Gauri Khan was spotted at Mumbai airport by the paparazzi, and once again, the interior designer has proved that she's got all the right fashion moves.

Gauri opted for a casual look - a black blazer, paired with a white top, basic blue denims, and thigh-high black boots for the outing. Doesn't she look gorgeous? If you're planning to upgrade your wardrobe with something similar, take a cue from Gauri to wear it in the best way possible and ace the airport look, or even a casual one, like a fashionista. 

Gauri Khan/picture courtesy: Yogen Shah

Black blazer: You can buy Ambrosial women single breasted formal blazer at the discounted price of Rs 649 only. Get Gauri Khan's airport look without burning a hole in your pocket. Shop here.

White top: Buy Acanthus Women's V Notch Front Scallop Trim Top at the discounted price of Rs 399 only. Shop here.

Blue denim: Raiter Super Skinny Jeans for Women and Girls Size will help you flaunt your legs! Get your pair at the discounted price of Rs 499 only. Shop here.

Black boots: Buy Kotak Sales Stylish Knee Length Boots at the discounted price of Rs 795 only. Shop here.

Tote bag: Get Kanvas Katha Women's Handbag at the discounted price of Rs 531 only. Shop here.

Also Read: Here's how you can get Malaika Arora's monochrome gym look right

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Suniel Shetty's son Ahan Shetty was snapped at a coffee shop in Bandra, Mumbai. The star kid was all smiles when clicked by the paparazzi in the city. While on the stroll to the city with a friend, the actor, who is all set to make his Bollywood debut with Milan Luthria's next, showed off his uber cool side. 

"RX 100 caught our attention amongst many other scripts. But this story stood out since the film has been appreciated. The idea was to provide Ahan with a film that is gripping and entertaining. We were looking for a complete package. It's in the space of action-drama, a genre I wanted to tap into," said Milan Luthria in an old interview with mid-day. 

Take a look at his casual outfit right away:

White t-shirt: 

Buy a basic white t-shirt at the discounted price of Rs 315/- and be that cool fashionista of your group. You can get it in a few easy steps. Shop here. 

Blue denim:

No matter how many denims you buy, they are always a few. Get Diverse Men's Relaxed Fit Jeans at the discounted price of Rs 589/- only. Shop here. 

Checkered shirt:

Look stylish in a checks casual shirt. Buy it at the discounted price of Rs 699/- only. Shop here. 

Boots: 

Buy Brown Leatherette Zipper High Ankle Length Casual Chelsea Boots at the discounted price of Rs 399/- only. Shop here. 

Also Read: Gauri Khan's airport look will give every woman fashion inspiration; see photos

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Representational picture

San Francisco: Facebook has announced a new tool for website owners and developers that will alert them about phishing attacks on their platforms. "We are extending the capabilities of our 'Certificate Transparency Monitoring' tool to make it easier for developers to learn about new domains that are maliciously created to implement phishing attacks," security engineer David Huang and software engineers Bartosz Niemczura and Amy Xu said in a blog post late on Wednesday.

Phishing websites try to trick people into revealing their passwords, credit card numbers, or other sensitive information.

The tool, announced during the F8 annual developer conference in San Jose, alerts website owners of these scams so that they can take action to protect their domain and the people who use their websites.

"Certificate Transparency Logs" are designed to keep a record of all valid security certificates issued by publicly-trusted Certificate Authorities.

"We have been using these logs to monitor certificates issued for domains owned by Facebook and have created tools to help developers take advantage of the same approach," the post said.

Using these tools, developers can learn about certificates that are mis-issued for the domains they control.

"We are extending the capabilities of our tool to send alerts when certificates are issued for potential phishing domains," the post added.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Popular image and video-sharing platform, Instagram, on Thursday, announced new ways to share content on 'Stories', connect with friends over videos, and discover new interests on 'Explore'. The platform also announced measures to protect Instagrammers from bullies.

Here are the changes:

Sharing to Stories

From a sticker of one's new favourite song on Spotify to action shots from GoPro, it's now easy to share what one is up to or how they are feeling by posting directly to Instagram Stories from other apps. More apps will be adding the sharing to Stories feature soon.

Just tap the share button in the Spotify or GoPro app and the content is pulled directly into the Instagram camera. From there one can edit and add to their story or send it via Direct. One does not need to connect their Instagram account to other apps in order to share to Stories.

Camera effects platform for Instagram

Face filters, text styles and stickers help turn casual moments into experiences one can't wait to share. Instagram is now unlocking the ability for third parties to design unique, interactive camera experiences for their followers.

That means that one can turn any video into an NBA dunkcam or add a cloud of hearts and Pomeranians to fluff up their photo.

Further, more fun creative effects from one's favourite accounts are coming soon, including Ariana Grande, Baby Ariel, Liza Koshy, Vogue, and Buzzfeed.

Video Chat

More than 100 million Instagrammers watch or share on Live every day. But the community sometimes also wants to experience real-time video in a smaller group.

In the coming weeks, Instagram will bring video chat to its platform and give friends a new way to spend time together - even when they aren't actually together.

To start a video chat, simply tap the new camera icon at the top of a Direct thread.

One can chat one-on-one or with a small group ¿ and they can keep the conversation going for as long as they like. Further, one can also minimise the video and continue the chat while doing other things on Instagram.

Video chat is testing now and will roll out globally soon.

The New Explore

People come to Explore every day to discover new ideas, people, and experiences. And now the redesigned Explore makes discovery even easier.

It will still be personalised, but the content will now be organised into topic channels so that one can browse across their interests and go deeper into any area they like.

The new Explore will be rolling out over the coming weeks.

Further, Instagram will filter bullying comments intended to harass or upset people on the platform.

In 2017, Instagram had announced an offensive comment filter, which would automatically hide toxic and divisive comments, particularly those aimed at at-risk groups.

This new filter hides comments containing attacks on a person's appearance or character, as well as threats to a person's well-being or health.

The bullying filter is on for the global community and can be disabled in the Comment Controls center in the app.

The new filter will also alert Instagram to repeated problems so that the company can take action.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Microsoft

The fast-emerging field of Artificial Intelligence, which has suddenly caught the attention of the IT industry and the governments across the world, is facing a large skills shortage, a top Microsoft official has said.

The Artificial Intelligence (AI) is also facing the challenge of appropriate use of data, group programme manager of Microsoft Learning Matt Winkler told PTI.

"There is a pretty large skills shortage. Lots of folks are talking about it (AI). A lot of folks are very, very excited about it and then they want to go and make that real. And when they go to make that real, there's a really large skills shortage," Winkler said.

That's why it's so exciting to be trying to bring these technologies to more developers because it's going to bring more people into the mix, he said. Winkler said the second challenge is really around data.

"How do you get the data in the right shape? How do you prepare the data? Because all of the AI in the world is based on data, and so what makes it interesting is the data that you have, the data that your business has, that what you understand about your customers. So how do you most effectively use that data to go and produce models," he said.

Then within kind of any individual product project, one of the key challenges is the same thing that the industry has seen with software, which is, if one tries and do too much, the project gets much harder.

"And so we'll often times see failed projects, which are the result of trying to create just the most amazing thing having done nothing," he said.

At the recently concluded developers conference ¿ Build 2018 ¿ Microsoft's CEO Satya Nadella talked about how to make AI accessible for everyone.

"Our guidance to a lot of customers to pick a domain and pick a used case where you have a high, high-quality data and that it is really well understood. Start there, get some wins with that and then start expanding the use cases so far," Winkler said.

Microsoft is partnering with multiple players in both the private and governmental sectors to use AI for public good.

"Absolutely, AI is being used for public good. For instance, it is being used in school districts in order to predict drop-out rates in India.

"We see a ton of healthcare applications: patient re-admission rates is very very popular one. We have seen medical image analysis. We are doing some really interesting work doing diabetes prediction through scans of retinas," Winkler said.
Microsoft is working with the Snow Leopard Trust, a non-profit organisation dedicated to the preservation of the snow leopard and parts of Nepal and India to analyse in real time the presence of snow leopards.

"So it's fundamentally changed the way they do their research," he said, adding that the Microsoft is working with three-four other conservation agencies doing similar things.

"For a lot of the customers, what AI is enabling is not just an incremental... but It's something they fundamentally couldn't do before. So it really does introduce a step change for the things that they want to do in their business," Winkler added.

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Illustration/Uday Mohite

Oh, wretched irony, that President Ram Nath Kovind — whom BJP president Amit Shah unabashedly introduced as a Dalit when nominating him as a Presidential candidate — should himself introduce a caste system, where it never existed before: India's august National Film Awards. The President informed the Directorate of Film Festivals (DFF) three weeks earlier that he would leave the award function in an hour. But the winners were informed only a day earlier, that the President would give away only 11 of the approximately 137 awards at the 65th National Film Awards; the rest would be given away by Information and Broadcasting Minister Smriti Irani, and Minister of State Rajyavardhan Rathore. As the award winners' invitations stated that they would receive the award from the President of India, they wrote to the DFF about a breach of trust, "65 years of tradition was being overturned in a jiffy," and nearly 55 winners boycotted the function.

Nothing spoke of the sordidness of this prestigious event as that photograph with just two disturbed award winners, in a hall full of empty chairs. The names of the 30 award winners who protested were not even announced. It is heartbreaking that a number of award winners, including Fahadh Faasil, who won Best Supporting Actor for Thondimuthalum Driksakshiyum, and Parvathy, who won Special Mention for Take Off, both in Malayalam, returned home without their National Awards. We are proud the National Awards still go to those truly deserving them, mostly. Bollywood, which usually hogs the limelight, is shown its true place in Indian cinema at the National Film Awards. Malayalam cinema won 11 major awards, Hindi cinema only eight in comparison; Bengali and Assamese cinema won five each; Marathi cinema won four; Tamil and Telugu cinema won three each.

The President, who is 72, gave no reasons for his self-styled, one-hour Cinderella rule. If he had medical issues, he could reasonably have declined, or split the awards into two sessions.

I have had the honour of attending four National Film Awards — once as an award winner, and thrice on the National Film Award Jury, in 2008, 2011 and 2014. Bungling and uncertainty are a given. I had won the National Award for Best Film Critic for 1998, but received the award only in 2000, because of unstable governments. As I'm usually at the Berlin Film Festival in February, I had asked the DFF about likely dates since October, but they said they would know only at the last minute. I was at the Berlin Film Festival when I was swiftly summoned to New Delhi, so my parents Indu Shedde and S Rammohan went to New Delhi, and my mother received the National Award on my behalf from President KR Narayanan.

On the other hand, Ramendra Naresh, a Dalit student who topped the MCA programme at the Babasaheb Bhimrao Ambedkar University, refused to accept his gold medal from President Kovind at the convocation scheduled last December, to protest against the growing atrocities against Dalits. Along with all this year's award-winners, I applaud Naresh as well.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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A still from Marvel Studio's Avengers: Infinity War

Maybe because they thought I was some angrez-type, dissing one after another loads of films being dished out in the early 2000s - inevitably, a film producer or the other would proudly remind me back then, about how India (in this case, Bollywood) was absolutely the only movie market in the world where Hollywood, or the appearance of a Spielberg or George Lucas film in theatres, made no difference to the lives of local filmmakers, Subhash Ghai, Yash Chopra, if you may.

This was true for India, up until a decade ago; and yes, not true for anywhere else. Still, since the names mentioned to me were of filmmakers (no doubt, well-known/mainstream), I argued, this had a lot more to do with the reliably desi, nearly mythological star-system, that movies pivoted around and audiences lined up in cinemas for. You need a face to build a following (for anything). Any branding intern will tell you that. Hollywood had its own star-system. Few filmmaking cultures, apart from India and the US, did.

So sure, the handsomely paid Tom Cruise or Julia Roberts, or for that matter Superman/Batman, were huge in India as well. But, their films merely ran at exclusive cinemas for English films in bigger cities (say Chanakya, Sterling in South Delhi/Bombay).

Did the cash-rich Hollywood not wish to partake in the desi star, plus song, mainstream movies that enchanted millions? By late 2000s, American studios began setting up offices in Mumbai, cheekily over-paying Bollywood's lead cast, getting into lopsided deals favouring local producers, to make a direct entry into Indian markets, at last.

Bollywood films, more or less, remained the same, in terms of scale. For they weren't here to change the status quo. It suited them. The budgets (for them) were pocket-change, anyway. Major Indian filmmakers continued to feel safe in the face of a captive audience. In about a decade though, one region, small-town at a time, the American studios, having deepened a desi distribution network, began to spread out the release of their own global blockbusters that none in India could potentially compete with. The economics simply wouldn't match.

Spiderman first spoke to its audience in Bhojpuri in 2007. Ronald Emmerich's 2012 (2009), with the Taj Mahal in a shambles in the promo, with no such scene in the picture, had curious villagers walk over to nearest theatres to catch the end of the world. By 2012, even Ang Lee's deeply meditative, Life Of Pie, collecting R90 crore, had thumped the Akshay Kumar masala picture, Khiladi 786 (releasing around the same time), by a R20 crore margin!

Woah. Did desis stop loving their super-stars? Nope. They still do. Here's what happened. Hollywood altogether destroyed its own, entire 'star-system' instead - making films not about actors (or even directors, for that matter), but relentlessly concentrating their massive might/resources/energy on propping up super-heroes (several for the price of one), gigantic disasters, and dazzling 3D/IMAX special effect, to effectively conquer the earth while, sometimes, saving it on the big screen.

Perhaps 2015 was a turning point, when up until mid-year, three out of India's top five hits had emerged from Hollywood (rightly subtitled in English, even in their English versions). Fast & Furious 7 (basically racing cars) was the first film to hit R100 crore mark. Avengers: Age of the Ultron, and Jurassic World, had wholly crowded out domestic competition on the opening weekend.

These movies may have lacked a singular creative voice/vision, but they were fail-safe in the boardroom's understanding of markets, and shares. As is expectedly the case with the latest, stupendous success of Marvel's Avengers: Infinity War (having grossed over a record-breaking R200 crore, already) - where nothing exceeds like excess!

The global fan-boy pressure to get off on this pic (like many others), made critic-proof by critics themselves, is such that you simply don't want to be that guy pooping on everyone's parade. It's like being the first fellow to suggest the whisky being served from a Blue Label bottle at the boss's house-party tastes suspiciously like Aristocrat Premium: "Kya baat kar raha hai?" Naah, don't wanna be that guy!

Curiosity is irresistible. There's nothing to call out. Conditioning is complete. Indians can probably see in Thanos's quest for 'infinity stones' their own uncles, who wear similar rings for inter-planetary changes! Balance of the universe sounds a lot like 'srishti ka santulan' from Abhishek Bachchan's Drona.

The film itself being a Bollywood multi-multi-starrer, where in the end, Amrish Puri wins, and if you wonder how dead superheroes might stage a comeback-hey, Ekta Kapoor's been spinning this for decades. The premise of so many avengers, guardians, and devils, all in one, is lost on no one who devours Hindu mythology, with 330 million gods anyway. Yeah, this is desi entertainment. I say this listening to actor Ranveer Singh's voice in the Hindi trailer of Marvel's forthcoming Deadpool 2 go: "Kitna traas dega, Thanos." Sach mein, bro!

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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Illustration/Uday Mohite

Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.

Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.

Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.

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The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

Shiv Sena may have discovered a way to bend the BJP its way. The political precision with which the party snapped up the disgruntled son of a late BJP parliamentarian for fielding in the Palghar Lok Sabha bypoll has taken Uddhav's resolve of outsmarting the saffron frenemy to a decisive level. Uddhav wants to fly solo, escape BJP's trap for emerging as the single largest party in the state next year.

Palghar, a testing lab, may decide the fate of the strained relation between the two partners, which the Sena is using to try and carve a niche for itself by playing a detractor within and outside the government.

Uddhav has a spring in his step, as Sena prepares to run Palghar, and the guts to ask the BJP to withdraw from the race. It would be interesting to see who blinks first in a barter proposed by Uddhav. The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

But will they reach a compromise? The possibility of the two parties backing out seem remote. There are others in the fray who too want the BJP defeated. The BJP has fielded a former Congress junior minister, Rajendra Gavit, who had started his political career with Janata Dal. Gavit came in amid high drama after Sena's nomination of BJP's late MP Chintaman Wanga's son Shrinivas surprised all. Gavit had lost two Assembly elections in a row for the Congress, and before that, he was unceremoniously asked to pull out for a BVS candidate in 2014 Lok Sabha polls.

'Well played, Sena'
The BJP camp does not admit it openly, but insiders say the Sena was tactically much superior this time. Sena explored the emotional turmoil in the Wanga family, which felt ignored by the BJP. The family members accused the BJP high command, including the CM, of not giving them audience. In response, Fadnavis blamed the poaching on Sena. He said it was unexpected of the ally, and that the BJP would win, with or without Sena.

The Palghar bypoll is important for the BJP to reaffirm its influence in the tribal belt. In the 2014 Lok Sabha elections, four out of the 48 seats were reserved for Scheduled Tribes, of which all went to the BJP, an unprecedented result. BJP had been contesting Dahanu (delimited and named Palghar) for many decades but with limited success.

In the Assembly, 25 of the 288 seats are reserved for STs. Of these, BJP won 11, followed by Congress's five, NCP's four, Sena's three and one each by CPI(M) and Bahujan Vikas Aghadi (BVA).

The results of Lok Sabha bypolls in Maharashtra should measure BJP's influence in the four years of government. Sena hasn't fielded in Gondia-Bhandara because its poor strength will never secure it a prominent place. Knowing his weakness in the region well, Uddhav paid an impromptu visit to Nagpur last week. Again, his was an attempt to create some nuisance for the BJP, where they expect BJP and NCP to fight straight.

Other factors in Palghar
For Sena, Palghar has turned out to be a sharper tool to cut the BJP to size. Uddhav has nothing lose in a skirmish that will be four-way in case some candidates don't pull out, while a victory would be a shot in the arm for Sena.

Former allies Congress and influential local outfit, led by Hitendra Thakur, BVA are also in the fray. BVA's role will be significant in splitting votes because it had won the LS seat in 2009, and lost the next to BJP, despite having its vote share of 30 per cent intact. In 2014, BJP increased its vote share by a whopping 25 per cent. BJP and Sena were together then, while Congress had withdrawn Gavit (now BJP's candidate) for supporting Thakur's candidate. BVA continues to be a big player in two urban Assembly segments of Vasai and Nalasopara, which Thakur and son represent.

If it were to ensure BJP's defeat, will Congress withdraw the candidature of former MP Damu Shingda this time? Congress insiders say supporting BVA may not be a good idea, and instead, the party should have a tacit understanding with the Sena for beating the BJP at the hands of the ally. But will that be acceptable to Congress, which is working to emerge as a strong alternative to BJP?

All eyes will be on developments taking place on Monday, the last day of withdrawal of candidatures.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Pic/AP

One of the better things during the Karnataka Assembly election, no matter who emerges the single largest party tomorrow, was Congress president Rahul Gandhi's press conference in Bangalore. You may not have seen it on TV. It is on YouTube, however. Rahul again comes across in a light different to the whispers about him during the past two decades, proving how it was all the doing of a well-oiled BJP machine. My favourite part was Rahul's take on Prime Minister Narendra Modi's recent visit to Wuhan in central China for an "informal" summit with President Xi Jinping.

Here's what he said:
"I expected the PM to go to China as the leader of our country [and] speak to them about Doklam... He didn't say a word. [He] had a conversation with the Chinese President with no agenda. Are you telling me there's no agenda? There is an agenda, it's called Doklam; there is an agenda, it's called the Maldives; there is an agenda, it's called Nepal... The agenda is that we're surrounded on all sides; it's pretty clear. But you guys don't like to raise that, I don't know why.

"Our foreign policy has been completely decimated. And it's because the PM views foreign policy as an individual exercise. He's of the impression that he can go have a conversation with the president of China, or he can go have a conversation with the president of Nepal, and everything will magically happen.

"The PM needs to carry his own people with him. Are there any conversations going on with the finance minister, with the defence minister about this type of strategy? No. It's a one-man show."

Briefly: China tried to seize the Doklam plateau in Bhutan last year but after a 73-day standoff against our troops, it backed down. It has reportedly since built an infrastructure leading to Doklam. In the Maldives, China is displacing India: President Abdulla Gameen last year welcomed three Chinese warships, and last month hosted the Pakistan army chief. In Nepal, despite Modi's visit this weekend to promote Janakpur, Sita's birthplace, as a religious tourism spot, the Nepalese have drifted from us after India's five-month blockade in 2015 - we were pushing for greater political inclusion of the Madhesis. Modi is a villain for the Nepalese, as evident on social media.

China has seized advantage of India's pathetic neighbourhood behaviour, and, as Rahul said, has India surrounded. No wonder many think Modi went to beg Xi to keep relations calm in the run-up to the 2019 parliamentary election. That Modi's governance is election-oriented is no secret. Will the Chinese will play ball? When the two-day "informal" summit ended, the Indian side issued a statement and reportedly urged the Chinese to issue their own. Compare the two and you see a difference: while India mentioned a strategic direction to our respective armies to avoid tension on the Line of Actual Control, China only said the armies would follow past protocols. Joint statements are never easy, but individual statements are a piece of cake.

Modi had to supplicate himself because he cannot afford to go into the 2019 election after a showdown with China. Even a short skirmish will humiliate India. Unlike tension on the Line of Control with Pakistan, which benefits Modi since it can be dovetailed into communal rhetoric, tension with China gives Modi no benefit. Modi cannot help but humour China.

The Chinese were amenable to being humoured since they have now what they wanted in Doklam. China nowadays also wants to be seen as a responsible global power: hence it has nudged North Korean leader Kim Jong-Un into meeting his South Korean counterpart and, next month, with Donald Trump. China has also reached out to Japan, with whom relations are more complicated than with India.

Mainly, it was because Modi agreed to humiliate the Dalai Lama, the Tibetan Buddhist spiritual leader who has lived in India since 1959. India prohibited its ministers from attending a Dalai Lama function (ironically, to thank India) and asked him to shift it from Delhi to his base in Dharamsala, Himachal Pradesh. It was an insult; worse, he privately expressed the fear that he might be expelled.

The Chinese gave us time but they did not give Modi a hug. In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Rahul Gandhi is right: Modi has decimated India's foreign policy. It's too bad that this and other aspects of his press conference were ignored by the TV media. But then, after Gujarat, Karnataka has been good practice for him. Modi's obsession with the 2019 election means that governance will suffer, so Rahul will get more occasions to show the public his mettle.

Aditya Sinha's next book, The Spy Chronicles: RAW, ISI and the Illusion of Peace, co-written with a former RAW chief and a former ISI chief, is out next week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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While women sit devoutly, the male attitude has tended to be: let us spray. Representation pic

Bangkok's malls have thousands of people. And people tend to pee, which is partly why they're called peeple. So malls have dozens of men's and women's toilets. Being Bangkok, city of fragrances and aroma oils, they really hate bad smells, so the lavatories generally smell like boudoirs.

In a hurry recently, and finding all the cubicles in the Men's occupied, I looked left and right, then darted into the Women's toilet, which happened to be woman-free at that moment, and locked myself into a booth there. Man's gotta do what a man's gotta do. Emerging, visibly relieved, I noticed two things: there were no cleaning ladies in the women's toilet; and there was no pee smell there either.

The adjacent men's toilet had two cleaners toiling away with mops and buckets of perfumed disinfectants, but you could also detect the fouler odour they were masking: the stink of uric acid and ammonia from male piss. While women sit devoutly, the male attitude has tended to be: let us spray. I know, I know. We don't talk about such things in polite society. It's like the 13th floor in a skyscraper: you can't get rid of it, but you pretend it's not there. Never say "I would like to urinate, be right back". Better go with, umm, Have to see a man about a dog, or Going to make the bladder gladder, or Excuse me while I drain the dragon. Or, if a lady, Pardon me while I take a quick tinkle.

Say it how you wish, amigo, but here's the bottom line - India has fewer malls than Bangkok, but billions more, erm, happy pissers to whom the world is a urinal. Urinary odors were so much a part of childhood that I always assumed that toilets would always smell like, well, toilets. And it's true - a men's toilet in Chicago or Piccadilly will reek just like one of the 71 million apparently built so far by the Swacch Bharat Abhiyan.

What can I say? Piss smells. But Bill Gates, who loves poking his nose where things don't smell right, commissioned a worldwide study and found that usage of freshly minted toilets slopes off after six months. Respondents cited "dirty and smelly toilets" as reasons why they preferred the fields. Gates started the Reinvent the Toilet initiative in 2011, and began working with Firmenich, a Swiss company that makes bad smells better. They identified the four stinky molecules in toilets as indole, butyric acid, p-cresol and dimethyl tri-sulfide, and came up with a fragrance that blocks the nose's receptors that detect these. You could be up s**t creek, so to speak, and not smell a thing.

Like pretending the 13th floor doesn't exist even as you pass it. But you know me. The man with the humble opinion. While Gates would like to block your nose, I think I'd like to block the stink itself. After all, women seem to have it figured out - they sit when they tinkle, so they don't sprinkle. So - men should stand to pee why?

Toledo University's 18-month study found three causes of toilet odors - Missing the target. Face it, not all men are born snipers. The average Indian pissoir is haloed by a wet ring of failed attempts to hit the superbowl.

Uric acid, from men who pissed, but missed and dribbled on floors and walls (and their own shoes) instead, causing smelly bacteria build-up. Splashes - even when the target has been successfully met, a fine aerosol of uric acid lands on nearby surfaces. Urine in the cracks: Urine is absorbed into grout, ponging over time. I'd add poorly paid municipal cleaners and maybe a faint inherited attitude that only untouchables clean toilets. Splashing a bucket of water in a Swachh Shauchalay only spreads the urine evenly across the floor.

Research from the Dutch Leiden University Medical Centre says sitting down to pee helped men suffering from lower urinary tract disease symptoms to pee with greater force.

The stand-up guy activates a host of discreet muscles in the pelvis and spine, which prevent proper urination. More acute in public toilets where certain muscles might be clenched to suppress nether blasts while peeing.

As always, I didn't think of it first. In 2012, the Swedish Left party of Sormland Country Council put forward a motion that all male employees should sit down like well brought up girls when open their sluice gates. Taiwan and Japan have begun advising their men to sit down to pee - or else. And since a real man is clean, courteous, considerate and utterly lazy, a squat over the pot should suit him right to a, well, P. Believe me, I'm a recent convert. Want better reasons? Listen to Larry David from Curb Your Enthusiasm. http://tinyurl.com/ycqa6q3g

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week

If you think about it, the reason the girl (Juhi Chawla) can't be with the boy (Aamir Khan) in Mansoor Khan's directorial debut Qayamat Se Qayamat Tak (1988) - path-breaking romance for its time - is rather simple. Years ago, the boy's father had killed the girl's uncle. This is because the uncle had impregnated the boy's aunt, but forced to marry someone else - abetting her suicide.

Now, why this uncle and aunt couldn't get together isn't quite clear in this adaptation of Romeo And Juliet. Unlike the couple in Sairat (2016), both belonged to rich, neighbouring families, from the same (Rajput) caste. The thorn in their backsides was the khadoos patriarch (Goga Kapoor). He enjoyed the sole right to decide who his son (and later his grand-daughter) would marry. Also, that girl had slept with his son out of wedlock.

For a movie mirroring such rigid, patriarchal values, it's amazing that it remains, up until 2018, a rare occasion where the heroine (Juhi) falls for first, and actively chases the hero (Aamir) - a sign of ultimate gender equality (to my mind), making it one of the most feministic films I know. QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week. Aamir, who also shared writing credit for the movie, organised a special screening with cast and crew to mark and discuss the moment.

I just saw QSQT myself, after several years, to observe with much relief that the film hasn't aged much (certainly not as much as humans have, since), although it's not as young as the all-time favourite, Mansoor's Jo Jeeta Wahi Sikander (1992), which still looks as fresh as last Friday's catch.

One of the things that Mansoor revealed after the QSQT screening, which is rather ironic given the film's subject, were the constant creative differences/fights he would have with his late father, producer-writer Nasir Husain, during the making, making others worry if they could ever move on. That way, QSQT is full of ironies.

To begin with, for a 2-hour, 43-minute movie, there are only four-and-a-half songs. This, coming from Nasir, king of Bollywood musicals, who produced, among other great soundtracks, the 10-minute-plus medley in Hum Kisise Kum Naheen (1977; best piece of music ever).

Once, being told that a track in QSQT had been composed, while it hadn't been, Nasir decided to hop over to the studio of music composer sons of Chitragupta, Anand-Milind, giving them only a 15-minute heads up. In that interim, Anand-Milind came up with the song, Aye Mere Hum Safar.

Don't know if the pressures were equally high throughout, for I recently discovered the track, Return To Alamo (1977) by The Shadows, which even by Bollywood's liberal standards for 'inspiration', seems shockingly lifted, note for note, even tempo intact, for the number Akele Hain Toh Kya Gham Hai. The only stroke of genius being that a war-cry has been turned into a romantic melody!

In 1995, Mansoor and Aamir teamed up to unofficially remake Kramer Vs Kramer (1979), even picking up scenes from the original, while one of the main songs was copied from The Godfather score. I once asked Aamir if he thought this was a complete, creative low. He didn't agree.

What young Mansoor, and indeed Aamir, did with one foot firmly on traditions and family customs/values, and the other on relatively modern sensibilities/outlook with QSQT, is take baby steps out of the shadows of the veteran Nasir Husain. This is very similar to how the Barjatyas' reticent scion Sooraj, 25, made his directorial debut with Salman Khan in Maine Pyar Kiya (MPK, 1989), and Yash Chopra's son Aditya, 24, smartly, gently pushed the mainstream bar with Shah Rukh Khan in his first film, Dilwale Dulhania Le Jayenge (DDLJ, 1995).

Together, with soft romances involving hardened parents, the three newbie Khans invaded Bollywood, gradually extricating it from the '80s 'Angry Young Man' hangover, rape-avenger actioners, and family melodramas driven by baffling sensibilities of the money-making, assembly line movies, adapted from the South. QSQT, originally titled Nafrat Ke Waaris, was as much 10 years ahead of its time, as comforting for mainstream audiences from 20 years before. I remember older family members (and teenage girls alike) being struck by Aamir and Juhi, who were formally "introduced" in the film, although Aamir had earlier already starred in Ketan Mehta's Holi (1984).

Leading up to QSQT's release, a hoarding teaser campaign had been launched across Mumbai (and perhaps other cities), with just the question, "Who's Aamir Khan? Ask the girl next door!" The billboards turned into QSQT's posters upon the film's release. Yup, it's been 30 frickin' years. Of course, we know who's Aamir Khan. What film-buffs have always been curious about ever since, and for good reason, is what's he up to next! We always inevitably remember his last film. Which is why, I suspect, QSQT, unlike MPK, DDLJ, if you think about it, hasn't actually got its due.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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The BMC has claimed to be monsoon-ready this year, but it’s highly unlikely that the city roads will be pothole-free. File Pic

I like waiting for the BMC to issue proclamations of all kinds based on whatever mystical tests it uses instead of science. It will tell us when the rains are expected, for instance, then promptly issue a new date 24 hours before the original one, citing fresh new information that has probably been sent to its meteorologists via WhatsApp. It will talk about how much water will be collected in our lakes and rivers, then revise that figure every three weeks depending on what percentage of water cuts it can announce for free publicity. I suspect a lot of BMC employees spend their days simply dreaming up new statements to issue, because doing this is a lot easier than completing any actual work.

The good news is, it claims to be monsoon-ready this year. Yes, it claimed to be monsoon-ready last year, too, and the year before, and the decade before, but why should that stop it from issuing a new press release about how it is definitely monsoon-ready this year? If it doesn't issue these statements, how is it supposed to justify the thousands of crores that are poured into our streets and mysteriously vanish before touching the asphalt?

This year's statement says that only 522 roads continue to remain dug up in the city. This presumably does not include the street outside your home or mine, or any street you pass over the next week, because finding a street that isn't dug up in Mumbai is almost like finding proof that our ministers have actually been to school. Apparently, completing road repair and renovation work in the city is definitely the target, which isn't surprising because it has been the target since man first set foot on the Moon. I assume this doesn't include the roads that have been torn apart for the Metro, of course, because the chances of them being smooth and pothole-free in your lifetime or mine are a billion to one.

The Andheri-SEEPZ line of the Metro runs just outside Andheri station towards Versova. The street it tore up and demolished over a decade ago has yet to recover. It has turned into an unofficial market, with commuters now long used to the idea of going around in a wide circle in order to hit SV Road. One can't help, but use that as a benchmark when thinking about what the city will look like when the current Metro projects are finally complete, a century from now.

Our civic body - I use those words loosely, of course - has reportedly prepared a plan of completing work on 1,106 roads in several categories during the financial year 2018-19, with roads classifieds into categories of project roads, priority 2 and priority 3 roads. This must have taken them a few months, because everyone knows how important the task of naming plans or renaming roads is, and how these discussions can go on late into the afternoon. Project roads are easy to spot because they exist in various states of disrepair all around us, but it's hard to figure out the difference between priority 2 and priority 3 roads. In a city that is home to millions of commuters an hour, one would assume all roads are a priority, but that is clearly not the case.

Project roads are also supposed to undergo complete reconstruction, which is BMC-speak for 'we are going to tear them down and start again, and use your taxes to do it a few more times'. The statement didn't just talk about the future though; it also claimed that work on 879 roads was completed by the end of April. Chew on that when you dislocate your shoulder in a rickshaw on your next trip.

I'm pretty sure the fault lies with us. We are the ones who prevent the BMC from focusing on more important things like memorial plaques and compel it to waste valuable time and money on insignificant issues like pothole-free, monsoon-ready roads. If you care about your city and respect the BMC, you should do the right thing and avoid the roads. Work online instead of at an office, chat with friends and relatives via video calls, and educate your children with the help of YouTube videos. Don't use roads until the pesky monsoons are over. Stay at home instead.

When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com

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Illustration/Uday Mohite

I knew two Mumbai cops. Two Mumbai cops who went to the same college as me. Yeah, Ashok Kamte and Himanshu Roy were marginally junior to me at St Xaviers' College. Two Bombay boys who became police officers and subsequently looked after the city they grew up in.

One who followed in his father's footsteps as a policeman. The other who chose not to become a doctor like his parents. There was an incredibly tragic irony when Ashok was shot on 26/11 in the narrow lane that separated our college from Rang Bhavan. (It's no surprise that Ashok and Himanshu considered each other brothers — and Himanshu always regretted not being in Mumbai, standing side by side with Ashok, when he was gunned down).

I knew Himanshu Roy a bit. Mumbai is a small city in spite of its size. And, South Mumbai an even smaller world. Himanshu was born and brought up in Colaba, schooled in Campion, and graduated from our college.

I first met him in 1995 at a friend, Mark Manuel's home. He was then an incredibly, lean, bespectacled man — wiry and tall. And I remember thinking he was very gangly for a cop. But he exuded great hunger. There was a glint in his eyes, a manner in his demeanour, a strength in that stick-like figure. I'll never forget that bristling energy. He was like a coiled snake, ready for action, ready to change the world, ready to catch the bad guys, a superhero without the cape and mask. He was idealistic and worldly wise at the same time. (It perhaps requires those two qualities, to join the force and survive). He was about to leave for Nashik, from where he returned two years later, with rippling Popeye arms and a barrel chest.

There is something incredibly brave in deciding to become a Mumbai cop. Not just because of the valour required in handling criminals. But, of the skill needed in navigating a system run by politicians.

It was no surprise that the cases he handled were of a diverse nature. IPL spot-fixing, the J Dey and Pallavi Purkayastha murders, the riots of Khairlanji. He devised anti-dacoity measures in rural Maharashtra, cracked the Shakti Mills rape case. He set up Mumbai's first Cyber Crime Cell, and established a special cell to deal with crimes related to women.

So, the news that he'd shot himself in his flat, was incredibly sad. Cancer had wreaked havoc on his body and perhaps he saw no other way out. But suicide is always a many-sided Hydra. The debate on whether it is a brave move, a cowardly act, a desperate measure or a selfish resolution will rage on forever.

But for me, there is always one trait linked to killing oneself — loneliness. Whether Himanshu 'Hercules' Roy was lonely in his final hour we'll never know. But, a man who'd spent his life protecting a city, ultimately couldn't protect himself.

Goodbye, big man, I'm sure you're out there somewhere, looking out for us.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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Actress Keerthy Suresh as Savitri in Mahanati

Telugu cinema — specifically Baahubali 1 and 2 — knocked the daylights out of Bollywood. Now comes the ravishing Telugu-Tamil film Mahanati (Great Actress, in Telugu; Nadigaiyar Thilagam in Tamil), directed by Nag Ashwin, a biopic on top film star Savitri garu (a Telugu honorific). This sensuous, period, feminist film, starring Keerthy Suresh and Dulquer Salmaan, rivals Bollywood's best. Kommareddy Savitri (1937-1981) was a remarkable female superstar of Telugu and Tamil cinema, who acted alongside top Tamil and Telugu stars such as Sivaji Ganesan, MG Ramachandran (MGR), Gemini Ganesan and Nandamuri Taraka Rama Rao (NTR), often got paid more than the heroes, and even produced and directed six films in the 1960s and 1970s, some with an all-female crew, featuring these top heroes — all practically unthinkable today. Savitri acted in nearly 200 films in Telugu, Tamil and Hindi, including Pelli Chesi Choodu, Devadasu, Missiamma, Maya Bazaar and Pasamalar, peaking in the 1950s and 1960s, and the films she directed include Chinnari Papalu. Her career spiralled downwards after she secretly married co-star Gemini Ganesan (then already married to Alamelu and in another relationship with Pushpavalli with whom he had Hindi film star Rekha), and his jealousy and alcoholism drove her to drink; she cut back on her career to appease him, turned alcoholic herself and went to ruin. The film has released worldwide, including in India; it is currently also showing in Mumbai with English subtitles.

Indian biopics on women film stars — including Milan Luthria's Dirty Picture on Silk Smitha with Vidya Balan (Hindi); KG George's Lekhayude Maranam: Oru Flashback (Lekha's Death: A Flashback) on actress Shobha's alleged affair with a top director (Malayalam), and Ranjith's Thirakkatha (Screenplay) on Srividya and her alleged affair with a top Tamil star (Malayalam) — are mostly tragedies. What is remarkable about Mahanati is that while it shows Savitri's courage, feistiness, stardom and generosity, it also shows her poor decisions in love, marriage and finance. She is a homebreaker and an alcoholic who also neglects her children. Yet, the film valourises her as someone who believed that life is short, and so made the best of it. In fact, the film, presented by Vyjayanthi Movies, is produced by two women, sisters Swapna Dutt and Priyanka Dutt of Swapna Cinemas.

The film is told through Madhuravani (Samantha Akkineni), a journalist in the 80s, investigating Savitri's story with her photographer boyfriend Vijay Anthony (Vijay Deverakonda) after Savitri is found in a hospital, after being in a coma for a year. Nag Ashwin, in only his second feature after Yevade Subramanyam, shows outstanding assurance and craftsmanship. Throughout, there are scenes switching seamlessly from Savitri's real and reel life; and the period sets have been gorgeously recreated, including a 'stairway to heaven'. Keerthy Suresh carries the film with aplomb: sparkling, yet dignified, even in her despair. Top Malayalam star Dulquer Salmaan sportingly plays second fiddle and charming rake. Sai Madhav Burra's screenplay packs in a lot. LA-based Spanish cinematographer Dani Sanchez-Lopez's cinematography is marvellous: ironically, he digitally shot the period parts and used super 16mm film stock for the more recent 80s. The costumes by designers Gaurang Shah, Archana Rao and stylist Indrakshi Pattanaik are exquisite, as are Shivam Rao and Kolla Avinash's sets. Mickey J Meyer's music is versatile and soulful. At 2h 57mins, the editing by veteran Venkateswara Rao Kotagiri flags a little, yet keeps you engaged till the end.

Meenakshi Shedde is South Asia Consultant to Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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The most erudite can be swayed by numbers alone. Representation pic

The only reason a semi-circle of well-connected writers, and well-paid editors seemed to loathe Chetan Bhagat so vehemently is because he is so widely read, perhaps even loved, and they aren't, I (rightly) thought — standing in the periphery of that semi-circle at a literary fest after-party, over half a decade ago. With that bitchy conversation over-valuing Bhagat's national impact going nowhere, I stepped out to grab a drink.

Bhagat was at the corner of the bar at Indigo, where a big-shot industrialist, now I forget if it was Anand Mahindra or Ness Wadia (and that's not even the point), somberly walked up to him to check on what's going on in Indian politics. His vishesh tippani followed. Now, where to go?

The most erudite can be swayed by numbers alone, in this case the number of Bhagat's English young-lit readers. Do these numbers always signify democracy? It could produce the opposite effect. Let's look at politics in a bit, but we do know a little about mass news, entertainment, although it's hard to tell one from the other.

They're crafted around second-guessing audience's supposed tastes, often where one thing works, automatically everybody else follows, and therefore an entire industry, over time, step by step, splicing out everything that doesn't fit into the larger, determined hole, produces a mainstream media that looks the same —across. Pick up the most popular radio, television stations, websites, newspapers, or even movies (creating stars, or special effects), and you'll know. One size must fit all. Your circus, my monkeys. It's a numbers' game. And numbers can be gamed.

Is politics that aims for more complicated arithmetic, and much larger audiences, another field that defies free-market, with greater competition only inhibiting choice, and progressively screwing up quality? Survey the national scene. Examine its broad product categories that, weeding out the highest common multiple over time, every political party has conveniently fit into, in order to appeal to the lowest common denominator: Nehru/Gandhi, Sangh, Ambedkar, Lohia, Left (and those opposing them, of course). Grand promises of abolishing poverty (1971), 'acche din' (2014) etc, although well-meaning, are merely side-shows, and tag-lines.

Every politician, ideally, must check one or the other box, holding uniformly same and sometimes inter-changeable opinions on a variety of complex issues. That's what you need/scream to lord over vast public resources/institutions. Target in place. Hit-job ordered. Distraction complete. Groups vote en masse. Design is set.

Educational qualifications, past experience, passing tough exams/interviews that test competence, are for minions entrusted with growing/protecting a small company's pocket change. If you're part of none of the above cult groups, the newbie Aam Aadmi Party, for instance, you do appear like an "anarchist". It's easy to be portrayed as one. This is basically show-business, albeit of relatively not such good-looking people.

How did we get here? Because Ambedkar, the father of Indian Constitution, said we would. If, for one, he ironically stated, we fell prey to 'personality cults', or quoting John Stuart Mill, "lay liberties at the feet of even a great man, trusting him with powers, which enable him to subvert institutions." Two, if political democracy did not follow actual social democracy on the ground (unqualified liberty, equality, fraternity, for all). It didn't. So where do the regular folk stand? Between a rock, and a hard place. But you must pick a side. It makes life simpler.

And you must vote. Have to vote. It's your right. Your privilege. You must vote. This is democracy. They go to vote — for one, or perhaps, against the other. As they did in Karnataka. In a tri-partite fight, the party with the lowest number of seats, steps in to form a government, with the help of the party they fought against. The one with the highest number of seats looks at how they could "poach" from the other two, whose MLAs were locked up! It didn't matter what they fought for, or against.
The popular television anchor with the second highest English news ratings asks the gentleman from the scavenging team how they would manage the numbers. Arrey! He names his captain; and winks, pretty much. They both laugh out loud, in public, on TV, simultaneously. This is supposed to be "horse-trading" to form a "stable" government.

The highest read Indian English writer, Bhagat, weighs in with a pragmatic tweet, that must be seen as our form of public intellectualism — calling horse-trading an "art form". Yes, the election is over. Another will follow. The voter looks puzzled. Or maybe doesn't. Now let's just frickin' move on, right. No, you wanna question this? Oh.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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When the trailer of Shank’s hit the Internet two years ago, it garnered over 2,00,000 views in under a fortnight. And, why not? Until then we had not really seen stylised montages of modaks and varan bhaat being served in a fine-dining ambience. The trailer had us curious about Ashay Dileep Javadekar’s film, which looked like a documentary. Where is this Shank’s, the Marathi fine-dining place, we wondered. Two years on, with the release of the film online, we have the answers.

The 1 hour, 11 minute-long film, shot on a Canon Powershot and iPhone 6, traces the journey of Shashank Joshi, a man who nurtured and nourished his dream of being a chef, right from his boyhood days in a small town in Maharashtra. We know him, little by little, through his family, especially one cousin he is close to. We know him through his college friend, through food critics and historians, and most importantly, his mentor’s daughter Pauline with whom he has the most extraordinary journey. We see how he had to fight the odds, and nearly give up before he makes his dream a reality.

Bhave in a still from the film

A generous part of the film is made of lush close-up shots of Maharashtrian food that is sure to get Indians, especially those from the state, excited. And for Westerners, well, it’s Indian food like they have never seen before — a far cry from tandoori chicken, paneer masala and dal makhni. The screenplay uses a documentary narrative to tell a fictional story. Javadekar seems to be an ardent believer of the phrase: God is in the details. The care with which each character has been crafted, from dialogues to props and their stories, you forget that none of it is real. That’s also because of the convincing performances the actors bring to the table. Makarand Bhave becomes Shashank, in the controlled passion with which he narrates his story. Playing Pauline Bonnet-Joshi, his partner in crime, is Melissa Ehrlich Blevins. She brings so many moods into her account, from compassion, to vulnerability, excitement, and determination. The supporting cast is also impressive.

Besides telling an absorbing story, Shank’s makes us ponder on questions like how the West perceives Indian cuisine, the importance of educating customers on the food, and also, the gender bias in the industry, a reality that is larger than we wish to acknowledge. Food for thought, quite literally. The film can be streamed seamlessly, at a reasonable price on a pay-per-view platform. Shank’s heroes Maharashtrian food like never before, but, more than that it urges dreamers, aspiring restaurateurs in this case, to make their real voices heard. Minus a few rough edges in production, the film might remind you of Chef’s Table. That’s interesting because when this film was made, Chef’s Table was yet to hit the screen. A word of caution though: Do not watch it on an empty stomach, unless you are looking to work up an appetite.

Log on to: www.njemovies.com
Price: Rs 99

Without access to modern technology like refrigeration, people in developing countries often have to throw away a significant proportion of the fish they catch. EU-funded researchers have delivered innovative, low-cost solutions to help such communities around the world make their fish stocks go further.

Artworks by Mehmet Guleryuz

"I am a representative, a child, a product, of the 1968 generation. I am a witness and a participant, a reactionary and an activist who was shaped by and responded to the changing social and political climate of my times. I have always seen every aspect of that which surrounds us as political, and I have always felt duty-bound to respond to these things as an artist," says Mehmet Güleryüz about the impact of the political climate of Turkey on his creative process. Evident through the fervent strokes seen in his artworks, the 80-year-old artist, one of the biggest names to emerge from the contemporary art scene of the country, has indeed responded to the many changes that have simmered around him over his 55-year career. The artist speaks about his creative journey as an actor, teacher and an artist, with the opening of his first show in the city, On The Road.

How has theatre affected your style of art?
My talent and gift for painting in parallel to that of my love of the fine arts as a whole forced me to take a leap into my simultaneous passion of theatre. You could say that I learned painting in the theatre. The problems that I had in reaction to the classic way in which the arts were taught forced me to make a choice to leave the field of fine arts studies and pursue an education/career in the performing arts. As a result of studying acting studio methodologies and our "emotion works", it also offered the scope where even though one was bound within the guidelines of the script, there was the opportunity to rediscover a new aspect. This gave me the invaluable opportunity to return to painting with my own methodology and vision, to understand what it was that I needed to do in painting. My very nature was open to improvisation, and to a sort of action painting that was in harmony with this sort of an expression and what I could call the foundation stone of my art.

How would you like to reiterate the importance of drawing to upcoming artists?
The act of drawing is open to everyone. It doesn't differentiate nor does it reject or exclude anyone. Everyone can, essentially, draw. The person who is responsible for that line, who can understand that when s/he draws, s/he only gains the identity of a painter after his or her decision to become a master of it.

Could you tell us about the paintings in this exhibition?
Although this is a selection from a different period of time covering over 40 years, it does not cover all processes. It contains only partial information of a very long journey. But at its core, it is always predominantly weighted in the human condition.

Has your journey to India inspired you in any way so far?
For anyone who cannot directly or intimately connect with it, India could be considered tera-incognita. It could be said to contain the unknown, but that which must definitively be discovered and experienced and learned from. Just imagine what this means for an artist, for someone like me. This is an experience which I am relishing and enjoying very much.

Till: April 24
At: Jehangir Art Gallery, Kala Ghoda
From: April 26 to May 30
At: Jamaat, Colaba
Call: 22820718

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Shades of red, bordeaux, pink and yellow are the key emanating colours this summer. Along with these colours, core summer essentials like white and blue also build foundations of the wardrobe. Prernaa Lohiya, Marketing Manager, French Connection, and Samantha Chilton, Head of Design KOOVS, have listed seven best summer fashion trends you must look out for. 

1. Fun and message-driven slogan T-shirts: Fun and message-driven slogan T-shirts that speak your mind, some core checkered shirts and athleisure inspired look for men are big this season. For women, soft florals and fashion infused athleisure is here to stay.

2. Side-striped bottoms and popper pants: Some of the other trends this season include side striped bottoms and popper pants.

3. Summer dresses in pastel shades: For a more ethereal look, you can choose pretty summer dresses in pastel hues as well.

4. Florals, solids, and patterns in green: The new hot colour for the summer is green and this can be seen in the form of florals, solids and patterns.

5. Bohemian grunge: It is also that time of the season when Bohemian grunge and festival dressing is popular including details like studding, lace inserts and broderie.

6. Neon camo and digital oversized sleeveless shirts for men: Men can add an element of exploration, with utility and military accents. Also this season it's all about the prints; from contrasting resort florals to neon camo and digital oversized sleeveless shirts.

7. Embroidered denim jacket: For layering, denim works wonders in summer and one can pick an embroidered denim jacket to layer a look with clean slip ons.

This summer, let your clothes speak your mind and add bright hues to your wardrobe to make a fashionable statement, say experts.

(Edited by mid-day online desk, with inputs from IANS)

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Accepting the futility of genres, of boxing songs into different compartments like stacked products in supermarket shelves, seems to be at the forefront of Rafiq Bhatia's musical endeavour. The 30-year-old American of Indian descent is the guitarist for a New York-based indie outfit called Son Lux. But it's his recent solo album, Breaking English, which makes the listener really question the need for musical boundaries, of sticking labels to a composition as if it's packaged meat.

The title track of the album, for instance, is not jazz, is not electronica, is not lounge, but all of these generic classifications rolled into one lush sound with a coherent narrative, where Bhatia's melancholic guitar plays the role of the protagonist. Each sonic detail in the track is well-defined, to the point where even though fellow Son Lux member Ian Chang's drum beats seem dissonant, they fit like a glove into the overall musical fabric. Bhatia describes this sensibility when he tells us over the phone from Berlin, where he's on tour, "Ryan (Lott, the vocalist for Son Lux) would say that instead of building a house, designing a room and then placing a chair in it, why don't we start with the chair first, and then design the room around it before building the house. There is a theory in poetry called organicism, where the poet lets each individual verse define the form that the poem will take. That is kind of similar to what I'm trying to do with my music."

He further explains his musical process when he narrates a story about one of his influences, Sam Rivers, the late American jazz great. "I've read that he would attend the concerts of all his peers, and purposely study their music to understand what they were trying to do. But this wasn't to replicate what they were playing. Instead, it was to consciously avoid it. Similarly, John Coltrane took the music of his predecessors and retooled the entire musical vocabulary keeping a similar underlying foundation, but with new pathways built on top of it," he says, giving us an indication of how he doesn't hesitate to flush rule books down the toilet.

Hybridity, in fact, lies at the core of Bhatia's creative evolution. The basis for this, he says, might well be his mixed identity. Born in North Carolina, he has never really fit in to any particular community. For, even though his parents are of Gujarati origin, they grew up in Tanzania, before moving to London and then finally to the US. So, while his brown skin stood out among the white kids in his school, he didn't feel completely at home among the Indian community either. "Everybody thinks that I am something else. So, my music is a result of a need to express my identity. It's a form of therapy at some level, because it's also a way of accepting who I am," he says.

He adds that this therapy started early. When he was about eight or nine, the older desi kids in Bhatia's neighbourhood would pick him up in a car and stop at a parking lot, listening to the hip-hop albums that became one of his earliest influences. Was he drawn to them because of the political overtones that such songs often embody? "Not really," he answers, adding, "I was only in the third grade at the time, and I couldn't even understand the words. So it was the musicality that I fell for. But the deeper question is, why were a bunch of brown kids sitting in a car in a parking lot and empathising with hip-hop music? What is it that was drawing them to the words? So you see, it's difficult to disentangle the politics from the music."

It follows thus that an intertwining of politics and music sometimes features in his own compositions. For example, Hoods Up, a complex instrumental piece, drew its inspiration from Trayvon Martin, a black teenager who was cruelly shot down because of a case of mistaken identity. The guitarist says, "I feel some amount of compulsion to express my [political] ideas. But sometimes, it's easy to get carried away with being overtly political because there is so much to be angry about, and often the responsibility falls on artistes to emphasise it. So I would say that politics is a general part of what inspires my music, because there are so many other facets of my personality that also make their way in."

Essentially, then, what Bhatia wants to keep doing is create genre-defying tracks where attention to detail is of paramount importance. "When you take the details and all the generalities of music for granted, that's when your songs start sounding more like other people's music. That doesn't mean you can't make great tracks. It's just that the less you consider those things, the less is the chance that you will make music that departs from convention. The flip side is that when you think actively about each decision, and each one comes from a place of individuality, it becomes hard to find a coherent logic that ties all those things together. And that ends up being the riddle that I am constantly trying to solve with my music."

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Love shopping online? There are many ways you can adapt to save money or get more benefit from the deal, say experts. Ramakant Khandelwal, Chief Marketing Officer at PayBack India, and Abhishek Agarwal, CEO and Founder, Globepanda, suggest how to save money:

Compare prices (automatically): You need to simply download a small robotic tool (in the form of chrome extension) which can instantaneously compare price of a product, that you are viewing at an e-commerce site, across most of the leading e-commerce merchants. It can confirm if the price you are seeing is the lowest across, or you should switch to another e-commerce merchant where it is the lowest. You can also set price alerts which will notify you at the right time when your desired product will be available online.

Free shipping: Always keep an eye on e-commerce platform who offer free shipping facilities. But mostly they put a cap of minimum order value, which leaves you with no choice but to exceed your budget to avail it. To overcome this, you can either upgrade your membership for an annual fee or club your purchases or with your friends, so that your cart value is above the minimum amount.

Read reviews about gifts, coupons, and discount: A lot of buyers are lured into buying from a particular site just because they offer free gifts, coupons and discounts. However, the gifts, cash backs and coupons may not really be a lucrative deal when you compare the after discount price of the product with the actual price on other sites. Moreover, the free gifts sometimes are really a thing you have no use for so read about it before you go ahead and order.

Exchange offers: Many e-commerce merchants provide exchange offers to customers wherein they can exchange their old product with a brand new one and pay off the effective final price. Make sure that your product qualifies for the offer. One good way to track such offers is to get a newsletter subscription. Hence stay updated about the best exchange offers.

Look for reward points: Reward point is a nice topping without any effort or cost. If you are only a little bit more aware you can easily earn extra points, offers and rewards on your online purchases. Sometimes, all it takes, is that you start your journey from an affiliate partner and get extra points. Points can be redeemed against attractive e-vouchers of several online portals ranging from fashion, gadgets and travel.

Adopt a saving strategy: Sometimes people register on an affiliate network and buy all things from that account which gives cash back on nearly every deal. This is a great way to save money on every purchase. Also, sometimes the price of a product you are interested in is lower in the incognito window as the seller has a tool in place which inflates the price of things a customer is interested in and has searched online in the past.

Additional offers: Most of the e-commerce merchants offer credit / debit card specific offers either in terms of discount or cashback, from time to time, which easily add to your savings. In addition to this, purchase via app can also get special deals, cashbacks and discounts.

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When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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Illustration/Uday Mohite

Several years ago, when Dr Karanvir Singh was pursuing his doctorate in the field of applied psychology, he stumbled upon an interesting find. The focus of his PhD was relationships. What he surmised from those years of research and interviews was that "if people enjoyed good relationships with their partner, it also positively influenced and affected other areas of their lives too." But Singh, who now works as a relationship empowerment coach, believes that romantic utopia isn't possible, until one develops a perfect relationship with themselves.

Karanvir Singh

Having conducted over 55 workshops on relationship management across the globe, Singh is conducting a session for singles - My Perfect Welationship - that will equip participants with the right tools to create their happily ever after. The two-hour-long session, which will involve games apart from examination of case studies, will walk you through three main topics.

"First, it's important to define what is a right relationship," says Singh. While there is no ideal relationship, having false notions about love can be detrimental, he adds. Singh will also reflect on the need for "creating an inventory" of the kind of behaviour one is looking for, from their potential partners. "Top on this list is the non-negotiable ones," he says, adding that he will also discuss ways where one can spot the red flag in romance. Lastly, he will suggest ways of breaking the communication barrier. "When communication between two people is more aligned, half the conflicts can be gotten rid of," he says.

WHERE: Ninos Nook, Bhulabhai Desai Marg, Breach Candy
ENTRY: Rs 2,000
TO BOOK: in.bookmyshow.com

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Taking care of leather shoes in summer is not so cumbersome. Just keep them away from direct sunlight and water, say experts. Kanika Bhatia, Chief Experience Officer, Egoss, and Ambud Sharma, Founder, Escaro Royale Luxury (Escaro.in), tell how to maintain your leather shoes:

1. Keep them away from direct sunlight: Leather fades faster when exposed to sunlight. If it is kept out of direct sunlight, it will fade naturally over time. Sunlight can lead to drying and cracking. Ideal places to store leather footwear are darker places with some humidity, with slight ventilation to avoid formation of mildew.

2. Avoid keeping socks in shoes: Shoes wear off faster if socks are kept inside the shoes as they leave a pungent smell leading to bad odour that transpires into the socks worn with the shoes.

3. Don't store shoes in plastic/grocery bags: Leather shoes need some ventilation. Air should be able to pass through leather. For this, shoes should never be stored in plastic or grocery bags. Use bags made of breathable fabric and pillow cases to keep the shoes.

4. Do not wear the same pair daily: Leather shoes need time to dry up naturally as they have a tendency to soak water from your feet. Wearing the same pair everyday will not help the shoe to dry up leading to a faster wear down.

5. Use shoe tree: Keeping shoe tree in the shoe would enable it to maintain its shape, reduce creases and also to soak in excess moisture and odour.

6. Cleaning is important: Regular cleaning, polishing and conditioning play an important role in taking care of leather shoes. You should clean, polish and condition your leather pieces regularly with high quality cleaners and sprays to increase its lifespan. Always clean your leather shoes with a soft cloth before applying special shoe cream on the soft leather handcrafted products.

7. Stay away from water: Don't put water on your leather products especially hand-painted products.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Caroline (Laura Mishra) pours out her fears about her rocky marriage to the governess Ms Chacko (Pooja Nair)

All the world's a stage, but that doesn't make all of us actors, as we discovered after three long hours of watching an adaptation of Agatha Christie's Go Back For Murder by the theatre group, Making Noise. The play follows the protagonist Chloe Miranda (played by director Laura Mishra), on her journey to prove her mother innocent of her father's murder.

The catch is, the murder happened 15 years ago, and her mother is no longer around to defend herself, having passed away in prison. So, Chloe joins hands with her lawyer Filip Calisto (male lead essayed by Navin Talreja) to piece together who really killed her father. They track down friends and family members who were present on the day of the murder. Everyone returns to the scene of a crime in Goa to recreate the events leading up to the murder.

True to form, the tight plot devised by the queen of crime writing keeps the audience guessing until the very end when the killer is finally revealed in the denouement.

Unfortunately, there is another murder that needs to be addressed — that of the play itself. The warning signs appeared from the very beginning: Actors stumbling over their words, even forgetting their lines at times; lacklustre delivery was a problem throughout the play. Direction was, dare we say, missing. Actors killed a ridiculous amount of time milling about on stage, unable to hold still even during conversations with other characters. As a result, even though the advertised run time was two hours and 15 minutes (including the interval), the audience was trapped for an extra 45 minutes. The delay did not go unnoticed by the director, who apologised for having taken up so much time.

It would not be an exaggeration to call the performance a snoozefest; many in the audience had nodded off within the first half hour, while others gave up and left the auditorium midway.

Actor-director Laura delivered one of the few believable performances but failed to draw out the same from her cast. There were other peculiar directorial calls, such as one of the characters holding the same cigarette to his mouth for over two hours. In all the scenes with multiple characters, several actors had visibly zoned out on stage while the lead actors droned on. A theatre aficionado who accompanied us said it was like a "school play", hardly the kind of fare one would expect to see at St Andrew's Auditorium.
When: May 27, 7.30 pm
Where: St Andrews Auditorium
Entry: Rs 200-Rs 1,000
Contact: 26410926

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Make your summer stylish and comfortable by teaming up your right dress with apt jewellery and perfect accessory. Shreyasi Pathak, Stylist, Vajor and Sonal Sahrawat, Creative Director, Sonal's Bijoux & Adawna list some tips to look stylish this summer.

1. Jumpsuit: Jumpsuits are the most effortless and sought-after choice when you want to dress up effortlessly in this scorching heat. Sleeveless with floral prints along with a flared silhouette is what will keep you going throughout the day. Wear it with a pair of flats, sunglasses and statement earrings to walk the streets in style.

2. Dress: A casual summer dress is a must during bright sunny days. Whether you opt for solid colours or for soothing prints, nothing can come to your rescue in this heat other than a nice breezy dress. Keep the look chic and boho and style it well with a pair of sandals, tassel earrings and candy pop sunglasses.

3. Top and bottom: For someone who loves to keep their looks effortless, minimalist yet full of class, for someone who loves to explore places when on a vacation, a fun top with a pair of bottoms is your go-to choice! Complete your look with a slip-on and a sling and you're ready with your on-the-go look.

4. Bright coloured stones: Go colour-crazy with your wardrobe and try mixing in some vibrant coloured stone jewellery. Dare to rock a more-is-more look and brighten up your summer outfits with unique coloured jewellery pieces.

5. Stylish pearls: Pearls are something that never goes out of style and this year is no exception. Wear it as a stud or as a dangling earring, this style will never fade away. Opt for long dangling style pearl earrings for any parties, weddings or social events and make a style statement to rock your gorgeous look this year.

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Dress up in light and bright outfits for a summer wedding. At the same time, do not forget to play with appropriate fabrics. To look bright and beautiful, experts suggest minimalistic embellishments and soft Maheshwari and Chanderi fabric for your attires. Designer Sweety Arora, and Renu Rana, Founder at Sihali Jageer, have listed what to wear under the sun, literally.

1. During summer, go with cool fabrics suited to a sizzling day. Think feather-light hand woven silks, fluid modal and cottons. A flowy dress from the traditional Maheshwari cottons and matching Coimbatore cotton silks with Chinese collar will add the extra glam to your look. You can also try Tangail fabrics beautiful cape tops with ikkat pants that look extremely trendy.

2. Colours like pink, blue, and yellow exude charm and tenderness. So, go for delicate pastels, soft maheshwari and Chanderi with a hint of metal, with gold and silver jamdani hand embroidery and booties. It is a perfect synthesis of traditional fabrics for contemporary needs and style.

3. To create an ethnic look, pair chanderi kurta and silver pajama with heavy Dhakai jamdani dupatta. You can also add an angrakha jamdani wraparound kurta over it for a dramatic twist.

4. For a beautiful fusion of traditional and contemporary look, the clothes must blend different styles from various parts of the country, from Rajput to Afghani traditions to our own Indian heritage, thus creating looks which are classy, glamorous and reflect one's signature style and love of colour. This mixture of different influences only helps in creating unique designs, clean cuts and modern style.

5. Rely on breezy prints with minimalistic embellishment.

6. Go for silhouettes that don't bog you down. Go for sheer skirts and wrap tops, cowl dresses, draped saris, light lehengas and anarkalis.

7. Keep your footwear as quirky and off-beat as the rest of your ensemble. Go for customised jutis, or blingy canvas shoes.

8. Invest in nice statement neckpieces and layered neckpieces as they look elegant, comfortable and unique. Try double rings with pearly strings, palm rings and pearl kadah.

9. Try to explore new designs and shapes in bags like bucket bag-inspired potlis, give an indo twist to messenger bags. You can also opt for customised miniature bag packs as those will make you stand out from the crowd.

(Edited by mid-day online desk, with inputs from IANS)

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One of the major factors for any bouquet or flower to last longer is how it has been conditioned. Each flower has a different science to it so when your flowers first arrive at your door step, all they need is a bit of pruning and fresh water to perk up! Anuja Joshi, Marketing Director and creative face of Interflora India lists the reasons on keeping flowers fresh

1. Remove the flowers from the box and wrap the bouquet

2. Fill a vase 2/3rd with room-temperature water.

3. Empty the entire sachet of Interflora flower food that's provided and stir to mix.

4. Trim 1 to two inches of the stems at an angle using scissors or a sharp knife.

5. Place the bouquet into a vase, Tweak the arrangement as needed and watch your flowers perk up before your eyes!

How to change water in your flower arrangement:

1. Water wisely: Since flowers continue to drink water after they've been cut, it's important to keep fresh flowers in water always. Exposing the stem to air, even briefly, can cause the water-absorbing cells to shrivel which can shorten the life of your flowers.

2. Cut stems: Trim the flower stems at an angle before inserting in water. Cutting the stems at an angle prevents them from sitting flat at the bottom of the vase which can block the absorption of water. Re-trim the stems once every few days.

3. Prune daily: Look out for dead or loose leaves that may be submerged in water and remove them. Leaving them will cause bacterial rot which can shorten the life of your bouquet.

4. Avoid heat and drafts: Place your flowers in an area that's protected from excessive heat such as heat-generating appliances like heaters or ovens and direct sunlight

5. Important information: For those with allergies or sensitivities to flower fragrance, the best non-fragrant options are tropical flowers such as orchids, anthurium, birds of paradise or other tropical varieties

Tarun Joshi, Co-founder and CEO of IGP.com (Indian Gifting portal) also have some ideas to share

6. Unwrap the plastic/paper wrapping as soon as possible.

7. Avoid placing flower arrangements in windowsills and other areas with full sun where flowers can wilt due to overheating. Most flowers will last longer under cool conditions.

8. Keep your vase filled with water! All flower and foliage stems should be submerged. Flowers stay fresher, longer when they can get a drink!

9. If your flowers came in a basket or other container with foam, add fresh water every day.

10. Immediately remove dead or wilting leaves and stems from fresh flower arrangements.

11. Watch your water. When it gets cloudy it's time to change it out.

How to change the water in your flower arrangement

1. First remove any dead or dying flowers from the arrangement.

2. After carefully removing the good flowers, clean the vase thoroughly with soapy water to remove any bacteria that could cause the fresh flowers to deteriorate even quicker. Be sure to rinse thoroughly.

3. Replace the water and mix in the flower preservative provided by your florist, according to the instructions on the packet.

4. For best results, cut stems with a sharp knife at an angle about one to two inches from the bottom. This allows them to better absorb water. Do not use scissors to cut your flowers because they can crush the stems and prevent water absorption.

5. Place loose stems or wrapped bouquets of fresh flowers in your water mixture as soon as possible.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Beards are to men what make-up is to women, and a quick Internet search of actors in a pre- and post-beard phase will confirm this. Such has been the impact and acceptance of facial hair that they have gradually crossed the barriers of hipsterdom to find their way to boardrooms. But are corporate firms with a strict formal dress code open to men with beards?

"We have a strict dress code, where a shabby demeanour is unacceptable. We even keep daily checks; employees cannot walk into the office in jeans or sports shoes, especially when they have client interactions. But full beards are not a concern. We have employees with full beards and twirled moustaches," says Sudhir Dhar, CHRO – director HR, Motilal Oswal Financial Services Ltd.

Dr Sujaya Banerjee

Rohan Vaswani, CHRO, Nexus Malls, a fully owned subsidiary of investment firm Blackstone Group, shares a similar thought. The company follows a formal dress code from Monday to Thursday and smart casuals on Friday. "You can't walk into the office with your shirt not tucked in or in bright blue trousers. But beards, if they are well-kept, are fine," shares Vaswani.

Dress to impress
"The first impression is created by the physical appearance of a person; it's later that you have an interaction and people get influenced by your personality. So, if you seem shabby, you create a perception even before you talk," says Dhar.

He adds that as long as one is confident of carrying it off and not look out of place, a beard is acceptable.

Rohan Vaswani

"We conduct training on executive presence — how to look, behave and dress like a leader. These aspects are now becoming increasingly important as often, you find that people are competent but they don't make it beyond a point because they don't look like the part or someone who can represent the organisation before multiple stakeholders. It's not about good looks but about appearance. A haircut and a well-groomed beard are a part of this understanding. You can't have a two-day stubble where you look like you have just woken up and come to work. We actually check if there's a valid reason behind an unkempt stubble: Is the employee unwell? Or is he battling a low?" says Dr Sujaya Banerjee, CEO and founder of Capstone People Consulting.

Do you shave before an interview?
Most HR personnel we spoke to felt there's no middle ground; you either opt for the clean-shaven look or wear a groomed full beard. "It's better to shave off a two-day stubble and not go in between. It can be interpreted as a sign of laziness," warns Dhar.

"I am more interested in knowing if a person has the right competence and capability for the job. The older generation, however, associates beards with carelessness and mistrust. Traditionally, even in films, the bearded guy will always be the villain or from the underworld. If a full beard is groomed, it's fine. Long hair is not allowed. You are not an artist or performer, you are corporate. Hence, certain norms remain. We allow personal freedom as long as you stay well-groomed," adds Banerjee.

Make a bearded impact
"Some people look smarter with a beard," says Dhar. Vaswani feels that real estate companies are often promoter-driven, and the vision of the promoter and the top management often reflects on the staff where people would go the extra mile to keep with the image. "Those with gaunt features can look fuller with a beard. It also saves you the trouble of having to shave every day. A good beard can actually help you appear stronger. Also, today, people look for organisations where individuality is encouraged, where you can bring your authentic self to work. It's motivating to be in an organisation where you can express who you are, as long as it doesn't hamper business. So, if the beard is within acceptable parameters, all's well," says Banerjee.

Grooming tips
Keep it clean
Wash your beard three times a week to prevent the build-up of dead skin cells.
Keep it moisturised Oil your beard daily to keep it soft and moisturised.
Shape it up
Trim your beard when you see stray hair or as desired to maintain the shape. Repeat this once every two weeks when you want to maintain a consistent length.
Kaushal Pratab, founder, Shepherd For Men 

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An auto driver has been arrested by the Mumbai police for looting a senior citizen in Chembur last month. According to the police, the arrested accused has been identified as Subedar Bind, 34. An officer said that on March 23, 72-year-old Kalawati Pednekar was looted by Bind and a friend. Pednekar told the police that on that day she had visited Chembur Gymkhana to attend a wedding.

However, owing to her advanced age, she had become tired and left the reception around 9pm. Outside, she found Bind's auto and got in. On the way to Pednekar's residence in Kalina, the driver stopped his auto near Kurla, where his friend, whose name is not known, got into the auto. Bind told Pednekar that the friend wanted to be dropped off at Kalina.

On the way, he stopped the auto and told Pednekar that because he had some work, the friend would drop her home. Bind's friend drove the auto for a few kilometers when he stopped the auto and told her that the fuel was over and hence he could not drive any further. Pednekar paid him and took another auto home. Once she reached home, she found all her valuables missing from her bag.

She approached the Chembur police and lodged an FIR against the auto driver. An officer said, "We scanned CCTV footage and spotted the accused. On April 26, we arrested him from Uttar Pradesh. We are looking for the other accused." During investigation, the police came to know that Bind had arrived in Mumbai one month ago and had been driving the auto of one of his friends.

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A day before voting in the fourth and final phase for 48 seats in Maharashtra today, statistics available with the Election Commission of India (ECI) showed that the worth of drugs, alcohol, precious metals etc. seized here over the past 32 days, was Rs 156.52 crore. The total worth of seizures of such items across the country, is Rs 3,244.59 crore.

As per ECI data about the seizures (from March 26 to April 28), the worth of precious metals (gold, silver etc), Rs 70.12 crore, was the highest in Maharashtra. This was followed by cash worth Rs 52.91 crore. Liquor worth Rs 25.64 crore was also seized. Drugs worth Rs 7.33 crore and freebies worth R9 crore were also seized.

Mumbai specific data
As per a press release issued by the chief electoral officer, Maharashtra, cash worth Rs 18.14 crore was seized from Mumbai city alone and 15 cases related to the violation of the Model Code of Conduct were filed. As per ECI data, from the time the Code of Conduct came into place till date, there have been seizures worth Rs 3,244.59 crore across the country. Of these, the total cash seized was Rs 781.82 crore, the liquor seized was worth R245.738 crore, and the drugs seized were worth Rs 1,193.81 crore. The worth of the precious metals seized was Rs 970.953 crore and the worth of freebies etc seized was Rs 52.26s 7 crore.

Rs 18.14cr
Worth of the cash seized in Mumbai

Rs 52.91cr
Worth of the cash seized in Maharashtra

Rs 781.82cr
Worth of the cash seized across the country

Liquor sales spike this month
Liquor sales have increased in the past 25 days by 10% in Thane district. Last year this month, 19,62,000 litres of liquor was sold in Thane district, and this year this month 20,06,000 litres of liquor has been sold so far. According to an Excise Department official, despite the severe summer, people are consuming whisky, while compared to last year, the sale of beer has reduced.

Earlier this month mid-day had reported that the Thane Election Commission and ED have sent notices to wine shop owners regarding maintaining proper sale records, to avoid cancellation of licences. "We have told them that we will compare sales of this period during last year and take action if they have increased drastically," said an ED official.
The ED and EC have been extra vigilant due to illegal sales during elections.

ED official Y Rathod, said, "Owners usually keep their shops open for longer hours during elections and sell liquor illegally. We have extra teams this time and have followed with strict checking. Due to this the transportation of liquor reduced during the elections. Also wine shop owners have kept their records clear this time."

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A teenager lost his hard-earned money that he was taking home to Bihar, when four to five people looted it. The accused, one of whom attacked him with a knife are at large, and he feels it is God's grace that he is alive and with his family.

Dharmesh Sharma, 19, a resident of Kalyan, works as a JCB operator. According to Sharma, on April 23, he wanted to go to Bihar by a train which starts from Kalyan railway station. At the inquiry window he was told it would arrive at 11 pm.

A person standing nearby claimed he was also going to Bihar and took him to platform 6. Later the man told him the train would start from Kurla (LTT) and after convincing him, took him there on the pretext of better seats.

But at Kurla the accused took him to an isolated spot, and threatening him with a knife, asked him for his valuables. "I pushed him and started running away. But he attacked me with the knife," alleged Sharma.

Soon, the man was joined by four-five more men who stole Rs 7,000 from Sharma, and his mobile. Senior Inspector Kalyan GRP, A Bartakke said, "We have registered the offence. We waiting for Sharma, so we can get details on the suspects' appearance etc."

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A voter turnout of 6.82 per cent was recorded in the first two hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state got underway.

Voting begins for fourth phase of #LokSabhaElections2019 in 72 constituencies, across 9 states. pic.twitter.com/WrwCeb0s6X

— ANI (@ANI) April 29, 2019

#Mumbai: Voters queue outside polling booth number 40 & 41 in South Mumbai parliamentary constituency. #LokSabhaElections2019 pic.twitter.com/tRnHiTURvo

— ANI (@ANI) April 29, 2019

Mumbai: Visuals from polling station number 212-222 at Vibgyor School in Mumbai North West constituency where preparation ahead of voting is underway. Voting for the fourth phase of #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/CTA3M5Fnhf

— ANI (@ANI) April 29, 2019

Polling began at 7 am and long queues were seen outside many booths. BJP MP Poonam Mahajan, industrialist Anil Ambani, Congress nominee Urmila Matondkar and actor Rekha were among the early voters in Mumbai. State education minister Vinod Tawde, BJP candidate from Mumhai-North East Manoj Kotak and Congress nominee from Mumbai-Central Eknath Gaikwad also exercised their franchise in the initial hours.

Mumbai: Preparations are underway at polling station 283 in Hill Road, Bandra West. Voting for the fourth phase of #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/hdRkIs8a63

— ANI (@ANI) April 29, 2019

Mumbai: Visuals of preparation from polling booth number 40 and 41 in Mumbai South constituency. Voting for the #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/U78lVcawtj

— ANI (@ANI) April 29, 2019

Mumbai: A woman being carried to cast her vote at polling booth number 181 in Mahim by her family member and polling staff. #LokSabhaElections2019 pic.twitter.com/V7loyU0CWJ

— ANI (@ANI) April 29, 2019

Mumbai: Anil Ambani casts his vote at voting centre number 216 at GD Somani School in Cuffe Parade. #LokSabhaElections2019 pic.twitter.com/II9VZJvjmV

— ANI (@ANI) April 29, 2019

#Mumbai: Actor Anupam Kher casts his votes at polling booth no.235-240 in Juhu. #LokSabhaElections2019 pic.twitter.com/o7ZGITSzrF

— ANI (@ANI) April 29, 2019

#Mumbai: Actors Bhagyashree and Sonali Bendre after casting their votes at a polling booth in Vile Parle. #LokSabhaElections2019 pic.twitter.com/cJFwpTtgKA

— ANI (@ANI) April 29, 2019

The voting figures till 9 am are as follows: Nandurbar-8.73 per cent, Dhule-6.31 per cent, Dindori -7.28 per cent, Nashik-6.69 per cent, Palghar-7.86 per cent, Bhiwandi-6.21 per cent, Kalyan-5 per cent, Thane-6.77 per cent, Mumbai-North- 7.85 per cent, Mumbai-North West 6.90 per cent, Mumbai-North East- 7 per cent, Mumbai-North Central 5.98 per cent, Mumbai-South Central-6.45 per cent, Mumbai- South 5.91 per cent, Maval-6.67 per cent, Shirur-7.07 per cent and Shirdi 7.28 per cent.

#Mumbai: NCP Chief Sharad Pawar after casting his vote at polling booth 31 in Tardeo. #LokSabhaElections2019 pic.twitter.com/G8VNrNwESd

— ANI (@ANI) April 29, 2019

As many as 40 polling booths in these constituencies, including 26 in suburban Mumbai, are being managed women. As many as 3.11 crore voters spread across the Mumbai metropolitan region and northern and western Maharashtra are eligible to exercise their franchise to decide the fate of 323 candidates in the fray in these 17 seats.

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Edited by mid-day online desk with inputs from Agencies

An average 18.39 per cent voter turnout was recorded in the first four hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state was underway. Polling began at 7 am and long queues were seen outside many booths, some of which were decorated with balloons and 'rangolis'.

Mumbaikars took to the social media platform and posted their voting experience on Twitter. As many as 3.11 crore voters spread across the Mumbai metropolitan region and northern and western Maharashtra are eligible to exercise their franchise to decide the fate of 323 candidates in the fray in these 17 seats. Around 40 polling booths in these constituencies, including 26 in suburban Mumbai, are being managed by women.

#VoteKarMumbai
Citizens braving the hot weather and long queues to make their voices count at St Anthony school, Malvani church, Malad (w) pic.twitter.com/u88glP96iD

— Sushant shetty (@The_Outlaw_Poet) April 29, 2019

If you ain't voting then you ain't getting any right to rant about the government.

Use the opportunity to vote rather than enjoying the 'holiday".#VoteKarMumbai #VoteBecauseYouCan #VoteForChange pic.twitter.com/Tj3EkYhi3A

— SA (@Bts_sonia3) April 29, 2019

My first vote as a responsible citizen of India 🇮🇳 @narendramodi @PMOIndia @TanmayNPatel @siddhar98531723 @Republic_Bharat @ECISVEEP I appeal everyone to vote for better 🇮🇳 do your duty as a responsible citizen 🙏🏻 #2019Elections #VoteKarMumbai pic.twitter.com/L4B6rE3RNB

— Chowkidar shraddha shetty (@sssshetty499) April 29, 2019

#VoteKarMumbai Took 2.5 hrs to cast my vote due to EVM failure. Anyway guys use your wisdom before you cast your precious vote. pic.twitter.com/w4FLL8xb5J

— Sibu Varghese (@35ce5c7275f049b) April 29, 2019

#Keep phones at #home when you go to vote #LokSabhaElections2019 #VoteKarMumbai pic.twitter.com/uHKrcFr5Yy

— Richa Pinto (@richapintoTOI) April 28, 2019

I have Done my National Duty.Have You?#VoteKarMumbai #VoteForIndia pic.twitter.com/79i0T77cxh

— Shubham Anil Dhande (@ShubhamADhande) April 29, 2019

Monday done right ✔️✔️ #VoteKarMumbai #MumbaiVotesForNation pic.twitter.com/dAG7atOCCY

— Smita Diwan (@smitadiwan) April 29, 2019

Voting experience for the first time was quite good. All the officers and staff were doing great job and are cooperative with the people. #VoteKarMumbai #VoteIndia #VotingRound4 #UnitedByVote pic.twitter.com/1kosbophnn

— Bhanushali Disha (@dbhanushali01) April 29, 2019

Family trip to the polling booth is more important than a family trip over an extended weekend to a nearby tourist destination.Lonavala,Khandala etc etc will still be there next weekend,the polling booth won't.#LokSabhaElections2019 #VoteKarMumbai #Democracy #Elections2019 pic.twitter.com/uoss2FZsWI

— Rohit D (@rohitd1999) April 29, 2019

#VoteKarIndia #VoteKarMumbai #vote We did, did you? Pls go and vote, make a difference. pic.twitter.com/i1bd6qLF5W

— Prasanna R Coondapur (@prax3) April 29, 2019

Finished voting. Took us about 1.5 hours, but it's worth it if we get our voice heard and get to participate in this democracy. #Elections2019

Also, lots of first time voters! High time, but big ups! Today, I feel hopeful. Sweaty, but hopeful. #VoteKarMumbai pic.twitter.com/OSmCg2ZTtw

— Smriti Sant (@temporarysant) April 29, 2019

Ultra senior citizens with full of energy voted. feeling proud of them as my uncle & aunt!!#MumbaikarVoteKar #IndianElections2019 #Vote4Nation #VoteKarMumbai #VoteKar#DeshKaMahaTyohar@abpmajhatv @zeemarathi @zee24taasnews @ZeeTV @ECISVEEP @narendramodi @narendramodi_in pic.twitter.com/OdDkwToRXp

— Mangirish Herwadkar (@hmangirish) April 29, 2019

My First Vote to strengthen Democracy 👆
I Appeal you all to vote wisely 🙏#VoteForIndia #VoteKarMumbai #LokSabhaElection2019 #VoteBecauseYouCan pic.twitter.com/Pr2HESJiAj

— Prathamesh Thanekar (@One_two_ka_four) April 29, 2019

The voting figures till 11 am in other constituencies are as follows: Dhule- 18.26 per cent, Dindori - 21.06 per cent, Nashik- 17.22 per cent, Palghar- 21.46 per cent, Bhiwandi- 17.25 per cent, Thane-17.43 per cent, Mumbai-North- 19.46 per cent, Mumbai-North West 17.64 per cent, Mumbai-North East-18.39 per cent, Mumbai-North Central- 16.21 per cent, Mumbai-South Central-16.80 per cent, Mumbai- South 15.51 per cent, Maval- 18.23 per cent, Shirur- 18.65 per cent and Shirdi 20.55 per cent.

Watch Video:

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Thane: A day after six people on election duty were rescued from a lift at a school in Maharashtra's Thane district, three more poll staffers got stuck in the same elevator as it malfunctioned again on Monday, an official said.

The three poll staffers were using the lift in Sahakar Prasarak Mandal School at Kalwa town in the morning when it got stuck on the building's fourth floor after developing a technical snag, Thane civic body's regional disaster management cell chief Santosh Kadam said. The fire brigade personnel rushed to the spot and managed to rescue those stuck in the lift after around 15 minutes, he said. The lift was being used by the poll staff to reach the classrooms where the election material was kept, Kadam said. On Sunday, six poll staffers got stuck in the school's lift for around 40 minutes before being rescued, he said.

An average 18.39 per cent voter turnout was recorded in the first four hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state was underway. Polling began at 7 am and long queues were seen outside many booths, some of which were decorated with balloons and 'rangolis'. So far, Nandurbar Lok Sabha seat recorded highest polling at 24.59 per cent while Kalyan constituency saw the lowest voter turnout of 13.91 per cent, according to an official statement. The voting figures till 11 am in other constituencies are as follows: Dhule- 18.26 per cent, Dindori - 21.06 per cent, Nashik- 17.22 per cent, Palghar- 21.46 per cent, Bhiwandi- 17.25 per cent, Thane-17.43 per cent, Mumbai-North- 19.46 per cent, Mumbai-North West 17.64 per cent, Mumbai-North East-18.39 per cent, Mumbai-North Central- 16.21 per cent, Mumbai-South Central-16.80 per cent, Mumbai- South 15.51 per cent, Maval- 18.23 per cent, Shirur- 18.65 per cent and Shirdi 20.55 per cent.

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NCP chief Sharad Pawar pitched for a stable government at the Centre and urged citizens to come out in large numbers to cast their votes as he exercised his democratic right on Monday. Voting was underway for the fourth phase of Lok Sabha polls in 72 parliamentary constituencies spread across nine states.

#Mumbai: NCP Chief Sharad Pawar after casting his vote at polling booth 31 in Tardeo. #LokSabhaElections2019 pic.twitter.com/G8VNrNwESd

— ANI (@ANI) April 29, 2019

In Maharashtra, polling was being held in 17 seats, including Mumbai. "Today is an important day for the country. It is required that a stable government is formed. It is expected that Mumbaikars will not lag behind, and will exercise their voting right by coming out in large numbers and voting decisively," Pawar, the former Union minister, tweeted in Marathi.

Earlier, BJP MP Poonam Mahajan, Congress nominee Urmila Matondkar, industrialist Anil Ambani and actor Rekha cast their votes in Mumbai in the initial hours of polling. State education minister Vinod Tawde, BJP candidate from Mumhai-North East Manoj Kotak and Congress nominee from Mumbai-Central Eknath Gaikwad were also among the early voters.

Pic courtesy/Bipin Kokate

Anil Ambani was spotted casting his vote in Mumbai

Pic courtesy/Faizan Khan

Manoj Kotak cast his vote in Mumbai

Pic courtesy/Yogen Shah

Urmila Matondkar present at the polling booth to cast her vote.

It was a delight to participate in the festival of democracy, casting my vote is for progressive development of every Indian, for #NewIndia. I urge Mumbaikars to join in and make each vote count! #MumbaikarVoteKar pic.twitter.com/epS3g0Vwk4

— Chowkidar Vinod Tawde (@TawdeVinod) April 29, 2019

An average 18.39 per cent voter turnout was recorded in the first four hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state was underway. Polling began at 7 am and long queues were seen outside many booths, some of which were decorated with balloons and 'rangolis' (colourful decorations). The voting figures till 11 am in other constituencies are as follows: Dhule- 18.26 per cent, Dindori - 21.06 per cent, Nashik- 17.22 per cent, Palghar- 21.46 per cent, Bhiwandi- 17.25 per cent, Thane-17.43 per cent, Mumbai-North- 19.46 per cent, Mumbai-North West 17.64 per cent, Mumbai-North East-18.39 per cent, Mumbai-North Central- 16.21 per cent, Mumbai-South Central-16.80 per cent, Mumbai- South 15.51 per cent, Maval- 18.23 per cent, Shirur- 18.65 per cent and Shirdi 20.55 per cent.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

Edited by mid-day online desk with inputs from Agencies

I have been trapped in a bad marriage for years now. My husband doesn't respect me, we fight constantly, and nothing we have done to fix this has worked. I know we will never be happy together, because he won't change, and I am tired of trying to make him happy. I would like to end this nightmare, but I can't tell my family about this because they won't support me. They believe I should be with him no matter what and that I should try and make it work. My husband has given up on this a long time ago and probably has relationships with other women that I know nothing about. I don't care if he does either because we have been living separate lives for years now. My family will refuse to accept the fact that we have tried for years and failed. Without their support, it will be impossible for me to get a divorce and move on. What should I do?
Families can be tricky when we are raised to believe that they will always stand by us, because they sometimes don't. We believe what we are conditioned to believe, and your family may not know how to deal with this. I suggest you stop relying on them for support and consider other options. You owe it to yourself to be happy, with or without their support, and that is all you should focus on for now. It may be hard for you to think about moving on without their help, but there are other societal systems in place that can offer you some kind of support. Speak to friends, reach out to groups that can counsel you on options, think about what kind of help you will need to get a divorce and move out, and you may be surprised to find assistance in the most unexpected quarters. No one deserves to live in a constant state of unhappiness, so speak to professionals and worry about how your family will react later.

The inbox is now open to take your most carnal and amorous queries. Send your questions on email to lovedoc@mid-day.com

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Voter's names missing from lists is not unusual any more. But, in Bhendi Bazaar, an entire building full of voters has vanished from the list, leaving around 100 residents without their right to vote in this election.

Salam Khan, a 32-year-old businessman, has been casting his vote for years. On Monday, however, he got the shock of his life when he was informed that his name was missing from the voters' list. When he returned home, miffed, he discovered that all the residents of his building, Zainabiya, were not on the list for some reason.

"When I reached the polling booth, I was told that my name was not on it. I was very upset. Then when I reached home, my neighbours, too, start complaining about the same thing. Later, we got to know that the name of the building had gone missing from the list. This is such a big mistake, they have lost so many voters," said Khan.

Also Read: Election 2019: Mumbai scrapes through in voting report card

The residents alleged that they heard that because the building was old, the election officer was told that the structure had been demolished for redevelopment. "We cast our last vote during the BMC election in 2017. There was no problem then. But now, the whole building has gone missing. How is it possible?" asked Rasheed Sheikh.

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

Crèches at polling booths

The Election Commission roped in Aanganwadi Sevikas on voting day to take care of children coming with their parents to voting centres. While several such Sevikas were seen standing near the polling stations to take care of children so that they don't enter polling booths, other arrangements were made in rooms inside various schools where parents could leave their kids for a short while to vote.

Also Read: Elections 2019: Regular voters find their name missing at polling booths

In Prabhadevi, 147 Aanganwadi workers were roped in for this. A municipal school at Prabhadevi saw about 40 children taken care by these workers throughout the day. Even at Malad, the crèche was a big hit. Vandana Kothekar, who was on election duty and taking care of these kids from Prabhadevi, said, "We saw a good turnout and parents were willing to keep their children as it was just a matter of a few minutes."

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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It is hard to imagine how a single sweet — that otherwise holds hereditary, nostalgic and gastronomical relevance for many — keeps reappearing as a bone of contention between members of the civil society. It was only in March that the tussle between West Bengal and Odisha saw a new facet, with the latter challenging the Geographical Indications’s grant to ‘Banglar Rosogolla’ in November 2017, which stated that the juicy and soul-stirring treat was, in fact, from Bengal.

Now, this guilty pleasure is back in the news, and it reappears as West Bengal CM Mamata Banerjee’s ammo. While campaigning in Raniganj and responding to Prime Minister Narendra Modi, Didi claimed Bengal would be gifting him rosogollas made of clay and filled with gravel instead of votes. And while the two leaders made national headlines engaging in a rather infantile, albeit funny, donnybrook, we kept dreaming about the dessert. If you’re looking for a sweet escape from this political circus, here are few places to hide.

Sweeter than roses

Something that is meant to make people happy is now being used as a weapon in a war of words. It is a rather sad state of affairs," laments chef Jerson Fernandes. At this Juhu eatery, the gulabi rosogolla (R399) gets its name from the rose-scented syrup it’s dipped in. "The trick to making perfect rosogollas is kneading the dough well. We soak the chena dumplings in a rose-water sugar syrup, instead of the regular kind. It also happens to be very popular among patrons," Fernandes shares.

At Jeon, Hotel Sea Princess, Juhu Tara Road. Time 7 am to 12 am Call 26469500

Taste of Bengal

At Sweet Bengal, you can choose from plain rosogolla (R20), special rosogolla (R23) and kesari rajbhog (R25), as well as seasonal versions like mango and jaggery. Manager Chanchal Chakraborty tells us, "We source milk from Bengal to esnure authenticity, and the aim is to arrive at perfectly spongy rosogollas." He adds that they sell 2,500 pieces of the treat in total across the city.

At Sweet Bengal (all outlets). Time 10 am to 10 pm Call 9137155884 (Bandra West)

Café rosogulla

Staying true to their core principles, this restaurant is serving the traditional Bengali sweet with a zany twist. Speaking about the coffee rosogulla (R425), chef Thomas Zacharias says, "Why restrict rosogulla to its sickly sweet sugar syrup and not infuse it with another flavour? We soak the rosogolla in dark espresso and serve it with salted caramel ice cream and a homemade peanut brittle for crunch."

At The Bombay Canteen, Kamala Mills Compound, Lower Parel. Time 12 pm to 1 am Call 49666666

Treat from the past

Opened in 1971, Sandesh Bengali Sweets would originally serve samosa, jalebi and lassi. Then, sometime in the ’80s, the demand for Bengali sweets rose among Mumbaikars and the establishment introduced a range of sandesh and mishti over the years, but the offering began with rosogollas. "Uss time pe Bengali sweet ka ek hi matlab tha — rosogolla [R16]," shares second-generation owner Chandan Singh, adding, "Now, it has become so popular we sell close to 800 pieces a day."

At Sandesh Bengali Sweet, Dharmeshwar Building, TH Kataria Marg, Matunga West. Time 7 am to 10 pm Call 9004104908

Only serve it sweet
Around since the 1940s, Brijwasi Sweets’ Goregaon East outlet specialises in Bengali treats. Owner Anurag Agrawal tells us, when his forefathers introduced Mumbaikars to rosogollas in the ’50s, very few knew about the dessert. Today, it is one of their top-selling items. They serve rosogolla (R13 to R26) as well as rajbhog (R35), which is bigger and has an oozy centre. Asked to comment on the debacle between Didi and NaMo, Agrawal said, "I wouldn’t like to get into politics; all I know is that rosogollas should only be served sweet."

At Brijwasi Bengali Sweets, Sonawala Road, Goregaon East. Time 10 am to 9 pm Call 26863392

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Bombay To Barcelona Library Cafe in Marol and a tray of herbs

While many high-end restaurants in the city are struggling to execute the farm-to-table experience, street kid-turned-author Amin Sheikh has found a way to add fresh herbs into the fare prepared at this four-month old Bombay To Barcelona Library Cafe in Marol. Sheikh, who launched the café to help provide employment to street boys and girls and give back to society, has installed a vertical garden in the premises. “At the café, everything is made-to-order.

We wanted to enhance the organic experience by adding fresh produce,” says the 35-year-old, who received the modular, four-tier, self-watering system from the Mumbai-based start-up Enverde, specialising in urban farming. The owners happen to be regulars at the cafe.

“I bought herbs like basil, lemongrass, parsley, oregano, coriander and even spinach from a nursery at Bhavan’s College, and planted them last week. We get ample sunlight so we will wait for the plants to grow and then use them in the food,” informs Sheikh, who had earlier visited farmers’ markets but found the produce too expensive.

The café was launched with the funds Sheikh had gathered from the sale of his autobiography Bombay Mumbai Life Is Life I Am Because Of You (self-published in 2012), which captures his gritty success story. Run by seven staffers, it serves Spanish tapas, Spaghetti, sandwiches, rolls, muffins as well as Indian fare — all the dishes are priced under `200. “A friend of mine in Spain, a chef, just finished a nine-day training with the boys,” shares Sheikh, who plans on launching the café in Barcelona too.

Time: 10 am to 10 pm
At: 3 and 4, Gold Nest Housing Society, Marol Naka, Andheri (E)
Call: 9820212029

Haitham with Shah Rukh Khan on the sets of Dil Hai Hindustani where the two sang SRK’s chartbuster Jabra Fan

When we meet Haitham Mohammed Rafi inside the dimly-lit sets of a popular music reality show, he stands out from those sitting beside him. The white of his traditional dishdasha and the colourful turban — called the massar — make him look like an anomaly. The 23-year-old appears to be closely observing his fellow singer — a girl half his age — who is on stage and singing the famous DDLJ-towel song, 'Mere Khwabon Mein Jo Aaye,' when we raise our hand and call for his attention. There is instant recognition.

"Wallah!" he yells out in Arabic. "How come, you here?" he goes on, in his Middle-Eastern accent.

It has been three years since we first met Haitham. The last time it was in his hometown Muscat, the capital city of the Sultanate of Oman. "I will sing in Bollywood, someday, Inshallah!" he had then rapped, much to the amusement of this correspondent. At the time, we had wished him luck, without mocking his expectations or pointing out the risks.

Last week, when a video of filmmaker Karan Johar sitting in stunned silence after Haitham’s performance of Naina Thag Lenge, went viral on Arab social media, this writer was glad she had kept mum then.

Haitham, an Omani national, has just made it in the final 11 of the first season of music reality show Dil Hai Hindustani. Being an Arab, has only worked in his favour. For the judges, Johar, Badshah, Shalmali Kholgade and Shekhar Ravjiani (of Vishal-Shekhar fame), the first question on their mind was, “Can an Arab sing in Hindi?”

"Okay, maybe!" "But, that good!"

"I have Mohammed Rafi’s blessings," Haitham jokes. Not like, we hadn’t been meaning to ask him the story behind his namesake. Haitham al Balushi takes his middle name, Mohammed Rafi, from his father, who was surprisingly christened by the veteran Hindi singer himself. "Though Omani, my grandfather was a huge fan of Mohammed Rafi," he recounts. “When my father was born, Rafi saab was performing in Bahrain. My grandfather, who was working there, went for the show and managed to have a quick chat with him backstage," he says, adding, “He told Rafi saab, I want you to name my newborn.” The rest, as the Balushi family recalls, is history.

Until seven months ago, Haitham worked as a personal banker with a leading national bank in Muscat. “It was so boring. I hated going to work...it was suffocating," he says. Unable to take it anymore, Haitham put in his papers, and ferociously started looking for opportunities to sing. "I wanted to pursue my passion," he says. We ask him what that is? And, pat comes the reply, "I want to become the first Arab playback singer and composer in Bollywood." Haitham has been harbouring that dream since he was 11.

In Oman, Haitham says, there is no concept of vocal training. "If you're a good singer, you're a good singer." His only source of Bollywood music was audiocassettes and CDs as a child, and later YouTube. "So, when I told my Omani friends that I wanted to become a singer, they laughed. They said, 'You can’t make it big in India…it is so tough'."

On an Indian friend’s advise, he started listening to a lot of ghazals. "I was told that it would help me get my nuances and accent right," he says. His favourite ghazal singers are Jagjit Singh and Rahat Fateh Ali Khan. But, that's how Haitham’s Bollywood dreams first took flight.

In 2012, he became the first Omani to win Muscat Idol, which sees participants mostly from the Indian Diaspora. From there on, due to dearth of a great body of work, Haitham started composing music for Omani TV shows. “But, I realised that I wasn’t enjoying Arabic music. Each time, I sang in Hindi, I was happier,” he says. Of the 500 songs he has composed, 450 were in Hindi. “My mum knew I wasn’t meant for Oman. So, she kept pushing me to try my luck at Indian reality shows,” he says. He tried thrice and failed. The fourth time, he decided to think practically and opted for 'The Voice Ahla Sawt', the Arabic version of the international music show. “Even there, I could not fit in,” he says. This December, after five years of working towards his dream, he got the call. And, that too, from India.

Here, he is still just another contender at the show. But, back home, things have changed for Haitham. After a video of his performance went viral, Omanis in Muscat, who he claims love Hindi cinema, have gone into an overdrive. “I’ve already signed 13 shows in Muscat and Dubai,” he says. “My friends are buying the Indian digital channels, just to watch my show.”

"I think it's a proud moment for my country," Haitham says. Just as we end, he gets his cellphone out, and shows us a photograph of his, clicked with Shah Rukh Khan, where the two are facing each other, striking the latter's signature pose. “India has already opened its arms to me," he gushes.

Search engine giant Google unveiled a special doodle on Holi. The doodle shows a group of children splashing the Google logo with many colours.

According to Google, "Today, the Google letters are taking on a fresh set of colors in honor of the Holi festival. Coinciding with the arrival of spring, the vibrant celebration looks a lot like the Doodle: people run around happily covering each other in a rainbow of powdery hues.

Amid the cloud of red, blue, yellow, green, and everything in between, festival-goers can often be found laughing, singing, and dancing in the streets. The joyous event, which takes place in India, Nepal, and other countries around the world, traditionally marks the triumph of good over evil. It also gives family and friends a chance to simply come together, enjoying a spirited “Festival of Colors” that undoubtedly lives up to its name."

About Holi
Holi is a Hindu spring festival in India and Nepal, also known as the "festival of colours" or the "festival of love", It signifies the victory of good over evil, the arrival of spring, end of winter, and for many a festive day to meet others, play and laugh, forget and forgive, and repair broken relationships, and is also celebrated as a thanksgiving for a good harvest.

The first day is known as Holika Dahan (हà¥ÂŠà¤²à¤¿à¤Â•à¤¾ दहन) or Chhoti Holi and the second as Rangwali Holi, Dhuleti, Dhulandi or Dhulivandan.

April 23, 5 PM: Do you believe you have the coolest dog on the planet? Maybe it's time to let the world know that too. Vile Parle's ZooBar is organising Dog's Got Talent, where your mutt can show off his skills right from his obedience levels, fetching ability, turning tricks, love for food, loudest bark or even for simply looking the cutest. The Applausometer will reward the swaggiest waggers in multiple categories, because we all believe every dog's got a talent."

Humans have had enough fun, it's now time for our paw friends to enjoy. This event will see dogs indulging in a lot of games, competitions and delicious canine goodies. It gives pet owners the time and opportunity to take their dogs out and spend some quality time with them and be a great change and source of entertainment for dogs," says owner Nishant Joshi. The highlight of the event will be some summer treats for y our furry friends by K9 professionals, a nice grub by Mutt Hutt, a photo-op and accessories sale.

Sanjay Sharma with his daughters Aayushi (left) and Shriya, both of whom enjoy skating. Pic/Satej Shinde

"When you get divorced, the people you used to hang out with disappear. Suddenly, you have no friends, and neither does your child," begins Hemant Amrute, 43, who has been raising his 12-year-old son as a single parent since 2010. Similarly, Goregaon resident Sanjay Sharma has had full custody of his daughters since 2013, when his older child was not yet five, and the younger two-and-a-half years old.

Hemant Amrute with his son Aryan before a parasailing trip in Goa last December

Taking on the role of both parents hasn't been easy for either of these single dads, but that hasn't stopped them from providing their little ones with an upbringing that isn't lacking.

Striking a work-life balance
Recently, actor Tusshar Kapoor and director Karan Johar made news when they became single fathers to children born via surrogacy. But while these men, who come from privileged backgrounds, presumably have help, this is not the case with most single dads who have to juggle work and kids.

A normal day in the life of the Sharma family is hectic. "Luckily for me, I run my own business, so I do all my work when the kids are at school. My job is to pick them up and later in the evening, drop them off for skating or swimming lessons. My older daughter has also been learning Kathak for two years, while my younger one takes singing lessons," shares 35-year-old Sharma, adding that his mother helps him out on the home front.

Amrute, meanwhile, is also a busy entrepreneur, but now feels confident enough to leave his son home by himself whenever required, as he's a little older. His challenge, however, lies in the kitchen. "I never learned to cook," laughs the Thane resident, adding, "We've had a string of cooks come and go, because both of us invariably end up not liking the food."

Not to mention that being a single parent still has stigma attached to it, which is multiplied when the single parent in question is the father. "In the beginning, people would say, 'Yeh nahin kar paayega (he won't be able to do it)'. Now, they've seen it for themselves," says Sharma. Echoing the sentiment, Amrute adds that once a couple gets divorced, people tend to look down on them, and your social circle shrinks to prevent the awkwardness.

Creating a lasting bond
Sharma's daughters and Amrute's son love being outdoors. Sharma takes his kids to the beach, park, as well as for kiddie events across the city. "We love going on holidays, too, even if they're to nearby places like Mahabaleshwar or Daman."

Amrute and his son Aryan spend weekends at their farmhouse in Yeoor Hills, and head to the cinema or the mall on other days. "We also spent Christmas in Goa last year, which was a lot of fun. A few years ago, I took him with me on a work trip to the US, and we visited a lot of places when I had some downtime," he shares.

Both men recently discovered and joined iSingleParent, a Facebook community that organises meet-ups and holidays for single mums and dads and their kids.

Amrute says that when not at school, his son would end up spending time playing with a smartphone. "We live in a standalone house, so there aren't any kids around for him to play with. But he loves technology, and scored full marks in Robotics. He also enjoys beatboxing and recently started trying out parkour. And now, thanks to the group, he looks forward to bonding with the other kids who come for the meet-ups," he says.

Illustrations/Ravi Jadhav

Girgaum, Kamat Chawl Thakurdwar
Celebrating the festival for the last 122 years, simplicity is key for Kamat Chawl residents. And they are happy to share tales from the forgotten pages of history and freedom struggle. Here, they do not follow the concept of themed decor and celebrate the festival in an absolute traditional manner. The idol is made of eco-friendly material called shadu. Following the spirit of why the festival was started in the first place, the pandal is built by the residents and each one volunteers to manage the space and the stage area.

Khetwadi, Tulsi Building Sarvajanik Ganeshotsav Mandal
This is the 75th year of the pandal and, like each year, the Ganesh idol is made up of different things, mostly edible. For instance, dry fruits, cereal and pluses, chikki, and stationery and diamond have been used. This year's focus is on kids and the theme is Disneyworld. The idol is made of Cadbury chocolate and the children cannot wait to see their favourite sweet take the shape of their favourite deity.

Malad, Shree Sai Darshan Mitra Mandal
For the last 11 years, this eco-friendly Ganesha has been a hit with devotees. Made from paper and cardboard, the organisers use various concepts including football erasers, pencils and cars. This year, Bappa is giving a shout out to nostalgia as the idol is made of old coins of 1 paise, 10 paise and 20 paise. The mandal's focus is to create awareness and education, especially about global warming.

Ghatkopar, S G Barve Nagar Sarvajanik Ganeshostav Mandal
Since 1966, the pandal's idols, one large and one small, have been luring devotees to this suburb. This year's theme is a dreamy fusion of a golden pillared palace, the religious oeuvre of Om Ganapataya namah and the galaxy. A daily bhandara of rice, dal, chole, bhaji, papad, pickles and gulab jamun feeds a thousand people. A blood donation drive along with free blood test and blood group check is done during the 10 day period.

Fort, Fort Vibhag Sarvajanik Ganesh Utsav Mandal
Celebrated since 1956, this is one of the biggest fully centralised pandals in the city. This year, they have invited special artists from Rajasthan to create a palace setting. Their finesse and specially crafted artwork adds to the grandeur of the pandal. While you are here, you can easily spot a celeb or two. The maha aarti, especially for the police department, is scheduled for tomorrow.

Thane, Narvir Tanaji Mitra Mandal
For the last 38 years, this pandal has been not only known for its large murti and grand themes but also for reaching out to those in need, especially in rural areas. Bappa will happily rest in the grand Rajasthani Palace and overlook the tasks the members of the mandal will take up. Medical camps and a beautifully curated cultural programme that will see participants sing, dance and create beautiful flower arrangements and rangolis are in store for the Utsav.

Tilak Nagar, Sahyadri Krida Mandal
For the last 41 years, this pandal has been dedicatedly putting up themes on social awareness. This year, their theme is 'Jai Jawan, Jai Kisan, Jai Vigyan' and will include artworks illustrating places from Kashmir to Kanyakumari, highlighting important destinations like the Himalayas and Madurai's Meenakshi Temple. These will be interspersed with reproductions of the metro, rail space research, army personnel and agricultural families to show how they co-exist to form an integral part of society.

The dim light of candles engulfs Andheri's Harkat Studios in a warm glow. A 25-member audience settles on the mattresses around an elevated gadda under a spotlight. The mushaira's (poetic symposium) setting is perfect. Before seven Urdu shayars begin the performance, Devroop Sharma of Irshaad poetry collective acquaints the audience with the basics: Say 'mukarrar' for an encore and 'waah waah' as applause.

(Clockwise from top) Artistes Devroop Sharma, Khan Faisal Barkaati and Ashwani perform at the mushaira held last weekend. Pics/Tanvi Phondekar

For the next two hours, the fragrance of Urdu fills the room as the shayars - including 20-year-old Khan Faisal Barkaati, and Ashwani, who recites poetry in a Haryanvi accent - share original nazms on love, heartbreak, politics, education and motherhood. They make it interactive, asking the audience to complete a misra (a couplet line). They also ensure the guests aren't overwhelmed by the language, by explaining the meaning of lesser-known words like ilm (knowledge) and baa-safaa (chaste) before narrating the verses. Some members in the audience repeat the words under their breath to savour their taste. One of them, Sankalp Rawal, tells us after the show that was held last Saturday, "I understood 70 per cent of what was recited but still enjoyed the performance."

Shamir Reuben and Hussain Haidry

For Sharma, that's an achievement. "The idea isn't to spoon-feed but help expand your vocabulary. When you don't understand a word, you look it up and then, enjoy the shayari more. It stays with you even after the performance," says the 29-year-old poet and salsa dance teacher, who launched Irshaad six months ago, to promote regional language poetry.

Mohammed Sadriwala

Urdu takes the centre stage
Recent months have seen a spurt in groups supporting the language. Earlier this year, Studio Tamaasha kicked off Urdu Readings, a series of dramatic readings of Urdu short stories, conceived with the help of academic Aslam Parvez. Its finale will be held on October 28.

The Poetry Club (TPC) introduced Mehfil, where members discuss popular Urdu poets, besides Hindi and English. "We wanted to challenge the notion that Urdu is difficult to understand. We use words from it in everyday conversation without realising it. Like, darwaza," says Ankita Shah, co-founder of TPC, which will host the next session in November at G5A.

Write and learn
Workshops that help you hone Urdu poetry skills are also finding takers. Last month, Karan Talwar, curator at Harkat Studios, collaborated with Sharma to present a ghazal-writing workshop. Led by college professor Abhishek Choudhary, it deconstructed the form to drive home the point that every ghazal uses the same kind of metre. "The idea was to help the participants realise that a ghazal isn't difficult to master, if you know the math of it," says Talwar. On October 27, the duo is also collaborating for Kissagoi, comprising theatrical readings of original Urdu stories by three young poets.

Meanwhile, a Hindi and Urdu spoken word masterclass, titled Lafzon Ki Kaarigari, saw 15 participants aged 18 to 40 in attendance. Held last Sunday, it was curated by YourQuote, a mobile app for writers to share original poetry. The 25-year-old poet Mohammed Sadriwala, who conducted it with fellow poet Rakesh Tiwari, says he was impressed at the turnout. "When I started out in 2014, I saw eight out of 10 poets performing in English at open mics. Today, over 50 per cent use Urdu in their performance. It's more expressive. There's also a certain pride in performing in your own language," he observes. Another masterclass is scheduled for next month.

"Of the 2.5 lakh Indian users of our app, 35 per cent [87,500] prefer writing in Hindi and Urdu. That's also because today, more content consumed online is in regional languages," says the app's co-founder Harsh Snehanshu.

Case in point: 31-year-old Indore-born, Mumbai-based Hussain Haidry's poem, Hindustani Musalmaan, which went viral as soon as Kommune launched it on its platform in February, and at last count had seen 5 lakh views. "People are more receptive and attentive to Urdu. Credit goes to [Delhi-based] organisations such as Rekhta Foundation, which are responsible for reviving and preserving the language," says Haidry, a go-to artiste to add to the line-up at Hindustani poetry performances. He also narrated his poems at The Urdu Exhibit, a launch event for Design Fabric's latest issue featuring artworks themed on the language.

Haidry will perform next on October 12 at a Hindi-Urdu poetry open mic at The Cuckoo Club, curated by Kommune as a prelude to their debut spoken word festival. "We've also prepared a list of new, young poets writing in the language. A pure Urdu poem may be difficult to understand but the younger poets are mixing it with Hindi to make it conversational and audience-friendly. It also has a greater impact when used to make a political and social commentary. While at it, they are keeping Urdu alive," says Shamir Reuben, member of the storytelling collective.

Poetry meets activism
Talwar adds that celebrating Urdu is important in today's political scenario. "Recently, at a curatorial workshop in Delhi, I learnt that India doesn't have an Islamic art gallery. That's strange considering it's an integral part of our culture. At a time when Islamic influences in Indian art and culture are being underplayed, curating Urdu-focused events is our shot at activism, where we try to rediscover the language in a safe space."

No Fathers In Kashmir
U/A: Drama
Dir: Ashvin Kumar
Cast: Kulbhushan Kharbanda, Soni Razdan, Zara La Peta
Ratings: 

So grim and unnatural are the goings-on in Kashmir, that it's almost hard to find yourself not questioning the films that claim to mirror the realities in the Valley. Ashvin Kumar's No Fathers In Kashmir is empathetic in its approach, but critiques the militarisation in the state. Kumar narrates the story through the eyes of Noor, a teenager oblivious to the situation in the Valley.

Like those of her kind, she continues to showcase her life on social media, ever so often posing with a terrorist because... Well, why not? Unaware of the repercussions of her actions, Noor eventually stumbles upon some harsh truths pertaining to her family. Her father, Basheer was picked up by the Army, and never returned. The more she delves into the details, the more the skeletons she finds in the closet - literally!

Kumar uses Noor's naïvety to explore the plot from the perspective of a third person, elucidating how Kashmir's normal is actually bizarre, claustrophobic and heartbreakingly inhuman. At the crux of the film is an innocent love story involving Noor and Majid, who bond over their unfortunate but common fate as both their fathers were taken away by the Army.

Lucidly shot, and wonderfully executed, the film seems to evade the point that it attempts to make at first, but is more aligned post-interval. Shots involving the goings-on in interrogation rooms, graves that see militants dumped in masses, and the common sighting of stray dogs roaming around with severed parts of the human body, successfully invoke the fear that the makers desire. It's a matter that should most certainly be discussed in mainstream media.

To drive home this point, Kumar successfully highlights the effects of the situation on children when he showcases one kid elaborating on the difference between a terrorist and a militant, to his friend, and attempts to state how those perceived as enemies of the state, have clarity of intention in their heart. The actors are perfect, especially the children.

Kumar's film, however, isn't without loopholes. But you are willing to let them pass because the film makes a brave point - no one deserves to be woken up in the midst of the night by the resounding noise of bullets. Can this be rectified? The film makes an earnest plea, urging us to do our best.

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Shazam!
U/A: Action, Adventure, Comedy
Director: David F. Sandberg
Cast: Zachary Levi, Michelle Borth, Djimon Hounsou, Mark Strong
Rating: 

Moving from dark and foreboding (Batman, Batman Vs Superman, Suicide Squad) to bright, frothy and fun (Wonder Woman, Aquaman) and now Shazam!, DC Comics appears to have gotten a lead on its entreaty. This film based on a lesser known comic book, in which Zachary Levi plays Billy Batson a.k.a Shazam, a superhero who is actually a 14-year-old boy magically transformed by uttering the titular incantation, is kid-friendly, has a strong jocular vein and advocates family values at a time when families are breaking apart because of selfish, individualised pursuits.

Watch the Shazam! trailer here: 

Directed by David F. Sandberg, Shazam!, is an origin story of the titular character as well as the villain, Dr Thaddeus Sivana (Mark Strong). The villain, in fact, is first shown as a little boy bullied and blamed for all calamities that befall, by his older brother and domineering father. So when he believes and actualises in taking control of the dark powers of the Seven Deadly Sins, you still empathise with his need to prove himself worthy. It's only when he pursues Shazam that we get conflicted and confused about whom to root for. More so because Shazam, being just a kid and forced to play in the adult league, takes a long time getting a handle on himself, his powers and eventually coming into his own.

Billy Batson's own history comes into play to swing empathy to his side. Separated from his unwed, teen mother at a carnival and subsequently sent to a series of Philadelphia foster homes - from which he continually runs away, he eventually winds up with an extended foster family of five, including disabled Freddy (Jack Dylan Grazer), who walks with the aid of a crutch and is obsessed with all things superhero. With Freddy as the wonder-struck side-kick, the duo embarks on theatrical antics that are delightfully fantastic.

The battles between Shazam and Dr Sivana don't amount to much other than CGI driven plot mechanics. The CGI incarnations of the seven deadly sins and those highlighting the powers of Shazam and his siblings never get distinctive enough to keep us hooked. The rather long 131 mins runtime also takes a toll on the overall enjoyment. Despite the negatives, this film manages to drum up anticipation and leave a smile on your face after the end credits!

Also read: Zachary Levi roped in for The Marvelous Mrs Maisel

Catch up on all the latest entertainment news and gossip here. Also download the new mid-day Android and iOS apps to get latest updates