the pandemic trapped us all in our homes, I spent many an hour at our local United Action for Youth center in Iowa City volunteering as a board game coordinator. Every month, I’d bring a few games with me and introduce them to the teens who hung out at the center after school. One of the games that got rave reviews from the group is Artsee.  Designed by J. Alex Kevern, and published by Renegade Game Studios, it’s an easy to learn, quick playing card game with a small table footprint for up to five players. Each player takes on the role of an art gallery curator, attempting to build the most prestigious gallery in order to win the game. Galleries are built from individual exhibits (cards) that depict two or three paintings from different categories (abstract, landscape, portrait, or still life). In addition to the paintings, each exhibit also indicates a featured category. Each time an exhibit is played to one of the four columns in a gallerist’s tableau, all opponents of the active player may deposit a meeple, representing a gallery visitor, on each exhibit in their gallery that has the same featured category as the exhibit the active player just laid down. Next, the active player scores points (prestige) for any visitor meeples that were previously located on the top most exhibit of the column they just added their exhibit to. The meeples are removed and returned to the active player’s general supply when this occurs. The active player also scores prestige for the number of  paintings in the column to the left or right (as indicated by the direction of the arrow on their exhibit card) of their just-placed exhibit that match the featured category of the exhibit card. If the player earns enough prestige during their turn (5-9), they may also claim a masterpiece painting token. These tokens are worth prestige at the end of the game during final scoring and also count as another painting of the chosen category when added to a column in the  gallerist’s tableau. Once a player has played an exhibit, earned prestige, and claimed a masterpiece token (if eligible), they draw a card and play passes to their left.

The gameplay continues until there are no more cards left to draw and all player hands are empty.  We found that turns progressed pretty quickly, with little to no analysis paralysis. Prestige bonuses are calculated at game end based on the number of masterpiece tokens accumulated. Each player adds their bonus to the prestige tokens they earned during the game. Don’t forget to also count the prestige on each masterpiece token. The player with the most prestige is the winner. 

While the components for Artsee  are nothing special, the artwork is well done (it’s comprised of reproductions of famous artwork with humorous twists). And it’s true that the art gallery theme seems to be just pasted on.  But at core,  Artsee  is a relaxing and fun little logic puzzle that doesn’t get boring, even after repeated plays. It’s especially fun to play with tween and teens and at under $25, makes an affordable holiday gift.

---------------------------------------------------------------------------------------------

Publisher: Renegade Game Studios
Players: 2-5
Actual Playing Time (vs the guideline on the box): about 30 minutes per game
Game type: card game, set collection

Rating:

Rating scale:
OUI: I would play this game again; this game is ok. I probably would not buy this game myself but I would play it with those who own it and if someone gave it to me I would keep it.
OUI OUI: I would play this game again; this game is good. I would buy this game.
OUI OUI OUI: I LOVE THIS GAME. I MUST HAVE THIS GAME.
NON: I would not play this game again. I would return this game or give it away if it was given to me.

I had the opportunity to play a preview edition of Quests & Cannons: The Risen Islands  from Short Hop Games in advance of the game’s upcoming Kickstarter campaign. Designed by Eric and Shannon Geller, the preview edition arrived in a bright and colorful cover box that hinted at the beautiful artwork within.

We got it on the table for a family game straightaway. As we unpacked the contents of the box, I was impressed with the quality of the wooden components. Especially for a preview copy, everything was incredibly well made and sturdy, which speaks to the care and enthusiasm Eric and Shannon have put into the game. The illustrations on the components are just lovely! The artists (Lily Yao Lu, Tony Carter, Regis Torres, Sita Duncan, and Lilia Sitailo) did a really great job integrating the theme into the materials. 

Quests & Cannons  is very easy to setup and the rules are straightforward,  so you can get started playing pretty quickly; no one is going to be stuck spending an hour reviewing the rules upfront. The only thing you really need to work out is whether you want to play the game solo, cooperatively, free for all, or in teams.  Regardless of the mode you choose, you’ll sit down as a leader of a kingdom, tasked with bringing prosperity (i.e. victory points) to your people as you explore new islands that have suddenly cropped up in the sea. The revelation of the islands has coincided with devastating famine and drought hitting the kingdoms to varying degrees, so you’re also on a quest to find a way to reverse these plagues.

And since prosperity can be gained through attacking other leaders during explorations, you’ll need to be thinking about battle defense and offense.  My kids are teens, so they handled the attacks pretty well, but your mileage may vary with your youngsters, depending on their age and temperament.

The underlying mechanics of the game are pretty simple:

• Explore to gather resources across the islands and turn those resources in to complete quests (pick up and deliver)
• Follow explicit instructions on map clue cards to do X action at X location
• Attack rival ships

Players can do three actions on a turn, choosing freely between move, gather resources, and attack. 

All of the how-to and particulars governing these actions are detailed in the rulebook (and in video play-throughs online). Variability in movement rules, attack/defense power, and resource storage capacity is dictated for each player by the leader card they’ve chosen at the beginning of the game (each one comes with special powers and differing stats) and the upgrades performed on their ship.

I did find a few issues with the mechanics for the Geller team to address before the final version is distributed:

• Explain in the rulebook what should be done if the map clue drawn cannot possibly be used
• Add a 0 space to the action point track on each player’s ship to track the exhaustion of the final action point
• Implement monsters or other descriptive elements with differing effects into the treacherous sea spaces to add more complexity

Outside of these issues, I recommend Quests & Cannons as a family game for gateway gamers (i.e. new to the hobby) or those who gravitate toward light strategy games. It’s kid-friendly and there isn’t any analysis paralysis inherent in the game.  It plays in under 90 minutes, gives kids exposure to different play modes within the same game, tackles conflict resolution, and comes with a variety of board layouts to keep things interesting over multiple plays. Note that this is not a game I’d recommend for players who prefer deeper strategy. Highly experienced gamers drawn to seafaring themes and beautiful artwork can find similar mechanisms with a bit more depth and complexity in other games such as Islebound (designed by Ryan Laukat from Red Raven Games).

-------------------------------------------------

Publisher: Short Hop Games
Players: 1-6 (We played with 4 and 5)
Actual Playing Time (vs the guideline on the box): about 90 minutes per game
Game type: pick-up and deliver,hand management, action points, kid-friendly, solo

Rating for Gateway Gamers: 

Rating for Advanced Board Gamers:                                          

Rating scale:
OUI: I would play this game again; this game is ok. I probably would not buy this game myself but I would play it with those who own it and if someone gave it to me I would keep it.
OUI OUI: I would play this game again; this game is good. I would buy this game.
OUI OUI OUI: I LOVE THIS GAME. I MUST HAVE THIS GAME.
NON: I would not play this game again. I would return this game or give it away if it was given to me.

Between Two Castles of Mad King Ludwig is one of our board game library essentials. There’s a great puzzle aspect to the game, it plays in under an hour, it’s family friendly, and it keeps analysis paralysis to a minimum. It also plays up to seven players, filling that niche when so many other games are capped at 4 or 5. For all of these reasons, when the Secrets and Soirees expansion debuted, we knew we had to have it.

The expansion offers additional room types for your castle, extra bonus cards, two new solo modes, higher player count (up to 8), and a new variant of head to head castle building where each player builds their own exclusive castle.

My personal favorite bit of the expansion is the puppy room!!! Adorable little corgis, just like we have at home.

We have played the expansion dozens of times. The first few months we had the game, we stuck to standard play, with everyone building two castles, and just focused on the fun of the new room types. These are activity rooms, secret rooms, and ballrooms. The activity rooms are thematically just that – clever little rooms themed around activities that give you points for each other room adjacent or penalize you if the listed prohibited room type is within the radius. The secret rooms are quite innovative. Each one has a little arrow printed on the tile pointing up, down, left, or right and takes on the same identity as the room indicated by the arrow, giving players a lot of flexibility based on placement in the castle. The ballrooms score points for specific room types in your neighbors’ castles. I really enjoyed these plays with the expanded room types and have not ever wanted to go back to playing with just the base game tiles again.

More recently, we’ve explored the new variants provided by the expansion. The Mad King’s Demand variant has players each build a single castle instead of managing two castle builds at once. It solves the problem of weaker players bringing a section of the entire table down in scoring and it plays so much more quickly than the regular game, so it can be a good choice for player counts larger than two. While it’s also easier and smoother in a two player game to play this way versus playing with the 3rd NPC player normally required in a two player game, I’m much less fond of using this variant with two players. I like the extra tiles to choose from when a third castle is in the mix; it helps make it a bit more challenging and feels more interactive.

The Automa solo mode is very easy to learn and it’s the most enjoyable solo game I’ve ever played because it feels like you’re actually playing against other players.  I played on level 3 – normal difficulty – and won 58 to 55/55. I actually found myself wishing for longer rounds. The other solo mode (which is dubbed the Introvert variant and noted by the rulebook as technically not an Automa mode) feels less like a game against peers and more like a game of solitaire puzzling. It’s faster than the Automa solo mode and has the quirky hack of allowing you to force the NPC opponent to take a specific tile you don’t mind it having when there’s only one that meets the selection filter used to draft a tile for them. This is because, in this mode, the NPC follows an algorithm to pick between a tile you’ve marked as favored and desired for yourself and all the other tiles in demand under its selection filter that round. If there’s only one tile that meets the filter and you mark another tile you actually want, there’s a 50/50 chance you’ll lose your coveted tile to the NPC. However, if you mark the tile that meets the filter as if you wanted it for yourself, it’s forced to select it. Then you can choose whatever tile you actually prefer for yourself instead. The introverted solo mode is pretty great if you like that sort of thing, but I prefer the feeling of playing against others, so I’ll stick with the Automa solo mode, or competitive play against real life opponents.

With a retail price of just $15 on the Stonemaier website, and having so much quality content in the box, the Secrets and Soirees expansion is a must-have.

-------------------------------------------------

Publisher: Stonemaier Games
Players: 1-8
Actual Playing Time (vs the guideline on the box): About 45 minutes per game
Game type: card drafting, tile placement, set collection

Rating:

Jenni’s rating scale:
OUI: I would play this game again; this game is ok. I probably would not buy this game myself but I would play it with those who own it and if someone gave it to me I would keep it.
OUI OUI: I would play this game again; this game is good. I would buy this game.
OUI OUI OUI: I LOVE THIS GAME. I MUST HAVE THIS GAME.
NON: I would not play this game again. I would return this game or give it away if it was given to me.

I'm completely obsessed with Obsession! I received a review copy of the updated second edition along with all the expansions (Wessex, Useful Man, Upstairs Downstairs) and from the moment I took everything out of the boxes, my excitement was over the top. Actually, that's not even the half of it - I remember I was already quite excited before the game even arrived. I'd wanted to get my hands on a copy as soon as I learned there was a game that brought the lifestyle that we all fell in love with watching Downton Abbey to the gaming table. Back in 2021, I was having a great time at the Dice Tower Summer Retreat and a new friend Bonnie sang the praises of Obsession. She had seen me eyeing the box on the shelf and gave me a summary of the game mechanics as she owned the first edition. She explained that the theme is centered on running an estate in Derbyshire and competing against others to have the best home, reputation, gentry guests, etc. Based on her enthusiasm and description of the game, my husband and I sat down to play it that afternoon. I ruthlessly squashed him 96 to 78 in our first game and I was hooked.

 

Back at home, months later, with the second edition and the expansions in front of me, my first task was organizing everything into one box. The publisher had included all of the expansions to ensure I had the complete experience, but as far as I could tell, some of the materials sent were duplicate cards or tiles. And that was true, even after carefully reviewing and incorporating the items that seemed to be dupes but turned out to be replacements for base game components with subtle changes. I think this happened because the Upstairs Downstairs expansion comes with materials to update the 1st edition of the base game, but those materials are already included in the second edition of the base game that I received, resulting in duplicates. I mention it in case you order the newer edition and all the expansions and find yourself wondering what’s going on with extra items you find. I just set them aside in my spare parts box.

Anyway, let’s start by cataloging the components in the base game, shall we? The 2nd edition comes with:

• Supply Board
• Used to hold the Builder’s Market of improvement tiles available for purchase, as well as the guests, servants and objective cards that may be acquired as the game unfolds.
• Round Track Board
• Keeps the progress of the game flow through each round and season (a season is 3 rounds plus a special round called a courtship). There are 16 or 20 rounds to a game, depending on whether you play a standard or extended game. The Round Track also holds the theme cards, the victory point cards, and the two very special guests every estate is dying to get an audience with – Mr. Charles Fairchild and his sister Elizabeth Fairchild. 
• Player components (given to each player)
• Family board to organize and process their estate’s reputation, servants, improvement tiles, and hosted events
• Starting estate tiles (improvement tiles)
• Set of basic servants
• Small hand of family guest cards + 2 casual guest cards designated as starter guests
• Reputation wheel counters
• Reminder tiles
• Player aids
• Any addl bonus guests, rooms, money, or servants granted by the family’s unique profile
• Other components
• Money (pounds)
• Scorepad
• Improvement tile bag
• Components for solitaire play
• Rulebook and Glossary

These components are all well made and under normal use should last a long time and wear well. The rulebook is well written and the glossary makes it evident this was a passion project for the designer, as it goes into great detail regarding the historical significance of the various tiles and guests. Absolutely love it! Both the font and the artwork help to carry the theme across the components, which was a great point of detail.

Gameplay is relatively straightforward. Across their turns, players are responsible for managing estate tiles, guests, and servants while seeking to conform to courtship themes, improve their reputations, and complete objectives. At the end of the game, the player with the most victory points is the winner.

Managing Estate Tiles

During the game, each player will be responsible for managing the improvement tiles on their estate. Initially, each player only has a handful of starter tiles, but over time their estate will expand to include additional tiles purchased from the supply board. Each tile confers one or more benefits (called favours) when played, in the form of money, the ability to draw additional guests or dismiss guests one already has, the ability to hire additional servants, increased reputation, and end game victory points. Improvement tiles are flipped over after first use, typically revealing different favours on the backside. Most tiles remain on their backside after initial use, but some improvement tiles are designed to be flipped after each use. Note: each improvement tile has requirements as to which type of guest[s] and servant[s]  are required to host an event with that tile so it’s essential that players approach estate tile management in a coordinated fashion with guest and servant management.

Managing Guests

In addition to their estate tiles, players must also manage a hand of guest cards (which are discarded individually after use to a personal discard pile and recalled en masse when passing). At the beginning of the game, the hand is comprised of family members and casual guests dealt directly to players, but as with the player estates, as the game continues into successive rounds, it will expand. Additional cards added to the hand will be drawn from the casual and prestige guests on the supply board. Just as improvement tiles provide favours, so do guests.  Prestige guests give better favours and are generally worth more end game victory points. Some guests, based on their thematic description, have destructive favours that you have to watch out for. For example, a male guest labeled a cad might lower your reputation should you invite him to an event and offer negative victory points if you find him in your hand at game’s end. Adding a bit of complexity to the puzzle, guests may often have requirements for servants printed on their card; this is in addition to any servant[s] specified on improvement tiles used to host events.

Managing Servants

With improvement tiles to host prestigious events and guests to attend those events, of course servants will be needed to keep things proper in high society. After all, the guests aren’t going to serve themselves! Not to worry; players begin with a few starting servants, and will hire on more help as they wish to during the course of the game.  In this way, staff management becomes the third leg of family affairs.  Servant management can be especially tricky. This is because you typically cannot hire additional servants without having one of your most useful servants available (the butler). Additionally, to be kind to our staff and not overwork them, after a servant has been used during a turn, it’s not available again until two turns later (although a player can spend reputation if they are desperate and force a servant back to work early). It’s very easy for a player to back themselves into a corner with plenty of improvement tiles and guests ready to go and a shortage of servants to make the event happen.

Courtship Themes

At the beginning of each season, an event theme is drawn, revealing the improvement tile category that will be evaluated at the end of that season, during the courtship round. During evaluation, the player with the most victory points showing on the tiles in their estate matching the theme will be awarded a victory point card and their choice of the Fairchild guest cards.  The victory point cards offer a player the choice of a useful one time in-game benefit or a chunk of end game victory points. And while the player must give the Fairchild guest back at the end of the next season, having them in hand during the next season to take advantage of their favours is very beneficial. Hence, tailoring improvement tile purchases and tiles selected for hosting (to flip them and reveal their higher VP side) to the theme each season is an essential tenant of good strategy and game winning players tend to correlate with VP card awardees.

Reputation

You cannot win this game without paying attention to reputation. Every improvement tile and guest card has a minimum prestige rating printed on them (or implied as in the case with family and the Fairchilds) which represent the minimum reputation required to use them for a hosted event. If you don’t improve your reputation as the game plays out, you’ll eventually be shut out of using the tiles and guests that have the greatest impact on final scoring. Additionally, a player’s reputation level at game end directly confers victory points, ranging from 1 point (for having a reputation level of 1) to 45 points (for having the maximum reputation level in an extended game). Finding ways to steadily increase reputation through favours found on improvement tiles and guest cards is very important. In every game I’ve played, the winner was among those with the highest reputations at game’s end.

Objectives

At the beginning of the game, all players are dealt a number of objective cards. These are end game goals, that if accomplished, reward victory points. They may be variable, such as x VP per servant on staff, or fixed amount, such as 16 VP for a player if they have tiles x,y, and z in their estate. While objectives are a great source of victory points and should not be entirely disregarded, I have generally found that the winners in our games are not the players who attain the most VPs from objectives. For example, in our most recent game, my friend Brian won a 5 player game with a total score of 221 (next closest player had only 189) and yet he brought in 28 of those points from objective cards while I had 38 points from objectives and two of the other players also had higher VP totals from their objectives than Brian.

Player Turns

On a player’s turn, they begin by rotating their servants a step toward active service. If they’re currently resting in the servant’s quarters they move to active service and if they were in the expended service area they move toward the servant’s quarters. Next, the player observes any round events (for example, some rounds designated as village fairs provide income and some tiles provide favours at the beginning of each round). After that’s completed, the player decides which tile they’d like to use to host an event, moves it to the active event box on their player board, and decides which guest[s] (of those that meet the requirements) will attend the event. To be eligible, the guest[s] must be in the player’s hand and not their discard pile. This is the point where they most also provide the required servants – placing those required by the tile on the tile and those required by the guest[s] on the guest[s] card. To be eligible, the servant must be in the available service area of the player’s board. Once servants have been placed, it’s time to collect favours from the tile and the guests (gathering or giving up money, reputation, additional guests, and additional servants as indicated). As a final step in the turn, a player may buy an improvement tile from the market. The market is setup with tiles that have been drawn randomly from the tile bag and placed in market slots with prices listed above. When a tile is purchased, tiles in higher priced market slots are shifted over to fill the gap and a new tile is drawn from the bag and placed in the most expensive market slot. Normally, each player is limited to buying only one tile during a round, except during a special round that represents the Builder’s Holiday that allows them to buy as many tiles as they can afford and wish to purchase. Once a player finishes their turn, play passes to the next player. Once every player has had a turn during a round, the round marker is moved to the next round and the process begins again. During the courtship round of each season, no player actions are taken; this round is used exclusively to evaluate player performance against courtship themes.

So that’s the nuts and bolts of the base game. It’s on point and the gameplay is both a challenging puzzle and entertaining adventure at the same time. Highly recommend! I can’t find a single fault in the game. Not a one. I could probably play Obsession dozens and dozens of times as presented in the base game and still be enthusiastic about it, just like my friend Bonnie was. But I was lucky enough to have all the expansions in front of me from the get go, so of course I started incorporating them as well, in the second or third play of the game. Let’s go over those now.

Wessex Expansion

Wessex adds a fifth family to the game, giving players an additional choice when selecting starting families. Dan provides a great deal of narrative backstory for the new family in the expansion insert booklet and I just love that. Again, great attention to detail, and it’s really appreciated by players like myself who care about theme and want to understand the backstory of who we are playing in a game and what our motivations are all about. This expansion also includes two new improvement tiles and an extended mode solitaire option. You’re going to want to pick up this expansion for the variability it provides. I have a personal goal to win the game as each family, so this adds to my challenge.

Upstairs Downstairs Expansion

This is a major expansion that adds complexity, variability, and extra joy to the base game through a lot of new and updated components. There are four new servant types, each of which has a variety of effects when integrated into the game. Very clever and all seamlessly thematically appropriate. There are dozens of new guests (including very unique promotional guests), objectives, and improvement tiles. There’s a new set of cards called milestones that offer in-game shared objectives that award victory points to the players who complete them first. There’s even a new round track board to facilitate a new game variant.  For those who aren’t madly in love with the cute little mini sized VP and Objective cards included in the base game, this expansion provides a duplicate copy of these decks in a larger format. It’s actually a little debate in our group as to which set of decks to use every time we sit down to play as I really like the little cards but some of my friends appreciate the easier-to-read larger cards. As an added bonus, the expansion also allows the game to scale to 5 or 6 players (by providing an additional family/extra improvement tiles/extra basic servants). You’re going to want to pick up this expansion because it’s nothing short of amazing. It's a can’t live without.

Useful Box Expansion

This expansion is mostly a correctional tool, updating tiles from the base game (both the 1st and 2nd printings) that have errors as well as problematic tiles from the Upstairs Downstairs expansion. There are also a few new tiles and some components to expand solitaire variants. While this expansion was necessary for me, I would expect the entirety of the  corrections and new tiles to be folded into the next printings of the respective games (base or U/D expansions) and likely unnecessary for future buyers. Just make sure to check your edition to determine if this expansions provides value for you or not before you spring for it.  

Etsy Stickers

I might be on the dark side of the publisher for recommending these (as they appear to be unlicensed) but I found these adorable meeple stickers on Etsy (https://www.etsy.com/listing/1008836394/obsession-meeples-upgrade-kit-free) that really took the servant components over the top. Highly recommend them.

I just want to add a final note about theme. Obsession is so perfectly themed, that it lends itself to glorious costuming around the game table in historical period appropriate attire. If you’re not willing to take it that far, at least consider hosting a formal tea with gourmet sandwiches and delicate sweets for your friends who come to play the game. It really elevates the whole experience.

--------------------------------------------------

Publisher: Kayenta Games
Players: 1-6 (We played with 2,3,4,and 5)
Actual Playing Time (vs the guideline on the box): About 3 hours per game
Game type: worker placement, hand management, tile placement games
Rating:

Jenni’s rating scale:
OUI: I would play this game again; this game is ok. I probably would not buy this game myself but I would play it with those who own it and if someone gave it to me I would keep it.
OUI OUI: I would play this game again; this game is good. I would buy this game.
OUI OUI OUI: I LOVE THIS GAME. I MUST HAVE THIS GAME.
NON: I would not play this game again. I would return this game or give it away if it was given to me.

Alt text: a stylish woman in a coat, who is emphatically neither an elephant nor a bear. Not everyone is.

Alt Text. Two elephants, conferring.

I’m thrilled to announce new ebook editions of my Hugo Award-winning novel Hominids, its Hugo Award-nominated sequel Humans, and the bestselling final volume Hybrids. Together, they are the Neanderthal Parallax trilogy, which won the Canadian Science Fiction and Fantasy Award (“the Aurora”) for best work of the entire decade. The trilogy tells of a parallel […]

Delighted that my THE DOWNLOADED is the #1 Science Fiction bestseller on the Audible.com monthly bestsellers list as reported in the March 2024 issue of Locus, the trade journal for the science fiction and fantasy fields, which came out today. Get THE DOWNLOADED here: Canada: https://adbl.co/45WsEqI US: https://adbl.co/49kuCEc UK: https://adbl.co/3tUfJbJ

My 25th novel, The Downloaded, is now available for pre-order in both print and ebook editions, and I’ll be touring across Canada starting next month to promote its release. Here are my May 2024 book-launch events: all are free and open to everyone, and books will be for sale (or bring your own copies and get them signed): Calgary Public […]

In the latest episode of their intrepid podcast, Ken and Robin talk Sense Trouble, fatbergs, William Stephenson, and doomsday predictor Albert Porta.

Shiva Baby [US, Emma Seligman, 4] The ambient social pressures of a post-funeral gathering skyrocket for a directionless college student (Rachel Sennott) when attendees include not only the expected ex-girlfriend (Molly Gordon) but also the sex work client she’s caught feelings for. Knife-edge comedy of emotional suffocation uses a plucky suspense score for that extra frisson of social anxiety.

If you've been missing family events during the pandemic, this film is the cure for that. Polly Draper and Fred Melamed appear as the loving but insufferably intrusive parents.

Night of the Kings [Côte d'Ivoire/France , Philippe Lacôte, 4] When the red moon rises over MACA, the Ivory Coast’s toughest prison, its inmate boss appoints the new arrival as storyteller—a post that results in death if the tale ends before sundown. Prison drama with compelling narrative hook widens out to encompass ancient warfare, contemporary politics, and even a wizard duel.

Spring Blossom [France, Suzanne Lindon, 4] Bored with her classmates, an awkward 16 year old (played by the writer-director) pursues her attraction for a ruggedly handsome stage actor (Arnaud Valois.) Character drama sets aside the sexual aspect of this staple French cinema situation to focus on the emotion, periodically breaking from naturalism to have its characters express their feelings through dance.

This year’s Q&As are Zoom interviews between the programmers and filmmakers, which drop on YouTube when the films become available for online viewing. In the Q&A for this one we discover that the director wrote it when she was 15, a year younger than her character. She’s 20 now. Lindon is the daughter of well-known French actors Vincent Lindon and Sandrine Kiberlain.

Get the Hell Out [Taiwan, I-Fan Wang, 4] Taiwan’s notoriously pugilistic parliament tips into arterial spray when the effluent of a controversial chemical plant triggers a zombie epidemic. Zombie comedy features an eye-searing palette and an onslaught of optical overlays, and is paced like a quarter kilo of crushed Adderall. 

It’s quite an achievement to find the worst hue of every color on the visible spectrum. Fortunately the underlying message, that government officials would respond to a pandemic by idiotically making it worse, has no bearing on anything that comes to mind.

---

Capsule review boilerplate: Ratings are out of 5. I’ll be collecting these reviews in order of preference in a master post the Monday after the fest. Films shown on the festival circuit will appear in theaters, disc and/or streaming over the next year plus.

Nomadland [US, Chloé Zhao, 5] When her town closes down in the wake of its gypsum mine’s closure, a self-reliant widow (Frances McDormand) moves into her van and joins the ranks of the nomad subculture, people who rove the US, taking whatever hard work they can get and living out of their vehicles. Rooted in social realist cinema, marked by a triad of transcendent qualities: poetic visual beauty, an indelible central performance and a deep love for the characters from the writer/director.

This is from Searchlight, formerly Fox Searchlight, now part of the Disney empire, so you’ll get a chance to see it. Likely as part of awards season, whatever the heck that’s gonna look like this year. Normally I don’t spend festival slots on titles with distribution but that’s out the window in the COVID-verse.

(At the moment cinemas are open, with distancing, here in Ontario but if you look at the numbers we’re in the early denial phase of a reimposition of lockdown measures. Whatever the deal is I don’t plan to be inside a theater in any foreseeable time frame.)

Her next project is a huge pivot from poetic verite dramas like this and The Rider— Marvel’s The Eternals. 

Memory House [Brazil, João Paulo Miranda Maria, 1] Racist harassment from German co-workers drives dairy worker to vengeance. Blunts the political anger of its subject matter with enervating pacing.

Another Round [Denmark, Thomas Vinterberg, 4.5] Burned out high school teacher (Mads Mikkelsen) embarks with three colleagues on an experiment to enhance their performance by maintaining a blood alcohol level of 0.5% throughout their days at work. Not only an original booze movie, but a big one, full of turns and ambiguities, and an utterly masterful performance from Mikkelsen.

Shadow in the Cloud [New Zealand, Roseanne Liang, 4] When an WWII RAF Flight Officer (Chloe Grace Moretz) boards a Samoa-bound cargo plane bearing a mysterious package, a monstrous gremlin on board is just one of the surprises. Enclosed space horror-action thriller tips an 80s-style hat to Carpenter and Cameron.

---

Capsule review boilerplate: Ratings are out of 5. I’ll be collecting these reviews in order of preference in a master post the Monday after the fest. Films shown on the festival circuit will appear in theaters, disc and/or streaming over the next year plus.

Federal Government Boosts Australian Cardiovascular Alliance’s Mission to Combat Cardiovascular Disease and Stroke  News Hub

1. New program will see pregnant mothers and babies protected from life-threatening virus  SBS
2. World-leading approach to protect babies from RSV  Department of Health
3. Government-funded RSV vaccines to protect infants from severe disease  Australian Pharmacist
4. 'Very scary': Wagga mum's plea for parents to protect babies through RSV jab  The Daily Advertiser
5. Guild backs free RSV vaccinations  Australian Journal of Pharmacy

Japanese encephalitis virus activity in the Kimberley  Government of Western Australia Department of Health

1. NSW Boosts Support for Severe Menopause Symptoms  Mirage News
2. How Reena found relief when GPs hesitated to treat her symptoms  Sydney Morning Herald
3. What you need to know about perimenopause  Kidspot

1. New Model Predicts Intelligent Life Odds in Universe  Mirage News
2. Formula for alien life: Drake Equation gets a dark energy update  Cosmos

1. Streaks of fire are about to take over Australian skies during the Leonid meteor shower. Here’s how to see them  nbnnews.com.au
2. The Northern Taurid meteor shower could produce fireballs. Here’s how to watch  CNN
3. Northern Taurid meteor shower hits peak activity this week: When and where to watch  USA TODAY
4. Leonid Meteor Shower May Put on a Surprise Show This Week  ScienceAlert
5. Starwatch: Leonid meteor shower returns to skies in November  The Guardian

1. Brisbane Broncos star Ezra Mam charged over head-on collision, allegedly failing second drug test  ABC News
2. Brisbane news live: Broncos’ Ezra Mam charged over drug test result after crash | Stab victim’s widower wants knife checks in schools | Dog rescued near abandoned boat  Brisbane Times
3. Broncos player charged after car crash: 9News Latest Stories Season 2024, Short Video  9Now
4. Ezra Mam issued court notice after allegedly failing secondary drug test  Fox Sports
5. Club Statement: Ezra Mam  Broncos

1. Second Nine news executive leaves in wake of cultural review  Sydney Morning Herald
2. Nine executive quits embattled network  news.com.au
3. Another executive departs beleaguered Nine Network  Daily Telegraph

1. Outback Queensland residents spend thousands on flights, grapple with Qantas service changes  ABC News
2. Airlines that love competition: Do you see pigs fly?  Sydney Morning Herald
3. Predictably, domestic airfares surged after the collapse of Rex. There aren’t many good solutions  The Conversation
4. Report finds just how much airfares spiked since end of Rex. One route doubled  The Canberra Times
5. Qantas’ single excuse for fare price hike  news.com.au

1. Germany to hold snap election in February after government's coalition collapse  ABC News
2. The briefcase, the Porsche and the collapse of the German government – podcast  The Guardian
3. Germany set for snap election following collapse of Olaf Scholz’s coalition  The Conversation
4. President calls German early election plan 'realistic'  DW (English)

1. NSW nurses strike heaps wage pressure on Minns government  The Australian Financial Review
2. Hundreds of elective surgeries cancelled as 10,000 nurses and midwives walk off job in NSW  ABC News
3. Nurses took to the streets after ‘insulting’ pay offer. Next stop, court  Sydney Morning Herald
4. Almost 700 surgeries cancelled as 12,000 NSW nurses strike for better pay  9News

1. As it happened: Donald Trump ally taunts Kevin Rudd; WiseTech shareholders launch class action  Sydney Morning Herald
2. Ditching Rudd over Trump insults would be ‘worst possible signal’: Turnbull  Sydney Morning Herald
3. Senior Liberal calls for Rudd to be sacked after Trump advisor suggests US ambassador is on thin ice  9News

1. Car crashes with another outside pub during police chase in Sydney’s southwest  7NEWS
2. ‘Flying past me’: Two hurt as car smashes into fence after police chase  Daily Telegraph
3. Critical incident investigation into crash following police pursuit  Sydney Morning Herald
4. Violent carjacking linked to Sydney crash that split car in two, police say  9News
5. Update on crash after police chase  news.com.au

1. Kristian White trial: CCTV reveals final moments before Clare Nowland Tasering in Cooma nursing home  Sydney Morning Herald
2. Jury shown footage of 95yo getting stuck in tree in weeks before being tasered by police officer  ABC News
3. Elderly woman 'unable to comply' before cop Tasered her, court hears  9News

Good fundraisers typically stick with what works in a fund raising campaign choosing not to ask to many questions about why it works. While intuitively, many fundraisers know that women tend to make more donations in a given campaign or series of campaigns and perhaps if the fundraiser is intuitive enough, that men who give, generally tend to give higher amounts overall.

It’s not always easy to understand why this is so, and therefore for a fundraiser to take full advantage of this information.

Many studies have been done on philanthropy; fewer have been done on telephone fund raising, however the research on this subject is not insignificant. Two studies that we will highlight here at onfundraising are one commissioned by the Share Group Inc on fund raising and direct mail campaigns, and the other is “The Effects of Race, Gender, and Marital Status on Giving and Volunteering in Indiana” as published in the Nonprofit and voluntary Sector Quartley, in 2006 while report focuses on Indiana, much of the reporting is general in nature and therefore suitable for this post. The study’s main purpose was to examine whether factors like race, age, education or marital status make a difference to philanthropy of volunteering.

Both studies are available on line, and are linked to at the bottom of this article.

In 2006, Share Group. Inc, of Massachusetts participated in a comprehensive study on donor characteristics .Among other things this study quantifies some of the major difference between male and female donors; something that many people knew intuitively but lacked the hard data to validate. The study also measured donor contributions by age, and gave some general insights into what age group is the most supportive of charitable organizations.

According to the study, when contacted, women are more likely to support a charity campaign than men.

This data corresponds with past studies on philanthropic giving, but is limited to telephone fund raising The data indicates the women generally are more likely to donate to fund raising efforts and are also more likely to leave bequests to charitable organizations. The research indicates that woman as a whole are more likely to donate than men are.

However, the study found that based on the statistical evidence, men who do give to a campaign are likely to make larger contributions than female donors. This information as well is corroborated by independent research.

The study observes that the optimal donor age is fifty years old. Contributions tend to dwindle as donors reach retirement age. Donors ages sixty five to seventy five were most receptive to and renewal of support campaigns.

Interestingly for fund raisers, the study found that female callers secure pledges less often than male callers, but the average size of the pledges female fundraisers secure is larger than their male counterparts.

In general, women according to the research in both studies, are more likely give a larger contribution than they have previously given (upgrade). Men who could be convinced to upgrade generally upgraded at higher percentage versus female donors.

Breaking down the data further showed that when it comes to the actual giving of money, single women give twice as much as single men. These results are consistent with what has been published in the past. Furthermore, single women are more likely than men to give to a variety of charities and philanthropic efforts. A not so surprising finding was that married men also were 2-3 times more likely to give as much as single men or single women. However, the amount of money donated by single men was found to be far greater than that of married couples.

When the race factor is assessed for donation, there is little or no difference. Whites, Blacks and other minorities are no more or less likely to give relative to each other. The one obvious finding is that donations are significantly increased when the donor is educated, earns a higher income, and is older. This finding was again observed in all ethnic groups.

The Indiana study also looked at another aspect of giving-volunteering. The results are not much different to the philanthropic study. Again, single females are more likely to volunteer their time when compared to single men. Infact single females are more likely to volunteer for many more hours (>146 per year) than single men. The one surprising finding is that there is no difference in volunteering between married couples and single individuals when it comes to volunteering. It would be expected that married couples would have less time due to their familial obligations but this is not so.

Race did not reveal any differences in volunteering- Blacks, Whites and other minorities were just as likely to volunteer.

Volunteering was found to decrease when the levels of income and education were low. In fact, there was a sharp drop in volunteering levels for those with less than a high school education relative to the general population, and this was seen across all age groups.

However, increased income did not correlate with the numbers of hours volunteered. Individuals with low income were just as likely to volunteer for longer durations of time and vice versa.

The one curious observation from the study is that when individuals were asked if they had volunteered in the past, women were more likely to recall this act. Minorities could not recall if they had volunteered. Why someone can’t remember a dignified act like volunteering is a mystery- perhaps an error in how the questionnaire was set up or comprehension difficulty. The writers of the Indiana study surmised that often minorities do volunteer work without formally characterizing it as such.

Most of the results of these studies are also supported by many previous national surveys which have also found that education and higher income are the strongest and most consistent predictors of philanthropic activity.

Why single women volunteer more is not fully understood but it is speculated that because single women have less social and financial means, they compensate this by giving more of their time as volunteers while at the same time establishing their social networks.

These studies provide some insight into differences in donors by sex, marital status, race and income. Both men and women are motivated to give to charity for different reasons therefore when communicating with donors, fundraisers are advised to take this into effect and structure their solicitations accordingly.

We can take from these studies the fact that most Americans do give to charity in one way or another. Fund raisers can best serve the causes they work for buy understanding the broad characteristics of donors and structuring their donation requests accordingly.

Fundraisers come in all varieties. From aggressive to docile, from passionate to indifferent, there are many ways to bring money into a non-profit or political campaign. Just what is the best method of fundraising? The best method is the one that brings in the most money for the cause. There is only one caveat; donors must be respected at all times.

While fundraising happens in call centers, fundraising isn't a typical call center job. Most call centers don't require the depth of experience that fundraiser call center jobs require. A fund raiser can be expected to have a solid grasp of political, social and environmental issues. A telephone fundraiser can spend the morning trying to elect certain politicians and the afternoon trying to protect natural resources  The best telefundraisers have flexible minds and are gifted speakers.

Passion helps a lot but is certainly not the only way to get a donor to contribute. Knowing the issues you're calling about, even if you aren't as passionate about them as others, goes a long way to building credibility with donors. Rapport building is just as important, Donors give to people they like, Get to know your donors and they'll respond,

The next tip is counter-intuitive  Ask high. Most callers, and especially new callers, think donors will be insulted by large requests. In fact high asks have the opposite effect, Many donors are actually flattered to receive a large request, In other cases donors find these request to be humorous given their personal financial situation. Humor builds rapport and rapport secures donations.

The best fundraiser to be is the fundraiser that is most effective with the donor that's currently on the line. Be versatile  The more fundraising styles in your portfolio, the more money you'll raise.

Thank you for reading this. Please leave your comments below and check back often for new posts all about the world of telephone fundraising.

[This is a guest post by Denis Mair]      Cai Xutie was a Taiwanese woman who ran a family farm with her husband in a village near Jiayi in central Taiwan. She was a rice farmer and had never attended a public school. After her husband died in middle age, she sold some of the land, […]

OMG. I can't believe October is over already. I blame Satisfactory which, okay, I do get it now, and it did destroy my body and mind. I am inches from being done now; I just want to make sure that I finish it with enough force that I do actually put it away, as I could imagine tinkering with my saddest factory forever.

The game isn't without flaw, but I think most of those flaws are not interesting to talk about. I do have one petty but important criticism, which is mildly spoilerful and anyway will only be interesting if you played the game. There is an object called the Somersloop ("cool S") which allows you to double the output of a machine. Canonically this item is some kind of "loop" and the flavor text talks about how it is able to create more energy than you put into it. So when I'm out hunting for Korok seeds I have this thought that maybe I could create a loop of factories whereby it would create infinite resources by repeatedly doubling. And I'm thinking about it but the crafting tree doesn't have any notable loops in it, but I remember the "packager" which allows you to put a fluid in a container or the converse, and I'm like: Yes, that's great! So I get back to base and I am doing this, just for fun to create an infinite fuel factory or whatever, and I realize that the packager just doesn't have a slot for a Somersloop. They must just hate fun, elegant twists. It would not break the game to allow this (you can always get infinite resources lots of other ways) or cause any other problem I can think of. Hmph!

The thing about constructing a factory and watching it churn is that it's basically the same thing as a programming project that you invented for yourself, and it's probably better to do the programming project. Here's progress on my mysterious rectangle:

Minusweeper 2

It's good progress if I do say so myself! Anything but black here is a Satisfactory result, which is 90.55% of them at this point. I may need heavy machinery for the remaining 9.45%, but that is part of the fun.

I think that's really it for this month! Please vote in the US Elections if you can (but I guess also vote in any important elections. And obviously, vote for the good guys???). And happy Halloween!

I have just had a letter on lovely thick straw-coloured letterhead from the Royal Courts of Justice in which a Rt.Hon.Lord Justice thanks me for my 31 years' service on the bench. 

That's nice, and I shall pass it on to my granddaughters in due course. Both of their parents are solicitors. My impending third grandchild will have two journalists as parents, so that's nice too.

Watch it again on the BBC iPlayer

Great Britain's Elizabeth Yarnold wins a bronze medal at the women's skeleton World Championship.

As of November 10, 2015, BORROWED TIME (the sequel to CHRONAL ENGINE) is now available in bookstores everywhere as well as online (in hardcover and ebook)!  Signed copies are available from BookPeople.

In an article titled, 'Borrowed Time' mixes paleontology and fantasy, Saturday's Austin American-Statesman had a great review of BORROWED TIME, stating it's "a slam-dunk for dinosaur aficionados and will appeal as well to those who are fans of literary time travel and outdoorsy adventure."

Sunday was the launch party at BookPeople! I had great fun doing a presentation discussing the connections between the book, Charles Umlauf, dinosaurs, Johnny Weissmuller, and me (really).

The dinosaur standees for the photo booth were a hit, as were the refreshments including water, soft drinks, wine and cheese, and crackers. (The wine, from the Languedoc region of France, is made from grapes grown in Cretaceous clays where dinosaur fossils have have been found).

But the real eye-opener was the mosasaur cake by author/cakelustrator Akiko White. About two feet high, it featured a mosasaur sculpted from modeler's chocolate on a chocolate cake base with buttercream frosting! She'll be doing a youtube video on the making of it soon (and I'll link when it's available).  Suffice to say that still pictures don't do it justice -- it was mounted on a motorized turntable and illuminated with a blue strobe that made it look like it was underwater!

Here are the pics:

Me and cake

Carmen Oliver and T.rex

Akiko assembles! (photo courtesy Akiko White)

Presenting (photo courtesy Akiko White)

Cake!

Refreshments

Signing

Frances Hill and Lindsey Lane (photo courtesy of Shelley Ann Jackson)

Shelley Ann Jackson and Lindsey Lane (photo courtesy Shelley Ann Jackson)

 Many thanks to BookPeople for hosting the event, to everyone who came for the event, and to everyone who helped out: Akiko, for making the awesome cake; Cynthia Leitich Smith; Carmen Oliver; Lindsey Lane; Shelley Ann Jackson; and Cory Putnam Oakes!

Cake topper in its natural habitat

Ever since November 2, 2016, I've been meaning to blog about the Cubs winning the World Series, and I may yet, but I think my post about their getting into the World Series ("Every Cubs Fan is Ten Years Old Tonight") pretty much sums things up (though obviously it didn't cover their blowing the lead in game 7, extra innings, and that rain delay...).

But for now, I thought I'd blog about what happened this year, between January 9 and 15, when I boarded a very large ship for the first time and set sail with some 2000+ like-minded individuals for the first annual Star Trek Cruise.

All the elevators were decorated like this

Many of the restaurants and bars were similarly themed...

It was an absolutely fantastic and fun experience: the cruise ship was decorated (as much as possible on a finite budget) to recreate Federation technology and decor and there were activities and performances and autograph and photo opportunities by and with the likes of William Shatner, John deLancie, Denise Crosby, Marina Sirtis, Terry Farrell, Ethan Phillips, Max Grodenchik, Robert O'Reilly, Casey Biggs, and Chase Masterson.

My mess dress uniform for the formal

There were also four official theme nights: (i) A Night in the Holodeck, where you were supposed to dress as your favorite holodeck/holosuite character; (ii) Q's Masquerade Ball, where the sky was the limit; (iii) the Captain's Formal Gala; and (iv) an Evening on Risa.

I first heard about the cruise back in August of 2015 or so, when it was first announced, and decided that I really had to go. Now, although I've been a Star Trek fan since I was a kid, I've never been to a con or on a cruise, but there was just something about this idea that I found fascinating. 

So I decided I'd go, and I made the affirmative decision that I was going to embrace the cosplay.  Granted, I didn't have to, and there were a significant number of folks who ended up wearing Star Trek-related garb or generically appropriate clothing, but I decided that I would dive in, as it were (In part, I did so because half the fun of a vacation is anticipating it, and preparing the cosplay was an engaging extension.

At first, I debated doing makeup and going all out as a Trill or a Vulcan (and took the appropriate

Go Niners!

accoutrements onto the ship, but ended up not going that extra step for logistical reasons).  And there were a couple costume ideas I considered and then discarded as either too unwieldy or just not right.

Eventually, though, I decided to do costumes not based on individual particular characters per se, but ones that would evoke an episode or the world of an episode (Incidentally, I tend to think this is one of the reasons for the appeal of books like Harry Potter or Lord of the Rings. Readers who like imaginative play like to imagine themselves in those worlds, perhaps more so than they imagine themselves as Harry Potter or Frodo).

So, what were my favorite episodes that lent themselves to cosplay? Well, for the favorite holodeck character, I decided early on that I wanted to do something related to baseball, since it was the favorite game of Captain Sisko on Deep Space Nine and the subject of one of the more goofily charming episodes, "Take Me Out to the Holosuite," in which a Vulcan captain challenges Sisko and the crew of DS9 to a baseball game.  Both sides had their own uniforms and the DS9 crew were the "Niners."

I ended up having problems figuring out how to do the uniform in a screen accurate manner, so decided to wing it and do what I ended up calling a "Deep Space Nine throwback uniform," complete with Terok Nor (the former name of Deep Space Nine) logo. :-). As you can see, though, there were a number of people who had less difficulty than I did in getting a screen accurate uniform :-):
  

And people were already pulling out the stops for the evening. Here are a couple pics:

The Q Continuum made an appearance

Really creative holodeck no. 1

A transport in progress. The photo doesn't really do it justice

Really creative holodeck no. 2

A very nice historical look

For Q's Masquerade, I found myself with a dilemma: the idea was that it would be a masked ball, but when you wear eyeglasses, masks can prove to be a bit difficult.  In the end, I went with a wild west outfit, because I figured I could wear an "outlaw bandana" as the mask.

The costume is based on the worlds of either the Original Series episode "Spectre of the Gun" or the Next Generation episode "Fistful of Datas." Ultimately, I kept the mask in my pocket since it interfered with the eating and drinking.

As you can see, there were a number of folks who had similar ideas:


They had to change the venue for the masquerade due to weather, so I didn't get as many shots as I'd've liked, but here are a few:



For the Captain's Formal Gala, I decided that I could wear my tux, but I'd always liked the formal dress uniform that was introduced in Star Trek: Insurrection and also appeared in DS9, so I went with that.  I confess that at first I had thought it would be the most boring night of cosplay, since everyone would be in Star Fleet formal uniforms.  And people did that, but there was a bit of variety as well...

The last official theme night, an evening and barbecue ("Targ-BQ") on Risa, seemed to be the most troublesome costume-wise, or at least the one that stretched people's creativity, especially since the only really distinctive Risan outfit was Picard's infamous "silver speedo."  There actually were brave folks who went with that, but one of my favorites was the couple who dressed up as George and Gracie, the humpback whales from Star Trek IV.

And what am I wearing? A conventional pair of board shorts and a garment called a "sleeveless hoodie." It's actually off the rack, but I did have someone ask me if I'd made it myself. I bought it because I'd never heard of such a thing before and the idea of a sleeveless hoodie seemed kind of bizarre to me and therefore suitably Risan :-).

Another of my favorites of the night was The Game headsets (from the eponymous Next Gen episode) that a couple of guys brought:
And then there were these guys whose three hour tour seemed to have gotten a bit sidetracked:

There was a lot of other stuff going on, as well, including the chance to randomly encounter the actors...

...pictures and autographs...

The Grand Nagus signed my novel! :-)

...shore excursions...
...on board lectures, panels, and performances...

William Shatner "christens" the cruise

Terry Farrell leads yoga

Lolita Fatjo discusses script coordinating...

Terry Farrell, Chase Masterson, and James Darren

Casey Biggs leads a wine tasting

...and, of course, the great tribble hunt:
There was way too much going on for me to have caught even a fraction of it, but you can see a ton of pictures at the 2017 Star Trek Cruise photo gallery and there's a great video here.

You can also check out the blog reports from StarTrek.com here: Day 1, Day 2, Day 3, Day 4, Day 5, Day 6.

Live long and prosper!

It's the eve of the Texas Book Festival so make sure you check out the festivities on the Capitol grounds! And here's a tentative list of projects from Austin authors and illustrators releasing next year! For previous years, go here.

Picture Books, Easy Readers, and Board Books

WHAT DO YOU DO WITH A VOICE LIKE THAT? by Chris Barton, ill. by Ekua Holmes (Simon & Schuster/Beach Lane 2018).

MIGHTY TRUCK: ON THE FARM, by Chris Barton, ill. by Troy Cummings (HarperCollins, May 2018).

PENGUIN AND TINY SHRIMP DON'T DO BEDTIME, by Cate Berry, ill. by Charles Santoso (Balzer + Bray/HarperCollins 2018).

ABRAHAM LINCOLN'S DUELING WORDS, by Donna Janell Bowman, ill. by S.D. Schindler (Peachtree, 2018)

THE BOOK THAT JAKE BORROWED, by Susan Kralovansky (Pelican 2018).

COUNTING COLORS IN TEXAS, by Susan Kralovansky (Pelican 2018).

KATE, WHO TAMED THE WIND, by Liz Garton Scanlon, ill. by Lee White (Schwartz & Wade, Spring 2018).

FRANCES IN THE COUNTRY, by Liz Garton Scanlon, ill. by Sean Qualls (Neal Porter Books/Roaring Brook Press, Summer 2018).

DEAR SUBSTITUTE, by Liz Garton Scanlon, ill. by Chris Raschka (Disney-Hyperion, Summer 2018).

STALEBREAD CHARLIE AND THE RAZZY, DAZZY SPASM BAND,  by Michael Mahin, ill. by Don Tate (Houghton Mifflin Harcourt, 2018).

PAR-TAY: DANCE OF THE VEGGIES (AND THEIR FRIENDS), by Eloise Greenfield, ill. by Don Tate (Alazar Press 2018).

POTATO KING: THE STORY OF JUNIUS G. GROVES, by Don Tate (Knopf 2018).
 

Middle Grade

THE BOY, THE BOAT, AND THE BEAST, by Samantha Clark (Paula Wiseman Books/Simon & Schuster, Summer 2018).

KNOCKOUT, by K.A. Holt (Chronicle, Spring 2018).

DEAR ME (tent. title), by K.A. Holt (Scholastic, Summer 2018).

THE PARKER INHERITANCE, by Varian Johnson (Scholastic, Spring 2018).

THE CAMELOT CODE: THE ONCE AND FUTURE GEEK, by Mari Mancusi (Disney-Hyperion, Oct. 2018).

GIRLS WHO CODE: LIGHTS, MUSIC, CODE, by Jo Whittemore (Penguin Workshop, Spring 2018).

REVENGE OF THE TEACHER'S PETS, by Jennifer Ziegler (Scholastic, June 2018).

Young Adult

HEARTS UNBROKEN, by Cynthia Leitich Smith (Candlewick Press, 2018).

AVENGED, by Amy Tintera (HarperTeen, May 2018).

NASA has canceled VIPER, a rover designed to seek out water ice and other resources in the lunar south pole.

This was a big week in space, from Curiosity stumbling upon sulfur crystals to an exoplanet discovery and a major advocacy effort.

An analysis of the U.S. Senate's FY 2025 budget request for NASA.

From X-ray imaging to slithering beneath Enceladus’ crust, space technology is always expanding what we can see for ourselves.

With all the advances in private space exploration, why do taxpayers still pay for space science missions?

When a skyscraper-sized asteroid narrowly misses Earth in 2029, three spacecraft may be along for the ride.

Exploring Europa and defending Earth.

Cameras on spacecraft are our eyes into the Cosmos. Sometimes they teach us things, sometimes they reveal gaps in our knowledge.